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75cm curved blade dated 1741 and with running wolf mark, regimentally marked D30 under the shell guard. See Aries No.2, 1967, Figs.2-6. Slight patch of pitting on lower right of blade.

30.25inch sighted damascus barrel fitted with rear leaf sights, border engraved lock stamped with a crown over GR and TOWER across the tail, full stocked with regulation brass mounts, the butt with patch box, steel ramrod, fitted with a saddle bar and rings to the left side.

An Art Deco era carved Alabaster ceiling light, probably Italian, 41 cm diameter, good conditionThere are some cracks from when it was manufactured. There appears to also be a small repair patch to the centre of the well. the chords are approx 30cm long

THE RUGBY UNION CLUB HOUSE, 1953 ALL BLACKS JERSEY, MATCH PLAYED BY BRIAN BERNARD JAMES FITZPATRICK (1931-2006), embroidered fern on felt patch, stitched number 5 on back, K. Jones marked in pen on inside of collar, with ' Four Red Star Sports Wear' logo, which appears marked with pen, single white collar button, elasticated cuffs, additionally a Wales V New Zealand programme dated 19 December 1953Provenance: private collection Monmouthshire, the vendor being the nephew of Ken Jones who swapped the jersey with FitzpatrickAuctioneers note: K.J. Jones swapped this shirt with B.B.J. Fitzpatrick after Wales v New Zealand 19th December 1953, following a close Welsh win 13 to 8 - famously the last time that Wales beat the All Blacks. Fitzpatrick played three Tests for New Zealand on tours to Australia in 1951 and Britain in 1953-54. He was a strongly built inside back who may have won more caps had he not had a bad run of injuries. His son, former New Zealand hooker Sean, is the most capped All Black of all time with 92 appearances.Comments: still with match mud, in good authentic condition

THE OLYMPIC GAMES CLUB HOUSE: THREE RUNNING VESTS FOR KEN JONES, three running vests of Kenneth Jeffrey Jones (1921-2006), Olympic Games London, 1948, a white light weight, Umbro, 'Taneru' label, with a separate hand written label ' Ken Jones GB, with red and blue bands across the chest, covered by a white patch with 'Olympic Games 1948' above on Union flag on a left hand hoist, European Championships Bern, representing Wales, 1954, a Welsh, red, Unwin label vest, with a red patch centre chest, with embroidered Prince of Wales feather, and Vancouver 1954, British Empire and Commonwealth Games white vest, labelling from Green Sports Outfitters, Coventry and Birmingham, with red and blue cross bands. together with two award shields to Ken Jones, from The Welsh A.A.A. For 'Meritorious Service to Athletics in Wales 1954' and acknowledging 2nd in 2220 yards at 'Athletics Match Great Britain v France, London August 1st 1949'Provenance: private collection Monmouthshire, consigned by Ken Jones' nephewAuctioneers note: Ken Jones will forever be remembered as the man who scored the vital try that helped Wales to beat New Zealand at Cardiff Arms Park in 1953 - the last time Wales beat the All Blacks. The flying Newport winger latched on to a cross-kick from Clem Thomas with five minutes left to play and transformed an 8-8 draw into a famous 13-8 Welsh victory. Yet there were many more golden moments in one of the greatest British sporting careers of the past 60 years. Unquestionably Wales's greatest all-rounder, Jones was often asked to name his finest achievement. It was a task he warmed to, had to take his time over, but he always came up with the same answer. Was it that try against the All Blacks in 1953, or the near length-of-the-field score against New Zealand for the British and Irish Lions in 1950 - still recalled as one of the greatest tries ever scored at Auckland's Eden Park? It could have been any of the eight tries he scored to help Wales win Grand Slams in 1950 and 1952. In fact, he could have picked any one of the record-equalling 17 Welsh tries he scored in a then-world-record 44 appearances for his country between 1947 and 1957. And there were countless heroic deeds for his club in a 293-match career that included 145 tries and two seasons as captain. It was not, however, his rugby achievements that received top billing from the man himself, but his exploits on the athletics track. He had started out as the All-India sprint champion during the Second World War and graduated to become the captain of the British track and field team at the 1954 European Championships, where he won a silver medal in the sprint relay. He was a bronze medallist at the 1954 Commonwealth Games over 2,300 metres for Wales and the proud owner of four Welsh sprint record and 17 domestic titles. The ultimate thrill was competing at an Olympic Games. "When I think back on my career as both a rugby player and an athlete, I would have to pick the 1948 Olympic Games as the highlight," said Jones: Reaching the semi-finals of the 100 metres, and being among the 12 fastest men in the world, as well as winning a silver medal in the relay, has to top the lot. At first, Jones and his team mates Alistair McCorquodale, John Gregory and John Archer were presented with the gold medal, despite finishing behind the American quartet. The United States team finished six yards ahead of the home team - 40.6sec to 41.3sec - but were disqualified for allegedly running out of the change-over box on the first baton-change between Barney Ewell and Lorenzo Wright. Wembley Stadium was the home of athletics at the London Games of 1948. "It was fascinating being able to run there - the atmosphere was electric and it was a bit scary initially," Jones said: To be elevated into first place was a marvellous bonus. Unfortunately, it only lasted for a few days. The Americans appealed and three days later a jury of appeal viewed films of the race and ruled the change-over was legal. We were called back to Wembley from our Uxbridge camp and asked to hand back our gold medals. It took almost a month for us to have our silver medals sent to us. Even so, coming through two rounds of the 100 metres and reaching the semi-final gave me just as much of a thrill.Born in Blaenavon, Monmouthshire, in 1921 and a product of West Mon Grammar School, Ken Jones spent most of his working life as a teacher at Newport High School. During the war he served in India as a sergeant in the RAF, and it was a victory over 100 yards at the All-Indian Olympic Games at Christmas 1945 that kick-started his athletics career. The following year he won the Welsh 100m and 200m crowns for the first time - titles he would go on to win every year up to 1954, except 1950, when he was on tour in New Zealand with the Lions. "Those victories in 1946 got me selected for the British team to run in Oslo and Cologne and that really was my big breakthrough," Jones recalled. "I got picked as an Olympic possible."Ken Jones also reported on rugby and athletics in Wales for the Sunday Express from 1958 until 1985, he became President of Newport Athletic Club, which incorporates Newport Rugby Club, but resigned in 1995, having served the club for almost 50 years. "I cannot accept or live with the professionalism in rugby now," he said:Condition: viewing advised, vests commensurate with age, staining, sun fading, Olympic Vest has foxing, and a hole above waist level (please see images)

THE RUGBY LEAGUE CLUB HOUSE: 1936 GREAT BRITAIN RUGBY LEAGUE JERSEY WORN BY HAROLD 'HAL' JONES (1907-1955) for tour of Australia and New Zealand for which Hal Jones was selected as one of four props. With sewn-on embroidered 'Rugby League Tour' breast patch dated 1936, label for 'Sports & Pastimes Ltd' Bradford, size 40, inscribed in ink '20 Jones' under label, rear sewn on patch No20.Harold James Jones was a Welsh rugby union, and professional rugby league footballer who played in the 1920s and 1930s. He played representative level rugby union for Wales, and at club level for Neath RFC, Maesteg RFC, Cardiff RFC, Glamorgan Police RFC and Glamorgan County RFC, as a lock, i.e. number 4 or 5, and representative level rugby league (RL) for Wales, and at club level for Wigan and Keighley as a prop, or second-row, i.e. number 8 or 10, or, 11 or 12, during the era of contested scrums. Born in Ogmore Vale, Wales, he and his wife; Ida were the landlord, and landlady of The Goat public house in Steeton, West Riding of Yorkshire, England, and he died aged 47 in Staincliffe, Batley, West Riding of Yorkshire. Jones made his début for Wigan in the 7–8 defeat by Leigh at Mather Lane (adjacent to the Bridgewater Canal), Leigh on Saturday 31 August 1929, he scored his first try for Wigan in the 23–6 victory over Wakefield Trinity at Central Park, Wigan on Wednesday 1 January 1930, he scored his last try for Wigan in the 15–8 victory over Widnes at Naughton Park, Widnes on Saturday 4 March 1933, he played his last match for Wigan in the 10–11 defeat by Halifax at Thrum Hall, Halifax on Saturday 11 November 1933.[5] and played right-prop, i.e. number 10, in Keighley's 5–18 defeat by Widnes in the 1937 Challenge Cup Final during the 1936-37 season at Wembley Stadium, London on Saturday 8 May 1937, in front of a crowd of 47,699. He won caps for Wales (RU) while at Neath RFC in 1929 against England, and Scotland. Jones also won three caps for Wales Rugby League in 1935–1936.It was while at Keighley that Harold Jones was selected for Great Britain was issued this jersey for the 1936 Great Britain Lions tour of Australia and New Zealand in which he played in some of the games against representative sides. The tour took place between May and August and involved 24 games, 16 in Australia and the last eight in New Zealand, with five Tests: three vs Australia and two against the Kiwis. The tourists travelled to Australia by boat, the SS Cathay which was later used as an armoured merchant cruiser during World War II.The team docked at Melbourne on the May 25 and travelled to Sydney by train the following day. There was much fanfare around the first Test on June 29, with interest being so high that it only took 30 minutes after the gates opened at 9am at the Sydney Cricket Ground for the stadium to fill. The kick-off was not until 3.00pm! The Test was notable for being the first time the Courtney Goodwill Trophy was awarded in international competition to promote goodwill between the Test-playing nations. Near to reaching half-time, Australian prop Ray Stehr started a fight with his opposite number, Nat Silcock of Widnes, who was later described by a British journalists as “one of the toughest and best forwards ever to wear the red, white and blue” Despite Silcock’s efforts, the Lions lost the game 24-8.For the second Test played at Brisbane played just six days later, Australia were fired up for the challenge of winning back the Ashes for the first time since 1920. However, through the sheer power of second row Martin Hodgson, centre Gus Risman and Alan Edwards, the Lions roared back to level the series with a 12-7 victory. Edwards, a Welsh winger with Salford, made a big impression on Australia’s Vic Hey, who would go on to enjoy success in England at Leeds. “Of the moderns, the men I saw in England during the last Kangaroo tour (1933-34) and those with the present team, this lad is the daddy of the lot. The instantaneous pace he makes is amazing, and how he can fool ’em with the variety of his attacks!” During the third Test at the SCG on July 18, Ray Stehr provoked another fight, this time involving Warrington prop Jack Arkwright. This resulted in Stehr receiving a three-match ban and Arkwright games being suspended until July 31. A 12-7 victory saw the Lions take the series and retain the Ashes before going on to New Zealand where they won all eight games, including a 10-8 and 23-11 successes in two Tests played at Carlaw Park.For the second Test played at Brisbane played just six days later, Australia were fired up for the challenge of winning back the Ashes for the first time since 1920. However, through the sheer power of second row Martin Hodgson, centre Gus Risman and Alan Edwards, the Lions roared back to level the series with a 12-7 victory. Edwards, a Welsh winger with Salford, made a big impression on Australia’s Vic Hey, who would go on to enjoy success in England at Leeds, “Of the moderns, the men I saw in England during the last Kangaroo tour (1933-34) and those with the present team, this lad is the daddy of the lot. The instantaneous pace he makes is amazing, and how he can fool ’em with the variety of his attacks!” During the third Test at the SCG on July 18, Ray Stehr provoked another fight, this time involving Warrington prop Jack Arkwright. This resulted in Stehr receiving a three-match ban and Arkwright games being suspended until July 31. A 12-7 victory saw the Lions take the series and retain the Ashes before going on to New Zealand where they won all eight games, including a 10-8 and 23-11 successes in two Tests played at Carlaw Park.Provenance: private collection West Yorkshire

Fabulous blue bear named Ace is so cute. He has a teal blue whip stitched patch on his side. His arms have teal blue whip stitching and he has a teal collar with his name and Coach embossed. Coach embossed leather patch on back with a story. Limited Edition #H1629-F56844. Issued: 20th centuryDimensions: 14"L x 11.50"W x 14"HManufacturer: CoachCountry of Origin: United StatesCondition: Age related wear.

The iridescent blue leather on this handsome guy almost glistens. His big racoon like eyes look right through you with beaded embellishments and fuzzy blue eyebrows. He has a black leather whip stitched patch and underside of his arms to create interest. The bottom of his feet are blue leather as well. His claws are a lighter blue. His collar has an embossed leather tag with Coach on one side and his name on the other, Ace. Coach embossed leather tag on the back with a story. Limited Edition #H1773-F56844. Issued: 20th centuryDimensions: 14"L x 11.50"W x 14"HManufacturer: CoachCountry of Origin: United StatesCondition: Age related wear.

This fabulous teddy bear with a leather body and plush arms, ears and tail is bright orange. His eye patch and the bottom of his feet are a lighter shade. His collar has a coach leather tag letting us know his name is Star if he gets lost. Unique fittings for the nose and mouth and of course a star for his eye. Coach embossed leather tag on back with Star's story. Limited Edition #H1629-F56846. Issued: 20th centuryDimensions: 14"L x 11.50"W x 14"HManufacturer: CoachCountry of Origin: United StatesCondition: Age related wear.

WW2 American Officers Four Pocket Dress Uniform, with gilt metal eagle buttons, medal ribbon bar for WW2 service, one of the two silvered rank insignia, gilt US and crossed rifles lapel badges and divisional patch to arm etc. Named to the interior label. Accompanied by matching trousers. Couple of minor moth nips.

A Shell Spirit and Shell Oils double sided enamel advertising sign set in garage forecourt stand, STOP & Fill Up Here with Shell, numbered to one side bottom right, one patch of red on H of Shell touched up, 24 x 37 3/4".

A Georgian amethyst chrysolite and diamond ring, centrally set with round cabochon amethyst flanked by lozenge-cut chrysolites with rose-cut diamond accents and floral bifurcated shoulders, with closed-back settings, apparently unmarked, setting height 7.3mm, size P, 2.6gCentral stone has been replaced with an amethyst, and there are several patch and solder repairs particularly around central basket and closed-back settings, chrysolite facet edges are quite rubbed, gemstones are in suffragette colours, inside shank has file testing mark, unmarked

2004 Rover 75 2.0 V6 Petrol Touring/Estate Automatic. Registration number: GK04 XEJ.Genuine 88,789 miles from new.Finished in Odyssey blue with charcoal cloth interior. Wood insert trim. 16 inch alloy wheels. Air conditioning with dual climate control. Upgraded stereo system to a Sony Apple Car play.Service history and last serviced at 79,800.Long MOT until the 10th of October 2024.ULEZ compliant.To satisfy your knowledge of the vehicles condition please come down to our viewing days as follows before the auction day on the 28th of June.Saturday 15th June: 10am - 2pm, Monday 17th of June: 9am - 5pm, Tuesday 18th of June: 9am-7pm. Wednesday 19th of June: 9am-5pm, Thursday 20th of June: 9am-5pm, Friday 21st of June: 9am-5pm, Monday 24th of June: 9am - 5pm, Tuesday 25th of June: 9am-5pm, Wednesday 26th of June: 9am-5pm and Thursday 27th of June: 9am-5pm. Morning of the Auction on Friday 28th of June.Please note that buyers premium is 10% plus VAT (total 12% inc VAT) on all cars and motorbikes, subject to a minimum of £150 plus VAT.Condition Report: The Rover 75 has been driven back to our sales room and it drives well picking up smoothly through the automatic gearbox.There is a patch on the bonnet where the lacquer has started to peel. The roof as faded. Small rust spot showing on the passenger rear door.We do not carry out a mechanical inspection on the vehicles. Your more than welcome to arrange for a mechanical inspection yourself. Please get in touch with the car department to arrange an appointment.

1795 Georgian silver oval patch box with engraved shield detail to lid by IT - 3.2cm & 6.6g

Star Wars Lando Calrissian Skiff Guard (ROTJ) 1:1 scale Prop Replica Helmet, made by Clothears Costumes Star Wars Lando Calrissian Skiff Guard (ROTJ) 1:1 scale Prop Replica Helmet, Mint, made by Clothears Costumes, includes stand and patch.

Josef Arnold (1788-1879) Austrian, 'Glescherpartie', oil on canvas, signed and dated 1853, 46.5 cm x 63.5 cm in a gilt frame.Some areas of craquelure scattered throughout, particularly visible to the sky and mountains. There is some small patches of rubbing and abrasions along the the righ framing edge. A very small patch of paint loss please see images above. Inspection under UV light reveals a small area of cloudy green masking varnish to the lower left corner surrounding the signature. Work is in overall good condition.

A late 18th Century Birmingham patch box, circa 1775, the yellow ground enamelled with bouquet of flowers, mirror to interior cover, approx 5cm wide  Further details: a/f - cracks to cover, flake to front cover section, crazing to sides  with pitting to underside  Provenance: The Old Vicarage, Breedon-on-the-Hill, Derbyshire 

‡ A VERY RARE KETTLE HAT OF NOTABLE WEIGHT, THIRD QUARTER OF THE 15TH CENTURY, WESTERN EUROPEAN with domed one-piece skull rising to a low medial ridge, pierced around its base with four holes for attachment of a lining, broad down-turned brim (pitted throughout, extensive losses and patches, much of the skull and the majority of the brim reinforced with later riveted patch on the inside), 23.0 cm high ProvenanceSir Edward Barry, Ockwell’s Manor, Bray, Berkshire (Mann cat. no. 73)Sotheby’s, 7th July 1965, lot 95 (£40 to C. Wandby)Peter Dale, sold 6th May 1971Howard M. Curtis (no. 245) LiteratureHoward M. Curtis, ‘2500 Years of European Helmets 800 B.C. - 1700 A.D.’, North Hollywood, 1978, pp. 126-127

A group of military headdress and other items, comprising: a Swedish Artillery enlisted man's 1881 pattern Shako / Kepi with gilt front plate, black plume and red triangular side patch for an Upland Artillery regiment, with hat stand; a French Infantry Officer's 1919 pattern Kepi for the 67th Artillery regiment; a cap badge and white hackle/plume for the Royal Scotts Fusiliers, in glazed wooden case; a Georgian bullion badge 1826 Loyal Order of Ancient Shepherds Award by George Tutills; and a framed and glazed small water colour of a Victorian steam sailing ship on a water colour base of floral motifs with applied naval cap badge and cord hat band with naval buttons, dimensions 28cm x 23.5cm (5)  

A George III leaded bronze 7lb wool weight, dated 1816, of shield form, cast with the Royal Coat of Arms beneath G III R cypher, the margins marked ROBERT DEVONSHIRE BYFIELD NORTHAMTONSHIRE (sic) and struck with warden's Avoirdupois A mark, the dagger mark for London, crowned WR 35 verification stamp, crowned G device, and the The Worshipful Company of Founders' ewer mark, dated MAY 28 1816, pierced for suspension, 17.1cm high, 10.8cm wideCondition Report: Various historic knocks and dents overall, especially to the leading edges to be expected with age and use.  The reverse with four old, circular sticky patches.  The reverse with visible lead patch.  

A First World War British 1908 Pattern Webbing Haversack, with belt, braces, frog and double ammunition pouch, stencilled M.W.& S.Ltd, 1915, broad arrow, 3.R.I.E., with brass open buckles and sliders; a First World War Trench Lantern, of four folding tinplate panels each set with two clear glass windows (one missing), set with a brass plaque embossed "USE ½ CANDLES ONLY" and another with maker's name "FOUNTAYNE L & E. CO.LTD.", the whole folding flat to fit into a tin case; a First World War Front Line Cooking Stand, of a steel double hook, with three rods attached; two Water Canteens, one in leather covered brass, the other in copper (5)Webbing haversack in soiled condition, one strap missing a large triangular patch, the brass fittings oxidised.

A Second World War Japanese Shin Gunto Katana, the 67cm steel blade with undulating hamon, the one-piece brass habaki with diagonally burred decoration, the brass tsuba cast with prunus blossom, the brown braid bound same tsuka with bronze triple chrysanthemum head menuki, coppered fuchi and kashira, with officer's brown braid and tassel and leather covered black lacquered saya, 100cmFootnote: - Brought back from the Second World War by the vendor's grandfather who acquired it in Burma.Black patching and dirt pitting to the blade. Unable to remove the tsuka fittings to view the tang. The tsuka is missing a patch of shark skin around the mekugi ana. The leather cover to the saya is shabby.

A 1796 Pattern Infantry Officer's Sword, the 77.5cm single edge fullered blued steel blade engraved and gilt with crowned GR cypher, Royal Coat of Arms, scrolling foliage and a stand of arms, stamped S at the ricasso, the gilt brass stirrup hilt with fixed double shell guard, silver wire bound grip and foliate sheathed urn pommel, in a silver plated double ring scabbard, engraved "Captain Edward Rickards 1793, Adjutant Leicestershire Militia & Rifle Brigade", 98cm, with a green baize slip case and a photocopy of a silhouette of Captain Rickards with a hand written short biography.Footnote: - Captain Edward Rickards of the King's Rifle Corps and Leicestershire Militia, was born in 1776 and died in 1834 aged 58 years. He was the third son of John and Sarah (nee Woodward) Rickards of Pershore, Worcester. He married Charlotte, daughter of Captain Huntley of the Royal Navy. Their son Edward Henry Rickards was born on 13th July 1807 at Ipswich Barracks. Blade with two tiny nicks to the edge, minor bruising to the silver wire binding on one side of the grip. The hilt has been regilded and the scabbard has been replated. Scabbard with a small patch of pitting below the mouth. The sword does not fit snugly into the scabbard at the ricasso. Otherwise in good clean condition.

A silver counter or patch box. Maker's mark FG, possibly Francis Garthorne, Late 17th/early 18th century (probably). Of circular form, with rope twist borders to cover and foot, the sides and cover engraved with flowers and foliage, 2.3cm high, 3.7cm dia., approx. weight 1.1ozt Condition Report: The box is in good condition commensurate with age. Some general nicking, scratching and pitting. Some small dings to base. Maker's mark to cover and underside a little rubbed. Engraved decoration with a little wear commensurate with age but generally good. Cover fits snugly. Engraved initials to underside fairly crisp. Some old solder/marking around the inside of the base. Overall an attractive little box in good condition commensurate with age. Further images available to download via this link: https://we.tl/t-RCmTd4NMpv    

Two Turkish Ottoman Empire silver entrée dishes. Stamped with pre-1923 Tughra mark to bases. Of circular form, the bases designed with shaped borders and the domed covers chased with a floral and foliate band, each surmounted with a different stylised bud finial, one cover possibly associated, 25cm dia., approx. 16.5cm high (2)   Condition Report: Total gross weight (including unmarked finials and screws) approx. 92ozt. Please note that these are slightly different so not a matching pair. Some general surface scratching, pitting, dings, bruising and nicking to both. Some dings, bruising and possible losses to shaped borders. Dark solder (repair), splitting and a small hole noted to the base of one dish. Some dark marking to this same example. Tughra marks to bases rubbed. A patch of solder beneath the Tughra mark to the repaired dish (only visible from underside).  Neither cover fits perfectly and both are a little wobbly and sit with some gaps/misalignment. Some solder to undersides of borders. Some wear to engraved decoration and finials. Both finials are firmly attached. Further images available to download via this link: https://we.tl/t-8fa7JX9lVV 

A group of Georgian silver sugar tongs. Various dates and makers. The group including: two pairs of George III tongs by William Eley I & William Fearn, one 1801 and the other 1815, both with initials engraved to bridges, the longer example 14.3cm long; two pairs by Sarah & John William Blake, one with initials engraved to bridge, the longer example 14.3cm long; a late George III pair, 1820, James Beebe, with initials engraved to bridge, 14cm long; a George IV pair, London, 1821, William Seaman, with initials engraved to bridge, 14.5cm long; a further George IV pair, London, 1822, possibly Stephen Adams II, 14.5cm long; a further George IV pair, London, 1823, William Troby, with initials engraved to bridge, 14cm long; and other examples, all with plain bodies and some with engraved initials to bridges, total weight approx. 20.3ozt (a lot)Condition Report: One pair with repair and patch to bridge. 

Five Coalport trios of teacup, saucer and side plate, late 19th/early 20th century, comprising four batwing examples, in lilac, cobalt, yellow and a rare scaled light blue colourway, the fifth with green bordered and autumnal leaves, printed marks (15) Condition:Green leafy trio - Crazing to the glaze of all of the cup and around the foot rim and centre of the saucerYellow trio - No crazing, damages or repairs. Some patches of wear to the gilt tendrils on the sideplate.Light scaled blue trio - Brown scuff mark or possible discoloured hairline to the foot rim of the teacup. A couple of minor light scratches to the white surface of the side plate and and one patch of noticeable gilding wear to the rim, approximately 1.5cm wide. No other damages, crazing or any restoriation.Lilac trio - Teacup crazed with some brown discoloured spots to the interior. No other damages, crazing or restoration.Cobalt trio - Teacup crazed to the lower body of the underside and around the interior of the upper rim. Sideplate crazed with a Y-shaped hairline.

A Waterford Crystal Prestige Master Cutter Heritage claret decanter and stopper, foil label, 29.5cm high. Sold together with the original box. (at fault)Condition:PLEASE NOTE THIS DECANTER IS DAMAGED TO THE HANDLE There is one small patch of possible clouding to the interior of the bottom of the bottle but this might come out with a clean (see images)

A group of Royal Worcester, comprising a blush ivory pedestal bowl, painted with still lives of pink roses and green foliage, dated 1924, printed mark, 21.5cm diameter; a small blush ivory jug, decorated in pastel shades with foliage, shape 1436, and a similarly decorated onion vase (more commonly found with reticulate centre section), shape 1158, 27.5cm high; and a pair of plates, dated 1911, with raised gilt and green borders decorated with cobwebs, scrolls and shells, retailed by Osler, 100 Oxford Street, London, pattern W6245/CR (5) Condition:Bowl - Large patch of brown discolouration to gilt on rim - possibly re-gilded. Bowl rings true when tapped with. A couple of minor scratches to paint. Hairline crack to rim of one of the plates.No other damages or repairs noted.

An unusual Doulton Lambeth stoneware vase, circa 1880, of 'rocket' shape, the main body of the vase decorated with a rabbit or hare being pursued by a bird of prey amongst the stars, further decorated with foliage, trellis fence and single flower to the upper rim, impressed marks, incised monogram for 'MA' possibly Mary Aitken, numbered '999', 24cm highCondition:Good condition with no damages or repairs. A small patch of crazing to one foot. Some small firing cracks to body and decoration.

Alexander Lauder (Lauder and Smith) Barnstaple and Pottington, Devon, (1876-1914) - Two similar marbled drip glaze vases or three-handled cache pots, inscribed and impressed marks, 7.5cm high (2)Condition:Small patch of glaze loss to the underside of one base and a slight hairline around the base of one handle. The other vase has a patch of restoration to the rim. No other apparent damages or repairs.

Three pieces of Art Deco pottery, comprising two Charlotte Rhead for Crown Ducal twin-handled vases, shape 148, comprising 'Persino' pattern, circa 1932-1935, and 'Blue Peony', circa 1935-38, 15cm high; and a green Susie Cooper jug decorated with charging rams, bright green glaze, 23cm high, each signed (3)Provenance: The Charlotte Rhead vases are ex. Bernard Bumpus Collection previously sold in these rooms in February 2011. See Bernard Bumpus, 'Collecting Rhead Pottery', Francis Joseph, 1999, pg 51 plate 54, where the 'Persino' vase is illustrated.Condition:Suzie Cooper jug - two small glaze nibbles near foot rimGreen Charlotte Rhead vase - foot rim wear and poor glaze adhesionBlue vase - scratches and scuffs to blue paint on rims and handles. Small patch of glaze crazing

A collection of patch and snuff boxes, including Bilston enamel examples, 18th - 20th centuries, the group including a scarce oval example with a portrait and small verse relating to the actress Sarah Siddons, another, with inscription 'Who opens this must have a kiss', a vintage Italian micromosaic box, a French porcelain heart-shaped box, and four others (9) (a.f)

A small 18th century Bilston enamel patch box box, circa 1780, the blue ground decorated in white with a pair of doves and love hearts and the inscription 'Remember the Giver', the interior cover fitted with a mirror, 4cm wide; together with six further contemporary enamel and porcelain boxes, including two Bilston and Battersea enamels Halcyon Days egg-shaped trinket boxes, a Crummles 'frog' box and small Limoges porcelain box (7)Condition:18th century box - cracks and losses to the enamel - notably to the interior and right-hand side of the exterior. There is a less noticeable spider crack and a small patch of enamel loss, both to the cover.

COCK-FIGHTING INTEREST: Two Bilston style enamel pill or patch boxes, 19th century, each of typical form, the cobalt blue bodies with hinged covers decorated with a cock-fighting scene, each 5cm wide; with four further cock-fighting themed boxes, comprising an enamel pill or patch box (at fault), a treen snuff box, a pewter snuff box, and a black painted trinket box with printed cover; with six buttons with cockerel crest, a plain polished brass snuff box and a brass framed print (16) CONDITION REPORT:Three large metal buttons 26mm diameter.Two small metal buttons 16mm diameter.Faux mother of pearl button 13mm diameter.Cock pit box diameter 90mm diameter. Image is transfer printed. Probably made of papier mache. 

Pair of Derby porcelain figures Shepherd and Shepherdess, with handpainted and gilt decoration, patch marks to the base, otherwise unmarked, 22.5cm high approx overall (2) Both with damage, repairs and restoration.

Mahogany linen press19th Century, with original interior shelves, and drawers to the base, 128cm wide x 188cm high x 63cm deep Split on door, old repairs including a patch, and some moulding missing.

British WWI RP Postcard of a Sgt of the Royal Army Medical Corps, wearing a Senior NCOs Red Cross Sleeve patch.

Seven Derby porcelain Patch Mark figures, circa 1770, to include a shepherd playing the bagpipes, 19cm high; a gardener, 23cm high; another allegorical of water, 24cm high; one of young man with a dog by his side, 20.5cm high; a pair of figures of a young boy and girl, she with a lute, he with a French horn, 17cm high and one of a boy holding flowers, 23cm high

A pair of Chelsea-Derby turquoise ground vases and covers, circa 1775-80, in the neo-classical style, moulded with drapery swags, the spirally moulded necks with lion masks, one with gilt anchor mark, patch marks and one with gilt anchor24cm highCrack to the corner of one of the bases. Usual wear to the gilding in places.

A Sarouk Feraghan carpet, circa 1930, with central indigo medallion on a plain terracotta field, ivory spandrels and deep indigo border398 x 300cmPile is good but low in places. No holes and structurally sound but down to the wefts in some places(See detail images)Some pale spots in the plain field and slight uneveness to the colouration in the field.one small patch in the main field(approx 3cm square). see last image, otherwise no obvious repairs or signs of rot. Some localised moth damage but very limited(see penultimate image)selvage and tassles generally very good

A William & Mary walnut, marquetry and oyster veneered longcase clock, the hood with barley twist pilasters, 10inch (25.5cm) unsigned dial with silvered chapter ring and winged mask spandrels, later associated 8 day movement, the trunk with sycamore and hardwood foliate panels and lenticle, boxwood banded oyster veneered sides, on a plinth base194.5cm highdial formerly with date aperture, now blanked off with careful patch (original winding holes also blanked off). Some patched veneers or moulding pieces. See photos. Attractive period case but movement/dial later.without any blocks accounted for the vertical aperture is 32cm and the horizontal aperture is 30cms. 

A Karabagh runner, late 19th century, with eight rows of three large boteh on a deep indigo ground310 x 108cm low pile and numerous areas of ridgingone patch in the main field approx 10-15 cm acrossLosses to the selvage and into the border along both sidesLosses to both ends

William Henry Gore RI (British, 1857–1942) 'The Culprit', a girl admonishing a dogsigned lower left 'W HENRY GORE'inscribed verso 'Caroline'oil on canvas76 x 55cmExhibited:Paintings by W. Henry Gore, Newbury District Museum, May 1988, No. 4 (lot includes a copy of the exhibition catalogue)Framed and glazed.  In stable, restored condition with scattered inpainting apparent, particularly under UV light.  Two patch repairs (visible from reverse) with associated inpainting.  Minor losses visible to the left hand edge.  Later frame in good overall condition with minor wear.

Provincial American Banknotes, State of North Carolina ‘The Miners and Planters Bank’ Murphy $5, dated June 7th 1860. & ‘Augusta Insurance & Banking Company’ $2 note, dated Nov 10th 1861. (Repair patch covering hole to reverse).

A group of enamelled boxes to include Bilston examples, including an example modelled as a shamrock, two patch boxes with painted hunting scenes, a scent bottle case with painted flowers to a pink ground, and another inscribed 'A Token of Love',the largest 6cm wideCondition ReportThe enamel to the box inscribed 'A Token of Love' is heavily damaged. Losses to the enamel on the scent bottle case. The oval hunting scene example is missing its hinges. The enamel to the circular patch box is cracked, with a chip to the base.

A pair of good quality late 19th French Directoire style mahogany side chairs, with patch leather back and seats. Circa 1890.

A PAIR OF GEORGE IV MAHOGANY HALL CHAIRS ATTRIBUTED TO GILLOWS, CIRCA 1825 Each central medallion with a painted crest each 84.5cm high, 39cm wide, 46.5cm deep Condition Report: Overall there are some scratches, marks, chips, cracks and abrasions consistent with age and use.Observations include: a small patch to the upper back of one chair; there are cracks and repairs to the back legs, which are visible on close inspection and appear solid; there are some later blocks; there is some evidence of worm; there is a craquelure to the paint of the crests.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition. Condition Report Disclaimer

A GEORGE III LEAD CORNER CISTERN LATE 18TH CENTURY Raised lettering to central cartouche BS 91cm high, 65cm wide, 36cm deep Condition Report: With weathering - colour variance from exposure- wear, marks, knocks and scratches as per age, handling, use, and cleaning. Old patch repairs to former plumbing holes to reverse- both side edges restored, some base repairs Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.  Condition Report Disclaimer

Margaret Sarah Carpenter (1793-1872) Portrait of Mrs Simpson as a young woman, three-quarter-length seated, in a white dress and holding a pink rosesigned and dated 'Margaret Carpenter/1850' c.l., oil on canvas109 x 89cmProvenance: Bonhams, The Contents of The Old Rectory, Banningham, Norfolk, 22-24 March 2004, lot 251.Condition ReportOverall: 135 x 114cm.Craquelure. Losses and abrasions to the background at the top and to the upper left quarter. There is an area of restoration visible to the background, upper left, which corresponds to a 10cm x 10cm patch repair verso. Not examined under UV light, for a full report please contact the department.

Follower of Pieter Cornelis Dommershuijzen Fishing hoogaars by the shore oil on canvas37 x 58cmProvenance: With Royal Exchange Art Gallery, London.Condition ReportOverall: 50 x 71.5cm19th century. Light surface dirt with a little rubbing to the lower left edge but appears to be in otherwise generally good order. Examined under UV light there is a small patch of overpainting at the bottom of the boat's masts. The painting has a clear varnish which is a little uneven in places.

P... Duhamel (French, late 19th century) A monkey with a drumsigned 'P Duhamel' l.l., oil on canvas40.5 x 32.5cmCondition ReportOverall: 46 x 39cmStretcher marks. Some areas of touching up visible, corresponding to several patch repairs to the reverse, please see images. The work is loose in the frame. Unexamined under UV light, for a full report please contact the department.

Italian School, 19th century View of the Uffizi Palace and the Arno, Florence, with groups of figures conversing; View of the Porta Romana, Florence oil on canvas 50 x 39cm and 48 x 37cm respectively (2) Condition ReportOverall: 64 x 54cm Framed as a pair. Craquelure and light surface dirt. There is a very small pierced hole to the sky in the upper right quarter to the view of the Uffizi Palace. There are three patches which appear to be repaired tears visible to the reverse, please refer to illustration. Examined under UV light there are a couple of small spots of overpainting to the sky of the View of the Uffizi. There is some further restoration evident to the buildings in the lower right corner corresponding the patch repair verso. When viewed under UV light the Porta Romana has some small spots of touching up to the sky. There is some restoration to the tree in the centre which is possibly a repaired tear- please see additional condition images.

Italian School, 17th century Christ appearing in a vision to Saint Catherine of Sienaoil on canvas123 x 96cm, unframedCondition ReportCondition issues. Craquelure, losses and flaking. Surface dirt. Tears to the upper left quarter with a 9 x 17cm patch in the upper left corner. A large patch to the upper right quarter verso and another smaller patch in the upper left corner, please see images. Spots and staining to the reverse. Not examined under UV light, for a full report please contact the department.

French School, late 19th century A basket of mussels and prawnsoil on canvas46 x 55cmCondition ReportOverall: 60 x 70cmUnlined. Craquelure throughout. Some minor losses with the potential for flaking. Several small patch repairs to the reverse. Examined under UV light there are several patches of overpaint, please refer to additional images.

Julia Beatrice How (1867-1932) 'La Boîte à Musique'signed 'B. How' l.r., also signed and inscribed with title on a label verso, oil on canvas81 x 65cmCondition ReportOverall: 99 x 85cmPresents well overall. Unlined with a small patch to the reverse, centre right. Examined under UV light there is a small area of overpaint just above and to the right of the music box which corresponds to the patch repair verso, please see additional images.

Two 18th century miniature enamel round Bilston patch boxes, circa 1760, one pink ground with the inscription "Keep this for my sake", the other cobalt ground and inscription "Love for Love". Sizes: approx. 2.5cm diam x 1.5cm high each. Condition: pink - slight crazing, feint hairline to inside, Cobalt - crazing and feint hairlines, flaking.

A late 18th century Bilston 'Bird' patch box, circa 1780, approx. 4cm high x 5cm wide. Condition: enamel missing from head and underside of base, and inside base, cracks to body.

A mixed quantity of various item, to include; military items, a 1936 Olympics badge , badges, buy scout whistles, postcards, a Radio speaker from a WW2 F40-1 Corsair aircraft (with enamel Mickey Mouse front grill), tin plate toy drivers / firemen, carved wooden soldiers, a 1929 produced Popeye embroidered patch, a WW2 medal ribbon, a WW1 1919 peace porcelain mug, and an unusual preserved orthodox Greek bread loaf (age and significance unknown). Condition: some age and service related wear and tear to several of the items, with some pieces being fragile.

A 19th Century marquetry jewellery box, the cover and front decorated with stylised trees, flowers and water reeds with mother-of-pearl inlaid birds, horse and stags, plain sides and back, velvet lined interior, approx 30cm wide x 21.5cm deep x 12cm high  Further details: some dents to border, patch repair to one corner section