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A George III ladle (without handle) with lobed sides and scalloped rim, hallmarks struck to the underside of lip, London 1775, length 8.5 cm, weight 22 gms/0.73 ozt approx together with two George III silver patch boxes, one round plain engraved with initials, Samuel Pemberton, Birmingham 1796, diameter 3 cms, the other of lozenge form with bright cut Greek Key style decoration, Joseph Taylor, Birmingham 1805, length 3.5 cms, combined weight 19 gms/0.61 ozt approx (3)

A Pedigree Lester Lion, Merrythought green hippopotamuses, Eden Jeremy Fisher, Merrythought Monkey, and two Cabbage Patch dolls.

A Royal Flying Corp ( RFC ) World War 1 ( WW1 ) aluminum Trench Art easel picture frame, having chase decoration with Royal Flying Corp logo to top and "PER ARDUA AD ASTRA ( Through Adversity To The Stars ). The photo within the frame depicting a RFC WW1 crash sight, showing a Sopwith pup/ camel upside down in a vegetable patch, with the family and two men in uniform stood in front of the plane, one possible being the pilot. The frame itself believed to be constructed from the aluminum taken from the plane.Measures 7cm x 9cm.

A large porcelain Royal Doulton character jug 'City Gent' D6815, three porcelain Royal Doulton Disney figures 'I wish I could fly', 'Patch in basket' and 'Patch, Rolly and Freckles', a Nao porcelain bride and a porcelain Royal Worcester figurine '1830 : The Romantic'.

Three anniversary teddies 1997 / 1999 and 2000 and a Cabbage Patch doll

Erik Drummond: 'My Patch', signed limited edition polychromatic print, signed in pencil bottom right, 24/25

After Guido Reni, 19th Century Ecce Homo oil on canvas 62 x 50cm (24 x 20in) Oil on canvas which is unlined. There are two patches on the reverse, one is an repair to a hole which is to the right of Christ's head which has been filled and retouched. The second is a temporary patch securing a tear in Christ's left shoulder. There are a few scattered punctures and deformations across the surface. Some of the old damages and repairs have been retouched. The varnish is semi-matte and slightly yellowed. The frame has extensive areas of wear and loss.

John Greenhill (British, c. 1644-1676) Portrait of a Sea Captain, head and shoulders, in a dark brown full-bottomed wig, with one fluke of an anchor to the left of the sitter, in a painted feigned oval indistinctly signed lower left with initials "JG" oil on canvas, in a painted sculptural frame quite typical of Lely, circa 1670 76 x 63cm (30 x 25in) Provenance: From the collection of Ralph Holland Other Notes: A signed oval version of the present Greenhill portrait is in the National Maritime Museum in Greenwich where it is catalogued as 'Portrait of a Sea Officer, circa 1675". A suggestion that the sitter is Samuel Pepys (1633-1703), who was the Chief Secretary to the Admiralty, has been considered. The significance of the anchor dates back to the Pilgrim Fathers and is a religious sign of hope. John Greenhill was a pupil of Sir Peter Lely and in his early work showed a dependence on his master that he later overcame. His early death by a drunken accident cut off a promising career. Oil on canvas which has been lined. The canvas is in plane and the paint layers are sound. There is a small damage to the sitter's chin which has been repaired at the reverse with a patch and filled and retouched from the front. The varnish is clear and even. In the darker paint passages there are clusters of large spots, which appear to be in the paint layer, although not obvious from a normal viewing distance. It is unclear what has caused this. The gilding to the frame is slightly worn.

Circle of Jean-Marc Nattier (French, 1685–1766) Portrait of a nobleman, wearing the Insignia of the Order of Saint Louis, and gesturing with his hand; and Portrait of his wife, in a grey dress trimmed with gold, blue cloak, lace choker and flowers in her hair oil on canvas (a pair) 79 x 62cm (31 x 24in) Provenance: Burfield Hall, Wymondham, Norfolk Oil on canvas. The paintings appear to be unlined, the edges of the canvas are covered in paper tape, it is possible that the edges of the canvas have been reinforced, The canvases are in plane with good tension. Both paintings have a patch on the reverse reinforcing an old damage. Both paintings have a network of age cracks, some of which are slightly raised. There are small scattered losses across the forehead of the Gentleman and this area has been extensively retouched. Both paintings have localised retouchings which are fairly well matched to the original. The varnish layers are slightly uneven but clear. The frames are in a good condition.

§ Peter Biegel (British, 1913-1988) Vignettes of "Treasure", a Pekinese signed lower left "Peter Biegel" and inscribed lower right "Treasure / Sept. 1952" oil on canvas 50 x 59cm (20 x 23in) Oil on canvas which is unlined. There is a patch on the reverse repairing an old tear which has been filled and retouched from the reverse. The craquelure at the top centre of the picture is slightly raised. There are a few chips and losses to the frame.

Pendelfin Rabbits - Snuggles, Sledger, Honey, a stand Picnic Island, Apple Barrel, Barney, Digit, Twins, Poppet, Wakey, New Boy, Little Mo, Euclid, Pirate Patch, Victoria, Chirpy, Jim Lad, Barrow Boy, Blazer, Dandy, Humphrey, Tennyson, Holly, Dodger and Bosswall, etc (approx 26)

A Russian enamel Khodynka cup, dated 1896, also known as The Cup of Sorrows. Height 10.5 cm. NOTE - This was made for the Coronation of Tsar Nicholas II & Tsarina Alexandra Feodorovna in 1896, bearing the ciphers of Nicholas and Alexandra with Romanov eagle on the opposing side, these beakers were distributed at their Coronation and it is reported that over 1000 people were trampled to death in a stampede for the mugs which were erroneously rumoured to contain a gold coin. CONDITION REPORT: There are a few small chips to the enamel rim, the largest being approximately 1 cm. The main body colours are faded but still intact with no obvious cracks or chips. There is a small patch to the upper left of the monogram which is a series of small cracks but these are firing cracks made in production. There is a similar patch on the interior which are circumference lines but again produced in manufacture. There are no major obvious dents.

A pair of 19th century gilt and patinated bronze candelabra, modelled with a seated putto holding a French horn on a green marble base with applied griffin applique all on a square base. Height 29 (see illustration). CONDITION REPORT: Both figures are missing a removable sconce. The left-hand figures fixed sconce has been soldered at the drip tray. There is a tear to the French horn that frames the putto's face at 4 o'clock if looking on a clock face. There is a small grey patch of solder to the French horn (6 o'clock if looking on a clock face). There is a small 2 mm tear to the rear of the French horn (at 9 o'clock if looking at a clock face). In the putto's right-hand there is a small patch of black colouring to the gilded French horn. The griffin applique is slightly loose but very much attached. There is gilt rubbing to the circular foot and square pedestal base on all sides. On the right-hand figure there is a small break at the top right-hand corner of the French horn (just below the mouthpiece) on the bar that attaches to the main body. Unlike its partner there are no black marks above the left -hand which holds the French horn. The gilding on the seat, base & the foot are rubbed. The square foot is excessively rubbed. Regardless of the mentioned faults they remain an attractive pair of figural candelabra.

Chinese ceramics 18th/19th century, comprising a flared petal shaped cup, finely painted with birds amongst blossoming flowers and rockwork, a pair of Dehua Blanc de Chine cups with applied relief blossoming prunus sprigs, a pair of 18th century saucers, a yellow ground dragon plate with Fuku, an octagonal yellow ground dish, a Famille Rose jug, a circular celadon dish and a tea bowl (10). CONDITION REPORT: Both Blanc de Chine cups have kiln dirt within the glaze and both have brown oxide tips to the applied sprigs, one more so than the other. One cup also has two large hairline cracks and an 8 mm x 2 mm interior rim chip. The flared rim Famille Rose cup has a rim to foot rim hairline crack. There is a small chip to the rim just above the handle. There is a small section of the blue enamel within the rockwork missing but the decoration is very good. The tea bowl has a rim to almost foot rim hairline crack and a further 1.5 cm hairline crack and a 3 cm V shape crack. The jug is missing its cover. The spout has been restored. There is a lot of fritting to the handle. There is a small scratch to the right of the handle around the rim which has been restored. The Celadon dish has a few small nibbles to the rim but no obvious cracks. The octagonal yellow ground plate is missing some of the yellow ground within the main field and there is also rub marks within the main field of decoration. It rings out nicely when lightly tapped and there are no obvious chips or cracks. One saucer has two small rim chips from which issue a 1 cm and 1.5 cm hairline crack. The other saucer is in good order with no obvious faults. The yellow ground dragon plate has four small sections of green enamel missing from the dragon and cloud. The red trail around the pearl is erased and rubbed. There is a small patch of white on the yellow ground. The rim is free from any chips, cracks or repairs.

A Japanese Kutani vase, circa 1900, decorated with birds amongst blossoming flowers, signed Kutani, height 25 cm and a Chinese celadon ground vase, 20th century, with incised decoration of opposing dragons amongst lotus scrolls with a Ruyi head shoulder and false gadroons to the base upon a carved hardwood stand, the vase 23.5 cm. CONDITION REPORT: The Kutani vase is free from any post production chips, cracks or restorations. The decoration is generally good however the tip of one birds wing has a small rub mark. The gilding around the base is lightly rubbed. The Celadon vase is in good order throughout although an attempt has been made to erase the mark on the underside which states "Made in China". This attempt to erase the mark has left a rubbed patch with numerous surface scratches. The body of the vase though has no issues. The wooden stand top detaches from the bottom and is much earlier than the vase. Other than this issue the stand is in relatively good order with a couple of minor chips.

A set of six Chinese porcelain tea cups and saucers, early 20th century, with panels of precious objects against a yellow ground decorated with lotus flower scroll stamped four character Qianlong mark. CONDITION REPORT: One cup has a very fine rim to foot rim hairline crack and a small flea bite chip to the rim. Another cup has a small chip to the exterior rim. One cup has a solder repair to the top and bottom of the handle, the repair is also visible on the interior of the cup. One cup has a small flea bite rim chip from which issues a 1.5 cm L shape hairline crack within the glaze. One saucer has a small patch of approximately 1.5 cm long of kiln dirt attached to the rim but this is a manufacturing flaw. All items have a poor Qianlong rubber stamp mark decoration and execution of the enamels is poor.

A graduated set of three Beswick flying mallard wall plaques, shape number 596-1 to 596-3, moulded and printed marks. CONDITION REPORT: All three are generally in very good condition with no major chips or restorations. There is a 2 cm very fine notable glaze crack to the rear of the large bird located at 12 o'clock on the circular hole. This crack is slightly more notable than the other fine glaze crazing but does not impede or impair the item. The medium size duck has a small white patch to the bottom tip of its beak however this is glazed and has left the factory in this condition. The small duck is in good condition with no faults.

A Samson of Paris porcelain figure of a goat, late 19th century, standing with its head turned to the right upon a mossy patch ground, gilt mark. Height 16.5 cm.

A Mintons "Connaught Japan" part dinner service, date code for 1878, comprising large soup tureen cover and stand, vegetable tureen and cover, two sauce tureens and covers and stands, a meat plate, twelve large soup bowls, three dinner plates, three dessert plates, seven side plates, printed and impressed marks. CONDITION REPORT: The meat plate although intact is very crazed and has light staining throughout. One sauce tureen has a 4 cm crack issuing from the ladle aperture. A sauce tureen cover has a broken knop which has been glued. One sauce tureen is incredibly stained on the interior which is seeping out to the exterior. The other sauce tureen has very fine brown stained lines. On one sauce tureen stand the colours are faded and are blue as opposed to black. The same can be said for the sauce tureen covers. The vegetable tureen and cover appear to be in good order with no obvious faults. The soup tureen cover is in good order with no obvious faults although the gilding is rubbed to the knop. The soup tureen is in good order with no obvious faults however the interior is slightly stained and the glazing is crazed. The soup tureen stand has slight staining, the glazing is crazed but there are no signs of any obvious chips or cracks. There are three dinner plates, one of which has a 6 cm diameter star crack to the underside. There are three dessert plates one of which is slightly stained and the glaze is crazed. A further dessert plate has a patch of stained crazing to the underside which has seeped through to the top side. There are 7 side plates, 4 of which have large cracks or star cracks to the underside. There are 12 soup plates all of which appear to be in good order with no obvious chips, cracks or restorations. Unless mentioned all items appear to be free from any form of rim chip. The majority of the items have got issues with the colours being sun bleached, some colours are more vibrant than others.

Simpsons Pottery Limited Marlborough "Old English Ironstone" dinnerware, each piece decorated with a river fish and comprising ten 27 cm plates and one serving plate. CONDITION REPORT: The oval plate has a large patch of stained and crazed glazing in the centre. The rim is free from any chips or cracks. One plate has a 4 cm x 1 cm area of restoration on the rim which is rather poor. One further plate has a thumbnail size rim chip. One plate has been broken in half and glued. A further plate has small patches of stained and crazed glazing. One plate has stained and crazed glazing throughout the main field. All other plates appear to be in good order with no obvious chips or cracks.

Pair of Dresden porcelain figures of gardeners, after Meissen, circa 1870, each modelled in 18th Century costume, decorated throughout with colours highlighted with gilt, underglaze blue crossed swords marks, indistinct incised numbers and patch marks, height 49.5cm

Sven Palmquist for Orrefors "Sail" vase, 20th century, of slightly swollen form engraved with an abstract linear design, engraved marks to the underside, shape No. 3664. Height 23.5 cm. CONDITION REPORT: There are three small surface scratches to the right side approximately 3-5 mm long each. On the opposing side there is a small patch of surface scratches but nothing too significant. There are further small surface scratches approximately 2 cm from the neck at the rear. The interior is slightly discoloured (possibly water calcification residue). There are no obvious chips or signs of restoration.

An Indian hand embroidered bedspread, with central star motif and flowers and floral running borders embroidered with gold coloured metal thread against a silk ground. a 20th century modern Italian bedspread decorated with tigers and leopards amongst Regency style flowers, all against a blue ground and with fringed ends, 153 cm x 162 cm and 144 cm x 122 cm respectively and a Victorian paisley pattern embroidered tablecloth with green velvet border, 87 cm x 85 cm. CONDITION REPORT: The velvet and paisley cover has a 3 cm square patch missing to the central panel and further smaller thumbnail size patches due to wear and tear. The remainder is rubbed around the corners and edges but this would be commensurate with age. The paisley embroidery is good throughout and the colours are good. There is a small patch of staining to the green central panel which has bled onto the embroidered section (at approximately 6 o'clock on a clock face) but not excessively. Overall the wear and tear is very much commensurate with age and in general is good. The Italian bedspread is in good order and carries a label for Passamaneria Toscana. The colours and embroidery are good, there are no obvious faults. The Indian bedspread has some loose threads to the central star directly to the centre and also on the left point (west). The silk ground has deteriorated throughout, top quarter, centre left and right of the star and also the bottom quarter, these can be seen using the zoom facility on our website. It has benefited from having been embroidered onto a backing which may have helped preserve the threads from tearing excessively. In general there are some loose threads but nothing too excessive.

6 assorted Rock / Heavy Metal vinyl LP's to include Uriah Heep, Nazareth and Def Leppard.  Comprising: Time To Rock compilation album (241 158-1) on WEA, complete with cloth patch, still sealed and unopened, Uriah Heep - Demons and Wizards (ILPS - 9193) on Bronze, with Gatefold sleeve & Anthology (RAWLP 012) double album on Raw Power, Nazareth - Rampant (Crest 15) with embossed cover on Mooncrest & No Mean City (TOPS 123) on Mountain and Def Leppard - On Through The Night (9102 040) on Vertigo.

A 1970's album containing a collection of photos, tickets & patches from Northern Soul events. To include: Wigan Casino 2nd Anniversary photos & patch, photos & ticket from Barry White & Love Unlimited at Belle Vue, Manchester 1975, Photograph and autograph of Martha Reeves at Baileys Nightspot, Birmingham 1975, Wigan Casino 3rd Anniversary patch and tickets from performances by Marvin Gaye, David Bowie, Gladys Knight & the Pips, The Trammps and the Supremes.

A DERBY PORCELAIN STAG, c.1770, modelled at lodge with an outstretched left front leg on a grass moulded shaped base, patch marks, 8" high (Est. plus 21% premium inc. VAT)

A DERBY PORCELAIN FIGURE, c.1770, modelled as Father Time clipping the Wings of Love, raised upon a turquoise and gilt highlighted scroll base, patch marks, 12 1/2" high (Est. plus 21% premium inc. VAT)

A hardwood box to contain carved treen bear, gilt metal gate bracelet cloisonne and other beads, enamel patch box etc

SAL LEWIS? (MID TWENTIETH CENTURY) OIL ON CANVAS Shoulder length portrait of a gentleman Indistinctly signed and dated 1962 20? X 16? (50.8cm x 40.7cm) three patch repairs

A collectors lot, including an Edwardian ivory cigarette holder in fitted case, a mother of pearl fruit knife with silver blade, a carnelian fob seal with dove and ship engraving, a Chinese brass patch box, a Roman iron horse bridle mount and other items

Oil on board 'Patch The Terrier' in rose wood frame

A Third Reich Kuban shield, on field grey cloth patch with zinc backing plate. GC £60-80

An 18th century Indian sword, pulouar, the broad blade stamped with W mark in the fuller and circular arsenal mark at the forte, the iron hilt having downturned quillons with stylised animal head terminals and silver rosette rivet heads, basically GC (pommel missing, patch of deep corrosion to blade); a tulwar, probably 18th century, the blade with two narrow fullers impressed on one side with crescent mark and circular arsenal mark, the plain iron hilt with large disc pommel and stylised animal head terminal to knucklebow; 3 further tulwars, two with knucklebows and one with worn silver inlaid circles; another, with broad slightly curved blade with one wide and one narrow fuller bearing traces of characters (knucklebow missing); and two tulwars with silver damascened hilts (one lacking knucklebow, the other lacking pommel and with some deep pitting to blade). Generally GC (most with varying degrees of wear). See example inside front cover. (8) £700-750

Semi-Antique Persian Rug. One small patch repair.Size: 118 x 80 in.

Pair of Chelsea raised anchor period beakers, c.1750/1752, each of fluted form with lobed rim, polychrome decorated with an exotic bird amongst flowers and foliage, one with raised anchor, the other unmarked, 6.5cm high.CONDITION REPORT: Small rim chips noted to each.  There is discolouration to a patch above bird on one and rubbing to the decoration on the other. Very slight difference in size and possibly body colour. 

A lady's Patch of Shrewsbury 9ct gold cased wrist watch on a 9ct gold bark-effect bracelet strap, having a circular dial with a radially-brushed silvered face and dagger markers, 15g

A collection of Halycon Days 'A Year to Remember' enamel patch boxes, years 1990 and 1994-2005, all with blue boxes. (13)

A collection of Halycon Days Christmas enamel patch boxes, years 1993-2005, all with red boxes and most with certificates. (13)

A collection of seven Halcyon Days enamelled patch boxes, all Royal family related, comprising a Queen Elizabeth II Golden Jubilee example, limited edition 103 of 750, a Diana Princess of Wales memorial example, two depicting Buckingham Palace, and three inspired by portraits or furniture at Buckingham Palace, all with boxes. (7)

A collection of Halcyon Days enamelled patch boxes to include The Wolverhampton City Box, Rudells the Jeweller exclusive limited edition numbered 166 of 250, a Halcyon Days 50th Anniversary box, numbered 342, a V&A Museum edition inspired by The Orchard Tapestry by William Morris, limited edition 231/750, etc, majority boxed. (9)

Salopian ware saucer dish 18th Century, a Worcester dish with blue dragons, 16cm, a patch stand, a porcelain box, an 18th Century English cup, a fluted bowl 16cm and a New Hall cream jug (7)

Smart 1980s ladies outfits to include a brightly coloured circular skirt and high necked blouse with peplum from Parigi, dress from Parigi in shocking pink patterned with black triangles with low v neck and pleated skirt, skirt and blouse in red, grey and white from Fink Modell, pale khaki wool suit from Weill, Paris, the loose straight jacket with three patch pockets and straight midi skirt and purple silk taffeta jacket with silk flower pin (all size 10 approx). (8)

Beautifully tailored dress suit by Louise Kennedy in shocking pink wool crepe: sleeveless dress, cut in loose egg-sheath shape and boxy jacket, with oblique button holes and subtle bow detail (size 18) together with baby blue and white and silver summer tweed tailored suit from Louise Kennedy, straight skirt and boxy jacket, the jacket lined in silk, placket and patch pockets trimmed with baby blue ribbon (large) (4)

A LARGE GREEN ARMY STYLE BACK PACK WITH GLASGOW 'S H A' PATCH

A 19th Century Indian Percussion Carbine to the Irregular XIII Bengal Cavalry, the 53.5cm steel stamped with sanskrit, the lockplate stamped IRREGULAR/XIII/CAVALRY, the walnut full stock with chequered grip, brass ramrod pipes, trigger guard and butt plate, the butt lacking the patch box cover, with later steel side plate and swivel ramrod, 98cm (af). Action works, but only holds at full cock. The barrel is a replacement, the end of the fore-end is a replacement. The right side of the fore-end has a split running from the lockplate. The right side of the butt has been patched and the patchbox has lost its brass cover. There is a steel side plate where the saddle ring and bar would have been positioned.

A 19th century Mary Gregory blue glass patch box and cover; a 19th century tiger eye parasol handle; a cloisonne box and cover,etc

An early 20th century silver and enamel bell Import marks for London Chain Bag Co Ltd, London 1923, of bell shape, guilloche white enamel ground decorated blue flowers; together with a small patch box, guilloche ground and floral wreaths (2) Height: 7cm, weight 72g

A small George IIII vinaigrette Thomas Smith, Birmingham 1825, cast border, well pierced grill, engine turned ground; with a central European silver mounted rock crystal patch box, engraved border and well carved crystal top and bottom inserts, import marks for B C T Co. Ltd. circa 1935 (2) Vinaigrette width: 31mm, patch box diameter: 57mm

A early 20thC caddy spoon, with engraved bowl and shaped loop handle, marked sterling, 9cm W, an oval patch box similarly marked and a small George V silver purse. (3)

A 1958 World Cup Final commemorative ceramic plate,produced by the Swedish F.A. on the 25th anniversary in 1983; sold with a ticket for the Sweden v Brazil 25th anniversary match; the lot also including a 1958 World Cup stick pin; a ticket & stick pin for the 1959 World Speed Skating Championships at the Ullevi Stadium, Goteborg, and a patch for the 1978 Championships; small pennant & stick pin for Football's Euro '92; and two boxed gifts from the English Football Association from Euro '92, a Wedgwood octagonal dish and a pen & tie pin set

James Weaver's 1988 Otford Group and Team Sauber Mercedes racesuits,the first a Simpson Nomex design in the Otford colours of cream with black and orange bands, his name and bloodgroup embroidered upon the right breast, with Team Sauber Mercedes, Camel GT, IMSA, Michelin and Shell Oils patches added later for use in the WEC and USA, the second, a dark blue Team Sauber Mercedes racesuit, his name and BRDC patches on the breast, a team patch across the back and T L Clowes on the arms, a Nomex suit by Simpson, sold with 3 photos of the first suit in use (5)Originally used in The Otford Group's Lola T286 for the British Thundersports series, this suit was also used in practice for the 1000km WEC race at Silverstone with Sauber-Mercedes, before being changed for their blue suit for the race. when he finished third sharing with Mauro Baldi, the pairing also taking fourth in Brno.

Racewear worn by James Weaver for Gulf Racing, Jaguar, Nissan and other teams,including his 1996 Marlboro World Championship Team overalls worn in the Global GT Series, a red Stand 21 design in Nomex with his name and bloodgroup on the waistband, full tobacco branding, BPR Endurance GT and FIA compliance patches, a Gulf Racing blue and white short-sleeve official team shirt by Goodsports with a large embroidered Gulf McLaren F1 GTR motif on the back, team logos on the left breast and sleeves, also GTC Motorsport and Michelin; his green Castrol Racing jacket worn with the 1995 Jaguar team at Le Mans, team logo on the right breast and across the back; a plain grey Nomex racesuit by Sparco, the FIA neck compliance label dated 98 and as worn when discreetly testing the prototype Bentley Le Mans car, also a Team Bentley green polo shirt and unused Bentley Collection shirt; a plain red Nomex racesuit by Sparco with Goodyear and Road & Racing logos and FIA compliance patch, as used in a Bob Salisbury Racing Renault 5 to coach its new driver Rowan Atkinson; a 1986 blue and black Nissan Racing jacket with team logo across the back, the chest with Castrol, Dunlop and Janspeed patches, also two Nissan Racing Team Le Mans t-shirts; a black Exocet Racing jacket with team logo across the back, the front with Rob Austin Racing and Pole Position; a navy and turquoise BMW Finance Racing with Mobil 1 team jacket; a Dow Corning Silicones white silk jacket; plus a James Weaver Silverstone '92 membership card (qty.)One of the highlights of James Weaver's long and varied career in motorsport was winning the 1996 BPR Global GT Championship sharing a Gulf Racing McLaren F1 GTR with Ray Bellm. Together they won the Paul Ricard, Jarama, Suzuka and Nogaro rounds, before finishing 3rd in the final 4-hour race at Zuhai, where their Gulf Racing GTC team was rebranded as Marlboro McLaren Team GTC.

James Weaver's 1998 Le Mans 24-hours Porsche Mobil 1 racesuit and clothing,the white Nomex design by Sparco, his name and Union flag on the waist band, large Mobil 1 logos on both thighs and Porsche Mobil 1 across the back, FIA compliance patch on the neck, also Sandtler logos on each shoulder; together with two Mobil 1 short-sleeve Porsche Motorsport team shirts, a Porsche polo shirt and woollen pullover, all by Carlo Colucci, a Sandtler race holdall containing Diodora and Stand 21 pairs of well-used driving boots, plus a pair of used Sparco Nomex driving gloves, all held in a large Porsche Motorsport holdall bag (13)Although he won the U.S. Road Racing Championship that year, his Le Mans outing in a Porsche LMP1-98 3.2-litre turbo, shared with Pierre-Henri Raphanel and Dave Murry, was less successful, the car being retired after 218 laps.

James Weaver's 1999 Le Mans 24-hours Audi Sport UK racesuit and clothing,the black and white Nomex suit design by Stand 21 Racewear bearing his name and Union flag on the waist band, a large Infinitneon Technologies logo, on the chest and across the back, also BRDC, Shell, Michelin, Shoei, V-12 Telecom, Olympus, TLC and Sea France logo patches, FIA compliance patch on the neck; also an Audi UK Sport grey sweatshirt with Audi R8C patch on the right shoulder and racecar impression across the back, a similar t-shirt with racecar impression front and back, two Audi Sport UK polo shirts with R8C shoulder patch, a black 'Audi 24h Le Mans 99' t-shirt bearing an artist's racecar impression, a white 'Audi 24h du Mans' cap and a large colour photo of the team; sold with a red Audi Sport UK team jacket with four-ring motif across the back, Audi A4 BTCC, Fujitsu and Michelin logos on the sleeves, plus an Audi Sport polo shirt and '50 Years of Audi' polo shirt, both unused, all held in a large Quadra holdall bag (12)Although he finished second in that year's Sebring 12-hours race and went on to win the Grand American Rolex Sports Prototype Series that year, at Le Mans his AUDI R8C 3.6-litre turbo V8 shared with Perry McCarthy and Andy Wallace in the LMPGTP class (car no10) retired after 198 laps.

Juan Pablo Montoya and Ralf Schumaher signed pair of BMW Williams F1 driving gloves,the former signature upon the back of a left-hand Sparco leather trimmed Nomex glove, the latter on the palm of the right-hand glove also bearing an FIA approval patch, mounted framed and glazed, 48 by 44cm.These two drivers were team mates at BMW Williams from 2001 to 2004 and scored ten victories between them, Ralf winning six times.

Seven Derby porcelain figures, late 18th century, including three seated figures and four cherubs, patch marks, H. 11-14 cm

A Bilston enamel patch box, a scent bottle box and two others

A selection of white metal patch/pill boxes of various forms, including Mexican, Japanese, enamelled etc, two filligree trinkets, an Indian place card holder and Middle Eastern perfume holder

ADA STONE (1874-1916) BritishRiver LandscapeOil on canvas, signed, framed. 75 x 49.5 cm. CONDITION REPORTS: Generally good, with expected wear, re-lined, possible old patch repairs and associated over painting, minor paint loss to edges.

EDWARD CHARLES WILLIAMS (1807-1881) BritishFigures in an Extensive Norfolk LandscapeOil on canvas, framed. 105 x 59.5 cm. Provenance: The Sir William Agnew Pictures from Rougham Hall, Lot 891. CONDITION REPORTS: Generally good, with expected wear, old repairs to frame, some possible minor overpainting, old patch repairs and associated overpainting.