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A collection of four mounted stars, The France And Germany, The Italy Star, The 1st Army Africa and the 1939-1945 star. A mounted pair of war medals including the 1939-1945 defence, a Royal Engineers badge with patch. Awarded to B.G Ladding with the original box.

A men's CPL R.A.F uniform with R.A.F buttons, serial number A8211956,chest size 44cm , length 82cm, three pairs of R.A.F trousers, the lightweight blue is 44cm waist, length 100cm, the other two pairs are 41cm, 46 waist and both 105cm length. together with a shirt, pair of shorts and a National Hospital Service Reserve patch.

An Austrian silver and enamel cigarette case and vesta set, by Georg Adam Scheid (1831-1922), each stamped with makers mark and Austrian control mark, the cigarette case additionally stamped with a German control mark and "900",  each of rectangular form with matching enamel portrait of a jockey upon mount, the cigarette case approx. 8.8cm long, the vesta approx. 5.1cm long. (total gross weight approx. 180.3g). (2) Further details: both generally okay; slightest loss to enamel to vesta case; both enamelled horses and riders with scratching to surfaces; patch of tarnish / discolouring to reverse of cigarette case; heavier tarnish to areas to vesta; dent to reverse of vesta: some loss to gilding to both slightly; general wear.

UNITED STATES OF AMERICA INTEREST. Six medals: a World War One Victory Medal with two clasps [Defensive Sector/Aisne-Marne]; A World War Two Victory Medal in box of issue with ribbon bar; a Vietnam Service Medal; A bronze star; a Republic of Vietnam Service Medal; a Distinguished Flying Cross in its box of issue with its ribbon bar and button hole; together with three cloth insignia, including a Hell on Wheels Divisional Patch [9]

Bretez (Louis) La Perspective Pratique de l'Architecture, engraved frontispiece, 2 leaves of engraved text and 57 plates (including 5 unnumbered at end), the Marquess of Bute's copy with engraved armorial Luton Library bookplate, contemporary cats's paw calf, a little rubbed, slight worn patch to lower cover, rebacked preserving old gilt spine, corners repaired, [cf.Berlin Kat. 4727 & Fowler Cat 66, first edition with 52 plates; not in BAL], folio, Paris, C.-A.Jombert, 1751.*** First published in 1706 with only 52 plates. Bretez is best known as the draughtsman employed by Turgot in the mid 1730s to produce his celebrated map of Paris. 

Lebrun (Louis) Théorie de l'Architecture Grecque et Romaine..., half-title, engraved additional title with decorative border and 25 plates, letterpress title following preliminaries, light foxing, mostly marginal to plates, old ink library stamp to verso of engraved title and first leaf of text and labels to front pastedown, contemporary mottled calf, rubbed, worn patch to lower cover, rebacked, [BAL 1797], Paris, 1807 § Spon (Jacob) Recherches Curieuses d'Antiquité, first edition, engraved additional pictorial title, title vignette and illustrations, some full-page, engraved title with old ink inscription crossed out at head and frayed at upper outer corner (also following few leaves), light water-staining towards end, Jean Masson’s copy with his ink signature and notes to front free endpapers, later pencil signature of William St.Clair, contemporary mottled calf, rubbed, rebacked, corners repaired,  Lyon, Tomas Amaulry, 1683; and another on antiquities, folio & 4to (3)*** The first is a scarce treatise on the theory of architecture, arguing that architecture is essentially a matter of mathematics and that true architectural beauty derives from arranging the parts of a building in proper geometric proportion. In the third part Lebrun applies his theories of architectural proportion to Soufflot’s church of Ste. Geneviève (the Pantheon) in Paris. The second item is an account of a journey in 1675-6 to Greece, Constantinople and the Levant by a Huguenot doctor with the English traveller George Wheler. Jean Masson (1666-1747) was a French Huguenot who eventually became a Church of England clergyman and an expert of Greek and Roman coinage. Several of his notes relate to coins.

Tolkien (J.R.R.) The Lord of the Rings, 3 vol., comprising The Fellowship of the Ring, third impression, jacket with some spotting to panels, light toning to spine, small patch of red staining to head of rear panel, 1955; The Two Towers, second impression, jacket with light browning to spine tips, 1955; The Return of the King, first impression, jacket with light toning and creasing to spine tips, sliver of marking to margins of flaps, 1955, first editions, folding maps, some spotting or browning to endpapers along with some tape-marking, original cloth, dust-jackets, bright and excellent or near-fine overall, 8vo.

Baskerville (John).- Bible, English. The Holy Bible, containing the Old Testament and the New, first Baskerville edition, list of subscribers ending with "York", births and deaths of the Miles family in ink manuscript to front free endpaper, scattered spotting or light foxing, particularly near start, light browning and soiling to endpapers, early 19th century russia, elaborately tooled in gilt and blind, spine gilt in compartments, upper cover with "John Miles/ West End/ Hampstead" in gilt within central blind-tooled lozenge, inner gilt dentelles, marbled endpapers, lower cover with some light scuffing and very small patch of worm damage to head, some light rubbing to extremities, preserved in a contemporary calf "dust-jacket" (rubbed), [Gaskell 26; Herbert 1146], folio, Cambridge, John Baskerville, 1763. *** One of c.1250 copies, in an attractive and well-preserved binding. This edition "has always been regarded as Baskerville's magnum opus, and is his most magnificent as well as his most characteristic specimen" (T.B. Reed, A History of the Old English Letter Foundries, p. 279).

[Combe (William)] [The Three Tours of Doctor Syntax], comprising The Tour of Doctor Syntax in Search of the Picturesque; The Second Tour of Doctor Syntax, in Search of Consolation; The Third Tour of Doctor Syntax, in Search of a Wife, 3 vol., first edition, 2 hand-coloured aquatint vignette titles (vol. 2 without) and 78 hand-coloured aquatint plates by Thomas Rowlandson, original ink and wash sketch by Rowlandson bound into vol. 1 at start, captioned "St. Michael's Mount Cornwall" in ink on verso, the odd spot or patch of light soiling, light offsetting, handsomely bound in purple crushed morocco by Sangorski & Sutcliffe, gilt, inner gilt dentelles, spines uniformly sunned, some very slight rubbing to spine ends and corners, t.e.g., [Tooley 427-29], 8vo, R. Ackermann, 1812-20-21. *** The original sketch by Rowlandson depicts Doctor Syntax at work sketching the Mount from the beach below.Provenance: Rowlandson sketch at Christie's, South Kensington, British and Continental Watercolours and Drawings, 3 May 2001, lot 81.

Windsor Castle, St George's Chapel.- Artificers Bills For Work Done For His Majesty In St. Georges Chapel Windsor Castle... 1785 To... 1791, manuscript signed "Hen:y Emlyn" at end, 4pp., slightly browned, watermark "C Patch", original marbled wrappers, manuscript label on upper cover, folio, [c. 1791]. *** Henry Emlyn's final summarised building accounts for the restoration of St George's Chapel, Windsor. The manuscript divides the the costs incurred into five chronological periods, distinguishing the bills for joiners' and carvers' work, itemised here in  detail, from the bills submitted by other tradesmen (stonemason, smith, plumber, glazier), for which totals only are given.  On the final page there is a breakdown of those bills settled by Dr Fisher (John Fisher, Canon Residentiary and and Chapter Treasurer of Windsor, subsequently Bishop of Exeter and later, Salisbury). Emlyn's autograph note at end, "For my Attendance and Direction of the Work no charge has been made."

Woolf (Virginia) The Years, first edition, very light browning to endpapers, original cloth, light toning to spine, extremities a little rubbed, dust-jacket, very light toning to spine, spine ends and corners a little chipped, slight creasing to head, small patch of discolouration to upper panel, but overall a near-fine example, [Kirkpatrick A22a; Woolmer 423], 8vo, Hogarth Press, 1937.

Hobbes (Thomas) Leviathan, or The Matter, Forme, & Power of a Common-wealth Ecclesiasticall and Civill, [second edition], additional engraved allegorical title, printed title with woodcut device of bear and foliage, folding table, contemporary calf, rubbed, joints worn, small patch of leather missing from corner of lower cover, [Wing H2247; c.f. Pforzheimer 491; c.f. PMM 138], folio, Printed for Andrew Crooke [i.e. John Redmayne and Christoffel Cunradus], 1651 [i.e. 1678].*** Second and pirated edition of Hobbes' political masterpiece, which had been banned in England by the censors. This later printing can be identified by the fainter impression of the additional engraved title page, and the bear vignette to printed title.

A George III enamel patch box, damage to top & internal mirror, motto reads "How much to be prized as a friend, Ours a home we may always safely depend", 44mm wide

H. T. COOPER, NEW YORK; a 19th century 50 bore fully stocked 'Plains Rifle' smoothbore musket converted from flintlock, with 36" octagonal barrel, the lock inscribed with the maker's details and simple game scene, with walnut stock and brass furniture including patch box, with later associated ramrod, overall length 133cm.

REILLY; a 19th century .550 percussion cap sporting musket with 24" octagonal barrel, the lock plate inscribed with the maker's details and foliate scrollwork, mounted on a chequered walnut stock with steel furniture including patch box, overall length 101cm.Condition Report: Overall poor condition, would make ideal restoration project, surface pitting visible throughout, lacking ramrod and part of the furniture is also missing, SN on the tang, 6155, no serial number on the underside of the barrel, no address visable.

A 19th century Continental 20 bore side-by-side flintlock sporting shotgun, with 30" part octagonal barrels and mounted on carved walnut stock with steel furniture, with ramrod, overall length 116cm.Condition Report: There is a split through the stock which has been crudely restored and the repair line is visible, there has been a further patch repair to the heel, areas of the metalwork has pitted although the barrels retain a good portion of original blued finish, overall ok but well used condition.

A Snider action percussion cap converted Tower 1868 pattern .577 three-band musket, with 36" barrel, the lock stamped with VR crown cypher, fitted with walnut stock and brass furniture, the breech stamped with various Birmingham proof marks and mounted with walnut stock and brass furniture, overall length 138cm.Condition Report: Overall ok condition, the woodwork has a good patina, signs of use throughout including scuffs, scrapes, splits, losses, patch repairs etc, all commensurate with use and age. The metalwork has light surface pitting otherwise appears ok. There is a deep score from the butt plate in towards the stock but it is not fractured through, however, it does appear that there is a fracture to the opposite side to the lock from the breech towards the trigger.

Status Quo 2 x T-shirts, patch, programme & 1984 End of the road booklet

A cased 54-bore (?) Tranter's 3rd model patent, double action percussion five-shot revolver, Serial No: 3,540-T, retailed by Henry Beckwith-Skinner, South London, fitted with an octagonal barrel, double trigger and finely chequered walnut pistol grip, the fitted oak case lined in green baise with accompanying lead shot, bullet mould, grease tin, and wadding patch cutter, 30 cm long the pistol A private collection.Buyers must be aware of their country’s shipping and import policies regarding guns, knives, swords, and other offensive weapons prior to purchase. They are required to ensure that the lot can be delivered by a specialist shipper, whether in the UK, Europe or internationally. On the drawing of the lower trigger it holds but does not lock the hammer then once the upper trigger is drawn, it releases the hammer, and the cylinder advances and indexes correctly.The percussion nipples are intact but some are blockedThe blueing is worn but the steel has a good patina of ageThe barrel is free from blanking or blockageThe swivel rammer swings and locates in its keeper as it shouldThe foresight and rear notch are intactThe chequered wooden pistol grip is in good order without splits or cracks.It is possible that the box has been adapted for this pistol but is contemporary with it .

Circle of Thomas Gainsborough, The Sandpit , oil on canvas, 50 x 62cm. Framed and glazed. Provenance: Purchased by the vendor's ancestor, Christies King Street, 10th April 1899, £45, thence by descent. Condition Report: Under glass in good gilt plaster swept frame, patch and badly restored area middle right (anecdotally damage occurred being blown off the wall during an air raid), other old retouchings visible under u.v. light, craquelure throughout, needs cleaning and improved restoration.

John Holland (British fl.1863-1893), Figures and cattle in a marshy landscape near the shore, oil on canvas, signed lower left, 51 x 77cm. Framed. Condition Report: Patch to canvas middle left, some fine craquelure, no obvious retouching visible under u.v. light, though the patch suggests there may be. Overall good appearance.

Emily Beatrice Bland (British 1864-c.1951), A river landscape, possibly Christchurch, Dorset, with Priory and bridge, oil on canvas, 52 x 35cm. Framed.Condition Report: Possible patch upper right, paint slightly thin in places, but good overall appearance.

A collection of Walt Disney painted figures from the As Seen On TV And Movies collection for the 1961 animated adventure comedy movie, 101 Dalmatians. Miniature characters includes Pongo, Perdita, Bravo, Corky, 2 Inky, 2 Lucky Pup, Patch, Penny, Sleepy, Smoky, Sniff, Spark, Spatter, and Sergeant Tibs. Each figure is hand painted by artists and placed in original Marx Toys Disneykin As Seen On TV yellow boxes. 3 of the boxes are in German. Boxes in 3 sizes. Box 1: 1.25"L X 0.75"W x 2.25"H. Box 2: 3"L x 1"W x 3"H. Box 3: 3.75"L x 1.5"W x 3.25"H. Issued: 1959Dimensions: See DescriptionManufacturer: Louis Marx & Co. Country of Origin: Hong KongCondition: Age related wear. As is.

Greek Coinages, Thurium: Distater, struck c. 350-300 Obverse: head of Athena right, wearing crested helmet ornamented with Skylla holding trident Reverse: θουριων: bull butting right; x above, pair of fish swimming below exergue line Metal: silver; Achaean weight standard; 15.96g/3h References: Noe H20; Rutter 1811; Ashmolean 926 Condition: Good very fine and toned, the bull well-centred and of vigourous style; small patch of smoothing in obverse field £900-£1,200 --- Provenance: Bt Spink, March 1941

Daisy Makeig-Jones for Wedgwood, a Fairyland lustre bowl, 'Leapfrogging Elves' pattern to the exterior, circa 1920, shape 2597, 10cm diameter.Condition report:No chips, hairlines, or restoration. The gilding remains very good, no real signs of rubbing. No significant surface scratches. There is a small (3mm) patch just below one of the fairy's feet where the green glaze hasn't taken in the firing, so is showing white. The bowl retains a very good ring.

John Anthony Park,Quayside, Polperro, and Coombes, Polperro,a pair, oil on canvas, signed,85x100cm.Qty: 2Condition report:Coombes; Paint surface is currently stable but cracking starting to appear, mostly to the mid and lower sections, paint surface is very dirty (dusty and cobwebs), multiple (6) visible patch repairs to the reverse, some obvious repainting to the front, some old dripping water lines visible to the left side, canvas is a little loose on the stretcher and brittle, signed, stretcher size 87x102cm.Quayside; Paint surface is sound, thin in places but appears to be artists intention, very dirty (dust and cobwebs), this has been lined, some repainting/touching, no obvious other repairs, signed, stretcher size is 87x102cm.Private client consignment, they have been in their family for as long as they can remember.Additional images have been uploaded to the lot page on our website for you to view.

Derby group, Time Clipping the Wings of Cupid, patch marks, 21cm.Condition report:There are substantial cracks to the underside of the base, extending from the base hole (not effecting the figure when stood upright though). Time's left wing has been professionally restored, with the top crest looking to have been rebuilt. There are a number of underglaze firing lines on the figure - mainly the crest of Time's right wing, and on Cupid's right hip. The big toe on Time's right foot has a slight chip which almost pass as the toe nil, but it is chip nonetheless.

NICOLAES MAES (DUTCH 1634-1693) PORTRAIT OF A GENTLEMAN; AND PORTRAIT OF A LADY Oil on canvas, a pair The portrait of a Lady is signed (lower right) Each 65 x 56cm (25½ x 22 in.) (2) Provenance: Sale, Dorotheum, 23 June 1992, lot 88, 89 According to label on the verso, the sitters are identified as two members of the House of Montmorency, one of the oldest noble families in France, dating back to the tenth century. The family, since its first appearance in history in the person of Bouchard I of Montmorency in the 10th century, has furnished six constables and twelve marshals of France, several admirals and cardinals, numerous grand officers of the Crown and grand masters of various knightly orders. Henry IV of France once said, that if ever the House of Bourbon should become extinct no European family deserved the French crown more than the House of Montmorency. The absence of heraldic symbols or distinguished countenance traits leaves the identity of the sitters uncertain.  Condition Report: Portrait of a Lady The canvas has been relined and presents a visible craquelure across the whole surface. UV light reveals various retouching in the background area, especially in the dark sections of the curtain, and on the visage of the sitter, where numerous small restorations have been applied on the forehead, cheek and nose. In addition, an extensive patch of about 4 cm in width of restoration is visible on the white sleeve and left arm of the sitter. To conclude, an unevenly applied varnish is scattered across the whole surface. Portrait of a gentleman: The canvas has been relined and presents a visible craquelure across the whole surface, most evident on the sitter's visage. UV light reveals an unevenly applied varnish, and various retouches, most evident on the red cloth on the right shoulder, extensive infilling of the craquelure to right of the sitter, and various retouches on the sitter's forehead, and a 5 cm long patch of what seems to be retouching below the sitter's left ear - such patch of restoration is difficult to analyse as a thick vanish renders its analysis difficult. The handwritten labels to reverse of each are faint and very difficult to read- they vary in text slightly- the one to reverse of man is very difficult to read and starts "Hicc Deux portraits executez(?) par F**** F***et JANT(?) Par Nicolas Maes et ***** deux famille de Montmorency *** en Fl***" Label to reverse of woman easier to read in part- by left hand section is missing- text may be "Portraits executez par F***** F**** peinte(?) par Maes et representant deux membres de la Montmorency ***(emigree?) en Flandres" additional Gallery(?) label Chenue Emballeur 5 Rue de la Terrasse Paris with illegible inscription, Both also with printed labels for Croset (worn and damaged) and impressed stamp to centre of stretcherCondition Report Disclaimer

STUDIO OF MARTIN VAN MEYTENS II (SWEDISH 1695-1770) PORTRAIT OF KAISER FRANZ JOSEPH I; AND KAISERIN MARIA THERESA Oil on canvas, a pair Each 146 x 116cm (57¼ x 45½ in.) (2) Provenance: Sale, Dorotheum, Kunstauktion Alte Meister Auktion 1611, 14 March 1991, lot 74, as Attributed to Martin van Meytens II Condition Report: Portrait of Kaiser Franz Joseph I The canvas is relined and presents an evenly applied varnish across the surface. UV light reveals various retouches across the whole surface, most evident are on the head of the sitter, where sections of the forehead, nose, and chin fluoresce. In addition, further retouches are present on the hands, and there is a patch of about 7 cm in width to the right of the sitter's head. To conclude, a few retouches are also present on the dress, in most part on the edge of the cloak on the left. Portrait of Kaisern Maria The canvas is relined and presents a subtle craquelure across the whole surface which is though more visible on the chest and neck of the sitter. UV light reveals various retouching in the background area, most evident on the chair and curtain to the right. To conclude, there has been various retouching on the visage of the sitter, but mostly on the neck and chest, where infills of the craquelure cover most of the area. Framed measurements Each 174 c 143.5 cm Condition Report Disclaimer

NEAPOLITAN SCHOOL (17TH CENTURY) SCENES FROM THE LIFE OF JOSEPH Oil on canvas, a pair Each 112 x 145cm (44 x 57 in.) (2) Condition Report: The first canvas: The canvas has been relined and presents an unevenly applied varnish across the whole surface. The painting presents a 2cm wide vertical restoration which crosses the whole painting. Such repair might be consequence of a previous tear caused by the folding in half of the painting. In addition, various retouches are scattered across, most evident is 7 cm 'L' shaped restoration to the left border, and 4 cm patch next to the right bull. To conclude a fine craquelure is scattered across, and a small loss of paint is present near the right corner. Second canvas: The canvas has been relined and, just as its pair, presents a vertical line of retouching at the centre. In this case, however, the restoration line is thinner, especially in the bottom section. UV light reveals an unevenly applied varnish across the whole surface, and a few scattered retouches in the background, especially near the borders and the bottom right corner. The figures, however, present hardly any retouching. Condition Report Disclaimer

PERSIAN SCHOOL (20TH CENTURY), ATTRIBUTED TO HOSSEIN QOLLAR AGHASI SHADDAD ON THE THRONE, BEING DENIED ENTRY TO PARADISE BY GABRIEL, WITH SHEHEREZAD IN THE FOREFRONT PLEADING FOR HER LIFE Oil on canvas Signed 'Qollar Aghasi' in Persian and dated '1324' (1945) 201 x 102cm  This colourful qaveh-khaneh (coffee-house) school of painting was very popular in Iran during the early twentieth century. The scenes in this are from 'A Thousand and One Nights', telling more than one story. On the left, Sheherezad is depicted pleading for her life and she has to tell stories for a thousand and one nights, and one of them (above) tells the story of Shaddad, the very rich and powerful King, who built a city of gold but was denied entry into Paradise by the Angel of Death because of his greed   Condition Report: The canvas has been relined and presents a layer of dirt and varnish across the whole surface. UV light reveals very few retouches, most envied is a repair of a hole with added paint to the upper right corner, just next to the palace - such repair is a patch of about 2.5 cm in diameter; a few but hardly noticeable retouches on in the background areas, which are very minor and most in the lower right corner. The canvas presents visible undulations in the lower left border, for a section of about 15cm - such is caused most likely by the heavy relining. Three tears measuring roughly 4cm each are present next to the head, and just below one of the standing men at the centre left, two dotted losses of paint next to the right of the palace, measuring about 2cm, and various superficial scratches, the most evident ones on the visage of the man on the lower left with a feathered helmet. Condition Report Disclaimer

Late WW2 Jungle Tank Suitgreen cotton, full suit.  Half length front zip.  Chest pockets with buttoned flaps.  The left pocket with pencil mounts.  First aid pocket to right hip.  Legs with patch pockets.  Button tightening to the cuffs.  Ankles with cord tightening. Interior with brace straps.  Issue label "Tank Suit Jungle" dated 1945.  Clean condition.

WW2 White Camouflaged Windproof Jacket And Trouserswhite cotton, pull over smock with hood.  Pleated chest pockets and lower patch pockets, all with buttoned flaps.  Lower cord fastening.  Internal issue label dated 1942 ... White cotton, wide leg over trousers.  Waist with cord tightening.  Left leg with large patch pocket.  Buttoned flap. Issue label faded.  Ink WD stamp with "O" code for 1942.  Some service wear.  2 items.

WW2 1940 Pattern Royal Engineers Battle Dress Jacketkhaki woollen, single breasted, closed collar, short jacket.  Lower extended belt.  Patch chest pockets with buttoned flaps.  Both arms with embroidery Royal Engineer titles, felt Arm Of Service bar.  Braid Sergeant stripes surmounted by flaming grenade and Kings crown.  Internal issue label dated "Oct 1942".  Minor service stains.

Post 1953 Royal Canadian Mounted Police Uniformscarlet, single breasted, high collar tunic.  Collar with blue tabs and anodised, QC RCMP badges.  Pleated chest pockets with buttoned flaps.  Lower patch pockets with plain flaps.  Blue shoulder straps with anodised "RCMP" titles.  Left cuff with embroidery pistol and Rifle marksman badges.  Anodised RCMP buttons ... Dark blue overall trousers with yellow side lines ... Pair brown leather, high top boots, complete with white metal spurs ... Brown leather, Sam Browne belt and cross strap, complete with pistol holster and ammo pouch ... Tan felt, Stetson hat.  Leather pagri band.  Sweatband marked "RCMP".  Good set.

WW2 Dated Tank Crew Winter "Pixie" Oversuitkhaki, heavy waterproof canvas suit.  Two full length opening zips.  Breast pocket with press stud fastened flaps. The left pocket with pencil mounts.  Right hip first aid pocket.  Legs with four patch pockets.  Tightening straps to the cuffs and ankles.  Khaki blanket lining.  Internal cuff with issue label dated 1944.  Complete with matching removable hood.

WW2 ATS Women Workers Overallslight khaki drill, long wrap-over coat.  Open top patch pockets to waist.  Buttoned cuffs.  Long waist fixed, wrap around strap belt.  Issue label "Overalls Women's Workers ATS" dated 1941.  Clean condition.

3 x Items Of Khaki Drill Uniformconsisting khaki drill breeches.  Slash waist pockets.  Lace up calf panels ... Khaki, Aertex bush jacket.  Pleated chest pockets, lower patch pockets.  Buttons absent ... Khaki drill, RAF bush jacket.  1949 pattern.  Pleated chest pockets.  Lower hidden pockets.  Buttons absent.  3 items.

Pair WW2 Khaki Drill Windproof Overtrouserskhaki drill, wide leg over trousers.  Waist with cord tightening.  Left of front leg with large patch pocket.  Buttoned flap.  Issue label "Size 2".  Ink WD stamp with "O" for 1942.  Minor wear.

WW2 Pattern Airborne Denison Camouflaged Smockcamouflaged, half zip front smock. Large chest patch and lower pockets, all with press stud secured flaps.  Rear fastened crotch strap.  Cuffs with button tightening straps.  Nickel plated press studs.  Right arm with embroidery parachute wings.  Interwar issue label "Smocks Denison Airborne Troops" dated "1948?".  Label with some fading.  Minor service wear.

WW2 1940 Pattern Battledress Trouserskhaki, woollen, wide leg trousers.  Right hip with first aid pocket.  Front of left leg with large patch pocket.  Top flap secured with exposed button fixing.  Rear seat with hidden pocket with buttoned flap.  Internal WD ink stamp with code "O" for 1942.  Clean condition.

WW2 Officer Quality Battledress Trouserskhaki, fine quality, wide leg trousers.  Right hip with first aid pocket.  Front of left leg with large patch pocket.  Top flap with concealed button fixing.  Four waist belt loops.  Ankle tightening straps with brass disc buttons.  Some moth damage to one leg.

Rare WW2 Dated Camouflaged Tank Crew Oversuitgreen, tan and brown camouflaged, heavy waterproof canvas suit.  Two full length opening zips.  Chest pockets with press stud fastened flaps.  Left pocket with pencil mounts.  First aid pocket to right hip.  Legs with four patch pockets, all with press stud fastened flaps.  Tightening straps to the cuffs and ankles.  Internal right cuff with label dated 1945.  Clean condition.

WW2 Royal Ordnance Factory Women's Work Overallsbrown denim, half buttoned front overalls.  Short stand collar.  Front fastened by four composite, fixed buttons.  Right hip with open top patch pocket secured by single button.  Ankles with button secured tightening strap.  Rear seat opening flap.  Issue label "ROF Overall" dated 1943.  Clean condition.

Pair 1940 Pattern Battle Dress Trouserskhaki woollen, wide leg trousers.  Right hip with small first aid pocket.  Front of left leg with large patch pocket.  Buttoned flap.  Side slash pockets.  Hidden seat pocket with buttoned flap.  Faint WD stamp.

WW2 Green Windproof Over Trouserskhaki green, windproof cotton, wide leg over trousers.  Front of left leg with large patch pocket.  Top flap with exposed button fixing.  Waist with cord tightening.  Lower leg with external tightening cord.  Issue label faint.  Some service wear.

Pair Of 1946 Battledress Trouserskhaki woollen, wide leg trousers.  Large, front patch pocket with buttoned flap to left leg.  Side slash pockets.  Added belt loops.  Internal issue label dated 1947.  Minor wear.

Mid 19th Century English Double Barrel Percussion Pistol32 bore, 5 1/2 inch, octagonal, side by side, double barrels. Lower rib with steel swivel ramrod.  British proof stamps.  Breech with floral scroll engraving which extends to the tang.  Rounded body with scroll engraving.  Stylised dolphin head percussion hammers with scroll engraving.  Sliding, half cock safety bars.  Blued steel trigger guard with floral scroll engraving.  Steel butt cap with lift up patch box.  Finely checkered wooden grip with oval silver escutcheon.

WW2 1922 Utility Pattern Service Dress Tunickhaki woollen, single breasted, high turn over collar tunic.  Single pleat under collar.  Shoulder patches.  Patch chest and lower hidden pockets, all with buttoned flaps.  Composite KC General List buttons.  Internal issue label undated.  Ink WD stamp with "O" code for 1942.  Clean condition.

WW2 Pattern ARP Working Boiler Suitdark blue cotton, full suit.  Front fastened by white metal ARP buttons.  Small, turn over collar.  Pleated chest pockets with buttoned flaps.  Left leg with large patch pocket with buttoned flap.  Removable waist belt.  Left chest with embroidery, oval ARP badge.  Minor service wear.

WW2 Green Denim Windproof Smockgreen denim, pull over smock with hood.  Pleated chest and lower patch pockets, all with flaps secured with exposed buttons.  Internal issue label "Suit Snow Blouse" dated October 1941.  Minor service wear but some stains.

WW2 Staffordshire Civil Defence Battledress Jacket And Paperworkdark blue woollen, single breast, closed collar, short jacket.  Lower extended belt.  Patch chest pockets with buttoned flaps.  Both arms with embroidery Warden titles over yellow braid, triple chevrons.  Left chest with embroidery KC CD patch with embroidery titles "Rowley Regis Staffordshire".  Internal issue label "Blouses ARP 57".  Complete with white lanyard ... ARP whistle and chain ... ARP Warden's companion folder with ARP paperwork named to "C E Weatherhogg" of Rowley Regis.

Boss effects unit, TOA wireless microphone system, DDA crossover system and 3 patch bays 

A set of six French silver ashtrays. Hermes,Paris, 20th century.The circular ashtrays designed with engine turned decoration to bases, stamped with maker's mark for Ravinet D'Enfert & Cie. and signed 'Hermes', 950 standard, 6.6cm dia., total weight approx. 5.3ozt (6)Condition Report:  Some minor surface scratching noted. Some dings and bruising to borders of three examples. A patch of solder noted to one. Some abrasion to undersides. Hallmarks clear. Further images available to download via this link: https://we.tl/t-llKAtDyjJo 

Of Royal interest. A group of oddments including a silver paperknife.Sarah Jones,London, 1981. Designed with Prince of Wales plume surmount and engraved with the motto 'Ich Dien' and the initials RFA, 15cm long, together with: a brooch in the form of the Prince of Wales feathers, unmarked, probably second half 19th century, approx. 2.9 x 2.9cm; a miniature metal patch box decorated with Prince-of-Wales feathers and stamped on the reverse 'Prince of Wales's Box', mid-19th century; and an Edwardian silver teaspoon commemorating the Coronation of the King at Westminster Abbey, Birmingham, 1901, Henry Griffiths and Sons, Registered Design no. 377144, weighable silver approx. 1.4ozt (4) Condition Report: weight excludes badge (metal pin to reverse) and metal patch box 

A pair of George II silver candlesticks. John Quantock,London, 1756. The cast candlesticks designed with hexafoil bases to baluster stems and spool-shaped capitals, the detachable sconces unmarked but scratch engraved No. 5 and No. 6, sconces engraved with crest, total weight approx. 30.4ozt (pr) Condition Report: Some general scratching, nicking and minor pitting noted. Some wear to the decoration, particularly on high points. Some bruising and small dings noted on high points and knopped stems. Some small splits to cylindrical sconce fittings and both show dings and bruising which have left them out of round. Some wax residue inside capitals. Some solder and repairs noted where circular base of stem meets hexafoil bases. A small patch noted to one foot. Some deep scratches to sconces. Bases do not sit quite flat so slightly wobbly. Further images available to download via this link: https://we.tl/t-iwF1bEUYH0 

An 18th century Italian silver coffee pot. Lucca. The fluted, baluster body raised on a stepped circular foot, designed with beaded drops beneath spout and a wooden scroll handle to a domed, hinged cover with knopped finial, 28cm high, approx. weight 24.2ozt  Condition Report: The coffee pot is in good condition commensurate with age. Some general scratching, nicking and pitting noted. Some bruising and small dings to body and cover. Very slightly wobbly on foot. Cover closes snugly. A repair to the cover. A possible repair near upper handle socket and one unobtrusive repair to rim. A small patch of solder where upper handle socket meets hinge. Hinge slightly loose and a small split noted under 10x magnification but mechanism works well. Handle a little wobbly - lower pin slightly loose. Some wear to handle commensurate with age. Heavy tarnish to interior. Further images available to download via this link: https://we.tl/t-632rfROJUR 

A Dallmeyer Telephoto f/5.6 20in. Lens black, M42 screw mount, serial no.489556, body F, heavy professional wear, optics P-F, central fungus patch

Comedy Film Quad Posters, approximately forty UK quads of mainly Comedy Films from the 1990s onwards with titles including Dogma, Shakespeare In Love, Notting Hill, America's Sweethearts, Blues Brothers 2000, You've Got Mail, Patch Adams, Mrs Henderson, The Odd Couple II, Bedrooms and Hallways, Guest House Paradiso, Fever Pitch, Holy Man, Still Crazy, Eddie, Waking Ned, The James Gang, East is East, Varsity Blues, Ed TV and more - mainly all 40" by 30" - all rolled - generally in very good condition

with an 'S'-scroll handle and a spreading circular foot, gilt interior, contained in a unassociated fitted box, makers mark overstriking another, London 1741, together with a George V tapering circular silver mug with a 'C'-scroll handle, by Goldsmiths & Silversmiths Co. Ltd, London 1935 and a pair of William IV silver candlesticks decorated in high relief (loaded bases), by Hawkesworth, Eyre & Co. Ltd, Sheffield 1835; the candlesticks 8.6" (22cm) high; 14.3ozt weighable silver (4). *CR All with wear and with issues, the George II mug with a thin patch to the front of the body, new gilding and a bruised body, the other mug with a dented handle and the candlesticks bent, split & dented - not good. Please contact Connor for further information connor.swanwick@lawrences.co.uk.