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Two late 18th/early 19th century Chinese export teapots, the largest example of globular form with curved handle and straight spout, decorated in the Mandarin style with figural scenes surrounded by red scale reserves, H13.5cm, the second smaller example decorated in underglaze blue with two musicians in a landscape set with willow tree and fence, H10.5cmCondition Report:Wear commensurate with age and use, including surface scratches and nicks.Large teapot with craze line around where base of handle meets body, some wear to decoration in places, wear and losses to edge of spout, with remnants of later gilding to edge.Two visible metal pins either side of spout, securing an interior strainer.Cover with loss to edge. Not particularly secure, and a later replacement. Smaller teapot with craze lines to body above where base of handle meets body. Small patch to top of handle illuminating under UV light, possible overpainting, no overtly visible without UV.Loss to rim, somewhat hidden when cover in place.Finial to cover has been reattached.Production firing crack by side of spout, also visible to interior.

Late 18th century Staffordshire enamel patch box, of oval form with pink base, the hinged cover inscribed 'Have Communion with few, Be familiar with One, Deal justly with All, Speak evil of none' upon a white ground, opening to reveal mirror beneath, W4cmCondition Report:General wear commensurate with age and use, including cracks to body and cover, small loss to edge of cover, and a few small losses to front of base. Mirror to interior cracked.

Regency wool and silkwork picture, of oval form depicting three young children and a sheep, within a rural landscape with building visible to right hand side, and painted sky, in gilt frame with beaded inner border and gadrooned outer border, silkwork H25cm W20cm overall H31cm W25.5cmCondition Report:General wear commensurate with age, including some losses to silk of figures arms and faces, and patch of sheep's body.Frame with wear and losses to gilding, and a number of knocks to high points.

Two Louis Vuitton cases and an umbrella, late 20th Century,both zip-fastening soft-sided cases with monogram pattern, the first with tan leather handles and banding, with luggage tag and Prestolock combination padlock, beige canvas interior with pockets, numbered 'SP1010' to interior leather patch, some light use and in seemingly good overall order, approximately 72cm wide, the second produced under license by The French Company, USA, with lower and upper rigid tan leather panels, trim, handle, and luggage tag, (upper panel creased and kinked with travel label), black cloth-lined interior with straps, some travel wear and scuffs in places, 72cm wide, the Classic style umbrella with wooden handle and push button mechanism. (3)This lot is subject to the following lot symbols: ◊◊◊◊ £60 + VAT uplift and storage at £12 + VAT per lot per dayFor further information on this lot please visit Bonhams.com

Halcyon Days patch box commemorating the 200th anniversary of The Times, together with a further patch box (2)

A Cassini 'Maralunga' cream leather chair and footstool, designed by Vico Magistretti, Milan, Italy, late 20th century, this Italian design icon was originally conceived in 1973 (2) Note: there is a matching Sofa also in this auction.Condition reportThe chair of matching stool are in generally good overall condition. The back of the chair still articulates correctly. There are no obvious tears of damages, however the cream leather is very dirty and needs a professional clean. There is a small patch of wear on one corner…see photo. I think they could easily be significantly improved and brought back to good use. See further images

oval and on pierced skirt foot, with reeded rim above pierced and foliage, flower and husk engraved swags, with overhead reeded swing handle31.5cm wide,  20oz, 623grFully marked near rim. The handle futher marked with lion passant only. There is some surface scratching and wear, consistent with age and use. There is some surface unevenness. There is a small patch on one side and a repair below the handle on one side.

each piece oval and with various fluting, the teapot with wood handle and ivory disc finial, each piece engraved later with initials 'LW', the sugar-bowl further engraved with a crest the teapot 26cm wide over handle, total gross weight 27oz 17dwt, 867grWith non-transferable standard ivory exemption declaration number SXSZS3JP.The teapot: fully marked underneath. Further marked inside cover with lion passant only. There is some overall surface scratching and wear, consistent with age and use. There are some minor bruises overall. There is some wear and cracking to the wood handle and some staining and discolouration to the ivory finial. The engraved initials are within the original engraved cartouche and presumably this area has been erased though doesn't feel thin.The sugar-bowl: marked near rim. There is some wear to the marks, though they are still legible. There is some overall surface scratching and wear, consistent with age and use.The cream-jug: marked near rim. There is some wear to the marks, particularly the maker's mark which is only partly visible, T?. There is overall surface scratching and wear, consistent with age and use. There has been a repair on one side and another to the lower handle junction and a large patch at the front.

oblong, the hinged cover engine-turned centring a vacant cartouche and with a foliage and flower cast border, the sides and base further engine-turned 86mm wide, 4oz 8dwt, 137grProvenance: Thomas Watson, 16 August 2016, lot 301.Fully marked inside base and part marked inside cover. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the engine-turning. There has been a repair and applied patch to the front and one corner of the cover.

An Early 18th Century Joined Oak Cupboard, the boarded top above two cupboard doors with fielded panels enclosing additional shelves, on stile feet (retipped)136cm by 51cm by 126cmThe top with numerous ring marks. The cupboard door to the right-hand side with a split near the hinge and also to the fielded panel. The left-hand door has a patch repair (as photographed). There are small repairs to the base. The front feet have been re-tipped. The rear feet have also been re-tipped/repaired. There are some minor signs of old decay consistent with age.

A George III Mahogany and Oak-Lined Chest on Chest, late 18th century, the Greek Key dentil cornice above a blind fret-carved frieze and two short over three long drawers, all between canted fluted stiles, the base with pull-out brushing slide above three long drawers, on bracket feet112cm by 53cm by 186.5cmQuality timber and reasonable colour. The handles appear to be original, however the right-hand handle to the bottom drawer has been replaced with previous handle mark just visible. The right-hand end panel with repair (see image) and numerous deep scratches. Sections of the blind-fret carving are damaged/missing. Section of dentil cornice and moulding also damaged. Small patch repairs throughout (as photographed).

A Victorian Burr Walnut, Marquetry Inlaid and Crossbanded Breakfront Bookcase, circa 1870, the central moulded cupboard door enclosing three adjustable shelves flanked by six larger adjustable shelves, on an inverted breakfront base, 257cm by 46cm by 138cmCosmetically reasonable, left hand end panel replaced / Adaptedfront left-hand corner, patch repair, probably relating to the replaced end panel, traces of emulsion around the platform base, cupboard doors open but no lock, numerous general scuffs to the shelves and interior, and small sections of inlay missing, mainly around the base, right-hand panel, some visible i.e. dark patches,measurements of centre cupboard - 54.5cm by 34cm

Attributed to George Morland (1763-1804)Sow and piglets at a stable doorOil on canvas, 27.5cm by 33cm Provenance: Dreweatt & Neate, George Lowe Collection, 14th September 2005Old reline. Covered in a relatively thick layer of dirt and discoloured varnish. Stretcher shadow in evidence, more pronounced on the upright. Some fairly subtle buckling to canvas across lower half. Paint possibly slightly thin in places, notably the sky. Areas of medium sized craquelure most evidently within the darker tones of the doorway and possibly edging towards a precarious nature. Evidence of retouching and infilling within the vegetation above the fence panels on left hand side and to a lesser extent within the darker shadows and tones of the fence panels themselves, also within the larger timber plank behind the trough. The outline of the animals trough and definition shows signs of strengthening with a further small patch immediately below this no more than 1cm by 1cm overall. The shadows and definition below and around the sow's head and the outline of the piglets in general shows signs of strengthening as dows the shadows of the doorway and to a lesser extent the outline, shadows and definition to deliniate the individual planks of the doorway. Some possible delicate retouching to old craquelure upper right hand corner etc...

M A Easter (19th/20th century) ''Staithes, Yorkshire"Signed and indistinctly dated 1891?, inscribed on canvas overlap verso, oil on canvas, 44cm by 89cmOriginal canvas. Covered in a layer of dirt and discoloured varnish. Likely essentially vertical patch of retouching along the left hand edge of the furthest away barell and into the foreground approx. 3-4cm overall. Sporadic delicate retouching to presumably old flaked paint above the buildings upper right hand side and delicate horizontal retouches to craquelure within the sky. Some minor craquelure throughout. Otherwise in a broadly good and original state of preservation.

Ernest Procter ARA (1885-1935)"Passing Snow Storm"Inscribed to artist's label verso, oil on canvas, 176cm by 245cm (unframed)Exhibited: Royal Academy, 1912, no.189Provenance: By descent in the Artist's family Original canvas which is entirely adrift of stretcher along lower edge with a degree of relatively minor losses to extremities and both corners however lower right hand corner in a slightly more distressed state with some general fraying and folding and buckling of the canvas. The surface is covered in a thick layer of various dark spots/foxing mostly concentrated within the dark grey clouds on the upper left hand side, white chalky splashes (mostly to lower right hand corner) which appear to be easily removable. Other liquid vertical splashes to left hand side centre. Further chalky surface patch immediately above this. Puncture to canvas approx. 0.5cm across above horizon and below far left hand clouds. Further horizontal tear/puncture approx. 10cm from upper edge and 60cm left hand side edge approx. 1-1.5cm in length. Further visible horizontal tears and same level approx. 30cm from centre. Prominent black linear mark within sky just right of upper white clouds approx. 40cm in length. Further black spotting within dark grey area in general upper right hand corner. Rubbing to edges in general. It is our understanding that this canvas has been stored for a number of years in an outbuilding or similar and therefore the condition is consistent with the nature of the environment in which it was stored. We have referred to the most visible/notable condition issue. Be aware of a general distressed state where smaller imperfections may not have been referenced.

Follower of Andries Both (1608-1641) Dutch Tavern scene with music makersOil on canvas, 25cm by 32cm Old reline, cleaned and revarnished. Some surface dirt and discoloured varnish now in evidence. Varnish relatively high gloss. Surface is somewhat flattened and thin in places due to the restoration process with visibility of canvas weave visible in some places such as above the figures heads. Areas of fine cracquelure, patch of retouching along upper edge approx 7cm from left-hand corner and roughly 1-2cm dia. Further cluster of retouches in the area between the standing boy left-hand side, the standing male figure with a stringed instrument and the two seated figures right-hand side. Odd retouch along lower edge, retouch to ladies red overcoat at left-hand side chest height. Some reline slightly evident outer. right and left-hand side. Otherwise in a broadly stable state of preservation.

Attributed to William Powell Frith RA (1819-1909) Lady in a forest Signed, oil on canvas, 33cm dia. (oval) Various patches to reverse of canvas as per image. Small tear to canvas with associated patch to reverse, upper left-hand side (upper right-hand side front). Light surface dirt and discoloured varnish. Slight stretcher sahadow. Areas of fine stable cracquelure. Likely retouching/strengthening to the ladies shoe and darker folds at the lower reaches of the skirt bar left-hand side. Tiny retouches to darker tone within the leaves resting on the foreground, left-hand side. Likely retouches to the shadows running along the pink jacket, right-hand side. Essentially V-shaped patch of retouching within the background immediately above her outstretched right hand arm and wrist approx 2-3cm which is visible by eye. The paint is slightly thin in places most notably under her outstretched right arm possibly the result of an old clean? Small amount to retouching to cracquelure around her knee.

Oliver Clare (1853-1927)Still life of apples, strawberries and gooseberries on a mossy bank Signed, oil on canvas, together with a further example on canvasboard by the same hand, 17cm by 24.5cm & 13cm by 19cm respectrively (2) Still life of apples (larger) - Covered in a layer of dirt and discoloured varnish. Small loss to upper right hand apple of the three nearest the end of the branch. This is a result of widely spaced craquelure having lifted and which can be seen elsewhere across the fruit in particular. The deteriorated varnish is more pronounced and evident within the linear areas of craquelure. Imperfection or possible patch of intervention (although there is no sign under UV) in upper left hand corner. Small amount of transferred gilt paint along right hand edge top 1/3rd. The canvas is enclosed to the reverse. No specific evidence to suggest under UV but signature possibly strengthened? Second example  - Covered in a layer of dirt and discoloured varnish. Rubbing/abrasions to outer edges especially right hand side edge and lower edge with some possible general retouching. The paint is thin in places and as a result the surface or weave of the canvas is evident in some areas, especially left hand side background and background above the bunch of grapes. 

John W Morris (1865-1924)Spaniels and Setter in a moorland landscape with the days bag Signed, oil on canvas, 89.5cm by 69.5cmThe reverse of the canvas is enclosed with nailed-on rudimentary planks of wood but would appear to be the original canvas. Paintings slightly loose in frame especially lower right-hand corner and edge. Small losses to lower right-hand corner with crazing and separating of bitumen, see images. Further small nick to surface across the M of the signature lower left-hand corner. Covered in a thick layer of dirt and discoloured varnish, some minor rubbing to outer edges. Fairly isolated patch of stable cracquelure across the rock within the lower right-hand corner, the odd patch elsewhere such as ground level and vegetation immediately right of the back right leg of the seated dog and another smaller immediately above the wing of the black game bird within the rock. Two to three minor surface scratches or nicks, none being longer than 1cm in length at the neck of the brown game bird placed upon the top of the basket and two within the leather back of the basket. Otherwise in a broadly good and stable state of preservation.

Stephen Frank Wasley (British 1848-1934): Sailing Vessel floundering on the West Pier Whitby, oil on canvas signed 44cm x 80cmCondition Report:Patch to reverse shows two small areas of restoration in sky near East Lighthouse, otherwise minimal over-paint showing under UV light. Well presented, ready to hang

German WWII Military Patch, featuring Eagle surmounting Swastika, on fine fabric, 7.5 x 3.5cm, two knives, coinage, etc, in Indian box.

Cased collection of 7" singles, rock & metal, inc. Iron Maiden, Judas Priest, Whitesnake, AC/DC, and others, most without sleeves, sleeves that are present with damp issues, many labels worn, as found, together with a vintage Black Sabbath sew-on patch and a Status Quo tour programme

A South Staffordshire Enamel Patch Box and Cover, late 18th century, inscribed in gilt A Trifle from Bath on a blue panel within an oval floral wreath base with blue ground5cm wideA Snuff Box, of fluted circular form, painted with figures in a river landscape within a puce scroll border7cm diameter (2)

A South Staffordshire Enamel Patch Box, circa 1760, of navette form, the cover printed en grisaille with a classical altar inscribed ESTEEM THE GIVER, the base with pale blue ground6cm wide A Similar Patch Box, inscribed ESTEEM THE GIVER on a pink ground5cm wide (2)

A South Staffordshire Enamel Box and Cover, circa 1770, of circular form, painted with a romantic couple in landscape and with scattered flower sprigs5cm diameterA Similar Patch Box, painted with a harbour scene and with scattered sprigs4.5cm diameter (2)

NO RESERVE Powell (Robert) The Life of Alfred, or Alvred: The first Institutor of subordinate government in this Kingdome, and Refounder of the University of Oxford, lacking A5-8 and final imprimatur leaf H6 but with blank leaves, contemporary ink ownership inscription cropped at head of title, occasional early ink underlining, the odd spot or patch of light soiling, hinges broken and contents largely loose, contemporary calf, rebacked in cloth, worn, [STC 20161], 12mo, Printed by Richard Badger for Thomas Alchorn, 1634.

Mazzella (Scipione) Parthenopoeia, or The history of the most noble and renowned kingdom of Naples, translated by James Howell, first edition in English, woodcut portraits and coats-of-arms, final advertisement f., preliminaries *2&3 misbound after 2B4, worming to lower inner gutters, sometimes just encroaching on text, but without loss of sense, some spotting or staining, modern red morocco-backed marbled boards, spine in compartments and with black leather label, patch repair to 1 compartment of spine, [Wing M1542], Printed for Humphrey Moseley, 1654; and 5 others, defective 17th century English, some with portraits or plates, small folio & 4to (6)

CELADON JADE CARVING OF A RECLINING HORSE MING DYNASTY OR LATER 明或更晚 青玉雕臥馬 in the recumbent pose, with legs tucked underneath its body and only the right front leg half raised against the ground, its head finely defined in low relief with mane and pricked ears, the bushy tail wrapped around its left hind, the stone of even celadon colour with a patch of russet skin on its rear hind Dimensions:7cm wide

A Quantity of Toys, including Cabbage Patch Kid, clown, Furby, Humpty Dumpty and hand puppet:- One Box

A quantity of badges to include NVA Normandy 1944 badge; Normandy Veterans Association patch; Hertfordshire Regiment bar brooch; Ipswich Speedway badge; SOS talisman; Loupe etc

A Baker flintlock rifle, 30.5 inch sighted barrel, the engraved lock stamped with a crown over VR and TOWER across the tail, regulation brass mounts and patch box, steel ramrod, the barrel 78cm long

An original British Rail BR 1960s ' Yate ' enamel railway station totem sign. The station is located on the main Bristol to Birmingham line between Bristol Parkway and Cam & Dursley, and is currently operated by Great Western Railway. Brown white edged enamel construction, in typical rounded-edge form. Mounting holes to top and bottom flanges. Generally very good, one patch of enamel loss to mid lower edge (see photographs).  A local interest Bristol related railway platform totem sign. Measures approx. 93cm long.

David Leach (1911-2005), Willow tree round pot and cover, mid 20th century, Glazed porcelain, Underside with impressed mark, 10cm diameter, 4cm high, (ARR)Small patch approx 6-8mm diam to underside feels rough to touch (in the making).

Alan Wallwork (1931-2019), Slab vase and small ovoid vase, circa 1960s, Stoneware, Underside incised 'W' and 'AW', Slab vase: 24cm high, ovoid vase: 10cm high, (ARR)Both pieces overall condition good. No damage or restoration found to slab vase. Ovoid vase has tiny patch to uppermost inner rim (3mm max) which is lacking glaze and may have 'caught'.

A circular German Third Reich patch (cut from something), a perishing German Third Reich silk banner and an oak leaf and acorn section (3).

South Atlantic 1982, with rosette [sic] (R. T. Wall.) large engraved naming, nearly extremely fine £180-£220 --- Ray Wall served as a Liner Cook on the Cunard liner Queen Elizabeth 2. The style of naming on this medal indicates that this is a post-2014 issue, awarded after the qualifying period for the medal without rosette had been extended from 14 June 1982 to 21 October 1982. Sold with a ‘Falkland Islands Troopship Service Queen Elizabeth 2 May 12 - June 11, 1982 embroidered patch.

A German Second World War Iron Cross First Class and War Service Cross First Class. The Iron Cross First Class cased, non maker marked, the award is slightly toned with an interesting pair of Panzer collar patch skulls pinned into the upper inner imitation silk of the lid. The exterior of the box, which is of the flat type having a slightly subdued silver image of the Iron Cross itself. The flock base of the presentation case is stained. Accompanied by a War Service Cross First Class with swords, maker marked 65, which is the Company of Klein & Quenzer AG of Idar-Oberstein 1, slight toned, in its original presentation case with a good bright silver outline of the award to the exterior of the imitation leather case. Some scuffing to the edges of the case, very good condition (2) £300-£400

VICTOR WAGEMAEKERS (Dutch, 1876-1953); oil on canvas, river landscape with woods in the background, signed lower left, approx 44 x 55cm, in ornate modern frame. (D)Additional InformationCanvas slightly sagging in parts, old patch repair to right corner of image, light wear to frame. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

THIRD REICH INTEREST; a material pennant, length 31.5cm, a cloth arm patch, inscribed 'Beckeln', a further cloth badge, a long service police award, First Class, and an infantry assault badge (5).Additional InformationLight wear, tarnishing, scuffs and marks to each, minor staining and marks.

A ROYAL DUX PORCELAIN FIGURAL SIDE DISH/FLOWER HOLDER, early 20th century, modelled as two young girls drawing water, seated on an art nouveau lily pad moulded rounded oblong base, pink patch, and green printed mark, shape 1646, 8" high (Illustrated) (Est. plus 21% premium inc. VAT)Generally good, no restoration

A LARGE ROYAL DUX PORCELAIN FIGURE, early 20th century, modelled as a young woman carrying a flat basket on her head, wearing a draped green top and cape and orange skirt, standing with a pitcher at her feet on a naturalistically moulded circular base, pink patch, model 614, 24 1/2" high (Illustrated) (Est. plus 21% premium inc. VAT)No damage or restoration

A PAIR OF ROYAL DUX PORCELAIN FIGURES, early 20th century, modelled as a young man holding a basket on his left shoulder, two melons in his left hand, wearing a green tunic and claret cape, and his female companion holding aloft a pitcher, both wearing sandals and standing on a circular base, pink patch, model Nos. 88? and 885, 18" and 17 1/2" high (Illustrated) (Est. plus 21% premium inc. VAT)No damage or restoration

A PAIR OF ROYAL DUX PORCELAIN FIGURES, early 20th century, modelled as a young gentleman in 18th century style garb playing a lute and his female companion holding a fan, both standing on naturalistically moulded bases on bracket feet, pink patch, model Nos. 117 and 118, 17" and 16" high (Illustrated) (Est. plus 21% premium inc. VAT)Very minor chips to extremities, no restoration

A COLLECTION OF STAFFORDSHIRE WHITE SALTGLAZE STONEWARE, 18th century, comprising an oval pecten shell moulded double lipped and handled sauceboat, 6 1/2" wide, a small oval chestnut basket and stand with pierced rims, stand 8 1/2" wide, a small fluted mould, 3 1/2" diameter, a miniature teapot with crabstock spout, 3 3/4" wide, a basket weave moulded plate, 10 1/4" diameter, a scroll and diaper press moulded plate with pierced rim, 8 1/4", and a plain plate with gadrooned rim, 7 3/4" diameter, together with a Wedgwood white smear glazed stoneware hexagonal teapot and cover, impressed, 6 1/2" diameter (9) (Est. plus 21% premium inc. VAT)See Edwards & Hampson "White Salt-Glazed Stoneware of the British Isles fig 80 (p.90) for sauceboat and fig 38 (p.43) for mould.  Sauceboat has crack across one top handle terminal, the other has a small firing crack, a 1cm patch to base has black mis-glazing.  Basket has small firing cracks around handles and a split crack to rim.  Mould has two small cracks to rim.  Teapot lacks cover and has chip to spout.  Basket plate has hairline to rim.  Plate with pierced rim is quite heavily restored.  Gadroon plate has chip to underside of rim.  Wedgwood generally good 

A stained beech wood cane, early 20th century, mounted with a cast metal Rolls Royce "Spirit of Ecstasy" car mascot, signed "C. Sykes RR Ltd 6.12.11" in the casting, 91.5cm long overall (at fault)CR: Mount appears to be in good order, no obvious splits, large dents or signs of repair. Mount shows moderate scratching and wear commensurate with age and use. There is a mid-sized patch of damage near the bottom of the cane, approx. 3cm long (see pictures). The cane shows scratching and wear throughout, becoming heavier near the end. The cane shows no splitting or signs of repair throughout. The rubber cap shows moderate wear and tear commensurate with age and use. Mascot is approximately 15cm high. Widest point (wing to wing) approximately 7.5cm

A Staffordshire enamel patch box, probably Bilston, late 18th century circa 1780, the puce body set with a hinged cover bearing the motto "Take this for a kiss" around two love birds perched on hearts, all within a continuous floral border, 5.1cm W x 4.3cm D x 3cm H CONDITION REPORT:The piece shows fine scratching and pitting across the exterior (most noticeable on the white ground of the cover), with similar wear to the interior.  The metal mounts show wear and oxidation commensurate with age and use, with build ups of dirt around the edges, and some small nibbles around the edges of the interior enamel where it meets the mounts.  The interior is dirty and would benefit from cleaning. 

SAM GOPAL - ESCALATOR, Stable SLE 8001, LP, gatefold sleeve.  Sleeve has some wear over much of surface, particularly affecting the spine. 60-65%.  Vinyl is clean and bright with some marks which are surface only.  Seems to track through ok, but some distortion/surface sounds, with a particularly noisy patch  track 1 side 2.

A turned wood patch box; a 19th century photo in case; other collectables

Joseph Thors (1835-1884) - Two Figures on a Country Road by a Cottage, signed, oil on canvas, 23 x 34cm Small old patch repair to a tear or hole close to the two figures, otherwise unlined and in good condition. The support with the ink stamp of John Reeves Tottenham Court Road London. Original stretchers, modern gilt cavetto frame

A Stone, 19th c - Wooded River Landscape, signed, oil on canvas, 30 x 41cm Unlined; small square patch on reverse, extreme centre right with localised re-touching, varnish clean

Victorian burr walnut trumpet work table, octagonal hinged lid enclosing a fitted interior, tapering box, carved and scrolled tripod legs, 44x44cm, height 73cm.Condition report:The top is quite poor with splitting and lifting to the veneer across the whole top, but there is one patch in particular that has historic veneer patches, small areas of existing veneer loss, and the old varnish is blistering, Old repair to one leg resulting in it not standing quite straight.

An oak and marquetry commode,early 19th century, Dutch, of bombé outline, the shaped top above four graduated long drawers, raised on paw feet,110cm wide67cm deep83cm highBuying this antique commode could save up to 0.32 tonnes of CO2e compared to purchasing a new chest of drawers.Condition ReportRepaired split to top. Cleaned and refinished. Some patch repairs. Small chips, knocks and losses. Some small breaks and repairs to feet. The drawers run smoothly. Overall appears in fair restored condition. Perfectly solid and useable.

PUNK - 7" COLLECTION. A quality selection of 27 punk 7" singles. Artists/ titles include Steve Diggle - 3 Track EP (BP 389), Buzzcocks inc Spiral Scratch (ORG-1, mentions Howard Devoto on sleeve), Harmony In My Head, I Don't Mind Autonomy, What Do I Get, Love You More, Everybody's Happy Nowadays, Strange Thing. Joy Division inc Love Will Tear Us Apart (FAC23), Atmosphere (Fac213/7), Non In Vendita, Transmission, Incubation (flexi). Stiff Little Fingers - Mr Fire Coal Man. Ruts, Pete Shelley, The Damned - Eloise. The Clash, The Fall inc Free Range, There's A Ghost In My House. The Dickies, Perton Parkas (with patch), Public Image Ltd (newspaper sleeve), The Secret - The Young Ones, Yankees. Condition is generally VG+ to Ex+.

18th Century English Enamel Patch Pot 'This Box i intend a Gift for my friend'

SEVENTEEN BOXED LILLIPUT LANE SCULPTURES, all with deeds, comprising limited edition The Old Sun Inn no.0638/2000, with certificate (slight nibbles to eaves), The Golden Jubilee 2002 Anniversary, fourteen Symbol of Membership Petticoat Cottage 1994/5, The Chocolate Box 2003/04, The Toy Box 2004/05, Cabbage Patch Corner 2005/06, Sugar Mouse 2006/07, Afternoon Tea 2007/08, Nutkin Cottage 2008/09, Fruits of the Sea 2009/10, The Pigsty 2010/11, Arithmetic At The Old School House, Walney 2011/12, Parsley Cottage 2012/13, An Apple a Day 2013/14 with badge, Alfresco Afternoons 2014/15 and The Hop Pickers 2015/16 and a Visitor Centre Special Skirsgill Lodge (17) (Condition report: some rubbing, slight staining/dirt, overall good condition)

TWO BESWICK FLYING PHEASANTS AND THREE UNMARKED FLYING DUCKS, comprising Beswick 661/2 and 661/3 pheasants in small, length 22cm, and medium, length 26cm, sizes (small pheasant has a chip to the back of its far wing, medium has a chipped beak, both have crazing), together with three Mallard ducks stamped 'England' verso, lengths 16cm and two 18cms (16cm duck has an unglazed patch on its neck, one of the larger ducks has several smaller patches, crazing) (5) (Condition report: generally fair and as stated)

Original vintage propaganda poster issued by FATAH Palestinian National Liberation Movement, featuring images of rocks, with an inset of a man with an eye patch, and smaller inset with people with shovels, caption in blue below reads – Our revolution is a drop of blood, a drop of sweat and a drop of ink. Fateh. Fair condition, folds, tears, creasing, paper losses, pinholes, tape on image, staining. Country of issue: Palestine, designer: Unknown, size (cm): 69x48, year of printing: 1976.

English school - still life with fish, oil on canvas, 40x56cmOverall in very good condition. POne small patch repair at bottom middle. Frame rub throughout. Some areas of craquelure See extra pictures

Assorted framed Ferrari prints and other collectables,including a large photoprint of Enzo Ferrari 58 x 44cm, 'Night Stop at Le Mans' print after Michael Turner depicting Ferrari P4, signed photograph of Nigel Mansell in Ferrari 640, photograph of Lauda in Ferrari 312T, and four photoprints of Ferrari road cars after Alberic Haas, all framed and glazed, together with other Ferrari and other collectables including a 1:4 scale replica Ayrton Senna miniature Bell helmet, 'Ferrari Parking Only' modern garage sign, two stuffed teddy bears, a boxed Becker Traffic Assist Pro satnav unit for Ferrari, key fobs, lapel badges, a patch, and other items. (Qty)Lot to be sold without reserve.This lot is subject to the following lot symbols: ◊◊ £30 + VAT uplift and storage at £6 + VAT per lot per day.For further information on this lot please visit Bonhams.com

A THREE STONE DIAMOND RING set throughout in platinum. the three brilliant cut diamond are estimated approximately 1.30cts combined in classic crown mounts. finger size P1/2, weight 3.4gms In original Hamilton & Inches box Condition Report:Diamonds approx dimensions;-4.69 x 4.78 x 2.64 = 0.37cts4.55 x 4.67 x 2.51 = 0.34cts5.63 x 5.61 x 2.95 = 0.59ctsmiddle diamond has a clear feather type inclusion with speckles of carbon within it, reaching from the girdle to about 1/4 of the table, also a few other carbon dots. Side one has a patch of clear feather type with a tiny speckling of carbon to the middle of the table, the other has a couple of clear crystal inclusions. Overall these inclusions can only be seen with a loope. Bright and sparkly by eye. Mount all good.