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Forty-Four Ice Hockey collectors trading cards, by Upper Deck, Panini and Fleer, all signed event-used (match worn) relic patch cards, some encapsulated; San Jose Sharks' Brent Burns collectors items, including: signed puck from Fanatics; a Black Diamond Placards Upper Deck signed card, encapsulated and graded by Beckett rated 9 mint; two other signed encapsulated cards by Upper Deck; four UD Jersey patch event-used (match worn) by Upper Deck; and other collectors cards by Upper Deck and others; a signed puck by Robert Dowd, Sheffield Steelers; signed puck cards by Matt Carle, Sharks, Tomas Hertl, Sharks, and Martin Jones, Kings; match used goal net piece, encapsulated; match used limited edition stick piece signed by Victor Ejdsell; other signed and unsigned pucks; and a Panini Black Gold Stars Alex Morgan collectors' trading card; others by Topps, Upper Deck and others; and two signed UFC cards for Joanne Calderwood.

§ § Cecil Rochfort D'Oyly John (British, 1906-1993) Mediterranean harbour sceneoil on canvassigned24 x 35cm***CONDITION REPORT***Oil on original canvas in good clean condition, later white frame, patch verso where it looks like an artist label may once of been present.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Chinese pale celadon jade 'double' snuff bottle, 18th/19th century, the stone of good even tone with a hint of russet to a small patch, 5.2cm high***CONDITION REPORT***Provenance - the former owner collected jades and snuff bottles in the 1960s and early 1970s while living and working in Hong Kong.Natural inclusions to the stone. Both of the stoppers have been glued on but there is no damage visible on the two rims of the double snuff bottle. Good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A late 17th century Dutch oak side table, with rectangular top and frieze drawer, on baluster legs with H stretcher and bun feet, width 132cm, depth 65cm, height 79cm***CONDITION REPORT***Overall of an even mid to dark brown tone, the top possibly made from associated timbers and showing extensive wear to the grain along with a rectangular patch to the left end, top is held in place by wooden pins, frieze carved with scale motifs, the central drawer with knob handle and carved to simulate panelling, under frame with old minor scuffs and dents, bun feet look later.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A pair of large Derby porcelain figures of Minerva and Mars, c.1760, decorated in bright puce, yellow and sage or lime green enamels, patch marks, on rococo scrollwork bases, 33cm and 34.5cm high, restorationsProvenance - purchased from Winifred Williams, Eastbourne/London before 1970.***CONDITION REPORT***Provenance - purchased from Winifred Williams of Eastbourne.The figure of Minerva has old discoloured restoration to her right hand, helmet, neck, forehead, lower half of her skirt, her left foot, much of the base of the figure. There are also numerous firing cracks to the base. The figure of Mars has firing cracks to the base with some evidence of filler behind the robes and underneath the face.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

FRAMED SERVICE MEDALS WITH FRAMED SQUADRON ROYAL AIR FORCE PATCH

A GROUP OF CERAMICS, PORTABLE RECORD PLAYER AND A PEDIGREE DOLL, comprising a 1930's Crown Ducal charger , orange glazed 'Patch' 4088 pattern by Charlotte Rhead, a 1950's Pedigree hard plastic walker doll, with moving head and eyes (wig has been reglued), an embroidered orange  dragon on black silk 'Shanghai China' (missing frame), a miniature Holy Bible printed in the U.S.A, a Portland Pottery 'Hunting Scene' teapot, milk jug and sugar bowl (crazing), a Foley bone china hand painted tea cup 4623, two Coalport 'Indian Tree' pattern tea cups (both have hairline cracks), a Coronation Street 'Rovers Return' novelty teapot, a novelty 'Little Old Lady' teapot, an Allertons 'Old Willow' pattern cup and saucer, a Wedgwood & Co. 'Richelieu' pattern jug, cup and two tea plates (chipped and crazed, plates have hairline crack), a Crown Devon charger (cracked),a Crown Ducal charger, a large Flow Blue meat plate decorated in a floral Oriental style, with red, green and a blue border (chipped), a Regentone 'Handygram' portable record player, a limited edition framed print  of 450 signed in pencil by Graham Carver, etc.(Qty) (Condition Report: obvious damage is mentioned)

THIRTY ONE BOXED LILLIPUT LANE SCULPTURES FROM VARIOUS COLLECTIONS, to include Collectors Club, Symbol of Membership, Anniversary, Collectors Fair, Special Promotion etc, all with deeds, comprising Bridle Way 1990/91, Lavender Cottage 1989/1991, Cosy Corner 1990/91, Pussy Willow 1992/93, Thimble Cottage 1995/96, Hampton Moat 1997/98, Little Bee 00/01, The Chocolate Box 03/04 (with badge), The Toy Box 04/05 (with badge), Cabbage Patch Corner 05/06 (with badge), Sugar Mouse 06/07 (with badge), Afternoon Tea 07/08 (with badge), Nutkin Cottage 08/09 (with badge), The Pigsty 10/11 (with two badges), Parsley Cottage 12/13 (with badge), Honey Bees and Summer Breeze 2008, Leagrave Cottage, Skirsgill Lodge, Wray Castle Boathouse, Number Three, Tea Cosy Cottage, Gibsons Store, Ye Olde Jug, The Shelton Tollhouse 2004, Squatters Cottage 2004, The Mill & Engine House 2005, North Lodges Gatehouse and The Watch Tower & Water Tower (both boxed as one), Queen Alexandras Nest 1999, Caesars Tower & The Barbican 2005 and Marsworth Cattle Shelter, Stable & Cart Shed 2006 (31) (Condition Report: some rubbing but most appear ok)

A vibrant 1950s cotton day dress, having V neckline, three quarter sleeves, side metal zip and patch pockets to skirt, medium to larger size.

Hesta Warren (20th century school) - Patch - study of a fox terrier, signed lower right, pastel, framed & glazed, 25 by 28cms.

Ladies Skirts, including: Daks, Lucia, Laird-Patch of Scotland, Eugen Klein, Bianca, etc, mainly size 12 (12 skirts and a dress)

Prada: a Black Nylon Boston Bowling BagShiny vinyl logo patch and handles, silver hardwareCondition Grade B-30cm wide, 20cm high, 22cm handle drop, includes padlock, keys and luggage tagFor further information on this lot please visit Bonhams.com

A CELADON JADE SCABBARD SLIDE, LATE EASTERN ZHOU TO HAN DYNASTYChina, 5th century BC to 3rd century AD. Of rectangular form, carved on top in low relief with circular bosses within incised hexagons and framed by a raised border, the reverse with a typical square loop. The translucent stone of a pale celadon tone with a faint russet patch to one end and scattered cloudy white inclusions.Provenance: British trade. Condition: Good condition with old wear and small chips, some of which have been smoothened over time, and small nibbles here and there.Weight: 47.9 g Dimensions: Length 7.7 cmAuction result comparison:Type: RelatedAuction: Sotheby's London, 6 November 2019, lot 233Price: GBP 3,750 or approx. EUR 5,100 converted and adjusted for inflation at the time of writingDescription: A celadon jade scabbard slide, late Eastern Zhou dynasty - Western Han dynastyExpert remark: Compare the closely related form and pattern, color of the jade, and size (8 cm). Note the diagonal end of the present lot, which may be original or from a later period, as noted in the condition report by Sotheby's.Auction result comparison: Type: Related Auction: Christie's New York, 17 March 2016, lot 924 Price: USD 27,500 or approx. EUR 32,500 converted and adjusted for inflation at the time of writing Description: A white jade scabbard slide, Han dynasty Expert remark: Compare the closely related form and decoration with similar bosses. Compare also the similar pale greenish-white color. Note the size (9.2 cm).東周末年至漢代青玉劍璏中國，公元前五世紀至公元三世紀。玉劍璏，長條形，略短，兩端內捲，背面有一方孔，表面浮雕整齊的穀紋。 半透明的淺青色玉料，一端有淡淡的黃褐色斑紋，裏面散落著白色絮狀物。 來源：英國古玩交易。 品相：狀況良好，有磨損和小碎屑，其中一些已經隨著時間的推移變得平滑，很多磕痕。 重量：47.9 克 尺寸：長7.7 厘米 拍賣結果比較： 形制：相近 拍賣：倫敦蘇富比，2019年11月6日，lot 233 價格：GBP 3,750（相當於今日EUR 5,100） 描述：東周晚期至西漢青玉璏 專家評論：比較非常相近的外形、圖案、玉石顏色和尺寸(8 厘米)。請注意本拍品的對角線末端，如蘇富比的狀況報告中所述，可能是原作或較晚時期的作品。 拍賣結果比較： 形制：相近 拍賣：紐約佳士得，2016年3月17日，lot 924 價格：USD 27,500（相當於今日EUR 32,500） 描述：漢白玉劍璏 專家評論：比較非常相近的外形和裝飾。比較相似的青白玉色。請注意尺寸(9.2 厘米)。

Royal Worcester gilded ivory and shot silk figure, Bather Surprised, after Sir Thomas Brock, modelled as a classical figure against a tree bough, puce printed factory mark with date code for 1919 and '846', 25cm highThere is a loss of the gilt on both sides of the head band and a mark close to her mouth. The base and tree have gilt wear all over. There is a large hairline crack that is around 2 inches up from the base and currently goes around most of the tree and legs. There is also a patch that looks to have been restored or patched up on the top of her right leg. The piece would benefit from a clean.

* Duke of Wellington. A George III Bilston enamel patch box circa 1812-14, the lid painted with a portrait of the Marquis of Wellington, the inner lid with a mirror and blue base, 45 mm wide, together with three further enamel patch boxes inscribed Marquis of Wellington, Duke of Wellington and Wellington, some minor damageQTY: (4)NOTE:The rank of Marquess or Marquis was bestowed upon Wellington in 1812. He was elevated to Duke of Wellington two years later.

* Clothing. A 1930s wedding or court dress, full length fitted cream lamé gown with train, handmade, patterned with leaves and fully lined with cream sillk, with round neck, long sleeves (padded on shoulders and buttoned at cuffs), and metal eye and stitched hook closure to side, a few pulled threads, staining to underarms, lining of train marked, bust 90 cm (35.5 ins), waist 74 cm (29 ins), sleeves 63 cm (24.75 ins), length 139 cm (109.5 ins), length including train 213 cm (84 ins), together with 6 items of 1920s clothing, comprising: a rare girls' robe de style dress of gold lace over silk, with ribbon straps, metal stud closures at back, flower trim at neck and around waist and stiffened panniers, and a corsage of grapes at waist, somewhat damaged, with losses, bust 66 cm (26 ins), waist 62 cm (24.5 ins), length 61 cm (24 ins); a gold lamé dress with foliate pattern, with lined and boned fitted bodice, padded bust, metal zip closure at back, narrow self straps, and a flared skirt with gathers at rear, occasional light marks, bust 82 cm (32 ins), waist 66 cm (26 ins), length 97 cm (38 ins); a pink and silver lamé unstructured jacket, with 3/4 length sleeves, silk-lined patch pockets at front, and 3 short slits in hem at rear, bust 117 cm (46 ins), sleeves 39.5 cm (15.5 ins), length 61.5 cm (24.25 ins); a gold lace overdress, with pattern of stylised roses, round neck (self button at rear), petal sleeves of net (one with loss of gather stitching), and short train at rear, bust 84 cm (39 ins), waist 60 cm (23.5 ins), sleeves 19.5 cm (7.75 ins), length 107 cm (42 ins); a full-length bias-cut lamé flapper dress, sleeveless, with floral pattern in orange and yellow, and self pendant to neck, small hole to left shoulder, v-neck at rear slightly torn, short tear in hem, bust 90 cm (35.5 ins), waist 80 cm (31.5 ins), length 140 cm (55 ins); and a sleeveless cutwork black overdress with cream stitching, bust 83 cm (33.5 ins), waist 86 cm (34 ins), length 113 cm (89 ins), plus a 1940s full-length chiffon and embroidered net gown (some damage), and a 1950s full-length blue taffeta evening dress with ruched bodiceQTY: (9)

* Fabric. A collection of fabric pieces, 17th century and later, including: an early 17th century Spanish 'collarin' or priest's liturgical collar, with gold velvet appliquéd pattern of arabesques, outlined in gold metallic thread and with stems worked in red thread, on a green velvet ground, fixing loop to each side, worn with losses, backed with linen, backing annotated in ink in an early 19th century hand 'de Cordova año de 1622' and in a later hand above 'Victoria', and further annotated in a late 19th century hand 'Parroquia de Palma año de 1889', 20.5 x 63 cm (8 x 24.75 ins); a large cushion cover of red voided velvet on a gold satin ground, one side depicting a floral urn flanked by mythical beasts and putti, and the other depicting Cupid with sculptural face above, surrounded by foliate volutes and acorns, stitched by hand to 3 sides, lower edge open, some wear and a number of darns, 12 x 23.5 cm patch to centre of lower edge on Cupid side, 59 x 57.5 cm (23.25 x 22.5 ins); a pieced portion of metallised brocade, with large pattern of flowers and pears in shades of yellow, green, and pink on a gold ground interwoven with silver thread, with central vertical machine-stitched join, gold metallic trim to edges, faded and some minor fraying, 73.5 x 41 cm (29 x 16.25 ins); a piece of bizarre silk, patterned in blue and gold on a red ground, worn and with numerous repairs, loosely backed with early red and gold damask (held by repair stitches), 146 x 53 cm (57.5 x 21 ins); and an appliquéd runner in red and gold with metalwork outlines, possibly Portuguese, worn, 20.5 x 121 cm (8 x 47.5 ins)QTY: (7)NOTE:The current church of Santa Victoria in Córdoba [or Cordova], Andalusia, Spain, wasn't built until the end of the 18th century, and therefore it is likely that the contents of an earlier church on the site were dispersed at some time, perhaps explaining the subsequent appearance of the collar in Palma, Mallorca, Spain.

* India. A velvet pheran, Kashmir, early 20th century, black velvet unstructured long robe, with elaborate couched embroidery to v-neck, shoulders, cuffs of wide sleeves, and front patch pocket, worked in red and green cotton thread and green, silver, and gold metallic thread, fully lined, 20 cm split in seam at front crudely stitch-repaired, shoulders 39.5 cm (15.5 ins), sleeves 53.5 cm (21 ins), length 132 cm (52 ins), together with an assortment of other world textiles, comprising robes, tunics, and skirts, mostly in good condition, various sizesQTY: (14)NOTE:Provenance: Collection of Romy Rey.

A selection of R.A.F. Eagle Squadron patches, R.A.F. wings, leather Squadron patch signed by U.S. Pilot Reade Tilley with certificate etc.

A rare Whitworth .451 hexagonal bore Military percussion match rifle with 28½" steel barrel, engraved steel lock "VR Whitworth 1860", chequered walnut stock with steel hinged patch box, steel furniture with ramrod and later leather sling

A 19th Century glass patch stand, of small proportions, the dished top with folded edge above a tapered stem and arched foot, 10cm wide, 9.5cm high

A.C. Bechstein upright piano in ebonised case, numbered 124329, 350cm wide Ivory Submission Reference Q6ZU5UBZCosmetically the piano appears in good condition but with scratches/abrasions in some areas and wear to the ebonised finish on the right hand side. Small patch of veneer missing to front left foot. Wire mesh torn in places to back.The workings appear to be clean and sound however please note that we are not piano technicians and we respectfully request that you satisfy yourself or consult a specialist tuner/restorer to advise on the mechanics of the instrument prior to bidding.

George Weissbort (1928-2013)'A Tale of Four Oranges', signed and dated 1992, oil on board, 42 x 52cm Exh. R.A. Summer Exhibition 1993 With the Llewellyn Alexander GalleryCondition good. Slight areas of rubbing where painting meets inner slip and possibly some re-touching in these areas – especially left hand corner extending downwards. Small patch (approx. 3mm) of paint missing right of orange netting.

John Lewis Reilly (1835-1903) after Thomas Gainsborough (1727-1788)The Blue BoySigned and dated John L. Reilly/1922 (to reverse)Oil on canvas66.3 x 46cm; 26 x 18inColours are slightly brighter in person than the image. Onan unlined Winsor and Newton canvas. Various light scuffs and scratches. There is a patch of discoloured restoration to the right of the sitter's head. Various minor surface marks and spots of dirt. In addition to the aforementioned area of restoration, there are some minor spots of retouching visible under UV light.

A pair of Derby porcelain figures of the Dresden Shepherd and Shepherdess, model 55, 18th century, patch marks, 15cm high(2)Male figure - breakages and losses to bocage. Female figure - chips to some flower petals and again some breakages to bocage/leaves.

A Coalport cabinet cup and saucer, circa 1870-80, with rope-twist handles, the bright pink ground decorated with opposing panels of landscapes, printed 'Salopian Coalport' mark in puce to the cup, saucer 14cm diameterSaucer - a couple of small dark brown discoloration spots to the centre and some slight rubbing to gilded border around the well. The exterior rim gilding has one large patch of gilding loss and a few smaller areas of rubbing elsewhere.Cup - slight interior hairline descending from rim, combined with crazing to the glaze throughout. Painted panels remain good on both pieces with no scratches or obvious wear. No further damages or any restorations.

12th Royal Lancers GvR Officer Lance Cap circa 1910-14. A fine scarce example. The skull of black patent leather with the upper portion of scarlet Melton cloth, with gold gimp cord across the top and down the angles. To the left side is a gold bullion rosette with embroidered GR Cypher onto a velvet ground. This supports a gilt plume cup and original scarlet stitched swan’s feather drooping plume. The gilt lance cap plate is mounted with silvered crowned Royal Arms, battle honours including those for the Boer War. Patent leather peak with gold bullion lines. Two gilt metal lion head boss’s support chin chain with leather backing. Leather sweat band to the interior with replacement lining. The gilt and scarlet remains bright and fresh, minor age wear. To rear of skull, small portion of patent AF and another with patent patch. Minor restoration. Generally VGC

German Third Reich Waffen SS breast badge. Fine rare silver aluminium wire embroidered SS Sigrunen on green cloth. Removed from tunic, minor service wear. Generally VGC Authorised in July 1943 for SS personnel serving in one of the Waffen-SS units who did not qualify to wear the SS runic collar patch.

Greek Coinages, ATTICA, Athens, Tetradrachm, c. 353-294, helmeted head of Athena right, rev. owl standing right, olive sprig to left, αθε to right, all within incuse square, 16.97g (Bingen Pi V; Kroll Reminting fig. 9; BMC 138). Struck from a worn obverse die, about very fine, small patch of light porosity at 12 o’clock £90-£120

A GEORGE II/III POLISHED FRUITWOOD TABLE CLOCKROBERT BENN, LONDON, MID 18th CENTURYThe four pillar twin fusee bell striking movement with verge escapement regulated by short bob pendulum, the strike train now with added 'three-in-two' quarter-chiming mechanism sounding on a graduated nest of six bells utilising pump-action pinned cylinder for both the quarter and hour bells, the backplate with pendulum holdfast hook and signed in fine copperplate script Robert Benn, London to centre, the 7 inch brass break-arch dial with shaped false bob and calendar apertures to the finely matted centre within applied silvered Roman numeral chapter ring with Arabic five minutes beyond the minute ring, with pierced blued steel hands and female mask and scroll pattern spandrels to angles beneath arch centred with a Strike/Silent selection dial flanked by conforming grotesque Indian mask cast mounts, the inverted bell-top case with hinged brass carrying handle and double cavetto top mouldings over hinged front with raised mouldings bordering the glazed dial aperture and scroll cast brass shaped frets to the upper quadrants, the sides with arch-glazed apertures and the rear with rectangular break-arch glazed door applied with conforming raised mouldings, on cavetto moulded skirt base with brass bracket feet.45cm (17.75ins) high with handle down, 29cm (11.5ins) wide, 19.5cm (7.75ins) deep. Robert Benn is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London 1716-40. The movement of the present clock has additional wheel and under-dial work added to facilitate quarter-striking on a graduated nest of six bells in addition to the hour striking. This work has been very competently executed with minimal modification of the strike train itself hence does not significantly detract from the overall originality of the clock. Condition Report: As catalogued the movement has had wheelwork and under-dial work added to convert the strike train from hour strike only to 'two-in-one' quarter chiming. The strike train itself is fundamentally unaltered. The under-dial work for the quarter chiming has been very well executed and is well designed. The top left hand pillar has been substituted for a pivot-block for the quarter and hour hammers. Movement retains its original verge escapement configuration and is otherwise in sound original relatively clean working condition. The dial is in good original condition with noticeable faults limited to a light vertical scratch to the centre above the false bob aperture, the finishes have some patchy discolouration and have an overall 'mellow' appearance; the hour hand is a replacement the minute appears original. The case appears original to the movement however the left hand securing bracket has been lowered to allow room for the pump-spring for the later quarter chiming work. The finish was originally ebonised and the surface has been polished back to now resemble mahogany in colour. The rear door hinges are replacements otherwise the locks and hinges appear original but reset with later screws. The veneers have a few historic patch repairs (most noticeably to the veneer overlap to the leading upright bordering the glazed aperture to the left hand side) and minor age related bumps, scuffs and other blemishes otherwise case is in very sound original condition. Clock has a winder and a case key.  Condition Report Disclaimer

A GEORGE III MAHOGANY EIGHT-DAY LONGCASE CLOCK WITH MOONPHASEHAWTHORN, LONDON, CIRCA 1770 The five pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with recessed subsidiary seconds and calendar dials to the matted centre within applied silvered Roman numeral chapter ring with Arabic five minutes beyond the outer minute track, with pierced steel hands and cast rococo scroll cast spandrels to angles beneath arch with rolling moonphase incorporating terrestrial globe engraved lunettes and calibrated for the age of the moon to the outer edge of the disc beneath signature HAWTHORN, LONDON engraved in a curve to the upper margin, in a case with concave sided 'pagoda' upstand with shaped fretwork panel to fascia over cavetto moulded break-arch cornice and hinged glazed dial aperture flanked by brass stop-fluted columns, the sides with rectangular windows and plain quarter columns set against bargeboards at the rear, the trunk with concave throat moulding over flame figured mahogany veneered break-arch door applied with complex mouldings to edges, the base with concave top mouldings over rectangular raised panel incorporating angled corners and moulded double skirt with shaped apron.244cm (96ins) high excluding finials, 53.5cm (21ins) wide, 27cm (10.5ins) deep. The current lot is probably by Edward Hawthorn who is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London during the late 18th century.Condition Report: The movement is complete and in relatively clean working condition with no noticeable replacements. The movement frontplate has two unused holes intended for dial feet to each of the top two corners. The positioning of these conflict with the lunar disc hence the maker resorted to fixing the dial via feet positioned outside of the calendar ring pinned to tabs screwed to the frontplate. The positioning of all the other features of the match that of the movement (winding squares, seconds arbor, centre hole etc) and appear undisturbed hence we are of the opinion that the dial is original to the movement and these spare upper dial feet holes were a genuine mistake by the maker which was corrected at the time the movement and dial were made. The dial itself is in good relatively clean condition; the moon disc has been retouched but is connected/operational as is the calendar. The hands are possibly replacements. The movement retains an old seatboard which rests directly ono the cheek uprights of the case which have been reduced in height by around half an inch. This detail would suggest that the movement and dial may not be original to the case (although they are very well suited).The case is in sound condition although the backboard has internal bracing to (stabilise joints/cracks in the panel) applied to the interior. The trunk door retains original lock and hinges and is nice and straight. The finish is a little dark and glassy and there are some historic bumps, scuffs, one or two small veneer patch repairs and minor shrinkage cracking.Clock has pendulum (badly broken), two brass-cased weights, case key but no winder.  Condition Report Disclaimer

A GEORGE III BRASS MOUNTED MAHOGANY BRACKET CLOCK WITH TRIP-HOUR REPEATTHE DIAL BEARING INSCRIPTION FOR THWAITES AND REED, LONDON, CIRCA 1800The five pillar twin fusee bell striking movement with verge escapement regulated by short bob pendulum incorporating holdfast clasp to the basket-of-fruit centred symmetrical foliate scroll engraved backplate, the 8 inch circular cream painted Roman numeral dial now inscribed Thwaites & Reed, LONDON to centre and with gilt spade, the upper margin of the dial surround with N/S strike/silent selection switch, the break-arch case with hinged brass carrying handle to the brass-fillet moulded single pad top panel over complex moulded cornice, the hinged front panel fitted with convex glazed ogee cast brass bezel over brass fish scale lower quadrant frets flanked by brass edged front angles, the sides with conforming arched brass frets and the rear with break-arch door set within the frame of the case, on cavetto moulded skirt base with brass ogee bracket feet.40.5cm (16ins) high with handle down, 31cm (12.25ins) wide, 19.5cm (7.75ins) deep.Condition Report: Movement is in relatively clean working condition and has no visible evidence of alteration or noticeable replacements. The dial has been restored to a good standard as such the inscription for Thwaites and Reed cannot be relied upon. Other than some very light wear around the winding holes and some light surface dirt the dial is in fine condition. The case is generally in fine original condition with good quality figured veneers. The top is free of noticeable shrinkage cracking. The rear door has a small veneer patch repair to the upper left-hand corner otherwise faults to the case appear very much limited to a few minor bumps and scuffs, light shrinkage and other minimal age related blemishes. Clock has a crank winder and two case keys. Condition Report Disclaimer

A GEORGE III BRASS MOUNTED MAHOGANY BRACKET CLOCK THE DIAL BEARING INSCRIPTION FOR RIGBY, LONDON, CIRCA 1800The five pillar twin fusee bell striking movement now with anchor escapement regulated by lenticular bob pendulum, the backplate with bright-cut geometric border-engraved decoration, the 7 inch circular cream painted Roman numeral dial now inscribed Rigby, CHARING CROSS, LONDON, beneath 1801 to centre and with delicate pierced steel hands, the break-arch case with hinged brass carrying handle to the brass-fillet moulded single pad top panel over complex moulded cornice, the hinged front panel fitted with convex glazed stepped-ogee cast brass bezel over brass fish scale lower quadrant frets flanked by brass edged front angles, the sides with conforming arched brass frets and the rear with break-arch door set within the frame of the case, on cavetto moulded skirt base with brass ogee bracket feet.40.5cm (16ins) high with handle down, 28cm (11ins) wide, 19cm (7.5ins) deep.Condition Report: Evidence in the plates (a small group of vacant haoles) indicates that the movement was originally made with verge escapement regulated by short bob pendulum. The conversion to anchor escapement appears to have been executed early in the clocks life with minimal alteration to the plates hence could be re-converted back to verge leaving little evidence of the present escapement if desired. The bell stand has been repaired and there is a spere hole to eh left hand margin of the backplate left over from the holdfast hook for the verge bob pendulum. The movement otherwise appears to be in sound working condition however it is a little dirty/neglected hence a gentle clean service is advised. The dial has been refinished hence we cannot rely on the inscribed name (Rigby) being the maker of the clock; the finish exhibits light wear and scratching mainly around/near the winding holes. The hands are of nice quality and appear free of faults.The case is in good original unrestored condition. The veneer to the arch top is in fine condition with minimal shrinkage, the veneer capping the pad has slight wear to one corner. The front door has a filled key escutcheon and the carcass has filled recess from a lock being previously fitted; the door is now secured via a tongue engaging with a lock positioned to the left hand side of the case (with key-hole cut just in front of the sound fret). The right-hand side has a filled hole almost certainly for a trip=repat cord which is no longer in use. The rear door has some chipping and a patch repair to the veneer edge overlap and the lock is a little loose. The brass mounts (handle, mouldings, frets, bezel and feet) are fairly heavily tarnished/discoloured; case otherwise in very sound original condition with relatively few age-related faults and is of good colour.Clock has a pendulum, winder and a case key.  Condition Report Disclaimer

A WILLIAM IV FIFTEEN-INCH TERRESTRIAL LIBRARY TABLE GLOBEG. AND J. CARY, LONDON, CIRCA 1832The sphere applied with two sets of twelve hand-coloured engraved split half-gores incorporating circular panel inscribed CARY'S, NEW, TERRESTRIAL GLOBE, Drawn from the most recent, GEOGRAPHICAL WORKS, shewing the whole of the New Discoveries, with the, TRACKS of the PRINCIPAL NAVIGATORS, and every improvement in Geography, to the present time., LONDON, London Published by G. & J. CARY, St James's Street, Jan'y 7th, 1832 to North Pacific, with extensively annotated and fully graduated equatorial and the Pacific ocean with an analemma for the TABLE of EQUATION, the oceans with many explorers' tracks and numerous notes and dates, Antarctica with minimal land shown including SOUTH SHETLAND, Powells Group and Sandwich Land, the continents with nation states faintly colour-outlined, showing cities, towns, rivers, mountains in pictorial relief, pivoted via the polar axis within brass meridian circle divided for degrees and with brass hour circle to North pole, set within engraved paper horizon ring with compass points and degrees in both directions, Zodiac, calendar scales and wind directions, the stand comprising four mahogany baluster turned supports united by a conforming cross-stretcher.53cm (21ins) high, 51.5cm (20.25ins) diameter overall. The celebrated Cary family business of scientific instrument and globe makers was established by John Cary at Johnson's Court, Fleet Street, London in 1782 moving to a new address at 'Corner of Arundel Square', Strand the following year. He was primarily an engraver of maps, charts and globes who moved again in 1783 to 188 Strand. By 1791 he had entered into what appeared to be a relatively casual partnership with his brother, William; this partnership lasted until circa 1816 by which time William and John Cary had moved again to 181 Strand before finally settling in 86 St. James in 1820. The following year he was succeeded by his sons, John (II) and George Cary, who continued from the firm's 181 Strand address until 1851/2 when the business was acquired by Henry Gould.Condition Report: Globe is generally in relatively original 'country house' condition. The sphere retains old colouring beneath a coat of relatively recently applied varnish. This recently applied coat of varnish is somewhat unevenly executed with a few light runs and sags. There is some historic damage beneath the varnish mainly old flaking to the original varnish and scuffing the worst of which being three vertical touched-in scratches passing through Europe down into Africa a large patch of previous varnish loss to the centre of Africa and a smaller area of similar damage to North America. There is also some concentric rubbing/scratching adjacent to the Tropic of Cancer and the equator (commensurate with something rubbing between the brass meridian ring and the globe itself whilst the sphere is being rotated. The bottom pole has some cracking, movement and slight losses around the pivot and the top has some slight opening to the gores beneath the hour circle. The meridian ring and hour circle are in good original albeit dirty/discoloured condition and the globe rotates comfortably without rubbing. The brass bottom mount (that locates with and hods the meridian ring steady) The stand is in sound original condition with the horizon papers complete and in comparable condition as the globe and the woodwork with relatively minor age-related bumps, scuffs and wear. Condition Report Disclaimer

A VICTORIAN BURR WALNUT QUARTER-CHIMING BRACKET CLOCK WITH WALL BRACKETTHWAITES AND REED, LONDON, CIRCA 1867The substantial five knopped pillar triple chain fusee movement with anchor escapement regulated by lenticular bob pendulum incorporating pivoted beam rise/fall regulation to suspension, chiming the quarters on a graduated nest of eight bells and sounding the hour on a coiled gong, the backplate signed Thwaites & Reed, London over pendulum holdfast bracket to centre and the frontplate stamped T & R over serial number 13783 to lower margin, the 7.25 inch engraved silvered brass arched Roman numeral dial with blued steel fleur-de-lys hands and foliate scroll engraved infill to spandrels with the upper continuing upwards to envelope the subsidiary FAST/SLOW regulation dial in the arch, the right hand margin further incorporating SILENT/STRIKE selection switch, the shallow break-arch top case with cavetto cornice over canted silvered brass fillet inset bevel-glazed dial aperture to the front door flanked by canted angles applied with shaped corbels to upper and lower margins, the sides with bevel-glazed arched apertures and the rear with brass grille inset rectangular door set within the frame of the case, the moulded skirt base decorated with fluted band to upper margin and fitted with brass bun feet, the wall bracket of tapered concave form with raised mouldings bordering the table and conforming collar towards the base terminating with an onion-shaped rectangular section pendant.The clock on wall bracket 72cm (28.25ins) high, 36cm (14.25ins) wide, 24.5cm 9.75ins) deep. The clockmaking firm Thwaites and Reed can be traced back to Ainsworth Thwaites who was apprenticed in 1735 and worked from Rosoman Row, Clerkenwell, London 1751-80. He was an accomplished maker who supplied the clock for the tower at the Horse Guards Parade. His son, John, was born in 1757 and took over the business presumably on the death of Ainsworth in 1780 before moving to Bowling Green Lane. He entered into partnership with Jeremiah Reed in 1808 and the firm subsequently became well known for supplying all forms of clocks and movements either wholesale for others to retail or signed by themselves. The partnership continued under John Thwaite's leadership from several addresses in London until his death in 1842. The business has subsequently passed through a series of successors and is still trading today from Rottingdean near Brighton.Ronald E. Rose in his book English DIAL CLOCKS provides data allowing clocks by Thwaites to be dated from their serial number (Appendix III page 239); from this list the serial number of the movement of the current lot suggests that it was made around 1867. Condition Report: Movement appears complete, all-original and is in relatively clean fully working condition. The dial has slight overall mellowing and slight rubbing around the winding holes otherwise is in good original condition. The case is generally in good original condition with notable faults limited to relatively minor shrinkage cracking to the curvature of the top. The right hand side is lacking a very thin strip of timber bordering the fluted band above the skirting. Faults are otherwise limited to relatively minor are related bumps, scuffs, shrinkage and wear. The bracket is in similar condition but has a patch where the polish finish has become dull/darkened to the front.Clock has pendulum but no case key or winder.Condition Report Disclaimer

Y A FINE WILLIAM AND MARY OYSTER OLIVEWOOD AND FLORAL MARQUETRY EIGHT-DAY LONGCASE CLOCKDANIEL LE COUNT, LONDON, CIRCA 1685-90The five finned pillar outside countwheel bell striking movement with plates measuring approximately 7.25 by 5 inches and anchor escapement regulated by seconds pendulum, the 10 inch square brass dial with ringed winding holes, conforming decoration to the subsidiary seconds dial and scroll border-engraved calendar aperture to the finely matted centre within applied silvered Roman numeral chapter ring with stylised fleur-de-lys half hour markers and Arabic five minutes within the outer minute track, with fine scroll-pierced and sculpted blued steel hands, winged cherub head cast spandrels to angles and engraved Daniel Le Count Londini to lower margin, the case with architectural ogee moulded cornice incorporating swollen crossgrain frieze and ebonised mouldings over fixed glazed dial aperture flanked by opposing ebonised Solomonic twist three-quarter columns, the sides with rectangular windows and conforming quarter-columns set against bargeboards rising past the lintel to meet the cornice overhand at the rear, the slender trunk with convex oyster olivewood veneered throat moulding, over 42 inch rectangular door centred with an oval lenticle and with two break-arch bordered marquetry panels decorated with bird inhabited floral sprays and scrolling foliage into an ebony ground within an oyster olivewood field, further incorporating conforming shaped marquetry quadrant panels to upper corners and contained within an inset line border edged with ebonised half-round mouldings, the sides veneered with two panels of repeating oysters within crossbanded surrounds, the base with stepped ogee top moulding and fronted with conforming rectangular marquetry panel decorated with floral blooms into an ebony ground over ebonised bun feet.197cm (77.5ins) high, 47cm (18.5ins) wide, 26.5cm (10.5ins) deep. Daniel Le Count is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as most likely being a Huguenot refugee from France who was first made free of the Haberdashers' Company before becoming a Free Brother of the Clockmakers' Company in 1676. He took on at least five apprentices including one through Nicholas Coxeter (Charles Ekins in 1677) and two through William Speakman (James Way in 1681/2 and Daniel Lefebure in 1686). Daniel Le Count is thought to have married twice with two children, Daniel and William, born to his first wife, Mary in 1676 and 1677 respectively. He married his second wife, Ursula, at St. James's, Dukes Place in 1681/2 with whom he had a daughter, Judith. In 1695 the Le Count family were recorded as living in the parish of St. Bartholemew by the Exchange and, in 1697, he signed the Clockmakers' Company oath of allegiance. Daniel Le Count attended council meetings until 1705; he died in 1738 and was buried at Spitalfields.Condition Report: The movement is in relatively clean working condition and appears all-original with no visible evidence of alteration or noticeable replacements. The collet to the third wheel of the going train has been 'turned down' probably to allow the wheel to be moved along the arbor a fraction so mitigate wear to the next pinion in the train. Indeed pinions show overall evidence of historic wear however this has generally been mitigated by moving the wheels along their arbors a fraction so that they mesh with unworn parts of the pinions - an accepted practice in the conservation of early movements hence does not detract from the clock in anyway. The dial is also in good original condition. The matting is particularly fine, there is a visible rivet mark next to the calendar aperture (for a calendar wheel carrier post) and the two lower dial feet attachment points are just visible within the inner edge of the chapter ring. The silvering to the chapter ring has overall light to moderate patchy discolouration/tarnishing. The hands are finely worked and in good condition, the spandrels are also well finished and appear original. The movement is fixed on what appears to be the original seatboard which in-turn rests directly onto the cheek-uprights of the case indication that the movement and dial are most likely original to the case. There is a movement securing bracket fitted tom the movement backboard which corresponds to a bracket on the rear of the movement however the securing thumbscrew in now missing.The case appears to be in fine original condition although it is likely that it has seen some cosmetic attention to the finishes at some point in the past. The hood is in original condition (no evidence of the front being cut for a door) retaining the grooves for the rising action to the rear edges. The structure exhibits age-related shrinkage as do the veneers and crossgrain mouldings. There is a small loss to the front right-hand corner of the frieze cushion mouldings as well as to the veneer lining the edge of the left hand rear bargeboard otherwise faults are very much limited to age related shrinkage and a few minor historic bumps and scuffs. The backboard has replacements to each side behind the hood incorporating 'tongues' for the rising action; it is possible that at some point the tongues had become broken or were removed to allow the hood to be removed by drawing forwards. There is a spoon locking mechanism present as well as a sprung latch to secure the hood in raised position - both of these appear genuinely old and undisturbed so are most likely original.The trunk and base are in similar condition to the hood with historic shrinkage and movement but no visible evidence of alteration or replacements. The backboard continues down to border the lower edge of the base and, with the exception of having a baton screwed to the inside lower edge, appears undisturbed. The structure of the base also appears undisturbed; the fascia has horizontal shrinkage cracking but no noticeable losses to the marquetry veneers. The trunk door retains original locks and hinges and has slight shrinkage to the joints between the clamps and the board to both the upper and lower margins; this is to be expected and again there are no visible losses to the veneers. The lentical glass is cracked. The sides have a few small historic veneer patch repairs to the rear edge otherwise faults are limited to age-related shrinkage. The front door has some blooming to the finish. The marquetry also has reddy-brown highlights which are probably an old attempt to add contrast to the finish; there is raised 'roughness' to the joints within the marquetry indicating that the present surface has serious age hence any refinishing/cosmetic restoration was undertaken a long time ago (the plinth veneers are in conforming condition).Generally the present clock presents as a fine original example that appears to want no more than some attention to the finish of the case and a gentle service to the movement.Clock has a pair of brass cased weights, pendulum, a crank winder and a case key. Condition Report Disclaimer

Y A REGENCY MINIATURE BOULLE BRACKET TIMEPIECEUNSIGNED, CIRCA 1825The four baluster-pillar single chain fusee movement with anchor escapement regulated by disc-bob pendulum incorporating holdfast to the arched backplate, the 3.5 inch circular white enamel Roman numeral dial with blued steel spade hands set behind a hinged convex bevel-glazed engine-milled gilt brass bezel, the break-arch case with hinged rococo-scroll cast pendant carrying handle applied to a single curved pad contra-parti veneered in brass and tortoiseshell with symmetrical scrollwork raised within a gadroon cast gilt brass fillet surround, over ebonised cavetto cornice and front veneered with conforming contra-parti scrollwork, the sides with gilt brass fillet bordered arch-glazed apertures and the rear with glazed arched door set within a flush rosewood surround, on tortoiseshell veneered cavetto moulded skirt base with gilt brass bun feet.22cm (8.75ins) high with handle down, 14.5cm (5.75ins) wide, 10cm (4ins) deep.Condition Report: Movement is in fine original relatively clean working condition with no visible evidence of alteration or noticeable repairs/replacements. Although the mechanism appears clean a gentle service/lubrication is advised. The dial has some chipping/filling around the winding hole, there is also a very slight hairline crack towards the edge near the VIII numeral and some filled/coloured edge chipping beyond the II numeral (cannot be seen with the bezel closed). The case is generally in sound original condition. The top has a small historic veneer chip to the rear edge and some slight movement in the arch of the case is evident. The ebonised top moulding has an old repair to the front left-hand corner and a crack above the two o'clock position. The Boulle veneers to the front of the case exhibit some slight movement and lifting mainly to the section bordering the upper part of the dial; there are also two very small losses to the tortoiseshell in the same vicinity; otherwise veneers are in good original condition although the brass is showing some patchy discolouration. Both sides have small historic veneer patch repairs to the skirt moulding and the right hand side has a very small chip to the veneer overlapping the aperture at the apex of the arch. The lower rear right hand corner of the rear has some historic cracking and small loss to the veneer otherwise is in good condition. The rear door lock spring clasp is currently not engaging correctly hence the rear door cannot be shut fully (simple adjustment required). The base of the case has two unused holes, the purpose of these is unknown (perhaps for securing the clock to a wall bracket at some point?) but they are not considered evidence of alteration. Faults to the case are otherwise very much limited to minor bumps, scuffs, slight shrinkage and other age-related blemishes.Timepiece has a pendulum, winding key and a case key. Condition Report Disclaimer

Y A WILLIAM IV BOULLE LYRE-SHAPED CARRIAGE OR MANTEL TIMEPIECEDWERRIHOUSE, OGSTEN AND BELL, LONDON, CIRCA 1830The circular three pillar eight-day going barrel movement with underslung English lever platform escapement regulated by sprung monometallic balance, the backplate signed DWERRIHOUSE, OGSTON & BELL towards the upper margin, the 3.375 inch circular gilt Roman numeral dial with radial engine-turned centre and further signed DWERRIHOUSE, OGSTON & BELL to lower margin, with blued steel moon hands set behind hinged convex glazed gilt brass bezel with engine-milled insert, the lyre-shaped case with foliate cast and chased hinged gilt brass carrying handle applied to the leafy scroll engraved brass and tortoiseshell marquetry top panel positioned between out-swept side projections, over rosewood band to frieze, half-round mouldings bordering the dial aperture and concave sided cradle decorated with further brass marquetry scrollwork to front, the red-stained shell veneered sides following the curved outline of the front, the rear veneered in rosewood and incorporating a shaped downward-hinged door inset with a scroll-pierced and engraved brass sound fret, on skirt base applied with acanthus cast gilt brass upper mouldings over brass marquetry decoration to front and engine turned bun feet.22cm (8.5ins) high with handle down, 16.5cm (6.5ins) wide, 10cm (4ins) deep. The partnership of Dwerrihouse, Ogston and Bell are recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as working at Davies Street, Berkeley Square, London in 1832-35.Condition Report: The movement is complete and in clean condition with no visible evidence of alteration or noticeable replacements. The movement is fully wound and the escapement is intact and will beat a couple of times when encouraged however the clock is currently not running most probably due to being 'gummed-up' with dry/sticky lubrication. Therefore a gentle clean/service is almost certainly all that is required to bring it back to reliable working condition. The dial is in fine original condition exhibiting only light mellowing/oxidation to the surface and slight rubbing to the signature area.The case generally has survived in very good original condition with no losses or noticeable lifting to the brass marquetry. The tortoiseshell veneers to the curved elements are in very good condition with a small patch pf lifting/delamination to the inside face of the left hand side projection and another to the right hand side around the 2 o'clock position. There is a small veneer loss/chip to the upper edge of the lower side scroll moulding to the right-hand side; the left-hand side has a larger chip to the leading edge of the same lip and two small corner chips and slight movement to the same section below. The lower vertical faces edges of both these mouldings are lacking thin finishing strips of veneer. The skirting is in good condition with only two very small edge chips to the right-hand side. The rear has some overall light but noticeable shrinkage cracking to the rosewood veneers otherwise is in good condition.Timepiece has a case key and a winder.  Condition Report Disclaimer

Y A FINE DUTCH BRASS MOUNTED EBONY GRANDE-SONNERIE STRIKING TABLE CLOCK WITH MOONPHASE AND CALENDARJACOB HASIUS, AMSTERDAM, CIRCA 1740The four pillar movement with thick plates measuring approximately 8.75 by 6.375 inches enclosing fusee for the going train with verge escapement regulated short bob pendulum, the hour and quarter trains both with standing barrels secured to the frontplate and sounding the quarter followed by the hour on a graduated pair of bells every quarter hour, the backplate finely engraved with a sunburst mask flanked by foliate scrollwork incorporating ribbon-tied martial trophies over grotesque mask surmounted foliate strapwork bordered signature cartouche engraved Jacob Hasius, Amsterdam Fecit to lower margin, the 8 inch square brass dial with scroll-bordered shaped cartouche further signed IACOB, HASIUS, AMSTERDAM and incorporating date-of-the month aperture to the upper part of the matted centre, over twin shaped chamfer-cut sector apertures revealing month-of-the-year and day-of-the-week indications labelled in Dutch and engraved with their respective deities, within applied silvered Roman numeral chapter ring with stylised trident half hour markers, with scroll-pierced steel hands and lambrequin mask centred scroll cast spandrels to angles within a herringbone engraved border to the edges of the plate, the silvered arch with rolling moonphase set within very finely engraved surround incorporating lunettes and overall inhabited with Classical deities including Poseidon and Zeus together with other allegorical figures and trumpeting putti flanking an aperture for age of the moon to the apex, the ebony veneered bell-top case with scallop-shell centred scroll-engraved hinged shaped brass carrying handle and fine foliate scroll strapwork pierced and engraved fretwork overlay to both the convex upper and the tall concave lower sections of the superstructure incorporating central grotesque masks, urns and dolphins to the latter, over complex top moulding applied with fine chiselled brass vase finials above opening front incorporating brass fillet moulding bordering the glazed dial aperture and engraved winged cherub mask and scroll upper quadrant frets, the sides with circular over concave-topped scroll-engraved brass sound frets incorporating Classical portrait bust-centred cartouches, the rear matching the front, on cavetto moulded skirt base bound with strapwork scroll engraved brass over finely detailed hairy lion's paw feet.51.5cm (20.25ins) high with handle down, 31.5cm (12.5ins) wide, 20.5cm (8ins) deep. Provenance:Purchased at Christies Amsterdam sale of EUROPEAN AND NOBLE COLLECTIONS 14th December 2011 (lot 60) for 34,600 Euros. Previously the property of a Dutch private collector; with H. Brokke, Amsterdam in 1966, and the Dreesman Collection, circa 1928. Jacob Hasius is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working 1682-1747. He had a workshop in the Jan Roodenpoortstorenteeg and is listed in the 'Register of Good Men' in 1704 and 1716. The specification of grande-sonnerie striking, triple calendar indication and moonphase, coupled with the exceptional dial engraving and the profuse use of pierced and engraved brass mounts to the case suggest that the present clock was made as a 'statement piece' most likely for a member of the wealthy Amsterdam merchant class.Condition Report: Movement is complete, fundamentally original and is in relatively clean working condition. The grande-sonnerie striking is operational however is prone to either counting the hours incorrectly or not tripping now and again suggesting that a gentle service is probably due. All the underdial-work for the calendar indications are present and operational but will most likely require some adjustment and synchronisation. The dial is in fine original condition with exceptional engraving to the arch. The centre hole (for the hands) has a correction (from the time of making) in the form of a filled part-circle beneath the present hole otherwise faults are very much limited to a visible rivet mark (for a calendar wheel carrier post) to the matting near three o'clock. The case has a vertical veneer patch repair to the left hand upright (bordering the brass fillet moulding for the gazed aperture) of the back door otherwise is in fine original condition with faults very much limited to minor bumps, scuffs, shrinkage and other age-related blemishes. The brass frets are complete and of fine quality with good strong engraved detail throughout.Clock is complete with integral bob pendulum and a winding key. Condition Report Disclaimer

A REGENCY INLAID MAHOGANY BRACKET CLOCKBARWISE, LONDON, CIRCA 1825The five pillar twin fusee bell-striking movement with anchor escapement regulated by half-seconds lenticular bob pendulum and shouldered backplate signed Barwise, LONDON to centre, the 7 inch circular silvered brass Roman numeral dial with repeat signature Barwise, LONDON to centre and spade hands set behind hinged convex glazed cast brass reeded bezel, the arched case with hinged brass carrying handle over foliate motif centred shaped line decorated panel beneath dial, the sides with rectangular brass fish scale sound frets, the rear with arch glazed door, on ogee moulded skirt base fitted with brass ball feet.39.5cm (15.5ins) high with handle down, 24cm (9.5ins) wide, 16.5cm (6.5ins) deep.The life of John Barwise and his family are outlined by A.D. Stewart in his article Barwise & Sons: Watchmakers to the King. A brief history of family and firm published in the March 2014 issue of ANTIQUARIAN HOROLOGY (Vol IIIV No. 1 pages 621-34). Stewart notes that John Barwise was born into a clockmaking family in Cockermouth, Cumberland in around 1756. By 1780 he had moved to London where he opened a watch retailing business. Ten years later he married Elizabeth Weston with his address being recorded as 29 St. Martin's Lane where he remained until his death in 1820. Of their eleven children two (possibly three) died in infancy and two, John II (born 1795) and Weston (born 1793), subsequently joined their father in the family business. In 1800, such was his success, John Barwise I purchased a second house in Dulwich.In 1805 John Barwise I was one of the fifteen watchmakers appointed by The Board of Longitude to adjudicate in the dispute between John Arnold and Thomas Earnshaw regarding 'the respective merits of their chronometers'. On the 14th February 1811 Barwise was the victim of five highwayman who relieved him of a 'gold watch, greatcoat, and a guinea-and-a-half in cash' whilst en-route from Camberwell to Dulwich. This unfortunate occurrence may well have tempered Barwise's enthusiasm for his house in Dulwich as records indicate it was rented out to tenants by 1813. In around 1816 his sons, John II (who had just turned 21) and Weston, joined him in partnership with the business then becoming 'Barwise & Sons'. Shortly afterwards (probably in 1820) the firm obtained the Royal Warrant as watchmakers to King George IV.John Barwise senior died in 1820; by this time he was a wealthy man leaving two properties and substantial investments to his widow and children. The business was continued by Weston and John II in partnership, however this only lasted six years as Weston died in 1826 leaving the business in the hands of John II alone. It was at this time that John II married and moved from the family home at St. Martin's Lane to nearby 42 Craven Street; and then in 1840 to a spacious residence called East Lodge, near Acton which at that time was in open countryside. At around the same time John Barwise II entered into an alliance with the highly inventive Scottish Clockmaker Alexander Bain who was in the process of developing the first electric timepiece. Barwise and Bain subsequently filed a patent (No. 8743) for an 'Electro-Magnetic Clock' which was granted in January 1841; an example of which was then subsequently exhibited at the Royal Polytechnic Institution shortly afterwards.In 1842 John Barwise II was approached by Pierre Frederic Ingold (1787-1878) to assist in the creation of a watch factory which, by employing newly invented machinery, would be able to mass produce high quality watches at a much smaller cost than the prevalent hand-built movements available at the time. Barwise, along with Thomas Earnshaw junior, subsequently became managing directors of the newly established 'British Watch and Clockmaking Company'. The factory was established at 75 Dean Street but only lasted two years before closing due to financial difficulties mostly brought-about by poor reputation fuelled by pressure from rival watch component makers to whose livelihoods the factory posed a great risk. It would appear that John Barwise II had invested most of his personal wealth in the venture as he was declared bankrupt in 1846. With this he lost his house, East Lodge near Acton, but still managed to keep the business afloat - perhaps mainly due to the generosity of his father-in-law, Charles Baumer, who provided the family with a house at 7 Queen's Row, Camberwell rent free presumably until Barwise was back on his feet.In 1853 another former business Barwise partner the Calcutta retail Jeweller Robert John Lattey returned to London and became founder and auditor of the 'London & Eastern Banking Corporation'. With the resources of the Bank behind him Lattey (trading as Lattey and Company) took-on Barwise's debt and became owner of the business. It was at this point that John Barwise II stepped back from the firm with the overall management passing to the to the Swiss watchmaker, Jules Rochat who had joined the business in 1847. Unfortunately the situation did not improve under Rochat's tenureship as it subsequently transpired that the funds used to purchase the business were illicitly acquired, and in 1857 the London & Eastern Banking Corporation collapsed. After the 1857 liquidation of Lattey and Company the firm was acquired by the jeweller and Goldsmith Douglas Guillaume Cave and continued, again under Jules Rochat's management, until 1869 when bankruptcy again forced the company to change hands. The firm was subsequently continued under the Barwise name in the hands of several different owners up until 1988 with their last known address being 153 Fenchurch Street. Of John Barwise II, he is recorded in the 1861 census as being a 'chronometer maker out of business' and presumably still resided at 7 Queen's Row, Camberwell until his death in 1869.Condition Report: The movement appears to be in good original condition with no visible alterations or noticeable replacements. The pendulum holdfast bracket is no longer present. The dial has slight overall mellowing and a few small patches of discolouration to the silvering otherwise is in good overall condition. The case is in sound original condition with notable faults limited to a veneer patch repair around the bezel keyhole to the left-hand side, there is also a spare hole just above the fret to the left hand side -this is left-over from the bezel clasp being re-positioned. The arched top veneer has only two small light shrinkage cracks and there is some slight movement in the panel beneath the dial (but no cracks or losses to the inlay). The brass fittings are somewhat tarnished/discoloured. Faults to the case are otherwise limited to minor bumps, bruises and other age related blemishes.Clock does not have a winder or a case key. Condition Report Disclaimer

A GEORGE IV CARVED MAHOGANY BRACKET WITH TRIP-HOUR REPEATJAMES MCCABE, LONDON, CIRCA 1825-30The five pillar twin chain fusee bell striking movement with anchor escapement regulated by half seconds lenticular bob pendulum with geometric ring engraved bob and stirrup regulation, the geometric border engraved shouldered backplate with pendulum holdfast and conforming oval cartouche signed James McCabe, Royal Exchange, LONDON to centre, the 8 inch circular convex cream painted Roman numeral dial inscribed JAMES McCABE, Royal Exchange, LONDON, 1075 to centre, with blued steel fleur-de-lys hands and Strike/Silent selection switch at twelve o'clock set behind hinged convex-glazed engine milled bezel, the lyre-shaped case with generous fluted urn surmount to the triangular pediment over applied acanthus scroll and rosette bordered waisted ogee-outline front and conforming shaped sides, the rear with shaped rear door inset with a brass grille sound fret, on bead and foliate gadroon-carved moulded base with generous projecting foliate rosette carved bracket feet, (dial refinished).61cm (24ins) high, 40.5cm (16ins) wide, 23cm (9ins) deep. Provenance:Purchased by the vendor from Dukes, Dorchester sale of Silver, Jewellery and Furniture Thursday 9th April 1998 (lot 842) for £3,600 hammer. James McCabe junior succeeded his father of the same name was one of the most successful English clock and watchmakers of the 19th century. He was apprenticed to Reid and Auld of Edinburgh and was admitted to the Clockmaker's Company as a Free Brother in 1822. Around this time McCabe entered into a short-lived partnership with Strahan (probably Charles who gained his freedom of the Clockmaker's Company in 1815). From 1826 James McCabe managed the business alone from 97 Cornhill until 1838 when he was forced to temporarily relocate to 32 Cornhill due to a major fire at the Royal Exchange. It was at this time (1825-43) that Thomas Cole worked for McCabe before setting up his own to produce distinctive and highly decorative timepieces in his own unmistakable style. The business was subsequently continued by Robert Jeremy until his retirement in 1883. Condition Report: The movement is in fine clean working condition with no visible alteration or noticeable replacements. The dial finish has bee restored to a good standard and is now free from visible faults. The case is in good original condition. The rear door has a few small losses and historic veneer patch repairs to the veneer overlap and the top pin hinge needs re-securing. The surface finish to the rear and right hand sides are a little flat hence requires 'freshening-up' (but are not faded). The top has a small veneer patch repair to the front left hand corner and another to the apex at the rear, otherwise the case is in fine condition with good figured veneers and faults very much limited to very minor shrinkage and a few slight bumps, scuffs and other age related blemishes.Clock is complete with pendulum, a wander and two case keys. Condition Report Disclaimer

A Shiraz carpet, mid 20th century, The madder field with an ivory triple linked medallion, with rows of stylised plants, within a floral border, 304 x 161cmareas of old moth damage and a 10 x 8cm patch.

A group of 1930s silver and enamel dressing table items - Royal Navy Internet various dates, mostly Gieves and Co. comprising; a cigarette case, a match box case, patch box and a boxed pair of bottle stoppers, each with guilloche enamel ground, applied or inset crownDimensions:Cigarette case: 8.3cm, weighable silver: 5.8oz

Blue Portsmouth no.4 home jersey, circa 1967, Umbro, long-sleeved with elasticated white round neck collar and cuffs with red and blue trim, bearing club crest badge, and reverse numbered 4 The front with repair patch in the centre of the chest, stain on front and white marks above number on reverse.

Cristiano Ronaldo signed Manchester United 2021-22 home jersey, with premier league patch to arm, brand new with adidas tags still attached. Ronaldo has signed to reverse under his name next to his infamous number 7, lovely neat bold autograph, being his full signature in black sharpie 

Silver pencils; pepperette; enamel patch box; banded agate seal; carved monkeys, and other objects.Qty: Qty

KURT JACKSON. Four publications: A 2007 Messum's exhibition catalogue, 'Project I, Caroline and the Veg Patch' and 'Project II, Two French Rivers', with price list etc; 'Foraging', a 2015 Campden Gallery exhibition catalogue with price list; 'A One-Mile Walk', a 2013 Campden Gallery exhibition catalogue with price list & a 2007 Glastonbury Auction catalogue in aid of OXFAM.  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.

A collection of treen boxes,19th century, snuff boxes, three lacquer patch boxes and a patch box with inset miniature of a ballooning scenelargest 8.5cm wide (16)Condition ReportGeneral wear and tear, but mainly the condition is good

A small George III mahogany chest of drawers,with brushing slide, four long drawers, oval brass handles, on bracket feet81cm wide44cm deep77cm highBuying this antique chest could save up to 0.32 tonnes of CO2e compared to buying a new chest of drawers.Condition ReportA faded old veneer patch to the top front left corner, some small ink stains towards the backreplaced handles and some wear is evident to the drawer runners

A RECONSTITUTED STONE BUST, of a young man, on a socle base, approximate height 50cm, heavy (1) (Condition Report: appears ok, discoloured? patch to one cheek, would benefit from a clean)

A BRONZED FIGURE OF A FAIRY, standing, with her arms outstretched, inside a flower, indistinctly signed and stamped to the base, height 39cm (1) (Condition Report: generally ok, scratching and wear to finish, small patch of verdigris like material underneath left wing, dusty)

Six early 19th century South Staffordshire enamel patch boxes.

Three 18thC enamel patch boxes of naval interest to include Britannia Rules the Waves etc.

Three 18thC enamel patch boxes of gentleman's past time, Cock Fighting, Wrestling and The Hobby Horse.

Three 18thC patch boxes to include a Trifle from York and Rippon.

Six various 18thC enamel patch boxes to include Keep This For My Sake, Peace and Plenty, Winter.

Four various 18thC patch boxes.

Five 18thC enamel patch boxes, four with inscriptions to include, ‘Esteem the Giver’, ‘The higher we fly the faster we fly’.

Continental enamel and gilt metal patch box. 6 x 3.5cm.

Wrenman: Bob Hunter (Thirlby): An English Oak Work Box, with a rectangular lid over a single drawer, on four octagonal legs, with recessed carved wren trademark, 47cm wide, 36cm deep, 49.5cm highThe top with a small patch of water damage to the front-right corner. The right-hand corner support with some scuffs, but would polish out. Generally needs a polish. Otherwise OK.