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USAAF reproduction uniforms, these are based on Dutch Army jackets which is the norm and comprise 5 tunics with 1 made-up as photograph with full insignia and medals and wings and correct buttons and shoulder patch, another with the buttons and shoulder patch, a third with just the shoulder patch and 2 with no amendment. Also 2 peaked caps with badge and several more for replacement/spares. There are 4 pairs of heavyweight trousers on the hangers and then a large bag containing many pairs of fawn chino`s that can be worn with them in a variety of sizes plus several ties and webbing belts etc

USAAF reproduction uniforms, these are based on Dutch Army jackets which is the norm and comprise 5 tunics with 1 made-up as photograph with full insignia and medals and wings and correct buttons and shoulder patch, another with the buttons and shoulder patch, a third with just the shoulder patch and 2 with no amendment plus an additional blouson style tunic. Also 2 peaked caps with badge and several more for replacement/spares. There are 4 pairs of heavyweight trousers on the hangers and then a large bag containing many pairs of fawn chino`s that can be worn with them in a variety of sizes plus several ties and webbing belts etc

Montserrat. 1938-48 set of 12, perforated `SPECIMEN` Type D20 or D21, mint. Fine but for foxed patch on £1. To make up for this, the 1/- has the R10/5 `plate scratch`. SG 101s-12s (£325+)/CW SP 1-10, 21-2

Eleven 20th century enamel patch boxes (11)

Seven 19th century and later enamel patch boxes, `A Present from Southwold`, `The Victory`, `As the Rose so is Life` (7)

Seven 19th century and later patch boxes, with pictures and verse (7)

Nine 20th century enamel patch boxes, mostly pictorial and floral (9)

A collection of patch and snuff boxes:

A PAIR OF DERBY FIGURES, 18th CENTURY, depicting a Romantic couple, each 23cm high (with patch marks underneath)

Pedigree `Patch` Sindy`s Little Sister, 2nd issue c.1967-1970: auburn bob, `Made in Hong Kong` to shoulders, no markings to head, h.22cm. Patch wears a white sweater with cream vest and knickers, tartan skirt, white socks. VG clean condition (socks and sweater a little grubby), in VG box with a couple of small blue marks to lid, box retains the `Patch` band around the box inner. Together with a Palitoy Tressy doll in white knickers and dress (G+, dress grubby), and a selection of clothing and accessories including Patch`s `Sou Wester` yellow raincoat and rainhat (VG) and Patch`s dungarees and head-scarf (G).

VariousNavy estade.Several objects of the estade of an navy soldier (Lot No. 101 and 103). 1.) Bootsmannsmaaten whistle; 2.) Kriegsmarine, belt buckle; 3.) visor device, emboridered; 4.) arm patch, fire works man of the navy; 5.) different uniform equipment; 6.) trousers, heavily worn; 7.) USA: navy visor with etiquette Robert Jesse Sanders Jr. Lieutenant Commander USN; 8./9.) navy officers pictures, reproduction, framed; 10.) bread bag; 11.) leather bag; 12.) decorative ship-ladder with 9 tally ribbons.Preview will be recommended expressly.Condition: II

ANTONIO ERMOLAO PAOLETTI (1834-1912) THE ANTIQUE SHOP Signed and inscribed Venezia, oil on canvas 56.5 x 72cm. Provenance: London, Cooling Galleries ++ One small patch lower left corner verso

Derby Putti figures, two are from the Duesbury patch mark period of 1780`s and a later 19th century (1860`s) Sampson period, all decorated with flowers

A pair of Derby porcelain `birds in branches` candlesticks each modelled with a pair of birds amidst a flowering bocage below a single sconce and drip pan, on a scrolling base, 24 cm high, patch marks, circa. 1770, some restorations.

A late 19thC German porcelain match holder in the form of a Pierot and a Limoge porcelain patch box.(2)

A Samuel Alcock porcelain cat and kitten group, circa 1830-45, the white animals with black patch markings seated on a gilt lined blue mound base, height approx 6cm.

A PAIR OF YELLOW METAL, DIAMOND AND RUBY CUFFLINKS in the form of stylised horses heads, with inset ruby eyes and diamond set nose patch, each with hinged terminals, unmarked but testing as high carat gold. 19grams (total)

AN INDIAN BUCKLE PANEL gilt metal enamelled with peacocks, 4.25 cms; a horn & silver patch box, the lid with a portrait, possibly of Queen Anne, 4 cms and a strawwork case decorated with flowers, 8.5 cms (3)

A box of china together with various modern enamel patch pots.

A Derby-style figure of an actor, 18th/19th century, wearing cape and reading lines held on a note within hand, arm outstretched, on rocky base, with typical patch marks under base, height 20 cm, (a/f).

* Thomas Lewis Atkinson, British 1817-1898 and Samuel Cousins RA, British 1801-1887- Little girl seated in a strawberry patch, after Sir John Everett Millais Bt PRA, publ June 1st 1886 by Thomas McLean 7 Haymarket; mixed method engraving on chine collé, signed by both artist and printmakers in pencil, 63.7x47.5cm: together with one other example of the same print, similarly signed in pencil, 63.7x47.5cm., (2) (rolled) (unframed)

A Victorian carved mahogany, gilt painted pole screen, with a floral carved screen frame with a needlework patch, raised on a turned stem with acanthus carved outswept legs with scrolling feet, 162 x 48 x 48 cm.

A kudu skin rug - unlined; together with a patch work antelope rug sewn with leather thongs. (2),30,40

Salmon (William). Botanologia. The English Herbal: or, History of Plants. Containing I. Their names, Greek, Latine and English. II. Their species, or various kinds. III. Their descriptions. IV. Their places of growth. V. Their times of flowering and seeding. VI. Their qualities or properties. VII. Their specifications. VIII. Their preparations, Galenick and chymick. IX Their virtues and uses. X. A complete florilegium, of all the choice flowers cultivated by our florists..., 1st ed., 1st issue, London: Printed by I. Dawks, for H. Rhodes and J. Taylor, 1710, addn. eng. title, letterpress title printed in red & black and with ink ownership of Robert Montgomery, numerous woodcut botanical illustrations, leaf 5K1 slightly torn to upper margin (slightly affecting running title), occasional spotting to few leaves (mostly light), some dampstaining mostly to margins, final leaf lined to verso, hinges repaired, contemporary calf, new spine and returns, leather patch to upper board, folio. Henrey 1308. This copy includes the additional unnumbered pages consisting of an ‘Index morborum’. Armorial bookplate of Robert Montgomery, Convoy, Co. Donegal. (1)

Queen Anne embroidered bindings. The Holy Bible, Containing the Old and New Testaments: Newly Translated out of the Original Tongues: and with the former Translations diligently Compared and Revised. By His Majesty’s Special Command. Appointed to be Read in Churches, Oxford, printed by the University-Printers, 2 vols., 1701, collates complete according to Oxford University’s copy, general and New Testament letterpress titles present, with addn. eng. title to each, printed in double-column with printed marginalia, red-ruled throughout, several corners cleanly creased, f2 in vol. 2 with small neat paper patch over lower red rule border, but internally in excellent condition, marbled endpapers, early armorial bookplate of Edward Harbord, 3rd Baron Suffield (1781-1835), sumptuous contemp. embroidered binding of scarlet velvet worked in high relief in gold and silver thread and wire, and some coloured threads, with an elaborate overall design incorporating the monogram of Queen Anne in the centre, topped by a crown (with beading), surrounded by a scalloped frame entwined with volutes and tulips, and the rose and thistle emblem at the centre of each side, with scrolling banner above and below lettered ‘Gloria Inexcelsis Deo’ and ‘Omnia De Super’ respectively (now only legible on rear covers), with semi-circular sunburst at top, and a cherub in each corner, the spines divided by embroidered raised bands into nine compartments, each with tulips and fleur-de-lys radiating from a central quatrefoil (spines a little threadbare in places), remants of silk ties, folio in 6s, 48 x 31cm (19 x 12.25ins). Darlow & Moule 678; Herbert 867. An important pair of embroidered royal bindings in remarkably good condition, bearing the exclusive motto of the Worshipful Company of Broderers, ‘Omnia Desuper’. Anne (1665-1714) ascended the thrones of England, Scotland and Ireland on 8th March 1702. On 1st May 1707, under the Act of Union, two of her realms, the kingdoms of England and Scotland, were united as a single sovereign state, the Kingdom of Great Britain; the thistle and rose emblem, with the two flowers emanating from one stem, is a symbol of this historic event. The motto ‘Omnia Desuper’ is unique to the Worshipful Company of Broderers, and was noted as being in use in the 1633-34 Heralds’ Visitation of London record of the Company’s arms (College of Arms Ms: 2C24/217). The crest of the Broderers Company is ‘On a Wreath Argent and Gules the Holy Dove Argent displayed membered and beaked Gules upon a Roundel Azure radiated Or’. The semi-circular sunburst at the top of each cover resembles the bottom of a ‘Roundel Azure radiated Or’, and therefore may be a further allusion to the Broderers. Like her distant cousin, Elizabeth, Anne survived religious tumult. Though her father, mother, and stepmother were all Catholics, Anne was raised in the Church of England at the behest of her uncle, King Charles II. When her father, James II, lost the throne in the so-called Glorious Revolution of 1688 because of his Catholic leanings, Anne had only to wait her turn to succeed her sister and brother-in-law, the Protestant Mary and William. After Anne’s reign, the Church of England was firmly established. Despite seventeen pregnancies, Anne died without surviving children and was the last monarch of the House of Stuart. Edward Harbord, Baron Suffield, of Gunton Park, Norfolk, and Middleton Hall, Lancashire, represented Great Yarmouth and Shaftesbury in the House of Commons. He was a radical politician, later becoming a strong advocate in the House of Lords for the abolition of slavery, and a campaigner for prison reform. (2)

A Hitler Youth dagger, the blade etched `Blut und ehre!` and RZM 7/12 1938, in steel scabbard with leather frog, a Hitler youth pennant, arm patch, pin and WWII Nazi war merit cross and envelope

A 19th Century Percussion Cap Over and Under Double Barrel Pocket Pistol, the 7.5cm octagonal blued steel revolving barrels numbered 81818, with chequered ebonised wood bag butt inset with a nickel patch box

A 19th Century Continental Transitional Six Shot Revolver, with 9cm octagonal steel barrel, the cylinder bearing traces of proof marks, with foliate engraved bar hammer and cylindrical action, steel sprung rammer and frame, with chequered wood grip scales, and with hinged patch box

A 19th Century German Percussion Cap Sporting Gun, the 68cm steel barrel engraved T.G.S. on the top flat, the walnut full stock with antler fore-end tip, scroll carved trigger guard, raised cheekpiece, the butt with antler applied sliding patch box cover, with wood ramrod

A 19th Century Double Barrel Percussion Cap Jacob`s Carbine by Swinburn & Son, 1860, the 59.5cm steel barrels with hinged ladder and triple folding leaf rearsights, with four groove rifling to the left barrel, the sidelocks stamped Swinburn & Son 1860, the walnut half stock with steel double scroll trigger guard, sling swivels, the butt set with patch box, the hinged cover engraved ``Jacob`s Rifles``, with brass mounted steel ramrod

A 19th Century Flintlock Blunderbuss, made for the Balkan market, the 28.5cm flared steel barrel with foliate chiselled decoration to the muzzle and breech, the rounded banana shape steel lock plate stamped MANTON, the walnut half stock with steel double scroll trigger guard, ramrod pipes and Baker type hinged patch box to the butt, with brass mounted wood ramrod

A Good and Unusual Side by Side ``Cape Combination`` Percussion Cap Sporting Gun by John Hayton of Grahamstown, the 76cm browned damascus barrels with broad top rib signed and numbered 652, with reblued hinged three leaf rear sight, graduated from 1 inch to 22 inches (for measuring trophies), the left smooth barrel of 13 bore, the right rifled barrel of approximately .50 calibre, foliate engraved dolphin hammers, signed lock plates, walnut half stock with chequered grip and fore-end, foliate engraved steel furniture and hinged patch box to the butt, the brass tipped hickory ramrod with screw-off jag

A ROYAL DUX PORCELAIN FIGURE GROUP, early 20th century, modelled as a cavalier astride his white horse, paying attention to a young peasant girl standing at his side, on an art nouveau style flower moulded oval base, pink patch mark, model No.759, 15 1/2" high

A PAIR OF ROYAL DUX FIGURES of young farmers, the male holding a sickle in his right hand beside a corn stook, and his female companion sewing seed from her apron, both in typical garb and colours, on naturalistically circular moulded bases, patch marks, models 2275/6, 11 1/2" high

"A moss agate snuff box of serpentine form with gilt metal mounts, w6cm together with a George III enamelled patch box, the lid with motto "Free to a friend I`d give as Lend" with a pink base and metal mounts, w4.5cm (2) ""Condition: Moss agate scratched otherwise good, enamelled badly cracked, chipped and corroded "

TWENTY MISCELLANEOUS LILLIPUT LANE COTTAGES SCROLL ON THE WALL, COSY CORNER, SUGAR MOUSE L2932, APRIL COTTAGE, WINSOR COTTAGE L2956, VICTORIA COTTAGE, HEART OF GOLD L2561, ASH NOOK, FRESH TODAY L2256, THE CROFT, LITTLE BEE L2317, OFF THE BEATEN TRACK L2401, THE TOY BOX L2684, CHINECOT WATERMILL, THE CHOCOLATE BOX L2585, LITTLE DOG LOST L2551, PURBECK STORES, CABBAGE PATCH CORNER LO2831, LITTLE SCRUMPY L2395.

Walter Hunt, FARMYARD SCENE WITH WHITE PONY, TWO CALVES AND CHICKENS IN A TURNIP PATCH, Oil on canvas, signed W Hunt and dated 1919, 49cm x 75cm.

A Beswick Beatrix Potter figure, Tommy Brock, handle out, variable eye patch, BP2

SILVER SALTS, a pair, French with clear glass liners, 6.5cm L and a Sterling silver patch box with foliate embossed lid, 6cm diam. (3)

IVORY PATCH BOX, 19th century French, the hinged lid inset a portrait miniature the silver and gilt surround with raised garland detail, 7.5cm L x 5.5cm W.

SILVER PATCH BOX, 19th century Continental with engine engraved decoration, the top inset a mother and child miniature, 6cm W.

CERNAN GENE: (1934- ) American Astronaut, Commander of the Apollo 17 mission, becoming the eleventh man to walk on the moon. Signed colour 10 x 8 photograph of Cernan in a head and shoulders pose, wearing his spacesuit, in the Apollo 17 lunar module. Signed in bold black ink across a light area at the head of the image, ` "The Last Apollo Moon Walker" Gene Cernan Apollo XVII`. Professionally matted in beige cloth above an Apollo XVII mission patch and below a small engraved plaque. Framed and glazed in a silver coloured frame to an overall size of 15.5 x 19.5. EX

APOLLO XI: Selection of three individual items signed by the crew members of Apollo XI comprising Neil Armstrong (1930- ) American Astronaut, Commander of Apollo XI (1969). The first man to walk on the moon. Dark ink signature (`Neil Armstrong`) on a white card; Buzz Aldrin (1930- ) American Astronaut, Lunar Module Pilot of Apollo XI (1969). The second man to set foot on the moon. Signed First Day Cover commemorating Apollo XI and Man`s First Landing on the Moon, featuring small images of the three crew members and with two postal cancellations, one bearing the date of the moon landing, 20th July 1969. Signed (`Buzz Aldrin`) in black ink with his name alone, the signature only very slightly affected by the two postal cancellations; Michael Collins (1930- ) American Astronaut, Command Module Pilot of Apollo XI, 1969. Signed First Day Cover commemorating the European section of The Society of Experimental Test Pilots and their symposium in Lucerne, 1971, postmarked 28th August 1971. Signed (`M Collins`) in blue ink with his name alone to a clear area. The three items have been professionally matted together in white beneath a colour 10 x 8 NASA photograph of the three astronauts and an Apollo XI mission patch. Framed and glazed in a plain black frame to an overall size of 17.5 x 27.5. VG

APOLLO XI: Bold black ink signatures by both Neil Armstrong (1930- , American Astronaut, Commander of Apollo XI (1969). The first man to walk on the moon)and Buzz Aldrin (1930- , American Astronaut, Lunar Module Pilot of Apollo XI (1969). The second man to set foot on the moon) individually on a white card. Together with a signed First Day Cover by Michael Collins (1930- , American Astronaut, Command Module Pilot of Apollo XI, 1969), the cover commemorating Apollo XI and featuring small images of the three crew members. With two postal cancellations, one bearing the date of the moon landing, 20th July 1969. Signed (`M Collins`) in black ink with his name alone to a clear area. The card and First Day Cover have been professionally double matted in blue suede beneath a colour 10 x 8 photograph of the three astronauts and an Apollo XI mission patch. Framed and glazed in a silver coloured frame to an overall size of 16.5 x 31.5. EX

Harry Patch a scarce Memorial Service booklet and a copy of the book on him, "The Last Fighting Tommy"

A Patch Stand, circa 1740, with wrythen fluted bowl, stem and circular foot, 5.5cm high, 6.4cm diameter; and A Sweetmeat Glass, circa 1740, the panelled and ogee moulded bowl on a multiple knopped stem, and on a panelled foot, 9cm high, 8.8cm diameter (2) See illustration

A Balustroid Patch Stand, circa 1740, the circular top with low rim, on a hollow double knopped stem, folded foot, 10.3cm diameter, 6.3cm high See illustration

A French porcelain patch box painted with flowers. 8cm wide

Jonathan Green-Melton Mowbray market, oil on canvas, signed lower right, 63 x 77cm (with three patch repairs verso and old paper label).

Christopher M Maskell (1850-1933)-Cattle within an extensive river landscape, oil on canvas, signed lower right (patch repairs verso), 45 x 61cm.

William Watson-The Highland Shepherd, oil on canvas, signed and indistinctly dated lower left, patch repair verso, 102 x 70cm.

ROYAL CROWN DERBY JAPAN PATTERN PORCELAIN MINIATURE BOTTLE VASE (a.f.) 1128, 2 1/2" (6.4cm) high, TOGETHER WITH A HAND PAINTED PORCELAIN CIRCULAR PATCH BOX and cover (2)

A Derby-style figure of shepherdess with sheep on rococo base, late 18th century, bearing incised number mark under base and typical three patch marks, height 19 cm.

A collection of 20th Century painted porcelain and enamelled patch boxes, some Worcester, various designs, together with various Coalport miniatures mugs and jugs, Millennium cup and saucer and a Worcester Granger jar and cover and a tile inset serving tray (qty)

A selection of oil cans, measures etc. to include Gunk solvent cleaner cylindrical can, in good condition, Patch Quick Chalk Ovoline Motor Oil etc. also an unmarked can bearing brass plaque Himalia Engineering Works LHR 1943.

WWII – the Holocaust – Belsen small group of items retrieved from the camp by one of the British Intelligence Officers who liberated it at the end of the war, including a Star of David, a rare pink triangle [which homosexuals were required to wear] and an armband patch with the camp number 214277. Together with two copy photographs and the officer’s Field Service Pocket Book. The Pink Triangle is particularly rare. The desperate recipients of these repulsive patches were people condemned for their sexuality – but surprisingly they were condemned under laws not passed by the Nazi regime, but by the laws passed during the time of the Kaiser in the late 19th c. As a result, when the concentration camps were liberated, the homosexuals faced a second torture – because while other inmates were released, the new German government sent the homosexuals back to prison – and some did not gain their eventual liberation until the 1970s !

Decorative glass eggs, enamel patch box, glass jewellery box, various trinket boxes, porcelain match holders, enamel match holders etc.

A box of soft toys, to include Cabbage Patch doll, Snoopy, etc

A late 18thC tortoiseshell patch box, the lid with inset carved ivory family group, possibly George III, with gilt star border to front and side, 8cm diameter.

A late 19thC ruby glass ring /patch box decorated with over enamel painting of Florence cathedral, base with enamelled fienze, 5cm diameter.