We found 24353 price guide item(s) matching your search

19th century mahogany and brass writing box, the interior revealing assorted items including: carriage clock, scent bottle, snuff box, patch box, spinner fob, netsuke of a monkey on horse, squirrel pin cushion, Roman coins etc. (B.P. 21% + VAT)

SCOUTS/GUIDES INTEREST: A crocheted patchwork blanket, late 20th century, extensively applied with Girl Guides and Cub Scouts patch badges, including camp badges, Silver Jubilee commemorative badges and achievement badges, 150cm x 168cm

SCOUTS/GUIDES INTEREST: A selection of Scouts and Guides equipment, early 20th century and later, to include a 'Bukta' girls guides association belt, suspending compass, pencil, whistle and safety pins with photograph by repute depicting owner of the belt wearing it with other girl guide members, two further 'Bukta' leather girls guides belts, a felt troop leader's hat with commentative leather band celebrating 75 years from 1919-1994, a boy scouts felt troop leaders hat, five girl guides leather belts, three boy scouts leather belts, a selection of patch badges including silver survival award, Braintree cub fun day '82, Skreens park through the ages 1907-1982, Danemead campsite, Roxwell campsite, five woggles, a selection of girl guides and boy scouts badges, and other boy scouts and girl guides related items (Qty)

SCOUT/GUIDE INTEREST: A collection of scouting equipment and memorabilia belonging David Toms, Field Commissioner for Somerset, Devon, and Cornwall, who retired in 1985, to include a silver "Silver Acorn" medal, further medals and pins, a dress shirt, a khaki wool fireside blanket applied with patch badges, 176cm x 157cm, a fireside hat, patch badges, pennants, belts, woggles, insignia, garter ties, commemorative wears etc, with a watercolour on paper by W. R. Wilkins depicting Uxbridge District Cubs sports day 1961 (Qty)

WW2 German Luftwaffe Sports Vest BeVo Patch. Black embroidered Eagle in flight clutching a Swastika on a white ground. Framed and glazed. Measures approx 25x30cm.

Y A GEORGE IV ROSEWOOD, BRASS INLAID AND GILT METAL MOUNTED LIBRARY TABLE CIRCA 1825 71cm high, 160cm wide (with leaves up), 69cm deep Condition Report: There are scratches, marks, knocks, cracks and abrasions consistent with age and use. There are losses, observations and restorations including: the top with some cracks and with repaired brass inlay including filler, some brass inlay not flush with the table top, a patch of veneer to the top; some gilt metal mounts possibly later and some sections of metal mounts are missing; the lopers supporting the drop leaves look to be later, with some later wedges to hold the drop leaves level, some other possible later timber to the end sections; some splits to the drawer linings, there is no key. Please see the additional photographs as a visual reference of condition.  Condition Report Disclaimer

A REGENCY MAHOGANY SOFA TABLEEARLY 19TH CENTURY 72.5cm high, 101.5cm wide, 73cm deep Condition Report: There are scratches, marks, knocks, cracks and abrasions consistent with age and use. There are losses, observations and restorations including: the top has a patch and is faded so that the drop leaves are darker, some gouges and a central sectional crack opened across the centre; the handles to one side are centred with mother-of-pear, the turned handles to the other side are possibly later; the pine drawer linings have some splitting; repaired breaks with visible cracks to two legs close to where they join the turned feet; overall knocks, marks, scuffing and some missing sections of veneer and mouldings. Please see the additional photographs as a visual reference of condition.Condition Report Disclaimer

AN EDWARDIAN MAHOGANY AND MARQUETRY GLASS DISPLAY CABINET ON STANDIN GEORGE III STYLE, CIRCA 1905158cm high, 72.5cm wide, 48cm deepCondition Report: Please note, the cataloguing for this lot has been updated. This lot is Edwardian, in George III style, and not as stated in the printed catalogue. There are some marks, scratches, knocks, chips, splits and abrasions consistent with use.There are losses, restorations and observations including the interior with holes from previous fixings; a filled patch; variation to the dentil carving; unusual marquetry to the frieze of the base; fretwork to the sides of the base - this piece has been constructed in part from 18th century elements.Please refer to the additional photographs as a visual reference of condition.   Condition Report Disclaimer

A group of three Derby figures comprising two figures of shepherds each playing the bagpipes with a hound at their feet, one on rocaille moulded mound base, the other on pierced base, patch marks, circa 1765-1770, 20 and 18cm; and a figure of Mars, patch marks, circa 1765-70, 18cm [some damage and restoration] 3.

A Derby figure of Minerva and a similar figure of Mars both of traditional form, Minerva on a rococo mound base, patch marks, circa 1770, 17cm; Mars on square base, incised mark no.114, circa 1820, 16cm [both with damage and restoration] 2.

A pair of Derby shepherd and shepherdess candlestick groups with flowering bocage backgrounds, she playing a lute, he the pipes, a hound and lamb at their feet, on rococo scroll bases, patch marks, circa 1770-80, 19cm [some restoration].

A Derby figure 'Sacrifice' and a similar bocage figure of a sherpherdess the first depicting Jason sacrificing a kid goat at the alter of Diana, patch marks, incised 14, circa 1780, 18cm [restored]; the shepherdess holding a garlanded sheep, patch marks, circa 1765, 19cm [some damage and losses] 2.

A South Staffordshire enamel patch box – ‘A Token of Regard’, circa 1800, elongated oval form, 4cm wideProvenance: property from the 6th Earl Howe of Gopsall Park and Penn House, thence by descent to a Lady of titleChips and splits to enamel cover, some splits to interior couple of splits to base

A South Staffordshire pink ground patch box, circa 1800, decorated with flowers and doves, or oval cushion form, 4cm wideProvenance: property from the 6th Earl Howe of Gopsall Park and Penn House, thence by descent to a Lady of title

*Lucy Harwood (1893-1972) oil on canvas - Autumnal Landscape, signed verso, 61cm x 76cm, unframedAs seen from the images verso, there is an original patch that has been there since Harwood painted the work. The crack that can been seen up close from the front is stable with only a tiny area of paint loss. A tear lower right corner, which although not seen when looking at the work from a few feet away, would require restoration. A further tear top left corner that has been taped from the reverse. All that being said the work still has a very good look about it and the damage can not be seen when standing back from the work.

An incredible collection of 33 scrapbooks, lovingly compiled to cover David Bowie's life and career during the period c 1976-2016. Many period cuttings and clippings as well as some ephemera inc original patch, badge.

FOUR ROYAL WORCESTER DAYS OF THE WEEK AND MONTHS OF THE YEAR FIGURES, comprising Monday's Child.. (girl) 3257, 'Thursday's Child..' (boy) 3260 (unglazed patch to hat), January 3452 and October 3417 (firing fault to back of bent knee), height of tallest 19cm (4) (Condition report: good condition, imperfections as mentioned within the description, no obvious damage, would benefit from a clean)

SIX BOXES OF ORNAMENTAL CERAMICS ETC, figures and figurines, bells, pill/patch boxes, modern Chinese vases and storage jars, wall masks, bust of Beethoven etc,

FORTY FOUR LILLIPUT LANE SCULPTURES FROM ANNIVERSARY AND SYMBOL OF MEMBERSHIP COLLECTIONS, some boxed and deeds where mentioned, comprising nine Anniversary boxed Cotman Cottage 1993 (leaflet), Watermeadows 1994 (leaflet), Gertrudes Garden 1995 (missing chimney), Cruck End 1996, Summer Days 1997, Shades of Summer 1998 (restorations and chips), Roll Out of Barrel 2003 (deeds) and boxed Happy 21st Birthday (deeds) and thirty six Symbol of Membership Wishing Well 88/9, The Dovecot 89/90, Cosy Corner 90/91, Puddleduck 91/92 (boxed, deeds), Pussy Willow 92/93, The Spinney 93/94 (boxed, deeds), Petticoat Cottage 94/95 (boxed, deeds), Thimble Cottage 95/96, Wash Day 96/97, three Hampton Moat 97/98 (one box, one deeds, chips to two), three Kiln Cottage 98/99 (two boxed, two deeds, chips to two), Fresh Today 99/00 (deeds, chips), two Little Bee 00/01 (one box, one deeds, rubbed foliage on one), three Little Scrumpy 01/02 (one box, one deeds), Gold Top 02/03 (boxed, deeds), two The Chocolate Box 03/04 (one box, one deeds, one chipped), The Toy Box 04/05, Cabbage Patch Corner 05/06 (badge), Afternoon Tea 07/08, Nutkin Cottage 08/09 (chipped), Fruits of the Forest 09/10 (deeds), The Pigsty 10/11, two Arithmetic at the old School House, Walney 11/12 (one deeds, chip to one), Parsley Cottage 12/13, An Apple a Day 13/14, The Hop Pickers 15/16 and Out to Sea 16/17 (44) (Condition Report: rubbed and dirty, obvious damage mentioned)

Witchcraft- HALE, Matthew: Tryal of Witches, at the Assizes Held at Bury St. Edmonds for the County of Suffolk; on the Tenth Day of March 1664. L, printed for D. Brown, 1716. (Taken from a larger work, hence PP: (iv) Title page & to the reader, 77-104; Bound with: The 6th. edition, much improved of that Arch-Imposter Charles Price, otherwise Patch, otherwise Wilmot… Dublin, printed by P. Cooney, 1786. 56pp plus a double page frontis plate. Later half leather, rubbed.

Original antique World War One poster - Our Day To Help at the Front our wounded from Home & Overseas - issued by The British Red Cross Society & Order of St John for an event on 21 October 1915. Great artwork by Tom Purvis (1888-1959) showing a group of men in different military uniform from the armed forces looking towards the viewer, one with bandages around his head, another wearing a sling and one wearing an eye patch, in front of a medical Red Cross flag with images of doctors by an ambulance and a rescue boat headed towards a ship on the side. Good condition, folds, creasing, tears, staining. Country of issue: UK, designer: Tom Purvis, size (cm): 75x51, year of printing: 1915.

ca. 1500-1000 BC. Western Asiatic bone cylinder seal. Two registers of standing figures facing left, 16 in the top row, 14 in the bottom, all with hair hanging down their backs, and two in the bottom row with headdresses or elaborate hairstyles. Rare. One patch of damage, otherwise condition is very good. Size: L:27.2mm / W:19.3mm ; 11.9gProvenance: Private London collection of an Ancient Art dealer; Formerly in a central London family collections 1990s; Suggested to be examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and early 1990s.; ex. 1970s/early80s UK art market.

A George III needlework sampler, worked with the alphabet, verse and flowers, by Mary Shiplee Pain, dated 1773, 30 x 20cmA dark patch to the very centre, with some loose stitches, appears like a burn. Overall colour is brown/yellow with age. Frame looks to have some age and is marked.

the pale yellow field with a one way design of an urn issuing flowers surrounded by trees and flowers enclosed by floral borders flanked by double guard stripes, 199cm x 128cm. *CR Wear to piles to both ends, small patch of wear to animal, slight cracking when rolled up and squeezed.

Royal Doulton Disney Group 101 Dalmations, Patch, Rolly and Freckles, Royal Doulton Winnie the Pooh Group, Summer's Day Picnic and boxed Wade porcelain Tom and Jerry circa 1970s (3)Good condition. No damage or repair.

An Afghan Ersari Hatchli, claret quartered field of candela motifs enclosded by borders of geometric devices, 211cm by 160cmDamage and small patch repairs to the central field. Further small holes and minor repairs to the borders on both edges. Low pile with general wear and fading throughout. 2nd quarter 20th century.

Henry Frederick Lucas-Lucas,Rokeby Fuschia, Champion Mare, London 1893 and 1894,oil on canvas, signed and dated 93,50x66cm.Condition report:Cracking across almost the entire surface of which is likely to need attention. A small patch of overpainting to the top edge. No punctures or damages to the canvas itself. The paper label to the back has been pasted on.

Vinyl - 16 Mod Revival singles to include: The Jam (10 singles including foreign pressing), Merton Parker (with rare saw on patch), The Dyaks, The Squares, Lambrettas (picture disc), The Jolt and The Quads. VG+ overall

An early plastic box containing a Red Cross Proficiency medal, a similar cap badge and a sew-on patch

A C.H. Brannam Barnstaple art pottery figural match striker depicting a Dutch boy holding a plaque with 'Scratch your Match on my Patch' with blue glaze finish - sold with a Baron Barnstaple vase with applied climbing lizard decoration and green glaze finish

Style One, Variation One, desert rat patch on canteen. Army steel helmet with netting; khaki tunic.Series: The Armed Forces. Royal Doulton backstamp. Artist: William K. HarperIssued: 1991 - 1996Dimensions: 4.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

Boîte à mouche en porcelaine de Meissen, fin XVIIIe siècleA Meissen patch box, late 18th centuryDecorated with sprays of flowers under a purple scale border in rococo taste picked out with gilt scrollwork, the bombe cover and tapered box set with later gilt metal mount, 3.5cm high,For further information on this lot please visit Bonhams.com

A Contemporary walnut veneered low coffee table, with sliding mechanism enclosing storage compartment, 26cm high, 111cm wide, 111cm deepCondition Report: light scratches to wood, square patch on each of the four square sections from sun light damage 

British gunmaker HOLLAND AND HOLLAND London (CHANEL) gentleman's buff single-breasted, classic cotton safari/ shooting jacket with four patch pockets. (Approx. 50" chest, shoulder to cuff 27", pit to cuff 20")Condition Report: Unworn

A 19th century brass oval patch box; horn snuff box, pair of William IV silver sugar tongs, London 1831; plated flatware etc

A post-War ‘Civil Division’ C.B.E. group of six awarded to Lord Mowbray, Grenadier Guards, who was wounded at Normandy in 1944, and served as Gold Stick at the Coronation of H.M. Queen Elizabeth II in 1953 The Most Excellent Order of the British Empire, C.B.E. (Civil) Commander’s 2nd type neck badge, silver-gilt and enamel, with both full size and miniature width neck ribands, in Fattorini, Birmingham, case of issue; 1939-45 Star; France and Germany Star; Defence and War Medals 1939-45; Coronation 1953, unnamed as issued, these mounted court-style as worn; together with the recipient’s group of six miniature awards, these similarly mounted, about extremely fine (6) £300-£400 --- C.B.E. London Gazette 12 June 1982: ‘For political service.’ Charles Edward Stourton, 26th Baron Mowbray, 27th Baron Segrave, and 23rd Baron Stourton was born on 11 March 1923, the son of William Marmaduke Stourton, 25th Baron Mowbray &c., and a direct descendant of of Geoffrey de Mowbray, an adviser to William the Conqueror, and also of William de Mowbray, one of the 25 Barons who forced King John to sign the Magna Carta. Educated at Ampleforth and Christ Church, Oxford, he was commissioned Second Lieutenant in the Grenadier Guards on 13 March 1943 and served with them during the Second World War during the Normandy campaign. He was wounded at Caen prior to September 1944, losing an eye and was invalided out the following year. His old friend, Sir Iain Moncrieffe of that Ilk, recalled that, when his brother officers urgently called for a doctor to treat their badly wounded comrade, Charles Stourton demanded that a priest be summoned instead - an indication of priorities to which he remained unshakeably committed throughout his life. Stourton served as Gold Stick at the Coronation of H.M. Queen Elizabeth II in 1953, and succeeded to the Baronies of Mowbray, Segrave, and Stourton upon the death of his father on 7 May 1965. He served as a Conservative whip in the House of Lords, where he was instantly recognisable by his eye-patch, and as a Lord-in-waiting in both the Heath and Thatcher governments was often called upon to greet visiting heads of state at Heathrow Airport. He died on 12 December 2006, and was succeeded to the baronies by his son. Sold with copied research. For the medals awarded to the recipient’s father, see Lot 80.

German Second World War Organisation Todt and Transport Speer Insignia Comprising a Transport Brigade Speer Officer Collar patch; 5 different Organisation Todt speciality trade patches, 1 pair of enlisted ranks collar patches, 2 separate NCO collar patches, and 1 sleeve rank patch, generally good condition (10) £100-£140

Various military items, iron on badges, medal ribbons, to include World War I various, iron on and patch badges, various other badges, ephemera relating to medals, etc. (a quantity)

A George V silver patch box, of oblong form, partially engine turned with mirror to the interior, with chain and hook top, Birmingham 1919, 6cm wide, 0.54oz.

GEORGE KNAPTON (1698-1778). PORTRAITS OF THE REV. THOMAS CURTEIS (1706-1775), KENT CLERGYMAN; AND OF HIS WIFE, ELIZABETH (nee PAPILLON) (1720-1786). A pair, he quarter length, wearing a dark grey coat, black waistcoat and curly wig, within a painted oval; she quarter length, wearing an ivory dress with a blue bow and a pink mantle, within a painted oval, she signed and dated `Knapton/ pinxit/ 1749`, oil on canvas, period carved wood frames (with some damages) Each 74.5 x 62cm. approx. (2) * Thomas Curteis was ordained priest in 1739. He was domestic chaplain for Lionel Tollemache, 4th Earl of Dysart in 1750; and, later, for Charles Sackville, 2nd Duke of Dorset, until 1775. After serving as Prebendary at Canterbury Cathedral, he settled back into parish life near Sevenoaks. His first wife (nee Austen) bore him two children but she died before 1743. His second marriage later that same year was blessed with five daughters and a son. The son, Thomas, followed his father into the clergy. The identification of the Rev. Curteis is determined by an old handwritten label on the back of the frame. *CR Each lined; he with a subsequent patch upper right addressing a rectilinear tear; each with some craquelure and retouching.

EARLY DERBY PORCELAIN FIGURE - 'TIME CLIPPING CUPID'S WINGS'. A figure of 'Time clipping cupids wings', an allegorical figure of Old Father Time holding a cherub in his arms, also with an hourglass, globe.and skull and on a scroll base. Patch marks to the base, some restorations. 25cms high. *CR Wing of cherub restored, hands also restored and one foot, top of Time's wing with firings cracks and possible area of restoration, scythe restored.

A PATCH BOX, 19th century tortoiseshell with classical engraving, 8cm and another in lacquer work, 9cm.

A PATCH BOX, 19th century lacquer work German satirical engraving, 8cm and another with a print of musketeers (damage to corner).

A 19th century lacquer patch box with grotesque portrait; 2 others similar (all a.f.); A 19th century Tartanware cheroot case; 5 other pieces

A GEORGE III BRASS SERPENTINE FENDER CIRCA 1780 Of foliate pierced form approximately 24cm high, 142cm wide, 40cm deepCondition Report: There are some marks, scratches, knocks, dents and abrasions consistent with age and use. Restorations and observations include: patch repairs and the shadow of some later pins to the lower edge of the fender; some rubbing to the engraved decoration; some Verdigris marks; the interior of the fender blackened; some brass polish white residue. Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer

A KARACHOV RUGApproximately 210 x162cm Condition Report: This probably dates from the first quarter of the 20th centuryThe Colours overall are fairly vibrant overall, and not excessively worn to the pile, one area of blue ground has corroded and the colour is faded to a greying colour, this is only in this patch and probably due to a change in dye used.the fringe colour is a little variable and of slightly uneven lengths, the side bindings uneven in colour Please see additional images for visual reference to condition Condition Report Disclaimer

Y A VICTORIAN BLACK-PAINTED AND DECOUPAGE SIDE CABINETCIRCA 1880The interior divided with an arrangement of pigeon-holes, the doors with an ivory escutcheon93cm high, 98cm wide, 42cm deepPlease note: Dreweatts have applied for a de minimis exemption licence for the ivory in this lot (Ref: CX1Y5KSM)Condition Report: Marks, knocks, scratches, abrasions consistent with age and useSome old splits and cracks, some chips and lossesThe decoupage appears to have had some repairs and replacements, also re-adhesionOverall appears solid and stableThere is no key present, the cabinet doors are open at time of report, one is secured with an internal latch The rear appears to have a patch repair to the backboards Please see additional images for visual reference to condition Condition Report Disclaimer

of circular form, with twin flying-scroll handles, raised on a domed foot and engraved on one side with the emblem of the Royal Gloucestershire Hussars, by Charles Boyton & Son Ltd, London 1909; 10.25" (26cm) diameter; 38.5ozt. *CR A bit worn, rim mis-shapen, a thin patch on one side (erasure), black pitting and scratching to the bowl and the foot is bashed, dented and creased Please contact Connor for further information connor.swanwick@lawrences.co.uk.

miniature portrait of a lady wearing a grey bandeau and white dress with gold chain & pendant, half length on ivory 7x 5.5cm, together with a portrait of a child, c.1900, on ivory, and a bone patch box engraved "BRIGHTON TRIFLE" (3). Ivory Registration Number PJDFHPRR (Lady) Ivory registration Number YUARFC3P (Child). CITES permit is included. Exporting outside the EU will require an additional export permit. *CR Please contact Connor for further information connor.swanwick@lawrences.co.uk.

the cover with a laurel border, the sides with wreaths and swags, by Levi & Salaman, Birmingham 1912, together with an oval engraved patch box, Birmingham 1978 and a pinchbeck and brown agate patch box, 19th century; the quartz example 2.5" (6.3cm) diameter; 4.7ozt (3). *CR Quartz example OK , silver patch box with nicks to cover, gilt & agate one with light wear Please contact Connor for further information connor.swanwick@lawrences.co.uk.

Alan Shepard (1923-1998) – American Astronaut, first American to travel in space (second person). Fifth person to walk on the moon. Colour photograph in frame with Apollo 14 patch, lower of the display signed by Alan Shepard in gold marker “Alan Shepard”. Black and white photograph of Shepard’s famous “Moon Golfer” shot. Shepard famously packed his golfclubs and balls to take advantage of hitting the longest drive in history. With Certificate of Authenticity and Provenance from the United States Historical Society and the United States Space Camp Foundation. Limited edition of 2,500, edition number 582/2500. Framed and glazed.

James Benson Irwin (1930-1991) – American Astronaut, Lunar Module Pilot for Apollo XV (1971). The eighth man to walk on the moon. Apollo 15 astronaut Jim Irwin signed colour photograph, signed in black marker “His love from the moon, Jim Irwin”. Photograph of Irwin saluting the American flag whilst stood in front of the Lunar module and rover. Framed with a Apollo 15 patch with the names Scott, Worden & Irwin. With Novaspace galleries Certificate of Authenticity, signed Kim P. Poor (President). Framed and glazed. Photograph 23.5cm x 18.5cm.

A French oval enamel box, late 19th c, the lid painted with a bird and inscribed Esteem the Giver, 37mm l and a round enamel patch box, the lid painted with flowers (2) Mirror of patch box broken

William Knight (Fl. late 19th c) - Henry Kirke White's Cottage Wilford, signed and inscribed, signed and inscribed again on the stretcher, oil on canvas, 49 x 75cm Patch repair upper centre right and two tears, varnish requires a clean, in what is probably the original late Victorian gilt frame that has been gold painted at later date

Two miniature tazzas on knopped stems, 8.5cm high and three patch stands, 4cm high/see illustration CONDITION REPORT: all in good condition - no chips, cracks or polishing.

A Worcester blue scale Kakiemon baluster tea canister, circa 1770, painted with floral reserves within gilt scroll cartouches, square seal mark, 12.5cm high. CONDITION REPORT: Very nice condition, no breaks, repairs or restoration. Enamels and gilding good. A small patch of kiln speckling to the shoulder but overall good appearance

Four pharmacy vessels, 18th Century, comprising a Sicilian Maiolica albarello, probably Caltagirone, cylindrical with a blue chequer pattern, 17cm, an Abruzzi albarello painted with a formal landscape, 23.2cm and a Spanish syrup jar inscribed Ol.Cicum…, 22cm (spout lacking) and an English Delftware syrup jar (broken)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: - the first: a nice example in good condition - only some minor rim fritting and a couple of small glaze blemishes to body.The second: with a large section of the rim broken and bonded, with some small associated losses along the breaks, 15cm wide and down into the curtain decoration. Several hairline cracks from along the break, one travelling from the rim at the front down through the side of the painted panels approx. 15cm. Two small footrim chips. The third: the spout is a crude replacement. Hairline crack to the rim and two small drill holes. Flat chip to glaze on body above the spout from previous configuration. One large flat footrim chip.The fourth: two large pieces broken out of the rim and glued. Glaze losses along the break and to the right side of the banner. A hairline crack to the rim closest to the spout. Patch of glaze loss to the left of the banner. Minor glaze fritting to rims.

An important Royal Worcester vase by Harry Davis, (1885-1970) of plain, baluster shape with a small gilt neck, painted with a stag in a snow scene in experimental sunset colouring, signed H Davis, date code for 1921, 17cm high/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Overall this is in good order. There is a fingernail sized misfiring of misfiring beneath the stag where there is a small glaze fault and a white patch where the sunset colours have not fired correctly.

A Westerwald stoneware jug, late 17th Century, with multiple panels of angel heads on a blue ground, 16.5cm overall, a green-glazed stove tile, 16th Century, 20cm, a Bayreuth fayence plate, marked BFS, and a Palissy type casket, moulded with Islamic cufic script (broken) (4)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Westerwald jug - lacking neck and reduced with later fixed pewter cover, large misfired patch to body occuring at time of manufacture, typical crazing to glaze.The green glazed tile - spreading hairline crack from rim into body of tile, with hole pierced to rim, small triangular chip restuck to rim beside crack, some small typical minor flaking to green glaze. The Bayreuth plate - cracked across into four pieces and restuck,with old riveted repairs, with a large rim chip and further minute glaze losses. Casket - extensively cracked and restored in several sections with small associated chips and overpainting.

A Reid & Sigrist Ltd Reid III Rangefinder Camera, serial no P2535, with B, E sync sockets, shutter inconsistent, sometimes sticking, sometimes necessary to press shutter button twice to fully close curtain, rangefinder working, body G-VG, light wear, with Taylor Hobson 2 inch f/2 Anastigmat lens, serial no 330545, barrel G-VG, elements F-G, fungus patch to edge of rear element, with lens cap, in Reid ERC