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A LCC King George V 1913 -14 The King's Medal, named to H. Whitehouse at The London County Council for Attendance, Conduct and Industry during the year. Together with a Royal Corps of Signals badge (one with crown, one without); two badges with 'Tria Juncta in Uno'; a car badge 'Regarde St. Christophe, et Pars Rassure'; a Royal Tunbridge Wells Fire Service badge; three Royal Signals shoulder tiles to The Royal Corps of Signals; three patch badges; a NFS badge with an AFS badge; two further shoulder patches and thirteen buttons (Dominian, Colonial & Overseas).
PIEFF; a set of eight chrome and leather dining chairs (6+2). CONDITION REPORT: Two of the chairs have arms, 4 do not. all have high backs. Stitching on leather on one arm is becoming undone. Zip on another arm has been stitched together. No rips or tears. Some scuffing commensurate with age and use, especially to outer backs. A patch of discolouration to one seat and general signs of use. Chrome not damaged but a little scuffed in places, commensurate with age and use.
Occultism - Pace, Charles Matthew - 'Hamar'at' The Sethanic Cult of the Mask's "The Necrominon" by Hamar'at, The Hermetic Book of the Shades, 4to, illustrated typescript/photocopy, 63pp., including a few illustrations hand-drawn, hand-coloured or embellished in pen, contained in black hand-made covers illustrated in gold pen; [Idem] "The Tarot of the I Ching", 4to, typescript, 16pp., with numerous hand-drawn, coloured and laid-in illustrations and a couple of loose elements including a small patch of monochrome woolen embroidery laid into a sheet of brown paper with handwritten German text, bound in yellow card covers, title page with stamp of the Ho[?] Library and an erased address; [Idem] Another copy, with all illustrations drawn and uncoloured, 4to, bound in yellow card covers (3) Note: Although accounts vary, Charles Matthew Pace seems to have been born in Campbeltown in around 1920, and grew up in Glasgow. Gavin Baddeley writes that Pace, "...made no bones about associating with the infernal..." calling him, "...a mysterious figure boasting the title 'the Jackal of Egypt'..." However, it seems that any media reports regarding Pace's Occult activities in the 1960s tended to be overblown, as Baddeley writes he was, "...never as black as the media liked to paint him." Michael W. Ford writes extensively about Pace in his book Necrominion - Egyptian Sethanic Magick: as a teenager, he developed an interest in Egyptology: particularly mythology and religion. Around this time, Aleister Crowley, the English Occultist, was utilizing, "...a good amount of Egyptian symbolism in his writings and rituals..." As an adult, Ford writes, Pace identified as a "...Satanist, Luciferian and probably more accurately a "Sethanist"..." - the term "Sethanic" can be found on the initial page of the types "Necrominon". However, in the work, Pace writes that he "prefers to be called a Luciferian." The three books included in this lot would seem to be copies of Pace's works, quite possibly created by Pace. A manuscript copy of the "Necrominion" is referred to by Ford as a "...handwritten fully illustrated grimoire...", and Pace did present his teachings at Wiccan meetings in the 1970s. It has been said that Pace was a talented artist, who produced magical books (such as these), and some sources claim that Led Zeppelin guitarist, Jimmy Page, commissioned Pace to paint murals in the home on Loch Ness, which Page purchased from Aleister Crowley.
Gardening by various makers including RARE Kew harvestable Vegetables, Cabbage Patch and Flower Beds planted with thirty-eight vegetables and seventeen flowers, Trees, Shrubs and Plants (some by CBG Mignot), six Flowers planted in Drainpipes, two different Trees with Girls on Swings, two Squirrel and three Apple Trees, two Flower Pots, two Mowers and a Roller, tinplate Bench etc. (G-F, a few damaged, one drainpipe P) (93)
A MIXED LOT:- Two folding fruit knives with mother of pearl pallettes, a pair of George III Irish tea spoons, initialled, a small George III patch box inscribed on the base "Wedding Cake of H.M. The Queen 20th Nov 1947", a Continental medallion and a small hardstone bead; the box 1" (2.5 cms) long (7)
A mixed group of lady's collectables, comprising five trinket / patch boxes of varying design, one porcelain heart shaped, with brass shell clasp, decorated with flowers, 6 by 6 by 3cm, one mother of pearl, one tortoiseshell, a small carved wood perfume bottle, 5cm, a pair of mother of pearl carved knives, in black case, a group of Chinese, late 19th century, mother of pearl gaming counters, twenty six lozenge shaped (with four broken pieces), 1.5 by 3.5cm, twelve oval shaped, one circular, and two rectangular with pierced edges, and a gilt tooled red morocco leather jewellery box, by W & J Milne, Edinburgh, with key, 19 by 14 by 11cm. (50)
*Bartsch (Karl Frederick, 1829-1908). Dyrehaven, 1902, oil on canvas of a Danish summer landscape with stag and deer resting beneath trees, signed with monogram, titled, and dated September 1902 lower right, small patch repair to verso (generally in excellent condition), 49.5 x 71 cm (19.5 x 28 ins), modern gilt frame (1)
Various iron on cloth Air Force and Army related badges, etc, shoulder badges, patch badges, to include Windsor Regiment Canada, 12cm wide, Fusiliers Du St Laurent, The Royal Canadian Regiment, Metropolitan Toronto Police, Crown, West Nova Scotia Regiment, Canadian Intelligence Corps, other Nova Scotia, SPS Commando, gilt and black shoulder epaulette, Lyre iron on badge, Maple Leaf, other Canadian, to include Electrical, Mechanical Engineers, Victoria Rifles of Canada, etc. (a quantity)
Various British Rail and other related items, to include a quantity of brass buttons, repeat decoration 2cm dia., various enamel badges to include ASLE & F Established 1880 enamel finish badge, material patch and shoulder badges, ER BRSA, various other buttons, badges, etc, all railway related, (a quantity).
Tokens, Ireland, Co. Dublin, Dublin, mule halfpennies (3), undated, female with quadrant and anchor, rev. anchor, cap of Liberty above (DH.322); 1795 (2), Prince of Wales's crest, 1795 (2), revs. City of London arms (DH.326), bust of William III, 1688 (DH.332), first two good extremely fine but DH.322 with corroded patch on obverse, DH.326 bronzed, DH.332 good very fine with several rim knocks, lacquered to good effect, DH.322 very rare, the others rare (3) *DH.322 and 332 ex Longman, lot 395 (part) and 396 (part) all ex Baldwin’s vault
Tokens, British, Warwickshire, Birmingham, Kempson's buildings series, halfpennies (8), rev. Town arms, undated (7), obvs. the Old Meeting, St Philip's Church, the General Hospital, the Old Cross, the Free School, the Theatre, bust of George III r. (DH.162/175/181/188/200/215/218), rev. Town arms, 1796, obv. the Library (DH.184a), extremely fine to about mint state, most with lustre, small verdigris patch on tower on DH.175 (8) *DH.175 ex Longman, lot 299 (part); DH.181 and 188 ex A.W. Jan all ex Baldwin’s vault
Tokens, Wales, Anglesey (2), farthing, 1788, bust of Druid, rev. cipher PMCo (DH.452), mule farthing, undated, bust of Druid, rev. Hibernia (DH.458), good extremely fine, DH.452 with small verdigris patch on obverse, reverse faintly double-struck, a little lustrous, DH.458 toned, light finger marks on reverse, this rare (2) *ex Baldwin’s vault
Tokens, Scotland, Ayrshire, mule halfpenny, 1799, bust of Prince of Wales l., rev. Scotia with laurel wreath, cipher TC in exergue (DH.6), old verdigris patch on Prince's hair, otherwise about mint state and richly toned, extremely rare *ex Baldwin’s vault By W.J. Taylor, from the original dies, struck probably in the third quarter of the nineteenth century. The die flaw below the portrait had been tidied up by Taylor (compare with previous lot).
Tokens, British, Surrey, Lambeth (2): halfpenny, 1796, figure of Sir George Cook, MAYOR OF GARRAT, rev. FRUITERER GREEN GROCER & OYSTER MERCHANT etc. (DH.11); mule halfpenny, 1796, obv. as previous, rev. French soldier gnawing bone, FRENCH LIBERTY (DH.13), DH.11 a little short of flan and with light scuff marks and a small reddish toning patch on obverse field, otherwise extremely fine or better, DH.13 very fine, slight reverse edge damage (2) *ex Baldwin’s vault
Tokens, British, Warwickshire, Meriden, halfpenny, 1796, archer drawing bow, FOR THE PRIZE, rev. Prince of Wales's crest above bow, quiver, bugle etc. (DH.315), minor flan flaws on obverse, about mint state, obverse lustrous, reverse toned with an oblong-shaped darker patch of toning across centre, rare *ex Baldwin’s vault
Tokens, British, Warwickshire, Birmingham, mule halfpennies (8), boy with spanner, 1793 (4), revs. bust of Dr. Johnson (DH.51), ship (DH.52), Britannia (DH.53), A WAY TO PREVENT KNAVES GETTING A TRICK (DH.56); Hardy family arms (4), revs. ship, 1794, edges CURRENT EVERY WHERE (DH.59), plain (DH.59a), mounted dragoon (2), edges WE PROMISE TO PAY THE BEARER ONE CENT (DH.60c), PAYABLE IN LONDON (DH.61), extremely fine or better, DH.51, 60c and 61 with lustre, DH.52 scuffed on obverse, DH.56 with small corrosion patch and a few hairline scratches on obverse, this and DH.60c rare (8) *DH.60c ex Longman, lot 286 (part) all ex Baldwin’s vault
Tokens, Ireland, Co. Dublin, Dublin, mule halfpennies (3), 1795, H and bugle-horn within shield, rev. cipher HS&Co (DH.316); female with quadrant and anchor, revs. man working in loom (DH.319), wheatsheaf, bird at either side (DH.321), good extremely fine and lustrous, DH.319 with prooflike appearance, DH.321 with small corrosion patch on obverse at ground level, first two rare (3) *DH.321 ex Longman, lot 395 (part) all ex Baldwin’s vault
A silver gilt and green enamel egg shaped bonbonniere, marked 925, 5 cm long, together with a George V engine turned circular silver pill box, Birmingham, 1912, a Halcyon Days 1993 commemorative oval enamel patch box, a Toye, Kenning and Spencer Charles and Diana Wedding Commemorative enamel patch box, a pearl brooch with applied white metal horse drawn carriage and a stamp box (6)
A George III mahogany and feather-strung bureau, the hinged fall revealing fitted interior and four long graduated drawers below, raised on bracket supports, w.97cm, d.50cm, h.110cm Condition Report / Extra Information Solid carcass and fall.No splits but shrinkage gaps between timber at sides. Minor stains.Drawer fronts are veneered.Drawers run well, one is missing lock.Sliders run well but one with losses by brass knob.Feet are replacement.Brass plates are original but with some wear holes.With minor patch repairs to extremities.In faded but original condition.
A 19th Century Belgian Percussion Pocket Pistol, with 5cm turn-off steel barrel, foliate engraved box lock, concealed trigger, walnut slab butt, the oval ivory butt plate with white metal hinged shell patch box; two Belgian Percussion Pocket Pistols, one with 8cm round barrel, one with 8.5cm octagonal barrel, each with Liege proof mark, foliate engraved box lock and walnut slab butt (3)Concealed trigger will not operate when trigger is cocked on first pistol described. Other pistols work. All have black patching and pitting to the metalwork.
A Prussian M1835 Jaeger Percussion Rifle, .62 calibre, the 70cm swamped octagonal steel barrel with bayonet bar, hinged leaf rear sight, variously stamped with crowned FW, the rounded lock plate marked with a crown/SUHL/1838, with spurred snapcap and trigger, walnut full stock with brass fore-end tip, ramrod pipes, recurving bevelled trigger guard and butt plate, the left side of the butt with raised cheekpiece, the right side with patch box with rounded sliding cover enclosing a spare nipple and cleaning jag, with two steel sling swivels and brass tipped steel ramrod, 112cmAction works. Bore pitted. Brown patching and rust pitting to metalwork. Bruising to stock, but no cracks or breaks
A 19th Century Continental Side by Side Double Barrel Percussion Holster Pistol, with 28cm steel barrels, foliate engraved back action lock plates and hammers, walnut half stock with nickel fore-end tip, trigger guard and hinged shell patch box to the oval pommel, with chequered grip and steel ramrod, 44cmRight action works, left action is stuck. Rust pitting and grey patching to steel. Minor bruising to stock
A small Derby twin handled vase, standing on pink, white and gilt rimmed square base, decorated with sepia ladies heads and pink oval medallions, entwined with green and sepia swags Circa 1770 gold anchor mark and patch marks Size 18.5 cm high approx Condition - old restoration to top rim and one handle and through pink soccle
An 18th Century Bilston type enamel oval patch box, circa 1780, the cover with an overpainted transfer of figures in a classical landscape, width 7cm, a smaller enamel patch box with a comical image of a couple with a dog and another enamel patch box decorated with a cherub within a jewelled border (s.d/restorations) (3)
A pair of Derby small pots and covers, cobalt blue ground with gilt border cartouches, each painted with a rural scene to the front and moths and insects to the reverse and covers, circa 1765, patch mark, each 7cm high including covers, 4.8cm diameter (2)Provenance: The Late Noel Howard CollectionCondition Report: Old restoration to one cover, nibbles and wear to gilding

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24353 item(s)/page