We found 24353 price guide item(s) matching your search

A Georgian Bilston type enamel patch box, the lid inscribed "This day by day shall be my care your pleasures & your pains to share" 14.5 cm wide x 3.5 cm x 2.5 cm deep

A CHINESE WHITE WARE CUPTang dynasty Of bulbous form with short everted rim and loop handle, 6.5cm highThere is a circular patch of discoloration halfway down the body, approx. 1cm by 1cm

LEGO: NASA Apollo Saturn V, 21309, boxed; LEGO: LEGO Ideas No.19, Women of NASA, 21312, boxed; LEGO Creator: NASA Apollo 11 Lunar Lander, 10266, boxed; together with a LEGO Apollo Lunar Lander patch, packaged. (4)

Four vintage Sindy dolls comprising Sindy, Paul, Patch and Vicki together with a collection of original clothing and an Amanda Jane doll.

A collection of 1960's & 1970's fashion dolls to include Little Miss Vogue, Petra, Farah Fawcett-Majors and Patch copy, most in vintage clothing.

Six 1980's and 90's dolls comprising Cabbage Patch, Tiny Tears and Baby So Beautiful, 3 in original boxes.

MEDAL GROUP AWARDED TO P. DORAN, comprising the Victorian South Africa medal with Transvaal, Relief of Ladysmith, Orange Free State, Talana, and Cape Colony bars, the Edwardian South Africa medal with 1901 and 1902 bars (these two inscribed 4369 Pte. ...RL: Dublin Fus), the War medal, the Victory medal (these two inscribed 24791 Sjt. ... H.L.I.), and the Defence medal, along with RFC wings patch, a police baton, a Grand Lodge Certificate made out to William Morrison and dated 1937Additional images now available.Baton possibly home guard which may correlate with Defence Medal.

A Derby porcelain figure group, modelled in the form of Mercury with female figure, etc., patch marks to underside, 28cm high. (AF)

A continental porcelain figure of Britannia in Derby style, standing beside a lion, carrying a trident, on rococo scroll base, patch marks to underside but possibly Samson, 32cm high. 

A Halcyon Days Enamels patch box in case.

A Cabbage Patch Kids doll in box. Nichole Tamara. 24x42cm

WILLIAM ETTY (BRITISH, 1787-1849)Reclining male nude oil on canvas 51.5 x 56cm Provenance David Messum, London, from whom acquired by the previous owner; Thence by descentCondition ReportThe canvas has been relined.  There is a patch to the canvas, upper left, around the figure's left shoulder, visible on close inspection.  Ultraviolet reveals retouching to a repaired tear corresponding with the patch, upper left; some flecks of infilling to the sitters head and legs and a few further spots in the foreground.  Held in a plaster gilt frame in fair condition.

Two early Victorian tortoiseshell, white metal mounted and ivory banded visiting card cases, mid 19th century; of rectangular form, the larger example with shallow fluted and metal strung exterior; 10.5 and 10cm high respectivelyIvory sale exemption references: LD17SZ23 and L2BL9J7F together with a Bilston enamel patch box, 20th century, three Limoges enamelled boxes and a Victorian yellow metal inset tortoiseshell purse, second half 19th century, 7cm wide.

A Canon P Rangefinder Camera, chrome, serial no 786370, blue, orange, chrome film speed dial, shutter working, self timer working, rangefinder functions, body G, light marks to top plate from meter, with light meter, light cell responsive, Canon 50mm f/1.8 lens, barrel G, elements F, fungus patch centre of rear element, rear lens cap, two Canon front caps, in Canon ERC

A COPPER LOG BIN WITH IRON HANDLE 45cm dia (large old rivetted patch repair)

Royal Doulton Judge and Tourist Bunnykins, 101 dalmations Patch in basket and limited edition 1120/2000 Beswick Bamm-Bamm Rubble

English School, 19th c - A Stag and Doe at the edge of a Forest, indistinctly inscribed on an old label verso, oil on canvas, 50 x 67cm Two small patch repairs on the reverse, cleaned, with some restoration but presentable, in what is probably the original ornate Victorian gilt frame, with loss

THE DAMNED - 7" COLLECTION (PRESSING VARIATIONS). A super selection of 43 7" singles by The Damned. Includes some overseas pressings and duplicated titles, although different coloured vinyl/ pressing variations. Titles include Disco Man (x4) inc (MT-418. 1x splatter vinyl, 1x clear, 1x blue & 1x black). You Must Be A Witch (SS03, flexi), No Fun (SS02, flexi in fan-made sleeve), Fun Factory (DELT7), Eloise (x10) inc (712931, x2), (P-2103, Japanese), (258 768, French), (GRIM 4W), (GRIM4, x5). Is It A Dream (x5) (7-12779), (S258926-7), (GRIM3, x2) & (258 926-7). The Shadow Of Love (x3) inc (GRIM 2, one has a patch), The History Of The World Pt 1, Gigolo (x11) coloured vinyl variants inc yelllow, red, blue (x2), green, 6x black. Alone Again Or (x4 inc 1 CD copy) & In Dulce Decorum. Condition is generally VG+ to Ex+.

THE DAMNED - PRIVATELY RELEASED LPs. A super selection of 15 privately released LPs by The Damned. Titles include Children Of The Damned (yellow vinyl with large patch), Recorded Live At Woolwich Coronet (Limited edition No: 246/300, includes small patch), Rare Tracks & Demos: Volume 2 80-83 (yellow vinyl), Doomed In Croydon, Doom The Damned, The Damned (Limited pink vinyl), For My Fan Club (purple vinyl), Sick Of Being SSick: John Peel SSessions 1976-1979 (black vinyl), Live At CBGB's 1977 (pink vinyl with CD), Riders On The Storm (blue vinyl), The Damned (Limited white vinyl), At The BBC (blue vinyl), At The BBC Volume Two (x2) inc (1x black vinyl/ 1x white) & Doom The Damned: The CHaos Years 1977-1982 (red vinyl). Condition is generally Ex to Ex+.

Victorian figured walnut card table, serpentine foldover top enclosing a tooled leather playing surface, melon fluted baluster column, four carved scrolled legs on brass casters, width 91cm, depth 44cm, height 74cm.Condition report:Various patches of veneer along the serpentine front of the top leaf, with some extending splitting. Colour fading across the top surface. The base half of the inner surface has a large patch of veneer to the bowed front that doesnt match very well. The leather is split along the entire crease. Splitting and feathering to the veneer throughout. Old restorations and repairs through the column, base section and supports. Stability is good.

AN ART DECO STYLE BRASS CUSHION SHAPED EVENING PURSE, on a tasselled black cord, lined interior, width approximately 8cm (Condition Report: collections of metal polish around side hoops, rough patch on one side between the two tortoiseshell effect inlays)

A mixed lot of collector's items, including a First War death plaque named George Edward Burtenshaw, a G.B Kent musical clothes brush, patch box, opera glasses, small quantity of dress jewellery and other wares 

A Linthorpe Pottery Vase, shape No.2274, decorated with meadow flowers, impressed factory mark LINTHORPE and 2274, artists monogram AS (Arthur Pascal Shorter)23.5cm highA Linthorpe Pottery Dish, shape No.1777, moulded with white flowers, impressed factory mark LINTHORPE 1777, painted D465,22cm diameter (2)Vase - large patch of over spray restoration to the rim. Tightly crazed all over. Dish - cracked and tightly crazed all over.General wear and scratches to both.

THE RUGBY CLUB HOUSE: J J WILLIAMS' LLANELLI RFC JERSEY 1970s match-worn by J J Williams MBE (1948-2020), the jersey in traditional red with white collar, patch badge with Llanelli crest and 'Cymru am Byth', black number 14 stitched to white square, signed by the player.Provenance: purchased by the vendor as J J Williams' jersey at Anthemion Auctions, Cardiff, in October 2004, subsequently the vendor met J J Williams at an event he was hosting at the Brewery Field. JJ asked the vendor how the vendor came by the shirt and remarked that it was his from the 1970s and had been match-worn. It was then that the jersey was signed by the player.John James Williams’s was one of Wales' greatest players and one of the fastest wingers in rugby history. JJ possessed an all-round athletic prowess that he could have forged a sporting career on the track rather than in the scarlet shirt of Llanelli and Wales. He was a Welsh Secondary Schools international at rugby union and athletics and represented his country as a sprinter in the 1970 Commonwealth Games in Edinburgh. His decision after Edinburgh to concentrate on rugby brought joy to the followers of the game in Wales and supporters of the Lions. Williams went on to win 30 caps and score 12 tries for his country, and he appeared in seven Tests for the Lions in South Africa in 1974 and New Zealand three years later. In South Africa, on the most successful Lions tour of all time, Williams rewrote the rugby record books.In the words of Bill McLaren, one of the commentators who marvelled at Williams’s feats, Williams was “as quick as a trout up a burn”. But it was not just out-and-out pace that distinguished him. Williams was master of the art of the chip-and-chase, the little kick over the heads of on-rushing defenders that enabled him to exploit the space behind them.It was this skill that helped Williams to one of his two tries in the third Lions Test against the Springboks in Port Elizabeth in 1974, a match considered to be one of the most violent Tests in the sport’s history. The Lions had already won the first two Tests in Cape Town and Pretoria, and the Springboks feared a humiliating whitewash. Two massive fistfights broke out, but Williams and the Lions rose above the mayhem. The wing scored two tries for the second Test in succession, the first Lion of the 20th century to cross the line in a Test. In his second he sprinted from the halfway line and used his trademark chip-and-chase to outflank the despairing Springbok defenders. Williams dabbed the ball down and the moment was captured by one of the finest black-and-white rugby photographs ever taken.His time at Llanelli included the famous win against the All Blacks in 1972. He appeared 223 times for the club scoring an astonishing 164 tries.After his retirement in 1980, Williams became a pundit and commentator for BBC Cymru Wales and later a successful businessman. His son, Rhys, is a professional track and field athlete.

A George III Staffordshire oval patch box and cover, circa 1770, cobalt blue body, the cover printed in monochrome with banner swags reading Esteem the GIVER, approx 4cm wide (a/f - cracks and repairs to the cover, cracks to the body) together with a George III Staffordshire enamel table snuff box and cover, the entire painted with pastoral scenes with figures in landscapes, approx 8cm wide x 6cm deep x 3.5cm high (a/f - extensive cracking throughout, repairs) (2) 

A collection of three 18th Century oval enamel patch boxes, fluted bodies with blue or green ground, all with interior mirrors, the covers read: 1. `A Trifle from YORK` (further details: cracks to cover and body a/f) 2. `May British Valour Conquests gain And make our Foes Our Friends again`., with military motifs (cannon, banners, drum) to centre (Further details: base with extensive cracks and losses) 3. `A Love and friendship in us reign How great our Peace how finall our Pain` (Further details: cracks to cover and base)

English School (late 17th/early 18th Century)   Portrait of a young lady with jewelled headdresses, Coat of Arms to upper left section oil on canvas, 44 x 36.5cm, gilt frame, inventory label verso  Further detail: restored, cleaned and relined - large patch of retouching to upper section above right hair jewel, surface craquelure throughout under UV, there is a large split/break to upper left corner section of frame.

Robinson (William Heath).- Carse (Roland) All the Monarchs of Merry England (William I to Edward VII), 40 colour plates and black and white illustrations by W. Heath Robinson, ink gift inscription to front endpaper, light foxing at beginning and end, pictorial endpapers lightly browned, original decorative crimson morocco, gilt, wear to spine ends and corners, very lightly rubbed elsewhere, lower joint starting, [c.1907] § Shakespeare (William) A Midsummer-Night's Dream, first trade edition, 12 tipped-in colour plates and black and white illustrations by W. Heath Robinson, ink gift inscription to pastedown, front endpaper with later school prize bookplate and inscription, occasional cracking at gutter, one plate with creasing to lower margin, the odd patch of soiling, endpapers toned, original pictorial cloth, gilt, a few marks, spine slightly faded and with small residue-mark to foot, spine ends and corners rubbed and a little bumped, some light rubbing to covers, 1914; and 3 others illustrated by the same, 8vo & 4to (5)⁂ The first a scarce, single-volume alternative to Carse's four volume "Monarchs of Merry England", each published with 10 plates by Heath-Robinson. Not recorded in WorldCat.

A PAIR OF EDWARDIAN MAHOGANY ARMCHAIRS CIRCA 1910 Upholstered with indigo and red stripe woven cloth 92cm high, 75cm wide, 84cm deep Together with a pair of cotton and metallic thread stripe woven cushions, the fabric Syrian, 19th century 50cm x 50cm Condition Report: The upholstery with wear, marks, fading and pulls - please see images.The legs and stretchers with various marks, knocks , scratches and abrasions. Old chips and splits.One rear leg with old repair (three screws visible). One stretcher with old glued repair to split.Glue residue visible to the joins between the stretchers and legs. Vacant old holes to undersides of feet from where castors once sat. One cushion with neatly executed patch repair. Both chairs are structurally solid. Please refer to additional images for visual reference to condition. Condition Report Disclaimer

A 'PRIORY' SOFA BY ROBERT KIME LTD 93cm high, 245cm wide, 120cm deep Together with five cushions comprising two with Swat silk embroidered cushions, North West Pakistan, circa 1900, and three with printed quilt cloth Condition Report: THE SOFA:Overall there are some scratches, marks and abrasions consistent with age and use.Observations include:There is some compression to the upholstery of the arms and back, one top corner has a raw edge of the fabric untucked from the upholstery.The fringed braid has some fading, a few pulled threads and is a little stiff so that the fringe does not 'hang' vertically.There is a linear mark to the top of the back of the sofa, possibly from the sofa being against a wall or a piece of furniture.The printed linen fabric of the three seat cushions has softened, worn and faded to the front portion and there are some marks of use.THE LOOSE CUSHIONS:The two Swat geometric embroidered cushions are threadbare to three sides and extensively worn and marked to the fourth side.The small pale cushion has holes, from wear and also probably from corrosion from the dye from the printed pattern as the holes correspond to the print. There are some stitched repairs.The Indian printed muslin cushion with some wear.The largest cushion with a patch, corroded holes and some repairs and other wear.Please see the additional condition report photographs as a visual reference of condition.Additional measurements:The clearance from the ground to the underside of the sofa (i.e. the height of legs and castors) is 17.5cm Condition Report Disclaimer

λ&nbspMARY FEDDEN (BRITISH 1915-2012) ROCKS AND SHELLS ON THE WINDOW SILL Oil on canvas Signed and dated '01' (lower right) 41 x 61cm (16 x 24 in.) Condition Report: There is a small area of staining to the centre of the upper edge. There are two small paint splashes in the lower left quadrant. Inspection under UV reveals a horizontal pair splash to the left of the stained patch. Otherwise appears to be in good original condition.   Condition Report Disclaimer

A LOUIS XVI WALNUT BERGERE LATE 18TH CENTURY Upholstered with close nailed natural, indigo and red stripe woven linen 96cm high, 75cm wide, 80cm deep Together with a Robert Kime pink and natural stripe woven linen cushion 55cm x 40cm Condition Report: Overall there are some scratches, marks, knocks, cracks and abrasions consistent with age and use.There are some losses, restorations and observations including:The upholstery looks to be relatively recent, with some yellowing to one corner and some pulled threads. The back is upholstered with an dark and natural coloured woven checked fabric.The walnut show frame with evidence of old worm, some filled holes and some chips, cracks and repairs with some later inset wood. The feet have been variously re-tipped, a patch to the back of the crest.The red stripe woven loose cushion with some seam joins to the sides. There are some holes, one with some later stitching, some marks.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer

An RAF wool beret; together with a Weber Nancy cap; Royal Navy Divers Association patch; Royal Horse Artillery Association patch; leather Sporran etc

A silver plated copper hunting horn marked 'Kohler Makers , Henrietta Street , Covent Garden , London' patch repair, 23cmH (9") with 2.25 inch bell

Two British Parachute Regiment wooden plaques bearing the motto 'UTRINQUE PARATUS', each 15cmW; together with a Royal Sussex Regiment plaque and a parachute regiment patch

An Imari pattern pedestal bowl, decorated with blossoms, flowers and trailing vines, 19 x 27cmFading to the gilt and decoration. Some glaze faults and scuffing in the inside bowl - see images. An area of re-painting/restoration on the base and a small patch to the central bowl.

A ROMAN BRONZE SKILLET CIRCA 1ST-3RD CENTURY A.D. The hollow handle modelled as an arm, the hand holding the rim of the bowl, with side pouring spout 4cm high, 22cm maximum length including handle  Provenance:Property of a North London collector; acquired in the 1970s.Timeline Auctions, Antiquities, 1-4 December 2015, lot 278, where purchased by Robert Kime Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. A coppery surface shines through in places, including on the handle. Some dents to the surface with much surface encrustation and a patch of possible repair. With a dark brown patina, some red cuprite on the handle and some patches of lighter green corrosion. Please see additional images for visual references to condition which form part of this condition report. Dreweatts thank Joanna van der Lande for her help cataloguing and condition reporting for this sale All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer

AN EGYPTIAN WOOD HEADREST NEW KINGDOM, CIRCA 1567-1085 B.C. With curved neck support, with columnar stand and flared base mounted 19cm high, 22cm wide, ink inscribed on the front 'Pillo, or Head-Rest [XVIIIth Dynasty, B.C. 1300]' Provenance: Ex German private collection Bonham's, London, Antiquities, 21 April 2005, lot 88,where purchased by Robert Kime  Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Repaired across the middle with some infill. Some surface wear and abrasions, with a particular patch on the lower back. Please see additional images for visual references to condition which form part of this condition report. Dreweatts thank Joanna van der Lande for her help cataloguing and condition reporting for this sale All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer

A PAIR OF VICTORIAN OAK SEMI ELLIPTICAL SIDE TABLES PROBABLY MADE ON THE WYNYARD PARK ESTATE, CIRCA 1900 Each with Frosterley fossilised grey marble tops 84cm high, 122cm wide, 61cm deep Provenance: The Marquesses of Londonderry, Wynyard Park, Co. Durham' Until sold Christie's, The Raglan Collection and Works of Art from the collection of the Marquesses of Londonderry, London, 23rd May 2014, lot 564. With McWhirter, Antique Furniture & Works of Art, London, 16th March 2017, where purchased by Robert Kime Frosterley Fossil marble , quarried at Harehope, County Durham near the village of Frosterley, though referred to as marble, is a black limestone containing fossils and is seen on buildings all over Durham, including the font in Frosterley Church. Recorded Frosterley marble chimneypieces and architraves include those supplied to Castle Howard, Wentworth Woodhouse and Bramham Park. Condition Report: Overall there are scratches, marks, knocks, cracks and abrasions consistent with age and use.There are some losses, restorations and observations including:Each of the Frosterley tops has different characteristics to the figuring.The tops have some nibbles and chips generally to the edges and corners, with scratches to the surface.The oak bases have some evidence of old worm and some knots and filler.One of the tables has a patch of water marks to the front of the frieze.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer

EDWARD LEAR (ENGLISH 1812-1888) DHOWS ON THE NILE Pencil and watercolour Dated '29 Dec' (lower left), numbered '161' (lower right), colour notes throughout 6.5 x 22.5cm (2½ x 8¾ in.)Provenance: The Ruskin Gallery, Stratford-upon-Avon.The gallery label affixed verso dates the work to 1867, however a later inscription to the label notes there had later been a suggestion by Vivien Noakes that the work is earlier and dates to 1853, which would make it one of Lear's first Nile trip pictures. Condition Report: Unexamined out of glazed frame. A small patch of staining approx. 1cm to the lower part of the right edge. The is a very small protrusion to the upper right corner approx. 3mm. In otherwise good original condition. Condition Report Disclaimer

AN ITALIAN BRONZE MORTAR ATTRIBUTED TO THE ALBERGHETTI FOUNDRY, MID/LATE 16TH CENTURY With characteristic foliate garland swag relief decoration 11.5cm high, base 9cm diameter Provenance: Christie's London, Oak, Country Furniture, Folk Art and Works of Art including the Robert Spalding Collection of Mortars, 12th November 2003, lot 594. Where purchased by Robert Kime. Catalogued as "A Venetian bronze mortar, probably Alberghetti foundry, second half 16th century"  Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Tear and patch to top rim, other dings to rim and base, numerals "66" or "99" to underside- details rubbed as per age and handling Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

C W Taylor, a pair, Church Hill from Muntham & Black Patch, signed, watercolours, 26cm x 37cm (2)

A silver traveling patch box/ashtray, gilt interior, Sampson Morden 1902; 2 modern 925 silver pill boxes 2.67 ozt gross (3)

A Spode earthenware blue and white foot bath in the 'Union Wreath' pattern, 19th century, of banded oval form, transfer-printed with roses, thistles, shamrock and other foliage, blue printed 'Spode' mark to the base, 48cm overall width including handlesProvenance: Ivor Southorn Collection.Condition:Small patch of restoration to the rim. Lots of scratches and signs of use to the interior. Two hairlines to the interior and one firing crack, also to the interior. Some further scratches to the exterior.

A mixed group of ceramics, comprising two Derby porcelain figures, 18th century, the first of a gentleman bagpiper, seated with a hound to his feet and bocage behind, on a raised pierced base picked out in gilt and turquoise, 18cm high; the second, of a female shepherdhess placing a garland of flowers around the neck of a lamb, patch marks to base, 18cm high (hat and neck restored); together with a Continental Samson-type model of Mars, early 20th century, modelled as a Centurion after Derby, unmarked, 18.5cm high; a pair of small German porcelain figures, 20th century, 12.5cm high; a Victorian documentary jug, painted with flowers, named to 'Mr J Downing, 1847', further decorated in gilt with implements of his carpenter trade, 20cm high (crudely repaired, a.f); sold together with a Mdina glass paperweight and one further millefiore paperweight

An Art Deco Royal Cauldon table lamp designed by Edith Gater in the 'Orange Tree' design, circa 1935, impressed '561', otherwise unmarked, height excluding fitting 25cm high, sold together with an orange lamp shade.Notes: Edith Gater (nee Smith) worked alongside some of the most notable designers of the period, including Charlotte Rhead and Molly Hancock.Condition:There is a small crack to one of the upper corners. On the opposite side, there is a small white patch of some sort of residue. No other damages or repairs. Please see images.

A Coalport batwing tea/breakfast service in the rare yellow colourway, early 20th century, comprising six teacups, six saucers, six sideplates, a pair of cake or bread plates, a sugar bowl, slop bowl, cream jug and a muffin dish with cover, printed factory marks, printed Y.2480, T.Goode & Co London retailers marks (25 pcs including muffin cover)Provenance: Ivor Southorn Collection.Condition:Condition is generally good. The cream jug has crazing throughout and staining to the interior base, with a further small patch of discolouration to the spout. The sugar bowl is crazed throughout, slightly stained yellow and has a hairline crack descending from the rim. The slop basin has a V-shaped hairline to the centre of the base, with some light crazing. All of the teacups have crazing to the handles, two of which also have crazing to the exterior of the cups.

A DERBY PORCELAIN FIGURE OF BRITANNIAC.1760-70modelled standing with a globe, a lion and trophies of war at her feet, with patch marks32cm high ProvenanceKenneth Neame: An Enduring Legacy.PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.

A Georgian enamelled patch pot, with script to the lid, a 19th century seal, a metal pig tape measure, a small Georgian enamel patch pot, a large carnelian ring with engraved script, a silver fob etc

George III (1760-1820), Soho Mint, Birmingham, Proof Twopence, 1797 (late Soho), in gilt-copper, draped bust right, wreath of 10 leaves and 4 berries, the last one small, k : · on lowest fold of drapery, brooch of 6 jewels, stops in legend partially blocked up, rev. Britannia seated left on rock above three rows of waves, small patch of sea behind, olive branch with 11 leaves, soho · and incuse triangle of dots on rock at right, ship with Union flag at stern, edge plain, 56.17g/6h (BMC 1067 [KT 2]; ‘Selig’ 1262; S 3776). Area of gilding worn off on edge due to cabinet friction and gilding on obverse speckled, otherwise extremely fine and brilliant, rare [certified and graded NGC PF 62 Cameo] £1,500-£2,000 --- Provenance: London Coins Auction 135 (Bracknell), 4-5 December 2011, lot 2108; M.J. Martin Collection, DNW Auction 124, 16 September 2014, lot 2632, recté 56.17g

George III (1760-1820), Soho Mint, Birmingham, Proof Twopence, 1797 (late Soho), in bronzed-copper, draped bust right, wreath of 10 leaves and 4 berries, the last one small, k : · on lowest fold of drapery, brooch of 6 jewels, stops in legend partially blocked up, rev. Britannia seated left on rock above three rows of waves, small patch of sea behind, olive branch with 11 leaves, soho · and incuse triangle of dots on rock at right, ship with Union flag at stern, edge plain, 59.98g/6h (BMC 1068 [KT 2]; ‘Selig’ 1264; S 3776). Trifling spots, otherwise brilliant and virtually as struck, reflective patina, rare [certified and graded NGC PF 63 BN] £1,200-£1,500 --- Provenance: Spink Auction 210, 6-7 October 2011, lot 448

George III (1760-1820), Soho Mint, Birmingham, Proof Twopence, 1797 (late Soho), in copper, draped bust right, wreath of 10 leaves and 4 berries, the last one small, k : · on lowest fold of drapery, brooch of 6 jewels, stops in legend partially blocked up, rev. Britannia seated left on rock above three rows of waves, small patch of sea behind, olive branch with 11 leaves, soho · and incuse triangle of dots on rock at right, ship with Union flag at stern, edge plain, 56.24g/6h (BMC 1069 [KT 2]; S 3776). Extremely fine, dark brown patina £800-£1,000 --- Provenance: Baldwin FPL Winter 2014-15 (MC 004)

A stunning gilt Proof Twopence, 1797 George III (1760-1820), Soho Mint, Birmingham, Proof Twopence, 1797 (late Soho), in gilt-copper, draped bust right, wreath of 10 leaves and 4 berries, the last one small, k : · on lowest fold of drapery which has several lapped areas, brooch of 6 jewels, stops in legend partially blocked up, rev. Britannia seated left on rock above three rows of waves, small patch of sea behind, olive branch with 11 leaves, soho · and incuse triangle of dots on rock at right, ship with Union flag at stern but much of the rigging worn away, edge plain, 54.63g/6h (BMC 1073 [KT 3]; S 3776). Characteristic striking flaw on reverse rim at 3 o’clock, otherwise brilliant and practically as struck, full cameo fields, a stunning coin, extremely rare £3,000-£4,000 --- Provenance: St James’s Auction 28, 24 June 2014, lot 285

George III (1760-1820), Soho Mint, Birmingham, Proof Twopence, 1797 (late Soho), in bronzed-copper, draped bust right, wreath of 10 leaves and 4 berries, the last one small, k : · on lowest fold of drapery which has several lapped areas, brooch of 6 jewels, stops in legend partially blocked up, rev. Britannia seated left on rock above three rows of waves, small patch of sea behind, olive branch with 11 leaves, soho · and incuse triangle of dots on rock at right, ship with Union flag at stern but much of the rigging worn away, edge plain, 56.55g/6h (BMC 1075 [KT 3]; ‘Selig’ 1265; S 3776). Characteristic striking flaw on reverse rim at 3 o’clock, minor spotting on obverse and a light graze in upper reverse field, otherwise virtually as struck, very rare [certified and graded NGC PF 62 BN] £900-£1,200 --- Provenance: DNW Auction 124, 16 September 2014, lot 2634, recté 56.55g

George III (1760-1820), Soho Mint, Birmingham, Proof Twopence, 1797 (late Soho), in copper, draped bust right, wreath of 10 leaves and 4 berries, the last one small, k : · on lowest fold of drapery which has several lapped areas, brooch of 6 jewels, stops in legend partially blocked up, rev. Britannia seated left on rock above three rows of waves, small patch of sea behind, olive branch with 11 leaves, soho · and incuse triangle of dots on rock at right, ship with Union flag at stern but much of the rigging worn away, edge plain, thin flan, 38.99g/6h (BMC 1076a [KT 3]; ‘Selig’ 1266; S 3776). Toning spot behind head, otherwise good extremely fine, very rare [certified and graded NGC PF 61 BN] £800-£1,000 --- Provenance: DNW Auction 46, 31 May 2000, lot 237 [for correct illustration see DNW 45, 256]; M.J. Martin Collection; bt M.J.M. June 2017

George III (1760-1820), Soho Mint, Birmingham, Pattern Halfpenny, 1797 (late Soho), by C.H. Küchler, in copper, laureate bust right, 2 berries in wreath, ermined fold of drapery flush, raised patches of die rust on portrait, rev. Britannia seated left, soho and triangle of dots on rock, ship with 2 stays from foremast to bowsprit, raised rust patch on rim to left of ship and rim fault above bri in legend, edge plain, 17.61g/6h (BMC 1158a [KH 8]). A few small spots of discolouration, otherwise extremely fine and extremely rare [certified and graded NGC PF 62 BN] £1,200-£1,500 --- Provenance: N. Bunnetta Collection, DNW Auction 73, 14-15 March 2007, lot 1635; G. Harrington Collection, DNW Auction 132, 15-18 September 2015, lot 827

George III (1760-1820), Soho Mint, Birmingham, Pattern mule Halfpenny, 1797 (late Soho), by C.H. Küchler, in copper, from a 1795 obv. die, laureate bust right, wreath of 11 leaves with no berries, tie ribands detached from knot, soho on rim below flanked by ornaments and pellets, rev. Britannia seated left, soho and triangle of dots on rock, ship with 2 stays from foremast to bowsprit, raised rust patch on rim to left of ship and rim fault above bri in legend, edge plain, 14.04g/6h (BMC 1160 [KH 9]; Martin, SNC 2009, p.113, this coin listed). Minor spotting on obverse, otherwise virtually as struck, very rare [certified and graded NGC PF 63 BN] £500-£700 --- Provenance: ‘Gregory’ [Baldwin Basement] Collection, Part I, Baldwin Auction 44, 2 May 2006, lot 537; M.J. Martin Collection; bt M.J.M. November 2010

Three Swiss Line wristwatch sets, other wristwatches, patch boxes, tiepins and badge, three Swiss Line his and hers wristwatch sets, all quartz movements, all new and unworn, all in branded presentation cases; two Orlando gentlemen's quartz chronograph wristwatches, stainless steel cases and bracelets, both boxed; a Beike gentleman's quartz chronograph wristwatch, black metal case with stainless steel back, black metal bracelet, boxed; two vintage patch boxes; silver and gilt metal tiepins and badge.Qty: 12

Mollie Parnis Boutique, New York; A fabulous black crepe 1960's cocktail dress. The exaggerated collar and V shaped front and cuff is edged with a decorative "S" black silk braid, the dress is empire line which is supported by a black silk fastened bow centre front which is then attached by a black silk band which secures from behind the dress. The cocktail dress has 3/4 length sleeves, together with a Suzy Parette, New York, black silk and velvet cocktail dress, the bodice is black velvet has has a soft scoop neckline, the skirt has a softly structured "A" line shape and bears two large patch pockets. The dress is zip back fastening and has a black velvet belt with buckle, the buckle has wear to the velvet.

Four items of mid century clothing to include a bright green cotton "A" line skirt with 2 deep patch pockets and a lemon cotton sleeveless blouse.