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Manuscript Travel Journals of a Co. Cork CoupleCo. Cork: A large quarto Album, rebacked approx. 24cms x 20cms, and with 90 + [5] + 48pp. Journals of a husband and wife from their home in Fermoy, via Cork, Bristol and Bath to London, thence to Ostend, Bruges, Ghent, Brussels (including the battlefield of Waterloo), and on to Paris, returning home via Boulogne, London, Birmingham, Manchester (their first experience of railway travel), Liverpool and north Wales. The excursion lasts six weeks, from 22 July to 3 September 1833, and concludes with a list of expenses. Internal evidence suggests that the writers are Fermoy attorney James Kirby and his wife Ellen. The latter's account of the journey, bound into the back of the volume, is unfortunately incomplete, ending on 14 August when the couple are in Paris. Both narratives are replete with descriptions of towns, parks, palaces, churches, monuments, paintings and statues. James's style is the more robust of the two and he pulls no punches in expressing his likes and dislikes: Bath is indeed a fine city, but "the women whom we saw in Bath are as ugly a set of Bitches as ever I looked at", while those of Paris are "demons in heart and soul"; Windsor Castle is not a patch on that of Mitchelstown, and the beauty of north Wales exceeds all - or nearly all: "'tis Killarney alone can equal and exceed you!" As a m/ss., w.a.f. (1)

A pair of Derby 'Pale Family' figures of a seated gentleman and a lady, c.1755-58 and two Bow figures, the Derby figures painted with flowers and the scrollwork bases applied with flowers, patch marks, 15cm (damage to his hat), the Bow figure of a seated man representing Autumn, c.1754, 23.3cm and a Bow figure of a cherub holding a basket, c.1760-5, 12cm Bow figures with faults (4)

William Langley, oil on canvas, Highland cattle in a landscape, 20ins x 30ins, gilt framed CONDITION REPORT Signed Wm. Langley. Heavily overpainted to mountains and cattle. Also more text under the signature but somewhat overpainted, also a small patch on back.

• Seen from the sky, Ashford is a patchwork of abstract shapes. Some elements, like the Designer Outlet and railway station are instantly recognisable. A network of roads, roundabouts, and rivers link the patches. Muted colours of built-up areas alternate with green spaces until the town gives way to fields. Our ‘Patch’. • After studying Fine Art at Southampton and Exeter Colleges of Art Phillippa moved to Romney Marsh and worked as an Art Tutor for Kent Adult Education and privately for many years whilst continuing to develop her own practice. More recently, she has often been found ‘up the wall’ in a surprise new career as mural designer and painter with work commissioned by the ‘IMOS Foundation’ in New Romney, ‘The Bradstone Association’, ‘Go Folkestone’ and East Kent Housing in Folkestone and private clients across the region. Her work has been described as ‘illustrative’, ‘like a stained glass window’ or even ‘a bit scary’.

ANON, 'THE WORLD ACCORDING TO THE LATEST DISCOVERIES', a hand coloured engraving double hemisphere World map, similar to Thomas Jeffries map of the mid 18th Century, with vignettes to corners or four seasons of four elements, approximately 20cm x 37.5cm (condition: framed and glazed, a damp patch is visible to mount in bottom left hand corner, fold to centre and various creases throughout print

A watercolour, H Measham, A Hazy Day in Harvest, signed and dated 1879 and attributed verso, 13in x 21inSlight discolourant to one patch, frame bashed

French silver compact by Fembetet, 18ct white gold (tested) Art Deco diamond cocktail watch, French silver locket pendant, hallmarked silver patch box, Art Nouveau silver buckle stamped 800, German silver marcasite bow clip stamped DRGM 935, Victorian hinged bangle, marcasite and other silver brooches, enamel thimble etc Condition Report Click here for further images, condition, auction times & delivery costs

An Art Deco Sapphire and Diamond Bow Brooch, pavé set with old cut diamonds and calibré cut sapphire accents, total estimated diamond weight 2.75 carat approximately, measures 2.2cm by 4.8cm see illustration . The brooch is in good condition, there is a small patch of discolouration where a claw has been repaired/replaced. It is stamped 'PLAT', valued as platinum. It fastens with a pin and safety catch. The approximate qualities of the diamonds are; colour G/H, clarity SI1/SI2. Gross weight 7.3 grams. Condition Report made 23rd October 2018.

Men's fashion: A Messori 'Black Label' black leather full length single-breasted Coat, the incredibly soft leather, beautifully tailored with styling details, including button down patch pockets and double revere collar lined in cropped fur/wool, this extends inside the upper part of the coat, the rest lined in 'Messori' jacquard sateen, Italian size 58 (UK equivalent 46/48), unused, still with shop labels, original selling price circa £2,800.

Tortoiseshell and pique work patch/snuff box, the cover painted with figures and animals - TL Demarne?

EDWARD TRAIN (BRITISH 1801-1866) WALKING BY THE BANKS OF A LOCH Oil on canvas, signed, 72 x 63cm (28 1/4 x 24 3/4") Condition Report: On close inspection there is fine cracking in the pigment over most of the canvas surface, being more noticeable in the lighter areas such as the sky and track. There is a large patch on the canvas verso, corresponding in location to the bottom right hand quarter section recto, where restoration work has taken place.

CONTINENTAL SCHOOL (18TH/19TH CENTURY) PARAKEET WITH PEACHES AND GRAPES: STILL LIFE, BIRD'S NEST WITH EGGS Oil on canvas, 31 x 39.5cm (12 1/4 x 15 1/2"), 30.5 x 40.5cm (12 x 16") (2) Gilbert Telfer Collection, Edinburgh Condition Report: General overall cracking apparent over both canvases with light scoring noticeableto the left and bottom sections of 'Parakeet with Peaches and Grapes' and a small repair patch visible on the reverse of 'Still Life, Birds Nest with Eggs', located in the lower right hand quarter section, recto. Slight damage with paint loss areas on both oils.

EXTREMELY RARE MUSEUM QUALITY 19TH CENTURY MILITARY MUZZLE LOADING PERCUSSION RIFLE BY BECKWITH, 0.577 CAL, BRASS PATCH BOX TO STOCK WITH CONTEMPORARY ENGRAVING CAPT. F. ROWLAND FORSTER 4TH DRAGOON GUARDS, A UNIQUE AND EXCEPTION QUALITY GUN

Voyages.- Cook (Capt. James).- [Rickman (John)] Journal of Captain Cook's last Voyage to the Pacific Ocean, on Discovery, performed in the years 1776, 1777, 1778, 1779, first Dublin edition, folding engraved map, 5 engraved plates, contemporary ink inscription "1782 January 28th Will. Fairbrother" at head of title and with his engraved bookplate loosely inserted, light staining to title, occasional soiling, short tear to O1 without loss, contemporary calf, slightly rubbed, small worn patch to upper cover, rebacked preserving old morocco label, [Beddie 1608], 8vo, Dublin, for Messrs. Price [& others], 1781.⁂ The first Dublin edition of the first published account of Cook's last voyage, preceding the authorized version by three years. The text is a reprint of the second London edition of the same year with corrections and some plates reversed. Rickman was second lieutenant on the Discovery. The frontispiece depicts the death of Cook.

Mid 19th Century Paisley shawl ground with narrow and broad blue boteh stripes, knotted fringe silk and wool, 160 x 165cm, an early 19th Century woven Paisley shawl with added borders to two edges, the red ground edged with squat boteh on an elaborate floral ground, 136cm x 262cm. CONDITION REPORT: One shawl has a worn patch on red field and damage at the edged.The other shawl has one tiny hole and a few small stains.

†ELSIE GLEDSTANES, RBA (1891-1982) LANDSCAPE signed with monogram, oil on canvas, 45 x 59.5cm ++Patch repair to tear of approximately 10cm extreme lower left, otherwise unlined, possibly requiring a light clean in painted frame and presentable

TWO SOUTH STAFFORDSHIRE ENAMEL PATCH BOXES, C1780 the lid of one printed and painted with THE SAILOR'S RETURN the other with verse Fear God... on a yellow ground, 4 and 4.2cm l++Sailors Return - lid with slight wear and stained stress cracks, mirror broken, green base with two chips. Yellow box with retouched chip on lid and tiny chip on base near mount

Omega Speedmaster Moon '50th Anniversary Patch' Limited Series' chronograph stainless steel gentleman's bracelet watch, ref. 31130423001001, serial no. 7719xxxx, no. 38xx/5967, black dial with gold logo, cal. 1861 movement, bezel 40mm diameter, case 42mm - **with boxes, certificate and documents dated 16/11/07 - **To commemorate the 50th anniversary of the Speedmaster line - Condition Report: - Movement - functioning. Dial - good. Glass - good. Hands - good. Case - good. Crown - adjusting correctly. Bracelet - good, wrist size 8" approx. Box - the interior cushion has perished surface - Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained

§ Peter Biegel (British, 1913-1988) Vignettes of "Treasure", a Pekinese signed lower left "Peter Biegel" and inscribed lower right "Treasure / Sept. 1952" oil on canvas 50 x 59cm (20 x 23in) Oil on canvas which is unlined. There is a patch on the reverse repairing an old tear which has been filled and retouched from the reverse. The craquelure at the top centre of the picture is slightly raised. There are a few chips and losses to the frame.

British RAF Ground Gunner Cloth Patch

Omega, Speedmaster Apollo 8 series, ref. 3597.12.00, a limited edition stainless steel bracelet watch, circa 1998, manual wind chronograph movement, 18 jewels, cal. 1861, no. 48379834, antimagnetic cover, black dial with Apollo 8 patch, luminous baton markers, luminous pointed baton hands, centre white chronograph hand, subsidiary dials for constant seconds, 30 minute and 12 hour recording, tachymeter scale to the bezel, screw down back, case, dial and movement signed, on an Omega stainless steel block link bracelet with fold over clasp, accompanied by an Omega service case, a spare link, international warranty card, repair warranty card dated 21.05.2015 and instruction booklet, diameter 40mm Apollo 8 was the second manned spaceflight mission carried out by the United States Apollo space program. The crew consisted of Frank Borman, James Lovell and William Anders. The patch for the Apollo 8 mission bearing their names can be found at the 9 o'clock position on the dial of this watch. In 1997 Omega celebrated 40 years of the Speedmaster by releasing the Missions Series. This consisted of 22 Speedmasters featuring the logos of NASA's famous space missions and a re-edition of the original moonwatch.

Manner of Francesco Guardi, a late 18th century oil painting on canvas, "Piazza San Marco Venice", figures in market square with ecclesiastical building and clock tower, 58 cm x 70 cm framed. Note: stamped to one rear stretcher J Spender Liner. James Spender of 55 Great Queen Street, Lincoln's Inn Fields and later John Street Fitzroy Square was a picture liner cleaner and restorer. Spender re-lined "Venice; The Molo from the Bacino di S. Marco" after Canaletto: The stretcher is stamped J Spender Liner (Wallace collection) (see illustration). CONDITION REPORT: The painting has come in for sale from a local private vendor. It has been in her family for generations. As stated in the description, the rear stretcher is stamped J Spender. According to our research J Spender was a picture liner operating in the 19th century and it maybe that some work was done to the painting at that time. There is evidence of a small patch to one section of the rear of the painting which should be evident from our image. We do not think that any work has been done to the painting in recent times. Hopefully our images will give an indication as to the general condition of the picture which we believe to be fairly good. There is some evidence of cracqulere in places. This is more evident to the right hand side of the picture around the balcony area of the church. There are also some strange circular marks in the centre of the clock tower. You will see numerous small stains and marks to the picture and places where the paint is a little rubbed.

Undine, a rare Della Robbia Art Nouveau plaque, dated 1902, incised decoration of the nymph Undine amongst stylised flowers against a blue ground with green border, incised to the lower left Della Robbia, and verso incised ship motif with initials DR dated 1902 with further green enamel monogram for Hannah Jones and further incised signatures G.H.S. possibly for George Seddon and E.M.W. for Emily Margaret Wood, 20 cm x 46.2 cm (see illustration). CONDITION REPORT: There is a shallow chip to the top right hand corner which is approximately 2 cm long x 1 cm deep and a further glazed chip just below which is approximately 5 mm x 1.3 cm in length. There is an older chip to the bottom edge just left of centre which is a glaze chip approximately 7 mm x 5 mm. The sides are glazed and there is a small section of glazing missing to the bottom left edge, this is not a chip just flaking of the glaze. Slightly further along just off centre of the bottom edge there is a further smaller 4 mm x 3 mm glaze chip. The left hand edge has a small chip approximately 2 cm long x 6 mm wide. The right hand edge appears to be free from any post production faults as does the top edge (other than the chip previously mentioned in the top right hand corner), there is however a very small rubbed patch to the very edge of the top left side. There are no apparent cracks or signs of restoration. The glaze throughout is very crazed which should be visible on the web image. There is some residue of what we believe to be grout around the left and right hand edges. Other than those faults mentioned it appears to be in relatively good order.

An 18th century walnut chest of drawers, with crossbanded moulded edge above two short and three long graduated drawers with later brass drop handles and all raised on bracket feet. Width 100 cm (see illustration). CONDITION REPORT: The chest of drawers is in structurally good order. The top has numerous old veneer patch repairs, scratches and water stains. There are also some small losses and minor stress fractures to the veneers. The handles are all later replacements. The top two drawers have had two other sets of handles. The current handles cover one hole however to the left and right of each top drawer front there is evidence of further handles. Both top drawers have no locks. These have been removed and replaced with wood. The three long drawers have also had two other sets of handles. The three long drawers all have locks (we have no keys) and the lock escutcheons would appear to be original. The locks are all old but the bottom lock is clearly a later replacement. The drawer fronts and sides are all a reasonably good colour but the finish is rather glassy and is probably some form of French polish. There are some minor stress fractures to the sides but no significant splitting. The backboards are original. The bracket feet do have some age but are clearly later to the piece.

A large Eastern carpet, with centre diamond medallion within rectangular frame, with multiple line border in a variety of colours. 408 cm x 313 cm (see illustration). CONDITION REPORT: The top left hand corner has an 8cm x 6cm replaced catch. Working along the top over a dozen repaired tears and patches. The largest repair to tear been 13cm long. The top right hand corner there is a 6cm x 5cm square replacement. Working down the left side there is a small 3cm x 1cm repair on the border followed by a 20cm stitched split with further 20cm stitched repair and a 3cm border repair and other smaller repairs to the edge. The bottom left corner has been replaced by a patch of approx 9cm x 7.5cm, the bottom edge again has numerous repairs varying in size the notable ones being 8cm, 7cm & 13cm. There is a small area approx 60cm from the bottom right hand corner where there are numerous repair stitches very close together. The bottom right hand corner has been replaced with a 5cm x 5cm square patch. Working along the right hand side there are some small repairs to the outer border and there is one tear approximately 8cm length which has been re-stitched. The centre field of the carpet appears to be in good order and free from any excessive wear with no signs of any tears or repairs. All the outer borders are worn along the outer left and right hand sides the borders along the bottom and top of the carpet are slightly better.

A large Japanese Imari scalloped charger, circa 1870/80, decorated with a mustard yellow Kirin beneath panels of geese against a karakusa and diaper ground all within a foliate scrolling border, diameter 46 cm (see illustration). CONDITION REPORT: This has two 10 cm long hairline cracks to the body issuing from the rim. There is a 27 cm long by 7 cm deep patch of restoration. The gilding is rubbed throughout.

An Minton porcelain tea cup and coffee cup with matching saucers, early to mid 19th century, painted with hand painted floral vignettes within gilt sea scrolls between cream ground crown motifs on a light green ground with moulded rim heightened with gilding, pattern 1941, saucers 14.5 cm. CONDITION REPORT: The coffee cup is in good with no visible obvious faults, it rings out nicely when lightly tapped. The teacup has very light rubbing to the gilding on the handle. There is a small patch of very fine scratch marks to the interior of the cup just located outside the centre cartouche. There is further lighter surface scratch marks around the green bordering the rim. The gilding on the rim has very light rubbing, the teacup rings out nicely when lightly tapped. Both saucers have very light surface scratches to the green ground but are not overly detrimental. The gilding to the base of each vignette is lightly rubbed. The rim on one saucer is rather rubbed with only 25% of the gilding remaining intact, the centre enamel decoration to this saucer is lightly scratched. The saucer with the excessive gilt rubbing rings out nicely when tapped, the other saucer has a very fine rim to foot rim hairline crack.

An antique Persian design rug, with centre rectangular panel and multiple line border, with dark blue ground. 218 cm x 137 cm. CONDITION REPORT: The fringes to both ends are either very short or missing. There is a 41cm long by 1cm wide strip of border missing on the right hand side. Within the missing patch there is a 30cm strip with no decoration. One corner is missing a very fine strip around its edge. There are small patches of light thread showing through the lower left hand side edge. The borders are a light salmon pink colour and are rather faded but not overly so. The carpet as obviously laid beneath a table has the main field is bright and colourful and appears to be free from any restorations. A lot of the damage if not all can be seen on our web images.

A porcelain sculpture, Cultural Revolution Period 1966-1976, modelled as a Chinese man and woman representing industry and agriculture astride a rocket on scrolling clouds and above red flags and buildings, the rocket with moulded characters "China rocket", a banner which reads "Surpassing Great Britain and catching up United States", the base inscribed for iron and steel smelting and verso inscribed for "Long live the main direction", height 36.5 cm (see illustration). CONDITION REPORT: One small gland of rocket flame has been chipped off. There is a tiny white patch to the tip of the rear left fin but this does not look like a chip. The very tip of the rocket is white where the silver colour has rubbed through this is not a chip. On the rear there are five roundels the fourth of which has a tiny rim chip. At the rear of the rocket the silver paint used to decorate the rocket has dripped down onto a pink cloud. There are no further obvious chips, cracks or flaws visible.

F McKay, 19th century, a pair of foxhunting scenes within country landscapes, signed, oil on canvas, 40 cm x 61.5 cm. CONDITION REPORT: Both paintings are in similar condition. Neither have been relined. The painting with the stream has one small 1/2 cm square patch to the left hand side just between the first and second pair of horses on the carriage. There is a slight blemish in the paintwork at that point. Both paintings appear to have been reasonably recently cleaned and they are in generally good condition. Both however have craqulere to the paintwork. When viewed under a UV light there is no evidence of any overpainting.

Four Continental porcelain figures, circa 1900 and later, to include a young lady with daughter seated upon a bench and cat to the foreground, the others in 18th century style dress, tallest 16 cm. CONDITION REPORT: The figure with the cat has no manufacturers marks but has an incised number 757 to the underside. The young girl may have had something in her raised right hand as there appears to be the remnants of an article and also her fingers are chipped and blackened. The right tip of the cats ear has been chipped off. There is a small patch to the rear of the dress on the left hand side which has been chipped. At a guess the manufacturer could be Ernst Boehme and Son. The gentleman with his left arm raised has all fingers chipped. His lace neckerchief has chips. The Volkstedt figure of a dandy has a ribbon missing from the right of his hat. The lower section of his walking cane is missing. The figure group of the couple - the female has been broken in two and poorly restored. The restoration shows on her right shoulder, hand and waist. The flower in her left hand is chipped. The flower in the gentleman's left and right hand are both chipped.

A pair of Minton porcelain trios, mid 19th century, each interior with hand painted floral vignettes and framed by gilt scrolls and leaves against an apple green border with moulded rim heightened with gilding, pattern 614, saucers 14.5 cm diameter. CONDITION REPORT: One coffee cup has had its handle re-attached with glue. Other than that they are both in good order with no cracks or chips to the body. The enamel decoration appears to be in good order on both and the gilding to the rims has the very slightest of rubbing. The cup with the broken handle has 10% of the gilding rubbed. Both teacups are in very good order and ring out nicely when tapped. One handle has a small patch of gilding missing to its underside, while the other handle has about 20% of the gilding rubbed off throughout. Both rim gilding is in good order. The enamel vignettes are all in good order. Both cups have slight rubbing to the gilding to the interior centre. Both saucers appear to be sound in body with no obvious chips, cracks or restorations. The green ground to the interior has lots of tiny surface scratches, one more notable than the other. The gilding to the centre on each is rubbed but still intact. The gilding around the border of the centre on both is rubbed and marked. The gilding on each rim is very lightly rubbed. Both saucers ring out nicely when lightly tapped.

A Royal Worcester part dessert service, date code 1908/09, each with hand painted rose leaves against a blush pink, yellow and blue ground, printed and impressed marks, inscribed No. W6934. CONDITION REPORT: The square dish is in good order and rings out nicely when tapped. There are six plates. Two plates with red rose decoration appear to have a lot of the enamel missing. This should be visible from our online image. There is a further plate with a rosebud and this has slight enamel losses and also there are some white patch marks to the left of the bud. The two rose plates with the large amount of enamel losses also have large patches of faded/rubbed areas just to the left of the flowers and before the rim. The yellow rose plate has a large thumb print size patch erased to the right of the flower just before the rim. Each plate has small surface marks and light scratches. Having said that all plates are free from visible chips, cracks and further flaws and all ring out nicely when lightly tapped.

An Edwardian violin, with two piece back and with interior label for William Dobbie 218 Allison Street, Cross Hill, 1902 Glasgow, the back 36 cm. CONDITION REPORT: The violin appears to be in good structural condition. There appear to be no obvious chips, cracks or visible restorations. There are numerous surface scratches to the front where the bridge is located. There are further surface scratches where the chin rest is located and also on the side at the very bottom there is a large patch of surface scratching. There are further wear marks and surface scratches on the back. The strings can be wound tight. Other than cosmetic issues this appears to be in sound condition.

A Gordon Russell teak coffee table, rectangular and bearing Gordon Russell Ltd., Broadway, label beneath. 12 cm x 50.5 cm. CONDITION REPORT: The table is 122 cm wide, 50.5 cm deep and 41 cm high. There is a small triangular gouge in the top measuring approximately 1.5 cm x 2 cm. The top is an almost uniform colour but there are numerous ring marks from cups. There is a water stained patch on the bottom right hand corner. All the legs have scuff marks that would require attention. The table is structurally sound.

TWO BILSTON ENAMEL PATCH BOXES, late 18th century, one of oval fluted waisted form, the hinged cover inscribed "A Present from Banbury", 1 1/4" wide, the other slightly larger box inscribed "A Friends Gift", 1 1/2" wide, both hinged covers with mirrored interiors (Est. plus 21% premium inc. VAT)

2 ANTIQUE ENAMELLED SWEETHEART PATCH BOXES, together with 8 modern patch boxes and parquetry cigarette box

AN ART NOUVEAU ROYAL DUX BISQUE PORCELAIN FIGURAL CENTREPIECE, modelled as two maidens overlooking a shaped bowl raised upon a naturalistically moulded base, incised initials HS(?), applied pink patch, shape 914, 17" high (Est. plus 21% premium inc. VAT)

A Chinese Canton Famille rose porcelain oval platter 19th Century Finely painted to the well with a scene of ladies and gentlemen at leisure in a palace garden with a glimpse of an interior, the rim with baskets of flowers and chrysanthemum blooms between a stylised blue key border. 40cm across There is a small rim chip and a small patch of enamel rubbing to the cavetto.

TWO PATCH BOXES A/F

TWENTY TWO BOXED LILLIPUT LANE SCULPTURES FROM SYMBOL OF MEMBERSHIP/FREE GIFT, to include 'Pussy Willow' 1992/3, 'Petticoat Cottage' 94/95, 'Thimble Cottage' 95/96, 'Hampton Moat' 97/98, 'Kiln Cottage' 98/99, 'Little Bee' 2000/01 (signed), two 'Little Scrumpy' 01/02, two 'Gold Top' 02/03, three 'The Chocolate Box' 03/04, two 'The Toy Box' 04/05 (one with badge), two 'Cabbage Patch Corner' 05/06 (one with badge), two 'Sugar Mouse' 06/07 (one with badge), two 'Afternoon Tea' 07/08 (both with badges) and 'Nutkin Cottage' 08/09 (badge) (all with deeds)

FIFTEEN BOXED LILLIPUT LANE SCULPTURES FROM SYMBOL ,E,BERSHIP/FREE COLLECTORS GIFT, to include 'Hampton Moat' 1997/98, 'Fresh Today' 1999/00, 'Little Bee' 00/01, 'Little Scrumpy' 01/02, 'Gold Top' 02/03, 'The Toy Box' 04/05, 'Cabbage Patch Corner' 05/06 (with badge), 'The Chocolate Box' 03/04 (with badge), 'Kiln Cottage' 98/99, 'The Spinney' 93/94, 'Petticoat Cottage' 94/95, 'Thimble Cottage' 95/96, 'Wash Day' 96/97, 'Happy 21st Birthday' and 'Heaven Lea Cottage' 93/94 (all with deeds) (s.d)

ASSORTED BADGES AND PATCHES. Approx 118 assorted badges and one Madness patch. Badges to include: PiL, Pretenders, The Police, Lene Lovich, Plasmatics, Pandoras, The Beatles, Jam, Skids, Rolling Stones and more.

TOUR JACKETS/CLOTHING - RUSH/BILLY BRAGG ETC. Five original pieces of clothing to include: a blue denim men's Levi jacket size M with Level 42 patch, a men's black jacket with Rush logo to reverse, a Carhartt jacket with Billy Bragg logo, a Men's Levi denim jacket with The Beautiful South logo.

PINK FLOYD LEATHER CREW JACKET. A leather jacket from 1987 from Pink Floyd's 'A Momentary Lapse In Reason' tour. Patch on left arm to read 'Still First In Space' and 'World Tour 87/88' on the inside left . Size XL.

A good 19th Century .577 calibre cavalry carbine by Sharp, Serial No. 1042, fitted with rare Maynard tape primer, the 20ins blued steel barrel with front and rear sights, plain steel action and under lever, hardwood stock and fore end, brass butt plate and patch box, 37ins overall Note: This weapon is obsolete calibre, so no license is required to purchase this item

Two contemporary British Royal Navy maritime sailors uniforms to include; Winter Class II uniform Operator Mechanic (Comms) C Trade patch and white crew uniform with patch.

A collection of 4x assorted post war British military RAF Royal Air Force uniform tunics to include; No.1 Home Dress jacket by Prices Tailors Ltd, Sergeant's jacket by James Smith & Co, pilot's beige jacket with Queens Crown buttons and patch, and a No.1 Dress W.O  R.A.F tunic having 3x medal ribbons attached.

A post-WWII Second World War battledress Wiltshire regiment uniform comprising of Battledress trousers, shirt and battledress blouse with Wiltshire patch and 43rd Infantry division patch.

NINE LILLIPUT LANE MODELS TO INCLUDE; FIVE BOXED, WOODMANS RETREAT, LION HOUSE, HEAVEN LEA COTTAGE, ROSE COTTAGE, SKIRSGILL, CABBAE PATCH CORNER AND FOUR LOOSE (9)

A section cut from the collar of a Third Reich SS NCO’s tunic, with wool embroidered SS runes collar patch and silver tresse, and another similar with grey fabric tresse; also the end (12”) of one SS funeral sash, of black fabric with white embroidered SS runes and gold wire fringe. (3)

A good scarce Third Reich Allgemeine SS officer’s visor cap, with white metal eagle and death’s head insignia, silver bullion piping and cords, black velvet band and fibre peak, the underside of the peak rubber stamped with SS/RZM mark, with SS RZM “Tuchmutze fur SS” printed linen label with serial number 109986(?) behind the sweatband, and paper size “55” label behind the celluloid sweat patch. Clean Condition, appears to be little used (some very small moth holes around the rear edge of the crown). See “SS Uniforms, Insignia and Accoutrements” by Hayes for an almost identical cap.

Circa 1960s/70s Costume, comprising a Baccarat brown suede long sleeve dress with round neck, with embroidered trim to the hem and cuffs (size 12); another in black wool with black suede mounts to the notch neck, pockets and cuffs piped in brown, matching belt (size 10); Frank Usher black chiffon long sleeve full length dress with scoop neck, gathered hem with embroidered trim to the cuffs and skirt (size 10); Saint Laurent Rive Gauche cinnamon coloured canvas long sleeved jacket with collar, two patch pockets, buttons to the front and elasticated banding to the waist; Peter Barron brown wool crepe dress with brown chiffon multi pleated and tiered sleeves, (size 16) (5). Condition; Baccarat brown suede dress - slight staining under one arm, rubbing to the suede mainly to the back. Baccarat black dress - slight wear. Frank Usher dress - slight wear. Saint Laurent jacket - some loose threads and slight wear, 34'' bust and 28'' long. Peter Barron dress - slight wear.

Circa 1960s and Later Wool Coats and Suits, comprising a Rodex green double breasted Irish tweed coat with velvet collar and back belt; Cresta black wool coat with brass buttons, adjustable back belt; cream wool herringbone/chevron pattern two piece suit, comprising short sleeved mini dress with high neck, button detail to waist, large patch pockets to the front, fitted long sleeved cropped jacket; navy blue and white wool checked two piece, comprising round neck long line jacket and straight skirt (size 10) (4). Rodex coat - 36'' bust, 39'' long, slight wear, lining faded and armhole seam to the lining needs repairing. Cresta coat - 42'' bust, 41'' long. Cream wool suit - 32'' bust to dress and 39'' long, small seam opening to the bottom of one of the sleeveholes. Couple of loose threads and slight wear. Blue and white suit - slight wear, several loose threads and one button needs restitching.

1970s Tina Warren Blue and White Full Length Dress, printed with large flower heads and leaves, frilled 3/4 length sleeves, turned-over high neck and wait tie (size 10); Academy Costumes Grey Full Length Dress, printed with peacocks and butterflies in a muted palette, with a detachable train/cape and shawl (size 8); Academy Costumes Grey, Blue and Metallic Leaf Print Day Dress and Matching Jacket; and a Nieman-Marcus Silk Houndstooth Blue and White Two Piece, comprising shirt with patch pockets and button down pleated skirt (US size 4) (4). Tina Warren - good overall condition, some mild wear. Peacock dress - the lower skirt and train with staining. various other pulls, stains and signs of wear. Leaf dress and jacket - some loose threads and signs of wear. Nieman - good overall condition.

Jean Paul Gaultier Gentleman's Classique and Homme Suits and Jackets, comprising a wool mix brown pinstripe suit comprising a long jacket with faux fur trim, quilted lining and matching trousers, model no 202 (trousers size 40); Jean Paul Gaultier Homme black double breasted jacket with vertical double pleats to the front (size 52); Jean Paul Gaultier Homme light grey and black striped jacket, with two patch pockets and trousers (size 52); Jean Paul Gaultier Classique black wool crepe jacket, with silk trimmed pockets (size 42); Jean Paul Gaultier Homme dark grey striped silk suit (size 42) (5). Condition - brown pin stripe suit - fading to the shoulders, couple of thread pulls and fading to the fur. black jacket with pleats - slight wear. light grey and black striped jacket - slight wear. Jacket and suit - slight wear.

Assorted Modern Suits and Separates, comprising John Rocha chocolate brown leather trousers, zips to the ankles (size 10); Emilio Pucci black and brown geometric pattern long sleeve wool mix top, with zip to the shoulder and ribbed neck (size 6); Betty Jackson Black black wool mix wide leg trousers (size 10); Kenzo Paris cream wool silk mix double breasted long sleeve cropped jacket, no collar (size 38), another in red linen embroidered with flowers, (size 38); Donna Karan New York pink/brown long sleeve jacket, V-neckline, button fastening, three patch pockets and over stitching detail (size 10); Joseph stone coloured capri trousers, zips to ankles (size XS); Paul Costelloe Dressage black long sleeve jacket, three button fastening, striped lining (size 10); Laurel green wool mix jacket, zipped detail to the front, zipped pockets and to the end of the sleeves (size 34); Mono black wool jacket, long sleeves, collar, side pockets, two buttons and attached belt (size 14); Alexander McQueen black cotton and lycra T-shirt, embroidered with roses to the front (size 40); Mugler pale pink sleeveless jump suit, attached belt and straight leg trousers (size 38); Kaliko black and cream woven suit, comprising straight skirt and long sleeve jacket (13). Condition; John Rocha trousers - slight wear. Pucci top - slight rubbing and bobbling. Betty Jackson jacket - slight wear. Kenzo jacket - slight wear and couple of loose threads, red linen jacket - slight wear. Donna Karan jacket - slight wear. Joseph trousers - slight wear. Paul Costelloe jacket - slight wear. Laurel jacket - slight wear. Mono jacket - belt cracked (a.f.), rest ok. Alexander McQueen t-shirt - good condition. Mugler jump suit - rubbing/bobbling to the upper thigh, hems are dirty (need a clean), slight wear overall. Kaliko suit - slight wear.

Assorted Circa 1970s and Later Dresses and Separates, comprising a black crepe mini dress, with long exaggerated sleeves lined in gold silk, gold snake embroidered to the front (size 10); Catherine Walker for The Chelsea Design Co black washed silk sleeveless jump suit, wide legged trousers; Liberty of London black silk taffeta A-line panelled full length skirt; Harrods black floral cut velvet A-line full length skirt (size 27); Dereta of London green velvet printed paisley full length skirt (size 12); Quinta Colonna black velvet type skirt, printed with paisley motifs and a ruffle to one side; black chiffon evening dress with cut velvet and gilt trimmed design to the bodice, layered chiffon skirt (size 14); Global Paris black sleeveless long evening dress (size 16/18); black velvet blazer printed with maple leaves, buttons to the front and two patch pockets; Baccarat London black leather jacket, buckled turn back cuffs, patch pockets; Academy Costume black long sleeved dress, with velvet insert to the front (size 10); Dollyrockers black crepe long sleeved dress, lace trims to the V-neck and cuffs (size 10); black A-line mini skirt with faux snakeskin studded waistband; circa 1940s red and blue large check sleeveless evening dress, with peplum (14). Condition: Black mini snake dress - slight wear. Catherine Walker jump suit - hems dirty, small mark to one side, slight fading and slight wear under the arms, 34'' bust and 58'' shoulder to hem. Liberty skirt - 26'' waist, slight wear. Harrods skirt - slight wear. Dereta skirt - zip very stiff, couple of small marks to the back of the velvet. Quinta Colonna skirt - 29'' waist, slight wear. Black chiffon evening dress - slight wear. Global dress - slight wear. Velvet blazer - 38'' bust, 31'' long, fading and button holes frayed. Baccarat jacket - 38'' bust, 24'' long, fading to the lining and some wear to the leather. Academy Costume dress - couple of small pulls to the shoulder. Dollyrockers dress - lace faded, sleeve hole seam coming loose, slight wear overall. Mini skirt - 24'' waist, alterations to the waist band and slight wear. Red and blue dress - slight fading under the arms, several tiny brown spot marks and a couple of small holes overall.

Assorted 19th Century and Later Clothing and Accessories, including circa 1930s crocodile leather clutch bag initialled MC, a Marquessa brown snake skin bag, Whiting and Davis Co gold mesh evening bag and another similar; white cotton combination with embroidered hem and lace trims, short cream silk wrap négligée; Jaqmar Paris black silk scarf woven with lily of the valley, another on blue with dancing ballerinas, two other similar, cream silk handkerchief; pair of pale pink stockings initialled B; pair of pink lace mittens; lace collars; stole; feather hat trims; pair of mulberry coloured kid leather evening gloves; gentleman's cream buckskin hunting waistcoat, with two patch pockets and five brass buttons initialled SDH; pair of early 19th century gentleman's black silk breeches, bearing black enamelled buttons to the waist 'J B Johnstone, London Dublin', brass buttons to the leg inscribed 'DUHALLOW', a barony in Cork, Ireland etc (one box)

Circa 1960s/1970's 'Mr Fish' by Michael Fish Hooded Yellow Dressing Gown, labelled for 17 Clifford Street, with large patch pockets and waist tie; together with a 'Mr Fish' Cotton Scarf, printed with clothing designs, 74cm square (2) London Born Michael Fish started his career as a shirtmaker for Turnbull & Asser. By the mid 1960's Fish has opened his own establishment in Mayfair, 'Mr Fish'. Best known for his flamboyant and daring designs, his garments were popular with icons including David Bowie, The Rolling Stones and Peter Sellers . Gown - some small signs of wear/stains and loose threads but overall reasonable condition. Scarf - small stain near the seahorse bracelet, otherwise good.