TOP GUN (1986) - Rick "Jester" Heatherly's (Michael Ironside) Flight Suit Rick 'Jester' Heatherly's (Michael Ironside) flight suit from Tony Scott’s action film Top Gun. Jester wore his flight suit during aerial operations with the US Navy’s Fighter Weapons School. This flight suit screen-matches to the scene in which Jester introduces the new Top Gun recruits to Charlie (Kelly McGillis).The flight suit is made of green material that has faded to a grayish colour, with along zip running down the front and adjustable waistbands fastened with Velcro at the hips. Zips and pockets are present along the legs, chest and arms. A Fighter Weapons School patch is stitched onto the flight suit’s right shoulder, with an array of fighter squadron patches stitched across the arms and chest. A Western Costume Co. costumiers label is present at the collar, which reads '2507-1; Top Gun; Jester'. The piece displays only minor wear from use. VAT Status - Margin
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THE EAGLE HAS LANDED (1976) - Captain Clark's (Treat Williams) Jacket Captain Clark's (Treat Williams) jacket from John Sturges’ Second World War film The Eagle Has Landed. US Army Ranger Clark wore his jacket during his first on-screen appearance when he was introduced to Colonel Steiner (Michael Caine), a Nazi paratrooper heading a plot to kidnap Winston Churchill. Made of wool serge, the khaki jacket displays a pleated back with an adjustable waist, large chest pockets fastened with press studs, and epaulettes. A Bermans and Nathans costumiers label is located in the collar of the jacket reading 'Treat Williams, 10824, Eagle Has Landed'. There is a small amount of loose thread above the right chest pocket and cuff, and remnants of blue thread where a US Army Ranger patch would have been positioned. VAT Status - DAGGER
EMPIRE OF THE SUN (1987) - Jim's (Christian Bale) Brown Leather Jacket Jim’s (Christian Bale) brown leather jacket from Steven Spielberg’s Oscar®-nominated Second World War film Empire of the Sun. Jim wore his jacket throughout his time in the internment camp, with the distressing of the patch on the back a close match to that seen on his jacket near the end of the film during the camp’s forced evacuation. Costume designer Bob Ringwood earned an Academy Award® and BAFTA® nomination for his contribution to the film. A brown leather bomber jacket made by Schott, the piece features a China Burma India Theater patch on the arm and a large 'blood chit' patch on the back. A black 'J' is written in the collar. The jacket is missing its detachable faux-fur collar and displays significant wear from use, including tears to the leather and lining on the left breast pocket, both arms and to the wool cuffs and waist. The damage to the jacket would make it suitable for a restoration project. VAT Status - DAGGER
THE GOONIES (1985) - Crew Materials and Behind the Scenes Photographs Crew materials and behind the scenes photographs from Richard Donner's The Goonies. This lot includes a crew patch, on set parking pass, two large photographs, one photo contact sheet, and 29.5" x 3.5" photographs. The patch is embroidered with the film title within a black border. The parking pass is printed on cardstock and has "Art Department" written in ink at the bottom corner. Of the two large photographs, one shows popstars Michael Jackson and his sister La Toya Jackson posing with the stunt double for Sloth (Randell Widner) during a set visit with the other photograph showing Widner cutting the sail as Sloth. The small photographs show the actors on set in the caves, on One-Eyed Willy's ship, and on the beach for the final scene. The vintage photographs come from the collection of stuntman Randell Widner and show slight wear due to production use and age, however the set remains in very good condition. Patch dimensions: 10 cm x 5 cm x 1 cm (4" x 2" x ¼"); parking pass dimensions: ; 14 cm x 36 cm x 1 cm (5 ½" x 14" x ¼"); large photograph dimensions: 20 cm x 30 cm (8" x 12"); combined small photograph dimensions: 13 cm x 9 cm x 1 cm (5" x 3 ½" x ½") Please note the photographs in this lot are sold without copyright, reproduction rights, licensing agreements or any other type of legal release. VAT Status - OMEGA
THE GRAND BUDAPEST HOTEL (2014) - ZZ Death Squad Officer Uniform A ZZ Death Squad officer uniform from Wes Anderson's Oscar®-winning comedy The Grand Budapest Hotel. When the Grand Budapest Hotel is commandeered as an army barracks, a number of the high ranking ZZ officers are seen enjoying the luxurious surroundings dressed in their uniforms. The costume consists of a black woollen military jacket and trousers, with a rigid cap, belt, shoulder strap with gun holster, and leather hobnailed boots. The jacket features epaulettes with a single faux-gold stud, grey collar tabs and a red patch on the left arm above a black ZZ armband. The black cap has a vinyl peak, faux-gold braid and an embroidered ZZ patch. The jacket is marked size '48', the trousers '56 x 102', the shoes are UK size 9 and the cap is marked size '58'. The costume remains in very good condition. VAT Status - DAGGER TRIANGLE
THE GRAND BUDAPEST HOTEL (2014) - ZZ Officer Uniform A ZZ Officer uniform from Wes Anderson’s Oscar®-winning comedy The Grand Budapest Hotel. When the Grand Budapest Hotel is commandeered as an army barracks, numbers of the high ranking ZZ officers are seen enjoying the luxurious surroundings. The costume consists of a grey woollen military jacket, trousers with black stripes and a rigid cap. The jacket features faux-silver and faux-gold epaulettes, embroidered collar tabs, faux-silver braids and a red patch on the left arm above a removable black ZZ armband. The grey cap has a black vinyl peak, faux- gold braid and a red shield badge to match the jacket. The jacket is marked size 'W54', the trousers 'W59 x d96' and the cap is marked size '57'. The costume remains in very good condition. VAT Status - DAGGER TRIANGLE
Spanish elm dining table with substantial plank top, raised on carved shaped H-form trestle supports united by scrolled metal brackets, 67cm x 250cm CONDITION REPORT Table appears to be 20th century. Minor scratches to top, one inserted patch - may be original to construction, bracing stretchers at top of trestles may be replaced. Generally a few splits and wear to trestle supports, but construction is sound, table secure, iron work has good colour, some corrosion
A 19th century Swiss music box, the mechanism stamped JB within a butterfly symbol of Jean Billon-Haller, the movement with five bees striking five bells with flowerhead screws, in an inlaid case, the fall front containing two cylinders, 44.5 cm wide See illustration Condition report Report by MWThe music box appears to be in working order and plays tunes. All of the teeth are tacked on the tips of the cone, and it would appear that the drum has all of its teeth/pins, but this cannot be guaranteed as there are too many to count. The case would appear to have been restored at some point and there are still areas which show wear most noticeable on the corners of the lid where the ebonising has rubbed off. There is a small patch of veneer missing on the box section, which is in the top left hand corner (see image), and there are general knocks, scratches etc commensurate with age. On the airs that were played, three of the honeybees chimed on the bells, which are the central three. The outer two bells were not activated by the bees, but this may well be due to it not being the correct tune to activate them.All five honeybees work with a different cylinder. There are two additional cylinders in the drawer.
A set of six Regency rosewood and cane seated music room chairs, early 19th century, the curved top rails inlaid with brass musical trophies, the plain seat rail raised on turned and reeded forelegs, 45cm by 40cm by 82cmGood colour and decent grain. Chair 1 - framework good, joints loose, repair to cross-stretcher and back support. Chair 2 - canework generally good, small fault on top rail. Chair 3 - canework good, small repair to top rail/supports. Chair 4 - canework good. Chair 5 - canework good, some variations in colour to frame - watermarks? Chair 6 - framework good, but velcro patch glued onto canework to fix cushion? Inlay on top rails lifting very slightly. 170716
Japanese ivory okimono, Meiji period, as a seated rat catcher, 10cm high; and a similar figure of a gardener, 10cm high (2) Seated man with rat - one finger broken and lacking. Otherwise good condition. Not apparently signed. Standing figure with rake - small patch of glue on base. Several hairline natural cracks to base. Otherwise good condition.
A diamond wishbone ring, with four columns of round brilliant cut diamonds in yellow channel settings, to fluted shoulders on a plain polished shank, total estimated diamond weight 0.60 carat approximately, finger size O1/2The ring is in good condition. It is stamped '14k' and in our opinion would test as gold. There is a patch of red paint to the inside of the shank. The approximate qualities of the diamonds are; colour H/I/J, clarity SI1/SI2/I1. Gross weight 4.8 grams. CR made 17th August 2016.
Richard Redgrave (1804-1888) ''Bad News from the Sea'', signed and dated 1842, oil on canvas, 80cm by 69cm Literature: Described in the Art Journal for 1842: ''A picture of a sailor's home, which is about to become a house of mourning, the wife of the absent mariner having recieved a letter with a black seal which she hesitates to open. The sudden revulsion of feeling depicted in the countenance of the wife on discovering the black seal is described with the utmost natural truth'' ''Richard Redgrave 1804-1888'', published in association with Victoria and Albert Museum and the Yale Center for British Art, Yale University Press (1988), p.106, catalogue no. 20 Exhibited: Royal Academy 1842, no.439 British Institution, London, 1843, no.42In restored condition. Cleaned and re-varnished. There are various areas of re-touching and over painting. The is small patch following the profile of the main character and at shoulder height. Also above the letter and the right hand sleeve of the lady. Elements of the top hat have been strengthened. There is further over painting below the lady's knee , a relatively thin line below the cradle and a small patch within the wicker. The shadows under the tools laid on the floor have also been strengthened. The folds and definition of her skirt has been strengthened and approx 30 % of the children's hair has been replaced. Much of the larger swathes of dark paint in the background look to have been overpainted. With the naked eye there is medium sized cracquelure throughout all these areas, which is stable and generally follows the pattern of restoration.
ROYAL WINTON; an Art Deco "Jazz" coffee set comprising coffee pot, six coffee cans, six saucers, jug and bowl, printed marks to base, with Pat.No.301262. CONDITION REPORT: Generally: small abrasions commensurate with age and use. Coffee pot: paint replacement, possibly to abrasion below handle. Possible handle replacement. Jug: a little crazing to interior glaze. Bowl: OK. Saucers: varying amounts of crazing to glaze of underneaths. Marks underneath - probably made by maker. Cups: crazing to interior glaze of one. Patch of paint loss at bottom edge of one. Small patch of paint loss near rim of one.
Ushak carpet, now reduced in length, west Anatolia, late 19th/early 20th century, 19ft. 2in. X 16ft. 8in. 5.85m. X 5.08m. Overall wear; reduced in length by horizontal cut across the top part of the field losing a fraction of the centre medallion; hole with fabric patch verso to top right of centre medallion; surface marks in places; some re-piling in places; slight losses to ends. Rich palette of deep gold field and light terracotta spandrels within an orangey/red floral main border.
A Georgian silver, silver gilt and rose cut diamond stomacher, composed of three graduating open work sections, each with central raised rose cut set cones, and rose cut accents overall, 7.5cm long, 14.1gms Condition reportone lead solder patch repair to back on the main setting on the top section
A PAIR OF BILSTON ENAMEL CIRCULAR SALT SELLERS, each of cauldron form painted with groups of summer flowers within gilt reserves against Lapis blue ground, 7.5cm diameter, a Rockingham porcelain patch box of oval form, a staffordshire enamel snuff box titled 'summer' 5.5cm wide, a French enamel snuff box of oval form 5.5cm wide, a silver and tortoise shell pill box of rectangular form etc.
1933-1945 German Third Reich, Hitler Youth sports singlet patch and Heer sports vest patch. (2) A red white and black machine embroidered lozenge-shaped Hitler Youth symbol, with RZM numbered label verso; together with a machine embroidered eagle and swastika national emblem, in a semi elliptical field, on white cotton backing. (2) The larger 5 x 9¼in. (12.70 x 23½cm)
Space flown Irish flag and crew patch. An Irist tricolour amd a shoulder patch flown on the Space Shuttle 'Endevour' 5-17 December, 2001. Framed with a certificate signed by Daniel Tani, Mission Specialist. 16¼ x 20in. (41.28 x 50.80cm) Provenance: Presented to the Royal College of Physicians of Ireland, 2002. Purchased by the current owner at a charity auction.
18th century, French Napoleonic-era flintlock rifle. The 28in octagonal, rifled barrel with slight flare towards muzzle, on walnut stock. The lock stamped 'M de St Etienne' and with a crowned 'S'. Although lacking both patch-box and bayonet mount, which feature on the British Baker rifle, this weapon is, likewise, modelled on German Jäeger rifles and would typically be carried by skirmisher units. Total length 43½in. (110.49cm)
Arnhem & Airborne interest, a selection of items, some named to Major David Allsop who was second in command 1st Airborne Recce Sqn at Arnhem, a cigarette case, named inside & dated 1944, this with Para badge to front, a Pegasus patch and Parachute 3 s/title cut from uniform, ribbon bar, 39-45 & F&G group of four, a Red Beret, this with named label, possibly slightly later, a cigarette ashtray (named). He managed to evade capture at Arnhem. He was also awarded the Dutch Bronze Lion with citation but this not with the grouping. Born 4.8.1917 Died 9.9.1987. mostly GVF
A silver mounted flintlock rifle dating: 18th Century provenance: Europe Octagonal, rifled, 15 mm cal. barrel with adjustable rear-sight and foresight, decorated with geometrical motifs in silver at the edges; flintlock with round plate; wooden full stock richly decorated with silver inlays, pierced and engraved, silver mounts engraved too; pierced trigger. Patch-box. Iron ramrod. Western manufacture for the oriental market. dimensions: length 104 cm.
18th Century English School OIL ON CANVAS Bust portrait of a gentleman wearing a brown jacket62cms by 75cms with an associated swept gilt frame – bears old pasted label verso inscribed B8458 property of -----Cotterell Bt.ConditionA 19th Century reline, minor surface scratches and re-touched patch to right shoulder
A fine mid 18th Century dense Cuban Mahogany oval drop-leaf DINING TABLE with rule joints above shaped arcaded ends raised on cabriole legs with pointed pad feet and carved scroll-edged knees with shell work fronts and husk drops; with single side gates131cms by 134cms opened 44cms wide when closed down 74.5cms high circa 1750ConditionFine undamaged original condition with no breaks or damage small round knot patch and small piece patched on top edge
Three early 20th century classical bronzes of a fawn, flute player and a Roman God, largest, 31cm. CONDITION REPORT: Standing figure with raised arms: left arm with large crack/split to underside. Possible restored patch. Slightly loose on base. Green staining/discolouration throughout. Possible lacks instrument. Split at left ankle. Pitting or holed to groin.Flute player: tail is off centre. Some green staining. Paint marks or scuffing to rear. Scratch to left bicep.Other figure with animal: tail possibly retored. Some brown patches not unlike rusting. White plaster like patches at joins throughout.
20th century mahogany regulator wall clock, makers Glink of Budapest, retailed by Prestons, with thirty-hour movement, 90cm. CONDITION REPORT: Large chip to finialVeneer losses throughoutRestored patch to pedimentLosses to surmountMechanism appears to work for a short time but no warrenty given
Kent. Speed (John), Kent with her Cities and Earles Described and Observed, performed by John Speede and sold by Thomas Bassett in Fleet Street and Richard Chiswell in St. Paul's Churchyard, 1676, hand coloured engraved map, inset town plans of Canterbury and Rochester, decorative strapwork cartouche, with seven armorials and Royal coat of arms with supporters to top edge, English text on verso, 39.5 x 52cm.; 15.5 x 20.5in.Condition Report: The map is in fair, original condition. There are just a few minor spots of foxing but one larger spot of browning in the top right corner. There appears to be blue and red paint on the reverse of the page in the top left corner as can be seen. There is a dark mark with a small central pinhole in the margin at the top right corner as can be seen. There is some smudging to the black ink possibly occurring during the printing process but again shown in the mid left index box. There is a repaired tear and corresponding patch which is visible looking at the reverse on the right hand edge and shown in a detail image. There is the usual overall creasing to the page as expected and as shown in the images but the border colours are still strong in colour and sensitively done. The map is framed and glazed to both front and back as can be seen. The frame has knocks and losses commensurate with age.
The Beatles, three Official Fan Club posters, 1966,67 and 68 sold with original Fan Club cloth patch (in original packet) and two National Newsletters from the London Office Summer 1965/66, five black and white promo cards, twenty two A&BC gum cards (some with writing to the reverse), various conditions
GEORGE TURNER (1841-1910) COTTAGE AT KIRK IRETON DERBYSHIRE signed, signed again, dated 1900, inscribed with the title, price £5.5.0. and artist's addres verso, oil on canvas, 29x 44cm ++Old patch repair verso to a tear in the region of the signpost with small consequent retouching, not too noticeable
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