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Lot 299
WW2 1937 Pattern Battle Dress Jacket khaki, single breasted, pressed open collar, short jacket. Pleated chest pockets. Lower extended belt. Internal issue stamps dated "11/44". Traces of badges removed. Some service wear. Together with a green denim battle dress jacket. Patch chest pockets. Lower extended belt. Removable buttons. Internal issue label dated 1943. Some service wear. 2 items.
Lot 300
WW2 British Army Camouflaged Snow Smock and Trousers white, pull over smock with hood. Pleated chest pockets and lower patch pockets, all with buttoned flaps. Internal label absent. Matching white over trousers. The left leg with large patch pocket with buttoned flap. Waist tightening cord. Issue label dated 1942. Minor storage stains. 2 items.
Lot 301
1937 Pattern Officer's Battledress Jacket etc khaki woollen, single breasted, closed collar, short jacket with lower extended belt. Pleated chest pockets with buttoned flaps. Embroidery Captain rank stars. Left chest with WW1 medal ribbons. Internal issue label dated "1942". Together with a Royal Engineers Officer's utility pattern service dress tunic. Khaki, single breasted, open collar tunic. Bronzed flaming grenade collar badges. Patch chest pockets with buttoned flaps. Lower hidden pockets with plain flaps. Bronzed Lieutenant rank stars. Brass, KC GRVI RE buttons. Separate belt with ink name "R O Boyd 4/44".
Lot 74
JOAN GARCÍA RIPOLLÉS (Castellón, 1932)."Three spectators at the barrier", 1981.Oil on canvas.Signed and dated in the upper left corner. Titled and dated on the back.It has a patch on the back.Measurements: 73 x 92 cm, 74,5 x 94 cm (frame).Known by his second surname or as "the Blessed Ripo", Joan García Ripollés discovered his passion for painting when, while still very young and in the middle of the post-war period, he started working in an industrial painting workshop. From then on he devoted himself to painting at night, and later took drawing classes at the Ribalta secondary school in Castellón. After his debut in a group exhibition held in 1951 at the Caja de Ahorros de Castellón, 1954 was a turning point in his career, as a result of a trip to Paris where he made contact with the artistic circles of the city. He remained in the French capital until 1963, and during these years he produced twelve paintings for the church of Saint-Paul de Trigan in the Commune des Chaulegnes. However, he was unable to give up industrial painting until 1958, when he joined the Drouand David gallery in Paris, one of the most prestigious in the world. He organised his first major solo exhibition at MACBA in 1962, and in 1967 he travelled to New York, where he exhibited and sold his entire collection to The William Haber Art Collection. That same year, the New York dealer Leon Amiel, of the Larrouse gallery, acquired all his work, something which was repeated on his trip to Japan. From that moment on, he embarked on a dazzling international career that has taken his work all over the world. In 1977 he moved to Holland, where he produced the engravings for the book in homage to Josep Plà. Between 1986 and 1987 he devoted himself to sculpture, producing sixty-two works in ceramic and bronze which were exhibited at the 1988 edition of ARCO. He has organised solo exhibitions not only in Spain, Paris and New York, but also in Mexico, Holland, Belgium, Italy, Switzerland, Sweden, various American cities, Germany and Japan. He is currently the exclusive artist of The William Haber Art in New York and the Galerie Drouand in Paris. In 2000 he was awarded the Premio de las Artes de la Comunidad Valenciana. Ripollés is today one of the most international Spanish artists, and also one of the most complete, as he has worked brilliantly in painting, sculpture and engraving. After an initial stage of correct figuration in which he recreated the landscape of his homeland, his work began to lean first towards dramatic expressionism and then towards a simplified painting based on the imaginative and poetic recreation of reality. Within this lyrical, ironic and somewhat erotic world, he developed a body of work whose roots conceal a deep admiration for Picasso and Chagall. Ripollés is represented in the IVAM, the MOMA in New York, the Museum of the University of Alicante, the Museum of Fine Arts in Seville and the MACBA.
Lot 831
A South Staffordshire enamel patch box – ‘I prize the gift because I love the giver’, circa 1800, of oval cushion form, 4.5cm wideProvenance: property from the 6th Earl Howe of Gopsall Park and Penn House, thence by descent to a Lady of titleSlight wear to top, splits and small enamel loss to interior, small enamel loss and split to side, small enamel loss to edge of base
Lot 371
Oak and elm Longcase clock, with walnut banding, pagoda hood, blind and fretwork frieze, long arched door, pinth base, 10" square brass dial, with cast floral spandrels, signed Davd. Pain at Spittlefields, London, thirty-hour movement, striking on a bell, labelled, "Alfred Bullard, Park Lane, London", height 212cm.Condition report:The pendulum is snapped off from the bob and also at the top end so we can't assemble in situ. Applying some pull on the weight chain the movement does seem to tick over ok, but as you'll see from the additional images it has been many years since the movement was cleaned and serviced. The Weight is present. The movement appears to have started as a bracket clock with the case matched and adapted to house the movement. The face may also be a marriage to the movement. There is a filled patch (below XII) and another drilled hole (near III) to the backplate which would suggest some sort of adaptation. The chapter ring has some blistering to the black enamelling. The hands are replaced with the hour hand being much more copper in tone, and the minute hand is very delicate with a split near the centre. It has also been bent away from the face quite significantly. There is an old paper label applied to the interior of the case with 'Wm Davis Woolford 17xx' in ink, as well as the Alfred Bullard applied label to the interior door. Old repairs and adaptions to the hood and case, hinges replaced. Crossbanding lifting in most areas. Losses to the base section.
Lot 27
MARIE KNIGHT - I'M TROUBLED/ STOP NOW, IT'S PRAYING TIME 7" (US PROMO - GOSPEL/ SOUL - DECCA 9-48326). A gritty 7" of superb groovin' gospel/ soul by Florida legend Marie Knight: I'm Troubled/ Stop Now, It's Praying Time (9-48326, 1955 US promo pressing on Decca. Pink & black labels have some minor storage wear. Record is in VG+ condition, Aside has a little patch of hazing/ B side has some light paper marks).
Lot 139
Circle of James Sant (1820-1916)Portrait of Emma Louisa Church, née Gould, three-quarter-length, in a white dress with lace collaroil on canvas127 x 102cmCondition Reportoverall: 140 x 115cmCanvas a little loose on stretcher. Craquelure. Initial stages of flaking in a few places although presently looks fairly stable. Marks from stretcher bars visible. A patch on back horizonally behind stretcher bar. There has been retouching in the central area, including on her brooch. A patch verso in line with an of retouching to lower left which is not done very succesfully, causing a pink blob. Under uv light retouching is also visible in areas of background. Please see additional condition images online.
Lot 145
Henry George Todd (1846/7-1898)Still life of fruit signed and dated 'HG.Todd/1897' l.r., oil on canvas40.5 x 30.5cmCondition ReportFramed size: 64 x 52.5cm.Canvas is relined. Under uv light, there is a bloom of varnish and a small patch of retouching just above lower right edge, otherwise overall fine.
Lot 153
Pascal Blanchard (French, 1807-1900)A gypsy woman and childsigned 'Pascal Blanchard. 1891' u.r., oil on canvas73 x 61cmExhibited: A Guinchard & F Fourniret, Paris.Condition ReportThe canvas is unlined, covered with a layer of surface dirt. Some craquelure in places and cockling, in particular to the top portion of the canvas, where the top edge is coming away from the stretcher creating a sagging. There is a small patch to the lower left which does not seem to have been filled on the front, to the figure's robe. Otherwise in original condition.
Lot 159
English School, 1906The courtyard of an Indian palacesigned with initials and dated 'VN/06' l.l., oil on canvas51 x 71cmCondition ReportThe canvas is unlined. There is some craquelure in parts and slight stretcher mark to the upper edge. There is a small repair with corresponding patch verso to the lower left corner and a further repair to the top edge. Under UV light, there is a small amount of retouching to the sky but generally the work is in original condition. The painting is from a private collection.
Lot 185
Edwin Brown (1814-1891)'Newminster', winner of the St Leger, 1851'inscribed 'Newminster 1857' verso, and inscribed in pencil 'E. BROWN/NOTTINGHAM/PAINTED 1857' on the stretcher, oil on canvas63.5 x 76cmCondition Reportoverall: 73 x 85.5cm The canvas is not lined. There is a little craquelure and stretcher marks emerging. Under UV light, there is a very thick green varnish which obscures much of the surface, however, there is a little strengthening apparent to the tail and also a patch of retouching above the horse's back. It is possible there is more to the lower background, however, it is not clear and in general it is in original condition.
Lot 250
Marcus Stone (1840-1921)The Ancestor on the Tapestrysigned and dated 'Marcus Stone 1895' l.r., oil on canvas61 x 102cmCondition Reportoverall: 74 x 115cmThe canvas is unlined. There are everal patches to the reverse with corresponding retouching which have painted black verso. These correspond to a small spot on the right of the cabinet, a small spot to the centre, and to the centre. These do not appear to be large, despite the black to the reverse being extensive. Under UV light, there is some retouching to the patch to the tapestry, but very little elsewhere.
Lot 280
John Robert Dicksee (1817-1905)'Il Riposo'signed and dated 'J R Dicksee/1870' verso, inscribed with title, oil on canvas46 x 38.5cmCondition Reportoverall: 59.5 x 52cmThe canvas is unlined. There is a small repair to the upper right background with corresponding retouching and patch verso, otherwise in apparently original condition. Not examined under UV light, for a full report please contact the department.
Lot 288
Frederick Calvert (c.1785-c.1845)Figures and barges by a lock, a church beyondoil on canvas36 x 44.5cmCondition ReportThe canvas is lined, there is some craquelure. There is a patch of retouching to the sky to the centre just above the trees, with a further patch to the upper right corresponding with the edge of the stretcher. There are some smaller more scattered spots to the clouds in the sky. These are generally noticable to the eye.
Lot 84
English School, 18th centuryThe battle of Algeciras, Spaininscribed 'Arjel', pen and ink and watercolour43 x 90cmIn July 1801, there were two naval battles between a British squadron under the command of Rear-Admiral Sir James Saumarez and a smaller French squadron supported by Spanish gun batteries. Although the French and Spanish fleets, despite heavy losses, were able to reach Cadiz, the battles were to prove decisive in establishing British control of the Mediterranean.Condition ReportThere are some losses to the edge of the paper. There is a vertical repaired tear along the entire length of the picture towards the left side, this has been conserved with the addition of a strengthening paper to the reverse. There is also a smaller addition patch to the left side. There is significant cockling to the paper caused by water damage and also water and time staining throughout, see images.
Lot 100
A Chinese famille rose oval two handled basket, Qianlong period, the interior painted with peonies, rockwork and a fence, cellular and floral borders, 31.5cm wide, chips to rim**CONDITION REPORT**Numerous glazed losses around the rim of the basket, with some additional splinter chips to the rim near one of the handles. No restoration or cracks detected, unglazed rectangular patch to the base.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 101
A Chinese moulded white glazed vase, Qianlong period, relief moulded with peonies and rockwork, 18.3cm high, glaze blemish**CONDITION REPORT**There is a small unglazed patch with a black manufacturing blemish to the side of the vase, other typical minor glaze imperfections, in good condition with no restoration, chips or cracks detected.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 119
A pair of Chinese iron red and underglaze blue ‘five bat’ bowls, Guangxu mark and probably of the period (1875-1908), each with a ground off patch to the interior formerly painted in iron red with a bat, the exterior painted with five bats amid scrolling clouds, 16.5cm diameter**CONDITION REPORT**Typical minor glaze imperfections. The interior painted bats to have been been scratched/ground off for some strange reason, otherwise the balls are in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 169
A Chinese scroll painting on silk of birds, rockwork and plants overhanging a pond, 19th century, inscribed and with seal marks upper left, image 164.5cm x 50.5cm**CONDITION REPORT**Image laid on paper and trimmed. Silk discoloured and with occasional patches of staining and some creasing to the surface, some slight chipping to the very edge, some patch repairs and repainting in areas, please see additional photos.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 177
A Chinese scroll painting on silk of a sage in a mountainous river landscape, 18th/19th century, inscribed and with a seal mark to the sky, image 69.5cm x 44cm**CONDITION REPORT**Discolouration to the silk ground with some patch losses around the edge and in other small areas, some occasional staining noticeably to the upper part of the sky. later mounted on brown paper and with later brocade bordersPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 21
A Leica 1 Model A, circa 1925 Please note this is a Leica model I circa 1930 not 1925 as previously catalogued. Black enamelled finish has been worn away from most of the baseplate and around the edges of the top plate. All exposed metalwork is oxidised and worn. Eyepiece has lost its glass internals but for the back glass. A blob of near matching black enamel has been placed over the number and green foil stuck below it (and also at one end). Spools and shutter working. A few notes on the Leicas' history from the vendor.WW1, my grandfather, graduated from Osbourne house ( pre Dartmouth naval collage ) in 1915 took command of a H Class submarine - the squadron was based Great Yarmouth. The photo showing Jolly Roger is him returning after sinking the heavy cruiser ' Deutschland, the other the submarine itself. Few months later, he himself was attached by U Boat; ensuing zig zag, his boat was hit: there were only 3 survivors - my grandfather was one. The U Boat surfaced, picked up the survivors. At that time, German army guarded POWs' treated airmen and submariners badly. The U Boat commander decided to keep my grandfather in ' close quarters ' at the Wilmshaven naval base.My grandfather & the German commander became friends. Grandfather remained here for rest of war - the Admiralty were not told, my grandmother received telegram advising ' lost in action,' ( I have the telegram ) Some 11 months later she received a letter via red cross advising he was alive and well....The German commander was on of the Neuirecher wine family.Post WW1 the two families retained contact: this included visits of the children of both families. About 1935 / 36 Frau Neuirecher gave my father the Leica. He and his brother, both graduated from Dartmouth - also becoming submariners. My father kept the camera with him throughout, to include his time on Dorchester in the Bismark action: two of his paintings of the sinking are at Imperial war museum.He continued to S Boats and XCraft - for action against Tirpitz & Bergen. Somewhere I have photos taken by the Leica of these times.Post war, my father & his brothers took control of German windfall yachts, bringing them over to Portsmouth. One was Marabu, Goring's yacht.They camaigned Marabu to include fitting a mizen mast. One photo is of Marubu tuning the mizen. My uncle is at the helm wearing white submariners pullover & cap. The photo was taken by my father using the Leica.The other photos were also taken with the Leica of various family activities.In 1956 my uncle sailed to Bemuda in Marabu for the first post war Onion Patch sailing series versus US Navy. He borrowed the Leica - took reels of film - including a severe storm under bare poles: problem - he forgot to pull the lens out to activate...I can remember my father using the Leica - I was never allowed to go near it: it stayed in a drawer following his death in 1993.I have never used it as by then the SLR was the mode.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 83
A large Derby figure of Justice, c.1775, standing and holding a sword in her right hand and scales in her left, patch marks, 28cm high, minor restorations**CONDITION REPORT**Small areas of restoration to two fingers on her left hand, and the handle of the sword. The brass blade of the Sword/dagger is probably a replacement and also the brass and copper scales on her left hand. Otherwise occasional small firing cracks, an unglazed patch to her right arm, otherwise in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 85
A rare pair of Derby figures of Leda and the Swan and Europa and the Bull, c.1765, patch marks, 26.5cm and 27.5cm high, restorations**CONDITION REPORT**The Leda group has average quality restoration to her lower right arm, the top of her right arm, across her chest, to the back of her head and around her neck and shoulders, to the swan’s neck and to the flowing turquoise robe at the rear of the figure. There is a firing crack to the base and some chip losses to the toes on her right foot.The Europa group has average quality restoration to the whole of her left arm, the bull’s left horn and encrusted leaves on its head, to the flowing turquoise robe in all areas, to some of the yellow fringing on her dress and to the bull’s tail. The restorer has also left small splatters of paint in small areas that have not been restored and these will remove with a thumbnail.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 182
A PARCEL OF LATE 18TH AND 19TH CENTURY CONTINENTAL AND ENGLISH PORCELAIN AND TWO OVAL ENAMEL PATCH BOXES, the two oval patch boxes in very poor condition, one printed with 'THE PRINCE'S PAVILION BRIGHTON' and the other inscribed 'A Trifle from Eatington', a late 18th century hard paste porcelain cream jug of helmet form, height 10cm with two matching tea bowls and saucers, hand painted with pink fish scale borders and floral swags, s.d., a Sevres style circular trinket box and cover, the base with extensive restoration, the cover painted with a male flautist serenading a lady, printed Chateau Des Tuileries and Sevres 184? marks to base, diameter 7.5cm, a porcelain pail and cover with moulded basket weave design painted with floral sprays and gilt scrolls, gilt trident mark to the base, height 8cm, a Continental rectangular porcelain trinket box, the hinged cover painted with a gardener pushing a wheelbarrow by an arbour, the sides painted with floral sprays, painted blue VP monogram to the base, width 9.5cm x depth 6.5cm x height 5.5cm and an English porcelain salve pot and cover painted with flowers (11) (Condition report: the two patch boxes are both in poor condition, the hinge is broken on the trifle from Eatington box, as well as numerous cracks and chips, one saucer is cracked and the other is chipped, the pieces from the set are all very dirty, the base of the Sevres style box is semi-professionally restored but has a yellow hue to the interior and base, the finial of the pail cover has been glued back on and the interior is dirty, the porcelain box with hinged cover appears to be in good condition and the salve pot has staining to the base)
Lot 22
A GROUP OF SILVER, comprising a Victorian silver mug of conical form, cast foliate handle, the body engraved with foliate decoration, vacant cartouche, beaded foot rim, rubbed makers mark, probably Richards & Brown (Edward Charles Brown), London 1878, s.d., 6.71ozt, 208.6 grams, a pair of decagonal baluster pepperettes, a pair of late Victorian twin handled salts, repousse decorated with foliate scrolls and four other cruet items, gross weight of all nine items 15.50ozt, 482.1 grams (9) (Condition report: the mug has a heavily worn gilt interior, a patch of solder near the cartouche, the base is out of shape, the cruet items are generally in fair condition and usable order)
Lot 264
ALBERT HOUTHUESEN (DUTCH / BRITISH 1903-1979) AN UNTITLED FAUVIST STLYE SUNSET SEASCAPE, oil on board, signed bottom right, personal inscription to the vendor verso, dated 'circa 1974 or 5', approximate size 24cm x 29cm, together with an exhibition catalogue for the Mercury Gallery London 1967 (Condition: there is an approximately 4mm diameter patch of paint loss to the sky, frame joints are separating with small chips in places) (Artist resale rights apply, represented by ACS)
Lot 1624
HETSCH, PHILIPP FRIEDRICH (Stuttgart 1758-1838, Prof. a.d. Hohen Karlsschule), "Am Meer vor Venedig", in Gewand der italienischen Antike auf einer Palastterrasse sitzender junger Mann, links im Meer der Marcuslöwe als Wahrzeichen Venedigs, unsigniert, Öl/Leinwand, HxB: ca.25,5x34 cm (42x49,5 cm mit Rahmen). Alters- und Beriebspuren, wenige kleine Farbabplatzer und Kratzer, alt restauriert mit rückseitigem Doublierflicken. Mit Rahmen, mit Plakette mit Künstlerbezeichnung (Fassung berieben). VERSO am Keilrahmen mit Bleistift von fremder Hand Künstlerbezeichnung und 'No. 304' und am Rahmen betitelt 'Dichter Byron beklagt den Untergang der Republik Venedig'. | HETSCH, PHILIPP FRIEDRICH (Stuttgart 1758-1838, Prof. Hohe Karlsschule), "By the sea in front of Venice", in the robe of Italian antiquity on a palace terrace sitting young man, on the left in the sea the Marcus lion as a symbol of Venice, unsigned, oil/canvas , HxW: ca.25.5x34 cm (42x49.5 cm with frame). Signs of age and wear, a few small paint chips and scratches, restored with a lining patch on the back. With frame, with plaque with artist's name (painting rubbed). VERSO on stretcher with artist's inscription and 'No. 304' and titled 'Poet Byron Laments the Fall of the Republic of Venice' on the frame.
Lot 113
A GEORGE III MAHOGANY CANTERBURY the round-cornered frame enclosing a triple divided top fitted shaped spindles; the base with a freize drawer and standing on elongated ring tunred legs ending in cup casters51cm wide 37cm deep 53cm high There is a small inlaid patch repair to one of the legs which hasnt broken through the leg and a small glued repair to the front right hand corner of the top rail (see images). There is some light surface scratches but overall the piece is in good condition.
Lot 281
Burberry, a nylon Abbeydale backpack, featuring a camouflage patterned nylon twill exterior, with a front patch pocket, adjustable shoulder straps, wraparound top zip fastening and a black nylon lined interior, measuring 16 by 28 by 40cmCondition- Overall good condition- Few marks to the bah exterior- One of the wraparound exterior zips is broken, the second zip is in good working order so can be securely fastened- Without maker's dust bag- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
Lot 289
Burberry, a small crossbody saddle bag, crafted from tan leather with bushed gold-tone hardware accents, a thin adjustable crossbody strap, rear zip pocket and one interior patch pocket, measuring 6 by 16.5 by 18cmCondition- Overall good condition- Ver few small marks to the front flap closure- Interior lining is clean and unmarked- Without maker's dust bag- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
Lot 290
Burberry, a drawstring bag, crafted from the maker's classic check canvas, with black leather piping, front logo patch and drawstring top closure, measuring 16.5 by 23.5 by 24cmCondition- Overall good condition- No obvious marks or wear to the bag exterior- Marks to the bag interior- Without maker's dust bag- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
Lot 319
Chanel, a patent leather Single Flap handbag, designed with a diamond quilted beige patent leather exterior, with polished silver-tone hardware, double chain and leather handles, a rear patch pocket, CC turn-lock fastening and opening to three main interior compartments, measuring 7 by 17 by 25cm, with maker's dust bag and authenticity cardCondition- Overall good condition- Few small minor marks to the patent leather exterior- Small scattered marks to the interior lining- Serial number: 19129213 (2014)- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
Lot 324
Chanel, a patent leather Tweed Petal Camellia Accordion handbag, crafted from black patent leather, featuring cut-out camellia flowers to the front with tweed detailing, a rear patch pocket, accordion sides, chain and leather handles and a magnetic snap button fastening, measuring 11 by 25 by 35cmCondition- Overall fair condition- Some fraying to the tweed detailing- The interior is marked with a white residue - Serial number:14269544 (2010-2011)- Is without maker's dust bag- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
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24353 item(s)/page