Nina Ricci, Collection Haute Couture, circa 1967. Ensemble de jour en shantung de soie abricot.Directeur artistique Gérard PipartRobe légèrement évasée à encolure ronde, sans manches, jupe rehaussée de deux poches plaquées à rabat boutonné; manteau de forme droite, encolure en v, pattes d'épaule, quatre poches à rabat boutonné, double boutonnage, manches longues, taille marquée d'une ceinture.Griffe blanche, graphisme blanc et orFootnotes:Nina Ricci, Haute Couture Collection, circa 1967. Daytime ensemble in apricot silk shantung.Artistic director Gérard PipartSlightly flared dress with round neckline, sleeveless, skirt embellished with two patch pockets with buttoned flaps; straight coat, V-neckline, shoulder tabs, four pockets with buttoned flaps, double breasted, long sleeves, waist marked with a belt.White label, white and gold graphicsFor further information on this lot please visit Bonhams.com
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Chanel, collection Haute Couture, circa 1960. Ensemble de Jour en flanelle de laine rougeCréation Gabrielle ChanelRobe à encolure ronde, petites manches, jupe évasée à plis creux ouverts travaillés en pointe; se porte sous une veste droite, encolure ronde, quatre poches plaquées, simple boutonnage à boutons tête de lion en métal doré repercé, manches longues.Petites griffes beige, graphisme marron, recousues Footnotes:Chanel, Haute Couture collection, circa 60. Daytime ensemble in red wool flannelDesigned by Gabrielle ChanelDress with round neckline, small sleeves, flared skirt with open pleats worked to a point; worn under a straight jacket, round neckline, four patch pockets, single breasted with lion's head buttons in pierced gold metal, long sleeves.Small beige labels, brown graphics, sewn on.For further information on this lot please visit Bonhams.com
Chanel, collection Haute Couture, Printemps-Eté 1970. Tailleur en tweed chiné.Création Gabrielle ChanelA dominante écrue, rose, bordeaux et brique à effet de rayures horizontales, ganse laineuse aux couleurs, veste droite, encolure en V, deux poches poitrines et deux poches plaquées, simple boutonnage à boutons quadrangulaires rehaussés de feuilles ajourées en métal dorées, manches longues, jupe droite.Griffe noire, graphisme blancFootnotes:Chanel, Haute Couture collection, Spring-Summer 1970. Mottled tweed suit.Designed by Gabrielle ChanelPredominantly ecru, pink, burgundy and brick with horizontal stripe effect, coloured wool braid, straight jacket, V-neckline, two breast pockets and two patch pockets, single breasted with quadrangular buttons embellished with openwork gold metal leaves, long sleeves, straight skirt.Black label, white graphicsFor further information on this lot please visit Bonhams.com
Chanel, collection Prêt-à-Porter, Automne-Hiver 2015 Métiers d'Art Paris-Salzburg. Manteau en tweed de laine noir.Directeur artistique : Karl Lagerfeld.Col châle cranté, manteau ouvert, gansé d'une triple natte de lurex retenant des anneaux en métal doré, poches plaquées, martingale dos.Griffe noire, graphisme blanc.Footnotes:Ready-to-Wear collection, Fall-Winter 2015 Métiers d'Art Paris-Salzburg by Karl Lagerfeld. Black wool tweed coat.Cole notched shawl, open coat, trimmed with a triple lurex braid holding gold metal rings, patch pockets, back martingale.Black label, white graphics.For further information on this lot please visit Bonhams.com
Jean Patou, collection Haute Couture, circa 1968. Tailleur pantalon en flanelle griseDirecteur artistique Michel GomaVeste à col cranté, simple boutonnage, deux poches plaquées en laine tricotée, manches longues également rehaussées de laine, pantalon large.Griffe blanche, graphisme noirFootnotes:Jean Patou, Haute Couture collection, circa 1968. Grey flannel trouser suitArtistic director Michel GomaJacket with notched collar, single breasted, two patch pockets in knitted wool, wide trousers.White label, black graphicsFor further information on this lot please visit Bonhams.com
Chanel, collection Haute Couture, Printemps-Eté 1990. Robe et veste en jersey de laine et mousseline nude.Directeur artistique Karl LagerfeldRobe à plis plats verticaux et horizontaux, encolure ronde, petites manches, effet de plastron, se porte sous une veste à col châle cranté, deux poches plaquées à revers, double boutonnage, manches longues.Griffe beige, graphisme marronProvenance: Garde-robe de la Princesse Laure de Beauvau-CraonFootnotes:Chanel, Haute Couture collection, Spring-Summer 1990. Dress and jacket in wool jersey and nude chiffon.Artistic director Karl LagerfeldDress with vertical and horizontal flat pleats, round neckline, small sleeves, bib effect, worn under a jacket with notched shawl collar, two patch pockets with lapels, double breasted, long sleeves.Beige label, brown graphicsFor further information on this lot please visit Bonhams.com
Balenciaga, collection Haute Couture, circa 1955/1960. Robe d'après midi en soie ivoire à pois bleu marine.Création: Cristobal BalenciagaPetit col cranté sur petit décolleté en pointe à buste boutonné, manches trois quart, jupe à petits plis travaillée par des lès trapézoïdaux donnant de l'ampleur, rehaussée par deux poches plaquées à revers.Griffe blanche, graphisme noirFootnotes:Balenciaga, Haute Couture collection, circa 1955/1960. Ivory silk afternoon dress with navy blue polka dots.Designed by Cristobal BalenciagaSmall notched collar over a small pointed neckline with buttoned bust, three-quarter length sleeves, skirt with small pleats worked with trapezoidal strips to give fullness, enhanced by two patch pockets with lapels.White label, black graphicsFor further information on this lot please visit Bonhams.com
Jean-Charles de Castelbajac, collection Prêt à Porter, circa 1990. Long manteau à capuche en laiange.de forme droite, emmanchures basse, manches longues, une poche plaquée, fermeture asymétrique à finition franges.Griffe blanche, graphisme noirFootnotes:Jean Charles de Catselbajac, Prêt à Porter collection, circa 1990. Long hooded coat in laiange.Straight shape, low armholes, long sleeves, one patch pocket, asymmetrical fastening with fringed finish.White label, black graphicsFor further information on this lot please visit Bonhams.com
Chanel, collection Haute Couture, Automne-Hiver 1995. Veste en grain de poudre noir et ganse en satin de soie.Directeur artistique Karl LagerfeldDe forme droite, encolure ronde à petit col, quatre poches plaquées, boutonnage asymétrique sous patte, manches longues.Griffe noire, graphisme blancFootnotes:Chanel, Haute Couture collection, Autumn-Winter 1995. Jacket in black wool and silk satin braid.Artistic director Karl LagerfeldStraight, round neckline with small collar, four patch pockets, asymmetrical buttoning under placket, long sleeves.Black label, white graphicsFor further information on this lot please visit Bonhams.com
Chanel, collection Haute Couture, Automne-Hiver 1970. Tailleur en tweed écruCréation Gabrielle ChanelVeste droite à petit col souligné d'un biais, quatre poches plaquées à effet de surpiqûres en V, simple boutonnage, manches longues, jupe droite simulant une ouverture portefeuille.Griffe blanche, graphisme noirFootnotes:Chanel, Haute Couture collection, Autumn-Winter 1970. Off white tweed suitDesigned by Gabrielle ChanelStraight jacket with small bias collar, four patch pockets with V-shaped topstitching, single breasted, long sleeves, straight skirt simulating a wallet opening.White label, black graphicsFor further information on this lot please visit Bonhams.com
Yves Saint Laurent, collection Haute Couture, Automne-Hiver 1967. Tailleur en cuir chocolat.Création Yves Saint LaurentVeste de forme droite à effet de surpiqûres, col en pointe et revers des manches longues soulignés de Vison scanbrown, deux poches plaquées à revers, simple boutonnage, jupe droite. Griffe blanche, graphisme noirIconographie : Pierre Bergé, Yves Saint Laurent Haute Couture, L'oeuvre intégral, 1962-2002, Editions de La Martinière, Paris, 2010.Footnotes:Yves Saint Laurent, Haute Couture collection, Autumn-Winter 1967. Chocolate leather suit.Designed by Yves Saint LaurentStraight jacket with topstitching effect, pointed collar and long sleeve cuffs highlighted in scanbrown mink, two patch pockets with lapels, single breasted, straight skirt.White label, black graphicsThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Chanel, collection Haute Couture, circa 1974. Veste en tweed à chevrons blanc, marine et saumon.Directeurs artistiques Jean Cazaubon et Yvonne DudelPetit col officier, boutonnage asymétrique, deux poches plaquées.Griffe beige, graphisme marronFootnotes:Chanel, Haute Couture collection, circa 1974. White, navy and salmon herringbone tweed jacket.Art directors Jean Cazaubon and Yvonne DudelSmall officer's collar, asymmetrical buttoning, two patch pockets.Beige label, brown graphicsFor further information on this lot please visit Bonhams.com
Saint Laurent Rive Gauche, collection Prêt-à-Porter, Printemps-Eté 1969. Veste saharienne en gabardine de coton beige.Création Yves Saint LaurentPetit col, quatre poches plaquées à rabat boutonné, simple boutonnage, manches longues.Griffe blanche, graphisme noir rehaussée de deux carrés couleursFootnotes:Saint Laurent Rive Gauche, Ready-to-Wear collection, Spring-Summer 1969. Saharan jacket in beige cotton gabardine.Designed by Yves Saint LaurentSmall collar, four patch pockets with buttoned flaps, single breasted, long sleeves.White label, black graphics enhanced by two coloured squares.For further information on this lot please visit Bonhams.com
Yves Saint Laurent, collection Haute Couture, Printemps-Eté 1969. Veste saharienne en jersey noir.Création Yves Saint LaurentEncolure ronde, simple boutonnage, deux poches plaquées, manches longues, taille soulignée d'une ceinture.Griffe blanche, graphisme noirFootnotes:Yves Saint Laurent, Haute Couture collection, Spring-Summer 1969. Saharan jacket in black silk jersey.Designed by Yves Saint LaurentRound neckline, single breasted, two patch pockets, long sleeves, waist emphasised by a belt.White label, black graphicsThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Courrèges, collection Haute Couture, circa 1966. Manteau en lainage corailCréation André CourrègesDe forme évasée, petit col rond boutonné, quatre poches arrondies plaquées, simple boutonnage, manches longues à revers, martingale dos.Griffe blanche, graphisme noirProvenance: Ancienne collection Didier Ludot; Collection Sarah Wolfe, socialite américaineFootnotes:Courrèges, Haute Couture collection, circa 1966. Coral wool coatDesigned by André CourrègesFlared shape, small round button-down collar, four round patch pockets, single breasted, long sleeves with lapels, martingale back.White label, black graphicsProvenance: Former Didier Ludot collection; Sarah Wolfe collection, American socialiteFor further information on this lot please visit Bonhams.com
Chanel, collection Haute Couture, circa 1960. Tailleur en tissu façonné blanc et bleu à effet cloqué.Création Gabrielle ChanelVeste droite, petit col souligné d'une large noeud en soie marine, quatre poches plaquées à ganse unie marine, simple boutonnage, manches longues à effet de poignets mousquetaires, jupe droite. Griffe beige, graphisme marronFootnotes:Chanel, Haute Couture collection, circa 1960. Suit in white and blue woven fabric with blistered effect.Designed by Gabrielle ChanelStraight jacket, small collar highlighted by a large navy silk bow, four patch pockets with plain navy piping, single breasted, long sleeves with musketeer cuff effect, straight skirt.Beige label, brown graphicsFor further information on this lot please visit Bonhams.com
Chanel Boutique, collection Prêt-à-Porter, Automne-Hiver 1989. Tailleur en en crêpe de laine et vinyle noir.Directeur artistique : Karl Lagerfeld.Veste longue à encolure en V, simple boutonnage, quatre poches plaquées, jupe crayon. Griffe noire, graphisme blanc.Footnotes:Ready-to-Wear collection, Fall-Winter 1989 by Karl Lagerfeld. Suit in wool crepe and black vinyl.Long jacket with V-neck, single-breasted, four patch pockets, pencil skirt.Black label, white graphics.For further information on this lot please visit Bonhams.com
Hermès et Hermès 24 fg Saint Honoré, circa 1947. Canadienne en mouton retourné.A effet vieilli et surpiqûres ficelle, grand col châle, deux grandes poches plaquées à motif de fer à cheval rehaussé de clous, manches longues à revers, fermeture par une ceinture reprenant les clous. (accidents aux manches, état de document)Griffe manquante, griffe au tampon sur la ceinture Footnotes:Hermès and Hermès 24 fg Saint Honoré, circa 1947. Canadienne in sheepskin.With distressed effect and string stitching, large shawl collar, two large patch pockets with horseshoe motif enhanced with studs, long sleeves with lapels, belt fastening with studs (accidents to sleeves, document condition).Missing label, stamped label on waistbandFor further information on this lot please visit Bonhams.com
Chanel, collection Haute Couture, Printemps-Eté 1996. Veste en tweed jaune.Directeur artistique Karl LagerfeldDe forme droite, encolure en V à ganse laineuse, quatre poches plaquées à découpes en V, boutonnage agrafes, manches longues.Griffe blanche, graphisme noirFootnotes:Chanel, Haute Couture collection, Spring-Summer 1996. Yellow tweed jacket.Artistic director Karl LagerfeldStraight cut, V-neckline with wool braid, four patch pockets with V-shaped cut-outs, hook-and-loop fastening, long sleeves.White label, black graphicsFor further information on this lot please visit Bonhams.com
Yves Saint Laurent, collection Haute Couture, circa 1973. Cardigan en maille de laine et kilt.Création Yves Saint Laurent De forme droite, encolure ronde, simple boutonnage, manches longues, deux poches plaquées, kilt en lainage écossais. Nous joignons un second kilt d'un autre coloris. (trous sur les deux kilts) Griffe blanche, graphisme noirProvenance: Garde-robe de la plus grande actrice françaiseFootnotes:Yves Saint Laurent, Haute Couture collection, circa 1973. Wool knit cardigan and kilt.Designed by Yves Saint LaurentStraight shape, round neckline, single breasted, long sleeves, two patch pockets, tartan wool kilt. We are attaching a second kilt in a different colour. (holes on both kilts)White label, black graphicsProvenance: wardrobe of a French actressThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Sleek silhouette complemented by brass hardware, including distinctive turn lock accents on the sides. It comes with a comfortable shoulder strap. Features a spacious interior in light blue with additional pockets. Coach creed patch in the interior. Dimensions: 14.5"L x 2.5"W 18.5"HManufacturer: Dooney & BourkeCondition: Age related wear.
Features Coach's signature C pattern in jacquard fabric, complemented by leather trim. It includes two front flap pockets with turn-lock closures, a back zip pocket, and a zip-top closure leading to a spacious interior with additional pockets. The adjustable shoulder strap and brass hardware add to its functionality and classic appeal. Includes a coach hanging tag. Coach creed patch in the interior. Comes with a custom dust cover, made of breathable fabric and showcasing the Coach logo. Issued: 2007Dimensions: 12"L x 6.5"W x 16"HManufacturer: CoachCondition: Age related wear.
Dutch wooden side snare or barrel drum with bands of painted triangular motifs along the upper and lower circumference of the drum, possibly 19th century.Height: 10 1/2 in x diameter: 16 1/2 in.Condition: Wear thorughout including scratches, staining, and discoloration along the surface of the drum including one patch and a pinhole, consistent with age and use. Some losses to the pigment and chips to the wood. Leather strap is somewhat brittle and fragile.
Continental ceramic blue and grey jardiniere pedestal, possibly German, in the style of Westerwald pottery, ca. late 19th to early 20th century. Stoneware with salt glaze and cobalt wash decoration.The jardiniere features two applied handles and designs in relief of male figures and geometric motifs along its exterior. It rests on a stepped circular socle that is surmounted atop a columnar pedestal adorned with foliate motifs. The piece boasts an elegant, fluted column and a captivating blue, grey, and richly textured finish. Subtle variations in hue highlight the artisanal craftsmanship, while the intricate details of both the jardiniere and pedestal evoke a sense of historical grandeur.Total, height: 43 1/2 in x diameter: 19 in.Condition: There are no major restorations to the pedestal. There are many small to medium-sized losses and large chips along the high points of the applied leaf and pinecone forms throughout the pedestal. There is a chip along the upper rim of the base as well a small patch of adhesive residue; these are only visible when the bowl or vase of the pedestal is lifted to reveal them. Wear along the underside. Dust and debris gathered along the interior.
George Winter (American, 1810-1876). Oval oil on canvas landscape painting titled "The Broken Arch" depicting ruins overgrown with foliage. Titled and signed along the verso. Label attached to verso.Unframed; height: 16 3/4 in x width: 14 in. Framed; height: 21 in x width: 18 1/4 in x depth: 2 in.Condition: Areas of craquelure throughout; stretcher marks along the perimeter of the painting. Some signs of wear from a previous rabbet or frame along the edges. When inspected under UV light there are several areas throughout that fluoresce. One patch is visible along the verso which corresponds to the area around the point of the arch. The painting is attached to the gilt wood frame with two nails along the verso; as such, it moves slightly within the frame. Some light wear to the frame.
Mid-18th centuryThe foliate carved dipped top rail above a paper-scroll carved vasiform splat above a drop-in needlework upholstered seat, the shaped apron on floral and acanthus carved cabriole legs and pierced claw and ball feet, the rounded back legs joined by a stretcher; back rails stamped III and VIII.Height 41 inches (104.2 cm), width 23 inches (58.5 cm), depth 16 inches (40.6 cm) Sun fading, old marks and scratches, scuffs to feet, please note that Doyle does not guarantee the condition of upholstery.Chair III: repaired break to top rail at the juncture of splat and small triangular patch to top, repairs and age cracks to top of front left leg, age crack to veneer of apron, later corner blocks, both feet lacking front, center and right claws, old marks and scratches, scuffs to feet.Chair VIII: repaired breaks to top rail at juncture of stiles and splat, splat lacking right paper-scroll, left side lacking front corner block, age crack to top of seat rail of right leg, lacking front and back ear to right leg, left foot lacking left and center claws, right foot lacking center claws, old marks and scratches, scuffs to feet.
A early-mid 19th century ash and elm Windsor armchairOf hoop-back form, the shaped splat with pierced wheel, the saddle seat raised on ring-turned supports united by a crinoline stretcher.Seat height approx 43cm.Provenance:Acquired by the vendor in 1973 from Crispin Antiques, St.Albans.Condition:52cm wide x 56cm deep x 105cm high. Structurally sturdy. No evidence of worm. Patch repair to the centre of the seat. Small loss to the splat near the seat. Minor signs of age.
A large Khamseh 'chicken' carpetLate 19th / early 20th centuryWith multiple blue and beige geometric lozenges and spandrels on a red ground, all filled with stylised birds and flowers within multiple borders and guard stripes.353cm x 605cmCondition:Two patch repairs off-centre. Minor wear to pile in places. Patchy areas of fading. Some fraying and repairs to the edges.
George III mahogany kneehole deskThe cross-banded top above a single frieze drawer, the kneehole flanked by six drawers with a cupboard behind, raised on bracket feet.85cm wide x 49cm deep x 78cm highCondition:Some signs of age and use. The top has some marks and stains, a veneer split middle right, small veneer patch middle right, small veneer loss to front left corner. Very small veneer loss to back right corner. Elsewhere there are general marks and scuffs consistent with age and use. All drawer handles are replacements. No key.
Samuel Calvert (1828-1913) Off Ramsay, Isle of Man, fishing boats in rough coastal waters, signed lower left, oil on canvas, 51 x 77 cm, frame 70 x 95 cmProvenance: Private Collection Isle of Man, sold through Sotheby's Chester Condition:The painting is an oil on canvas, framed without glazing. The canvas has an old repair to the lower right in the rowing boat- old patch is visible verso with some paint repair. There is a small reverse puncture to the lower right (see additional photograph). The paint surface has craquelure throughout but the paint appears stable - no obvious paint loss or deterioration. The frame has some general wear and tear, joints are sound.
A fob seal, compass and enamel pendant, mid 19th century, comprising: a screw-topped patch case applied with pale blue guilloché enamel and decorated with floral festoons, in gilt metal, length 3.8cm; a compass mounted in gold, length 2.3cm; and an agate intaglio fob seal depicting a sailing ship with the motto 'FEAR NOT I AM WITH YOU', mounted in gold, length 3cm, matrix 17 x 13mm; all connected by a gold split ring engraved with floral designs
Vegetius Renatus (Flavius). Flave Vegece Rene homme noble et illustre du fait de guerre: et fleur de chivalerie, quatre livres. Sexte Jule Frontin... des Strategemes especes & subtilitez de guerre, quatre livres. Aelian de lordre et instruction des batailles... Modeste des vocables du fait de guerre..., Paris: Chrestian Wechel, 1536, [12], 320, [4] pp., printer's woodcut device to title and verso of final leaf (Wechel's Pegasus), woodcut initials, and 124 woodcut illustrations, including a full-page woodcut of a lansquenet, near-contemporary ownership inscriptions in brown ink to title 'Apartint a Johan de Hornez' and '1548 Jout a Temps Montmorency?', old damp-staining throughout (with occasional further mottling and soiling), a few gatherings loose with stitching intact, some leaves frayed, rear free endpaper loose, contemporary limp vellum, title in manuscript to spine, some mottling, hole in leather to lower cover (with corresponding leather patch mounted to endpaper beneath), folio (leaf size 29 x 20.5 cm)QTY: (1)NOTE:Adams V338; Brunet V, p.1162; Harvard Catalogue 488; BM STC French, 436.First French edition, in the translation from the latin by Nicolas Volkyr de Serouville (circa 1480-1540), poet, historian and secretary to Duc Antoine de Lorraine. The fine series of woodcuts represent military machines from antiquity to the middle ages, including battering rams, forts, artillery equipment, hydraulic machines, as well as two underwater combatants. The portrait of Emperor Maximilian I (page CCI) is a copy of the well-known portrait by Albrecht Dürer. Copac lists three copies (Cambridge, Durham and St. Andrews) and auction records trace a further two.
A DARK OLIVE JACKET & TROUSERS COMPLETE WITH INSIGNIA TO A MEMBER OF IRAQI SPECIAL FORCES FROM 2nd GULF WAR, the lightweight jacket has the patch of the Special forces, and National flag, complete with olive combat trousers a Veteran bring back from D Troop, D Sqdn OP Crichton Special Forces ops in the Gulf War, retrieved from the Green zone 3 stars on shoulder indicate rank of Naquib
Celebrate the American rock band that blends hip hop, heavy metal, and electronica with this rarest of concert T shirts. Shirt size is Extra Large and measures 33.5"L x 25"W and has the iconic Dickies patch left of the bottom left button. Issued: c. 2000Dimensions: See DescriptionCondition: Age related wear.
Utagawa Kuniyoshi (Japanese, 1797-1861). Woodblock print titled "Nojiri: Hirai Yasumasa and Hakamadare Yasusuke," no. 41 from the series "Kisokaido rokujukyu tsugi no uchi (Sixty-nine Stations of the Kisokaido Road)," 1852.Height: 14 in x width: 9 1/2 in.Condition: The sheet is toned and possibly trimmed. Small losses throughout. There is a loss along the foremost man's shoulder/hair with a patch and repair. Light wear along the edges. The work is not framed.
Utagawa Hiroshige (Japanese, 1797-1858). Woodblock print titled "Eitaibashi Tsukuda oki isaribune (Fishing Boats in Tsukuda Bay, From Eitai Bridge)," from the series "Toto meisho (Famous Places in the Eastern Capital)," ca. 1850s.Height: 10 in x width: 14 3/4 in.Condition: The sheet is toned. Light soiling throughout. There is a small loss along the lower center edge and a corresponding patch along the verso. Light wear to the edges. The work is not framed.
Utagawa Kunisada/Toyokuni III (Japanese, 1786-1865). Set of four woodblock prints depicting full-length portraits of well-dressed men against a repeating patterned blue background, ca. 1859-1865.Each, height: 14 1/4 in x width: 9 3/4 in.Condition: The sheets are possibly trimmed and lightly toned. One print with a tear and corresponding patch; the tear is along the right edge. Another print with a tear along the lower left corner. All prints with scraps of paper affixed alogn the lower edge. Light soiling throughout all. The work is not framed.
Keisai Eisen (Japanese, 1790-1848). Woodblock print from the series "Poems of the Four Seasons: Childhood Play," ca. 1818-1830.Height: 14 7/8 in x width: 10 in.Condition: The sheet has been possibly trimmed and is toned. Soiling throughout, more so along the margins. Small losse along the edges. Repair to the lower right corner as evidenced by a patch along the verso. The work is not framed.
Hiroshi Yoshida (Japanese, 1876-1950). Double oban woodblock print on paper titled "Return of the Fishing Fleet" depicting boats and figures coming ashore, 1928. Hand-brushed signature along the lower right; titled in pen along the lower left. With an early red jizuri seal along the left margin.The jizuri "self-printed" seal indicates that the printing process was directly supervised by him and that he played an active role in the creation of this print. These seals were typically reserved for only the highest quality impressions as decided by Yoshida. Though this seal is not the usual bright red as expected in his earliest jizuri prints, the print itself does not contain much red pigment. Additionally, the jizuri seal color matches that of the red seal in the lower right below Yoshida's hand-brushed signature.Height: 21 3/4 in x width: 15 7/8 in.Condition: The sheet is lightly toned. There are no major tears. There is a small patch along the upper left quadrant. Some wear including handling marks, light creases, and small chips along the extreme edges. Some soiling to the verso, particularly along the upper left corner. The work is not framed.
A Mobili Barraja Art Deco-style Macassar ebony and bird's-eye maple cabinet, mid-20th century, the top with two curved cupboards enclosing shelves, flanking a central fall-front cabinet with a marquetry front and mirrored interior, the base with a mirrored top over three drawers and a pair of curved cupboards, labelled 'Mobili Barraja Di Vittorio & Edmondo Barraja',145cm wide45.5cm deep133.5cm highCondition ReportSome knocks and losses to the veneer. Some of the mirror tiles to the upper central cupboard are missing. There are several small patch repairs to the doors. There is a small hole to the right hand side of the lower right door. Please see the additional images.145cm wide45.5cm deep133.5cm high
Pierre Jeanneret (Swiss, 1896-1967), a pair of 'Lounge' chairs, c.1960, designed for Chandigarh, each with sloped supports and a central splat back,53.5cm wide62.5cm deep78cm high, seat 38.5cm high (2)Provenance: From a private collection, purchased in India during the 1980s.Condition Report1 - Small patch repair to the inside of the left arm. Repair to the inside of the back right leg. Split to the rear side of the bottom back rail.2 - Signs of filler.Both with knocks, scuffs, and wear. There is no movement in the frames. Please see the additional images.
â–² Robert 'Mouseman' Thompson (1876-1955), 1930s, an oak adzed fruit bowl, with a carved signature, 24.5cm diameter6.5cm high, and an oak ashtray, with a carved signature, 10.2cm (2)Condition ReportThe bowl has minor knocks and wear. There is a small patch to the inside of the bowl which is slightly lighter. There are some surface scratches to the inside of the bowl. There is baize struck to the bottom of the larger bowl. The ashtray is a later piece and has a lighter colour. Please see the additional images.
Mick Fleetwood (b.1947), Fleetwood Mac - 'Love That Burns: A Chronicle of Fleetwood Mac, Volume One, 1967-1974',published by Genesis Publications in 2017, deluxe edition, numbered '195' from the edition of 2000, signed by Mick Fleetwood, bound in leather with embroidered appliqué patch, together with a printed graphic 7-inch vinyl record, housed in a clamshell box, with dust bag and original box issued
An early 19th century Pratt Ware figure, Fire, of a man, standing, wearing a black hat holding a flaming torch, square plinth base, 17.5cm high, c. 1810; a 19th century Staffordshire cow creamer, standing four square, tan patch markings, oval bas, 12cm high, c.1880; an early 19th century teapot, basket weave moulding, the cover with wheatsheaf finial, 7.5cm high, c.1820 (3)
A Voigtlander Vitessa T 35mm Rangefinder Camera Outfit, chrome, body G, shutter working, rangefinder patch G, slightly out in vertical alignment, plunger wont stay locked down, with Color-Skopar 50mm f/2.8, optics VG, some light dust present, also with a Skoparet 35mm f/3.4, optics F, some light fungus present, also with a Dynaret 100mm f/4.8, optics P, internal haze & fungus present, with maker's case,
A Graflex Century Graphic Press Camera, body G, opens, grey leather with red bellows, extends and closes correctly, with a Schneider-Kreuznach f/1.8 65mm Super-Angulon lens, barrel G, optics F-G with light haze, in a Compur shutter, working but sticky at slow speeds, fitted with the Kalart Syncronised rangefinder, patch visible and moving, with handgrip, and ywo rollfilm backs, and a book on Graflex photography.
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