We found 24353 price guide item(s) matching your search

A BILSTON ENAMEL PATCH BOX, CIRCA 1815-20 of oval form, the hinged cover printed in outline and hand-coloured with a couple standing before a priest, inscribed above 'The Single Married, the Married happy'. 4.2cm wide

A BILSTON ENAMEL PATCH BOX OF NELSON INTEREST, CIRCA 1806-10 oval, the hinged cover with a hand-coloured print of Nelson shown half-length with the Battle of Trafalgar raging behind him, a banner above his head inscribed 'Nelson & Victory'. 5.3cm wide

A BILSTON ENAMEL PATCH BOX, CIRCA 1780 oval, the hinged cover inscribed 'May Trade increase And bless our Isle / And Commerce make This Land to smile'. 4cm wide

A BILSTON ENAMEL PATCH BOX, CIRCA 1790 of oval form, the hinged cover printed and hand-coloured with 'A Trifle from London / Carlton House', the Royal residence with figures in the foreground, opening to reveal a mirror, the base blue. 5.4cm wideCarlton House was The Prince of Wales' ever-evolving London residence on Pall Mall between 1783 and 1826. It was demolished the next year and replaced with Carlton House Terrace, which stands today.

Two Sunpower AC-AC model SP2P300, a PSY, a G5RV wire antenna, patch leads speakers and various accessories. (qty)

William Staite Murray (1881-1962)Vasestoneware, with an iron glaze and single gold patch detail to the bodyimpressed potter's seal, incised 'KI/SKD' and painted '49'20cm high. Provenance:The collection of Paul Whitfield (1942–2018).Paul Whitfield’s distinguished auctioneering career began in in the furniture department at Christie’s in 1965 rising quickly through the ranks to become managing director at King Street by 1969. Later, he was instrumental in the setting up of Christie’s South Kensington. He was the son of the poet and writer Christopher Whitfield, an early friend of Michael Cardew in the 1920s, and a supporter of Frederick Landseer Griggs.After Christie’s, he worked in roles at Bonhams, Sotheby’s, and finally Phillips. Passionate about his craft, he had a deep knowledge of many areas, including bronzes, furniture, ceramics, and modern British painting. This passion was reflected in his own collection, avidly compiled over his lifetime and housed at his Cotswold home outside Chipping Campden.In retirement, he provided invaluable support to the north Cotswolds’ museums, as a trustee of the Guild of Handicraft Trust and the Court Barn Museum, as well as loaning works of art to the Winchcombe archive collection.Overall good condition, with minimal glaze and firing faults.

John Ward (1938-2023)Large vesselglobular form with squared shoulders, green and mottled brown glazeimpressed potter's seal32cm high.1.5cm small crack to rim with patch restoration. Otherwise appears to be in good condition.

George Dannatt (1915-2009)Study for an Etching Slate & White No 1inscribed (to reverse)oil on board10.5 x 13cm. Provenance:The collection of Margaret Bailey.Appears to be in good condition overall, except for a patch of brown staining to the white canvas backing just below the slate. Framed behind glass.

Graham Sutherland (1903-1980)Michaelmas, 1928signed in pencil (in the margin)etching13 x 9.5cm. Provenance:Colnaghi & Co., London;The collection of Paul Whitfield (1942–2018).Paul Whitfield’s distinguished auctioneering career began in the furniture department at Christie’s in 1965 rising quickly through the ranks to become managing director at King Street by 1969. Later, he was instrumental in the setting up of Christie’s South Kensington. He was the son of the poet and writer Christopher Whitfield, an early friend of Michael Cardew in the 1920s, and a supporter of Frederick Landseer Griggs.After Christie’s, he worked in roles at Bonhams, Sotheby’s, and finally Phillips. Passionate about his craft, he had a deep knowledge of many areas, including bronzes, furniture, ceramics, and modern British painting. This passion was reflected in his own collection, avidly compiled over his lifetime and housed at his Cotswold home outside Chipping Campden.In retirement, he provided invaluable support to the north Cotswolds’ museums, as a trustee of the Guild of Handicraft Trust and the Court Barn Museum, as well as loaning works of art to the Winchcombe archive collection.Light foxing spots to the borders. one larger discoloured patch to the right border at the top of the Ivy. Overall good.

A mixed lot to include a WWI British War Medal, together with an enamel sweetheart brooch A/F, an enamel silver Navy war brooch, a Naval patch and other items to include a silver sports medal Location:

Trumpet By Selmer bell stamped 'Henri Selmer Paris Grands Prix Geneve 1927, Barcelone 1929, Leige 1930, 4 Place Dancourt Paris Made in France' along with engraved Selmer signature, back of second valve casing stamped '630 Balanced L. Armstrong' along with Selmer Pairs logo, with Besson 2 mouthpiece, in caseSome wear to valves; two patches one on bell bow the other on bell under the stay from leadpipe to bell; leadpipe has had repair sleeve added immediately after mouthpiece receiver and patch covering seam

ENGLISH CREWEL WORK PANEL LATE 19TH CENTURY worked with wool on canvas, depicting a climbing vine thick with flowers, birds and squirels, one corner with an embroidered numbered patch, unmountedDimensions:approximately 260cm long x 55cm wideProvenance:Provenance: Previously Morland House, Morland, Penrith, thence by Markham family descent to the present vendor

A Chinese imitation-Jun pear-shaped vase, yuhuchun ping20th centuryThe thickly-potted vessel covered overall in a sky-blue glaze pooling around the foot, 16.5cm high.二十世紀 仿鈞窯玉壺春瓶Condition Report: 品相報告：firing imperfections which include a large unglazed patch under the mouth, some over-firing, particularly around the mouth; glaze thickly pooled around the foot; some grit to glaze around foot, a couple of frits to mouth.

Property from the estate of the late David Cornwell, best-known as the author John Le CarréAnglo-Chinese school  (Qing dynasty, c.1820)Landscape with ploughmanOil on paper laid on aluminum board, framed107cm x 65cm.Provenance: Martyn Gregory (label)A German private collection.Exhibited: Martyn Gregory, Treaty Port Scenes: Historical Pictures by Chinese and Western Artists 1750-1950 (Catalogue 83 2007-8), no. 83.農耕圖約一八二零 紙本油畫，鋁板木框來源：馬丁·格雷戈里 (Martyn Gregory) 標籤德國私人收藏展覽：馬丁·格雷戈里 (Martyn Gregory)，《通商口岸場景：1750-1950年中西藝術家歷畫作》（目錄83， 2007-8），第83期。Condition Report: 品相報告Expected craquelure to surface consistent with type.Some areas of sympathetic repair/touching up, including several scattered small patches, a larger patch (approx. 10x8cm) and four repaired tears, largest running vertically almost from edge to edge. Please refer to images for further details.

A Chinese blue and white ‘spirit’ bottleQing dynasty, Kangxi periodOf elongated barrel shape, with short straight spout rising from a recessed mouth, boldly painted around the body in bright washes of cobalt blue with a thick meander of scrolling leafy chrysanthemums, the recessed base left plain, 14.5cm high.Provenance: Guest & Gray (label).清康熙 青花繪菊紋魂瓶來源：Guest & Gray（標籤）。Condition Report: 品相報告A few expected minor firing imperfections and a shallow infilled chip at the foot. There is a patch highlighting to the side under UV, however this looks to be some transparent residue from the foot chip, rather than restoration to the area.

A Chinese famille rose moulded 'lotus' punch bowlQing dynasty, Qianlong periodThe sides moulded and enamelled with lotus lappets, with further floral sprays to the centre, 26.5cm diameter.Provenance: Elinor Gordon Oriental Lowestoft, Villanova, PA (label)清乾隆 粉彩蓮紋潘趣碗來源: Elinor Gordon Oriental Lowestoft, Villanova, PA (標籤)Condition Report: 品相報告：Rubbing to enamels and expected surface wear. Some firing imperfections. Rim hairline (approx. 7cm); star-shaped glaze line to base (approx. 8x6cm, this does not appear to be visible from the other side) and hairline to foot (approx. 20mm) with associated overpainting patch (approx. 4cm wide); several infilled rim chips and a few extant rim nibbles. Shallow surface chip to interior of foot. 

Various glassware, pottery and effects, Continental hors d'oeuvre dish, French Sarreguemines pottery character jug, 16cm high, bowl, patch boxes, etc. (a quantity)

A 20thC Sterling silver patch box, of oblong form, with engine turned lid, thumb mould handle, and plain interior, marked to the edge, 4cm long.

18th c. Dutch tabletop secretary or letter desk with a serpentine bombe form. With floral marquetry inlay, ball and claw feet, two drawers, and a drop front writing desk.Height: 15 1/2 in x width: 20 in x depth: 11 1/2 in.Condition: The desk is structurally sound and stable. There are a few areas of light buckling to the inlaid floral decoration. There are a few small splits to the wood, especially the left side, visible in the lot listing. All drawers open and close smoothly; the sliding door along the interior of the top of the desk is a little sticky, but it opens. One of the handles of the bottom drawer is broken - see lot listing - however, the original pieces are included with the lot. Both of the large bottom drawers have splits to the bottom panel and evidence of attempted repairs (areas of lighter wood along the interior and a tape-like patch visible along the underside).Throughout the piece there are a few minute areas of chipping or minor losses. The front panel of the right arm that extends to hold the desk in place is missing, visible in the lot listing.  Along the right front leg there is a missing piece of trim; the trim piece along the back of this leg is loose. Both legs are slightly loose. Light wear throughout consistent with age and use.

A late 18th/early 19th century enamel patch box, Britannia rears her head

Nelson Interest - an early 19th century enamel patch box, the hinged cover painted with a portrait of Nelson, inscribed 'Trafalgar 1805 NB'

DONALD HAMILTON FRASER (BRITISH, 1929-2009)Place de la Republique (1961) signed 'Fraser' (lower left) oil on canvas 90.5 x 70cm ARR Provenance Gimpel Fils Gallery, South Molton Street, London Exhibited London, Gimpel Fils Gallery, July 1961, No. 26Condition reportA vertical line visible upper right quarter, possibly a drip or a stain.Some very minor paint loss to extreme edges.Some other small marks/spots/stains in places, including a very small brown mark/stain to lower left quarter.A possible patch of over painting over a possible patch of paint loss to upper left corner of orange building, but it doesn't fluoresce under uv light. Possibly it is original to work.Overall appears generally good.

EUGENE BERMAN (RUSSIAN, 1899-1972)A ram's head signed with initials and dated 'EB 1961' (lower centre) watercolour and pastel heightened with bodycolour 27 x 56cmProvenanceMarina Henderson GalleryFootnoteMarina Henderson opened her Gallery in Langton Street, at the World’s End, in 1982. Her main specialities were paintings and drawings related to the performing arts. Her first coup was to exhibit Edward Burra’s designs for ballet, an area of his work that had never been the subject of a Gallery show. Another breakthrough was a series of shows of designs by John Macfarlane early in his career before he became one of the leading international designers for opera and ballet. Other important exhibitions featured Bakst, Barbier, Beaton, Benois, Berard, Berman, Cocteau, Edward Gordon Craig, Erte, Gontcharova, Leslie Hurry, Laura Knight, Larianov, John Minton,Tanya Moisewitch and Picasso.The Gallery’s customers included actors, directors, curators and archivists from Covent Garden, Glyndebourne, Harvard Theatre Museum, the University of Texas and major private collectors in UK and USA.The Marina Henderson Gallery soon developed into a social club where customers became friends and friends customers. Sadly it closed with the expiry of the lease in 2001. Marina continued to deal privately from home for the next 12 years.Condition reportThe sheet is rippled in some areas, small patch of staining off the upper left border.  Framed and under glass, unexamined out of frame.

ROWLAND HILDER (BRITISH, 1905-1993)A barn in Kentsigned 'ROWLAND HILDER' (upper left)pen, ink and watercolour on paper17 x 23.5cmARRProvenanceThe Furneaux Gallery, Wimbledon, 1976, from whom acquired by the previous owner;thence by descentCondition ReportThe sheet is sound.  One small fleck of staining just above the horizon and faint, small patch of discolouration in the sky, upper centre.  Framed and under glass, unexamined out of frame.

ATTRIBUTED TO CHRISTOPHER RICHARD WYNNE NEVINSON (BRITISH, 1889-1946)The Thames looking towards Greenwich bears signature (lower right) oil on panel 30.5 x 40.5cm ProvenanceThe Estate of the late Professor Jonathan & Mrs Deanna Brostoff https://www.bellmans.co.uk/story/the-collection-of-professor-jonathan-and-mrs-deanna-brostoffCondition reportThere is a horizontal split to the panel running through the centre (just above the cranes).A smaller horizontal split upper left.Surface dirt and brown spots/marks visible.Inspection under uv light reveals a small patch of retouching on the main split where smoke is coming out of the chimney below.

A GEORGE III BRASS MOUNTED MAHOGANY TABLE CLOCK WITH TRIP-HOUR REPEATINSCRIBED FOR BROCKBANKS, LONDON, CIRCA 1790The five pillar twin chain fusee bell striking movement with verge escapement regulated by short bob pendulum with holdfast hook to the geometric border-engraved shouldered backplate applied with a shaped plate engraved Brockbanks, LONDON to centre, the 7 inch break-arch cream painted Roman numeral dial further inscribed Brockbanks, LONDON to centre and with gilt brass spade hands beneath subsidiary STRIKE/SILENT selection dial to arch, the case with cushion-capped domed caddy superstructure flanked by gilt brass vase finials over double cavetto top mouldings, the rectangular front door with brass fillet moulding around the glazed dial aperture and scroll cast upper quadrant frets flanked by reeded canted angles, the sides with hinged gilt brass carrying handles over brass break-arch fish scale sound frets, the rear with break-arch glazed door set within the frame of the case, on cavetto moulded skirt base with brass ogee bracket feet.47cm (18.5ins) high, 33cm (13ins) wide, 20.5cm (8ins) deep. Provenance:Purchased by the vendor from Dukes, Dorchester sale of Silver, Jewellery and Furniture Thursday 9th April 1998 (lot 838) for £2,800 hammer.Condition Report: The movement is in good original working condition with no visible evidence of alteration or noticeable replacements. The mechanism is a little dirty/discoloured so a gentle clean/service may be advisable. The Brockbanks signature is engraved to a separate plate which is screwed to the backplate, as this could be an addition we cannot offer any assurances that the present clock is by Brockbankes. The dial appears to have been refinished and is in good condition with visible faults limited to very light edge chipping to the left-hand winding hole. Again, as the dial has been refinished, we cannot offer any assurances that it was originally signed for Brockbanks.The case is generally in good presentable condition. The superstructure probably has a concave section applied to the top of the dome hence the present cushion-shaped pad is probably a replacement. The veneers to the caddy exhibit some movement and the finials are probably later additions. Each of the side apertures has a small veneer patch repair to the edge overlap otherwise faults to the case are very much limited to minor shrinkage and a few very minor age related bumps, scuffs and other blemishes.Clock has a crank winder and a case key. Condition Report Disclaimer

Group of 19th century glassware including a compressed flask with ribbed ornament, a Regency diamond cut triple ring neck decanter and stopper, a small tazza/patch stand in the 18th century-style, a rummer, a petal cut ale glass and one further glass (6) 

A George VI silver rectangular powder compact, maker Dyas Beverley Hampton, London 1947, of rectangular shape with engine turned decoration, also a Victorian silver oval patch box, makers Constantine and Floyd, Birmingham 1876, with embossed scroll and foliate decoration and another patch box, Birmingham 1876 of heart shape.

A George V silver oval tobacco box, makers Charles S. Green & Co. Birmingham 1918, 9cm long, 73gms, 2.3ozs, two continental silver patch boxes and a cut glass and silver topped scent bottle, with engraved inset oval panel depicting a building (4)

Three Japanese lacquer photograph albumsMeiji era, late 19th centuryComprising: a lacquer photograph album with 24 colour-printed photographs of views of Nikko, Tokyo, Yokohama, Kyoto, Hakone and scenes of everyday life, circa 1880, each photograph 14cm x 21.5cm, in red lacquer cover with bone inlay, 27 x 22.2cm; a lacquer photograph album containing a collection of 24 colour-printed photographs by Kusabe Kimbei (1841- 1934) including views of Kobe, Nikko, Tokyo and Yokohama, including the Western quarter, and photographs of palanquin bearers, rickshaw drivers and scenes of everyday life, circa 1890, stamped on the inside of the front cover 'K. Kimbei, Photographer, Hocho-Dori, Yokohama', each photograph 20cm x 26.5cm, in red lacquer covers decorated with cherry blossoms, 36 x 27.3cm; and a small lacquer concertina album with 50 coloured photographs of bijins and daily life, each photograph 9cm x 18.5cm, in black and gilt lacquer cover with bone and mother-of-pearl inlay, 12cm x 19cm (3).Condition Report: 品相報告：(in order of catalogue description)1. Medium with inlay: The lacquer cover cracked at the top left corner edge of the front, with three losses to inlay, some scratching, nibbling to edges and a couple of surface chips. The photographs in reasonably good condition but with some expected fading, a few with marks and scuffs and one with an approx. 20mm wide patch where the patina has been raised and some nibbling to the edge; the pages slightly warped, with some expected brownish discolouration the edges, some expected foxing and some creasing to the protecting tissue paper in between the leaves, loss to the first leaf of tissue paper.2. Large album: some wear and cracking to the leather spine, which is also slightly loose. General surface wear to lacquer cover with some scratching, marks and scuffs, particularly to the reverse, and nibbling to edges. Some warping and foxing to pages, and creasing and foxing to protective tissue paper. Some of the photographs also with light foxing.3. small with inlay: marks and scuffs to cover and some warping and discolouration to pages; photographs in generally good condition apart from a few scattered marks of pigment.

A Chinese Henan brown-glazed foliate dishSong-Liao dynasty, 11th/12th centuryThe shallow flower-shaped vessel potted with ten petals, covered overall in a rich, black/brown iron-oxide glaze stopping short of the foot to reveal the hard, sugary body, 12cm diameter.Provenance: R & G McPherson Antiques (receipt).宋 - 遼 十一/十二世紀 河南醬釉花口碟Cf. s similar dish in the Fitzwilliam Museum, Cambridge, Maud Ochs Fund, accession no. C29-2007; and one illustrated by R. Krahl, Yuegutang, A Collection of Chinese Ceramics in Berlin, G+H Verlag, Berlin, 2000, p. 227, pl. 181.Condition Report: 品相報告A couple of tiny glaze chips to the exterior of the rim and a slightly larger one to the centre of the dish (the largest approx 4mm wide). A patch of overpainting (approx. 15x15mm to the exterior) and some further patches of overpainting around the edge edge of the rim. There s a network of craquelure that is highlighted under UV inspection; none of these appear to go through, but prospective buyers will have to satisfy themselves upon physical inspection. Expected firing imperfections consistent with type including come fine firing cracks and some scattered pits; and some expected old wear.

FIVE 18TH CENTURY DUESBURY DERBY PORCELAIN FIGURES (all damaged and restored), variously with patch marked and ground bases

A PAIR OF 19TH CENTURY STAFFORDSHIRE PORCELAIN FIGURES OF A LION AND UNICORN, TOGETHER WITH ASSORTED LATE 18TH, 19TH AND 20TH CENTURY CERAMICS AND ENAMEL ITEMS, unicorn height 9cm, other items include a pair of Sampson porcelain pseudo gold anchor cherub on dove figures, an oval enamel patch box with 'A Friends GIFT' inscribed to the lid, a small circular pot, the lid inscribed 'A Pledge of LOVE', diameter 2.3cm, an enamel tricorn hat patch box, a Chinese Canton cylindrical porcelain pot and cover, height 3.8cm, a pair of recumbent spotty greyhounds, etc (15) (Condition Report: unicorn missing horn, tail and one hoof, cat missing one front paw, patch box has crack in lid and cracked mirror, small box is badly damaged and lid of tricorn hat is detached with chips and hairlines to hat)

A GEORGE III SILVER COMBINATION POMANDER / PATCH BOX, the spherical top with screw off cover on a short pedestal to a circular foot with pull off cover, wriggle work and bright cut decoration, makers Cocks & Bettridge, Birmingham 1802, height 3cm x diameter 2.2cm, 0.22ozt, 6.8 grams (Condition Report: both covers to top and bottom open and close properly, soldered repair to top of the pedestal, a few small dints to the domed cover and to the base)

A CHANEL CLASSIC MEDIUM DOUBLE FLAP HANDBAG, with signature diamond quilted lambskin leather exterior, inner flap closure, rear patch pocket, interwoven leather and gold tone chain strap, gold tone hardware with CC turn lock fastening, complete with maker's dustbag, box, ribbon, polishing glove, Chanel booklets, with original purchase receipt, serial code UP8GA131, measuring 25 by 16 by 6.5cms (condition report: very good condition, nearly new, protective plastic stickers on reverse of clasp and ID serial code plate, some minor surface scratches to twist part of clasp, a few very small minor scuffs to the interior, packaging all in very good condition)

A George III South Staffordshire enamel patch box

Nils Hans Christiansen (1867-1939) oil on canvas - A Village Church, signed, 47cm x 61cm, in gilt frame There is a scratch with accosiated paint loss measuring 24cm at the end of the church, also a rather messy repair verso, along with patch repairs, as seen in the images.

19th century oil on canvas - Scottish sporting scene, signed Dixon 1891, 50cm x 75cm in gilt frameRequires restoration. A number of patch repairs as seen in the images, some paint loss to the pony by the back legs and a tear with paint loss as seen. Cracking to paint surface but appears stable.

Late 19th century continental school - Coastal scene, oil on canvas (with patch repairs verso), 26 x 40cm

19th century English school - half-length portrait of an elderly woman wearing a bonnet, oil on canvas (with several patch repairs verso), 75 x 63cm; together with a 19th century English school half-length portrait of a young woman, oil on canvas (with damage and losses), 90 x 70cm (2)

A small collection of miscellaneous to include an Exactus sterling pocket calculator in leather wallet, porcelain scent bottle of ovoid form transfer decorated with a courting couple, Bilston enamel patch box the hinged cover with verse "Esteem - the gift for those who give joy attend while you live", pocket knife etc

A George II Irish Silver Sauceboat, Maker's Mark SW, Perhaps for Samuel Walker, Dublin, Circa 1750 boat-shaped and on three shell-capped feet, the sides chased with foliage scrolls and with leaf-capped handle, engraved with a crest and underneath with initials 'L' over 'I*M'21cm wide over handle, 11oz 14dwt, 364grProvenance:Tennants, 16 November 2019, lot 83.Marked underneath with maker's mark, Hibernia and harp. There is some wear to the marks, though each is still legible. There are some small splits and repairs to the rim and to the lower junction of one foot. There is a small bruise to one side. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a minor softening to the high points. There has been a small strengthening patch applied to both handle junctions.

A Don Pottery "Orange Jumper" Jug, circa 1807, of ovoid form and with double scrolling handle, printed and painted with Earl Fitzwilliam's horse breaker John Clarkson (Orange Jumper), waving a hat, with inscription, 'the figure there is no mistaking, it is the famous man for breaking...', painted mark in red14.5cmJohn Clarkson, who also went under the name of Orange Jumper, was employed by Lord Milton's father, Earl Fitzwilliam, to do his bidding during the 1807 General Election in Yorkshire. Orange was the Fitzwilliam family colour.Some good repair to the end of the spout. Crazed, with enamel wear and scratching. Very small star crack near the handle and another under the base. A large patch of staining to the foot.

After John Crome (1768-1821)"Hall Moor Road, near Hingham"Etching, together with a further etching after Crome depicting a rural landscape with windmill, 19cm by 23.5cm and 17.5cm by 25.5cm respectively (2)Hall Moor Road as left by Crome and published by Mrs CromeProvenance: William Weston Gallery Ltd., LondonDear Mr Raine, Please see below the condition report for Lot 225, the last of your requests. Id anything is unclear or you have any further questions then please do give me a call and I'd be happy to discuss with you.Hall Moor Road - Large tear to upper left corner with a section of the paper missing. Approx 1cm across by 3cm high. Heavy yellowing and time staining to sheet. Sporadic small to medium sized foxing spots. The odd handling mark. Not examined out of the frame. Second example - Time staining and general fading to sheet overall. Cluster of foxing spots to lower right corner, approx 1cm by 3cm patch. Dirt and debris trapped under glass. Crease from bottom of sheet centre left lower edge extending into the sheet towards base of tree, approx. 3cm. Not examined out of the frame. Kind regardsGuy

A Chinese Cloisonne Enamel Vase, in Ming style, of baluster form with flared neck, ring handles and flared foot, decorated in colours with bands of flowers and insects, bears four-character reign mark30cm highLarge patch of enamel lost to the neck. Four similar various patches to the main body, one with a notable dent. Other small losses besides and pitted. Foot mishappen.

JN Sutton (19th century)The letter Signed, oil on canvas, together with a further work by the same hand depicting an animated figure group in an interior, 25cm by 19.5cm (2)The Letter (Children picking fruit from a basket - In fully restored condition. Stiffly relined, cleaned and revarnished. The restoration has flattened the surface somewhat. Areas of thin paint throughout. Now with some light surface dirt and discoloured, deteriorating varnish in evidence. Frame rubbing to edges. The odd  surface score, scuff and knock. One minor scratch through the shoulder of the girl in pink and extending into the door, approx. 7cm in length. Patch of medium spaced stable craquelure to the group of children, centre right. Picture does not sit perfectly in the frame as the edges are just visible. Little to discern under UV light although this does not preclude that some restoration may have been undertaken. Second example (with seated gentleman) - In comparable condition to the former. With more widely spaced stable craquelue throughout.

A Chinese Porcelain Water Pot, Qianlong style, decorated in peach bloom glaze7cm highA Similar Small Reeded Bottle Vase11.25cm high (2)Water pot - light crazing and small chips to the inner foot. One small patch shows up under UV but translucent under transmitted light showing no signs of professional repair.Vase - crazed all over, some glaze chips near the foot.

An H & R Daniel Porcelain Part Tea and Coffee Service, circa 1830, painted with romantic landscape vignettes and pink roses under gadroon moulded rims, gilded with scroll and trellis panels, pattern 4347, comprising:teapot and coversucrier and covercream jugwaste bowl2 Bread and butter plates12 Saucers6 teacups5 coffee cupsOne saucer with a short hair crack. One coffee cup with a short rim crack, another with a crack across the lower handle terminal. One teacup with a short rim crack.Some minor crazing and the odd light staining patch. Glaze, enamel and gilding in good condition.

A Regency Mahogany, Satinwood-Banded, Boxwood and Ebony-Strung Bowfront Chest of Drawers, early 19th century, the two short over three long oak-lined drawers with brass oval backplate handles decorated with Prince of Wales’s feathers, on splayed bracket feet113cm by 54cm by 105.5cmTop section with traces of paint? Patch repair back, left-hand corner, left hand side, staining with  various small sections of timber missing/replaced, mainly around the bracket feet and back corners some faults to cockbeading and dust boards.

An 18th Century Italian Walnut and Marquetry-Inlaid Secretaire Cabinet, the fall front inlaid with figures in a landscape within a crossbanded border and flanked by acanthus leaves and scrolls, with four pine-lined drawers below, on stile feet76cm by 38cm by 154.5cmPoor condition, faded and variations in colour, numerous fading, particularly around the drawer fronts, various splits throughouttop section- sections of timber patched the drawers to the interior of later datenumerous patch repairs and veneer losses

Twenty-eight boxed Lilliput Lane models:L2057 - Hampton MoatL3378 - Get Your BunsL3771 - It’s All in the NameL2495 - Gold Top527 - Cosy CornerL3339 -  Arithmetic at the Old School House624 - Hollytree HouseL3785 - Out to Sea144 - Spring BankL3634 - Cardiff Castle KeepL3225 - The Pig Sty21 - Bridge HouseL3059 - The Triangular LodgeL2317 - Little BeeL3237 - Travelling Post OfficeL2817 - Scarborough CoastguardL3290 - WindL2831 - Cabbage Patch CornerL3174 - Fruits of the SeaL2895 - The Mill and Engine House301 - East NeukL2254 - Ullswater Boat House646 - Titwillow CottageL3670 - Glenorchy Kirk  43 - Five Ways CottageL3267 - The HermitageL2395 - Little ScrumpyL3727 - The Hop Pickers

A William IV London silver christening cup with chased C scroll handle to side, of baluster form, raised on circular moulded base, (h: 9.5cm x 8cm) small patch of repair to base (136.1g) unascribed (London 1834)

Ärmelschild für Freiwillige der Legion Freies Indien Maschinengestickter Schild mit dem springenden Tiger vor den indischen Nationalfarben orange-weiß-grün. Ungetragenes, sehr seltenes Abzeichen. A sleeve patch for volunteers of the Legion "Freies Indien" A sleeve patch for volunteers of the Legion "Freies Indien"Maschinengestickter Schild mit dem springenden Tiger vor den indischen Nationalfarben orange-weiß-grün. Ungetragenes, sehr seltenes Abzeichen.Condition: II +

Ein Paar Kragenspiegel für einen Generalfeldmarschall der Luftwaffe Weiße Kragenspiegel mit goldener Kordeleinfassung, der goldgestickte Eichenlaubkranz mit über den Spiegelrand reichendem goldgestickten Luftwaffenadler und am Bund silbern gestickten Marschallstäben. Getragene, von der Uniform abgetrennte Spiegel. Von größter Seltenheit, es gab bei der Luftwaffe außer Hermann Göring nur vier weitere mögliche Träger. A pair of collar patches for a General Field Marshal of the Luftwaffe A pair of collar patches for a General Field Marshal of the Luftwaffe White collar patches trimmed with twisted gold cord, the gold embroidered oak leaf wreath with gold embossed Luftwaffe eagle extending over the edge of the patch and silver embroidered marshal batons. Worn patches removed from the uniform. Extremely rare, apart from Hermann Göring there were only four other possible owners. Condition: II -

Einzelner linker Kragenspiegel für einen SS-Gruppenführer, 1. Modell Der Spiegel aus schwarzem Samt mit silberner Kordeleinfassung und sehr feinen silbernen Rangstickereien. Ungetragen mit rs. RZM-SS-Papieretikett. Provenienz: Die Sammlung Michael A. Butler. A single left collar patch for an SS-Gruppenführer, 1st model A single left collar patch for an SS-Gruppenführer, 1st modelDer Spiegel aus schwarzem Samt mit silberner Kordeleinfassung und sehr feinen silbernen Rangstickereien. Ungetragen mit rs. RZM-SS-Papieretikett. Provenienz: Die Sammlung Michael A. Butler. Condition: II +

An Artillery NCO Waffenrock Field-grey very fine tricot wool, privately tailored, eight-button front, bottle-green badge cloth collar with double hook closure, front panel, collar and cuffs piped in red, ornamental cuffs with bottle-green backing. Silver pebbled buttons, no award loops. Embroidered silver-aluminum eagle on dark green backing, hand-applied, collar insignia machine-embroidered in silver-aluminum over red backing, machine-applied, collar bordered in silver-aluminum tresse. Shoulder straps for rank of Oberfeldwebel, on green backing with red rayon piping, two silver rank pips, sewn into shoulder seam. Sleeves with silver-aluminum ornamental cuff bars on red backing. Ordnance Technician trade patch on green backing, machine-embroidered yellow thread “F”, piped in silver twist cord, hand-applied to lower right sleeve. Lined in green rayon with striped sleeves, no tailor or name tag.USA-Los – weitere Infos hier An Artillery NCO Waffenrock An Artillery NCO WaffenrockField-grey very fine tricot wool, privately tailored, eight-button front, bottle-green badge cloth collar with double hook closure, front panel, collar and cuffs piped in red, ornamental cuffs with bottle-green backing. Silver pebbled buttons, no award loops. Embroidered silver-aluminum eagle on dark green backing, hand-applied, collar insignia machine-embroidered in silver-aluminum over red backing, machine-applied, collar bordered in silver-aluminum tresse. Shoulder straps for rank of Oberfeldwebel, on green backing with red rayon piping, two silver rank pips, sewn into shoulder seam. Sleeves with silver-aluminum ornamental cuff bars on red backing. Ordnance Technician trade patch on green backing, machine-embroidered yellow thread “F”, piped in silver twist cord, hand-applied to lower right sleeve. Lined in green rayon with striped sleeves, no tailor or name tag.USA lot - more info hereCondition: II

A Luftwaffe General Officer Tunic Blue-grey fine gabardine cloth, privately tailored, open collar, four-button front, four patch pockets with straight flaps and pleats, French cuffs, collar piped in gilt-wire twist cord. Gilt finished pebbled buttons, two sets of award loops on left pocket, one embroidered hole for award attachment, ribbon bar sewn above pocket. Embroidered gilt wire eagle with orange thread highlights on dark blue-grey backing, hand-applied, collar insignia embroidered in gilt wire on white backing, gilt wire piped, hand-applied. Shoulder boards of gilt wire/silver-aluminum woven cords on white backing for rank of Generalmajor, sewn into shoulder seam. Lined in blue-grey rayon with striped sleeve linings, inside waist adjustment belt. Owner monogram “FR” initials sewn to inside pocket.USA-Los – weitere Infos hier A Luftwaffe General Officer Tunic A Luftwaffe General Officer TunicBlue-grey fine gabardine cloth, privately tailored, open collar, four-button front, four patch pockets with straight flaps and pleats, French cuffs, collar piped in gilt-wire twist cord. Gilt finished pebbled buttons, two sets of award loops on left pocket, one embroidered hole for award attachment, ribbon bar sewn above pocket. Embroidered gilt wire eagle with orange thread highlights on dark blue-grey backing, hand-applied, collar insignia embroidered in gilt wire on white backing, gilt wire piped, hand-applied. Shoulder boards of gilt wire/silver-aluminum woven cords on white backing for rank of Generalmajor, sewn into shoulder seam. Lined in blue-grey rayon with striped sleeve linings, inside waist adjustment belt. Owner monogram “FR” initials sewn to inside pocket.USA lot - more info hereCondition: II

An NCO Tunic Blue-grey tricot cloth, privately tailored, open collar, four-button front, four patch pockets with straight flaps and pleats, French cuffs, collar piped in celleon gold twist cord. Silver pebbled buttons, two sets of award loops on left pocket, ribbon bar pinned above pocket. Embroidered silver-aluminum eagle on dark blue-grey backing, hand-applied, collar insignia of golden-yellow backing with four silver wings, hand-applied, silver rank tresse machine-applied around collar. Shoulder straps rank of Oberfeldwebel, on blue-grey backing, piped in golden-yellow rayon, silver-aluminum tresse and two silver rank pips. Two silver-aluminum sleeve rings, machine-applied to sleeves Lined in blue-grey rayon with striped sleeve linings, inside waist adjustment belt. Tailor label at neck, owner name tag sewn to inside pocket.USA-Los – weitere Infos hier An NCO Tunic An NCO TunicBlue-grey tricot cloth, privately tailored, open collar, four-button front, four patch pockets with straight flaps and pleats, French cuffs, collar piped in celleon gold twist cord. Silver pebbled buttons, two sets of award loops on left pocket, ribbon bar pinned above pocket. Embroidered silver-aluminum eagle on dark blue-grey backing, hand-applied, collar insignia of golden-yellow backing with four silver wings, hand-applied, silver rank tresse machine-applied around collar. Shoulder straps rank of Oberfeldwebel, on blue-grey backing, piped in golden-yellow rayon, silver-aluminum tresse and two silver rank pips. Two silver-aluminum sleeve rings, machine-applied to sleeves Lined in blue-grey rayon with striped sleeve linings, inside waist adjustment belt. Tailor label at neck, owner name tag sewn to inside pocket.USA lot - more info hereCondition: II

An NSKK Enlisted Tunic Olive-green tricot cloth, 1936 service tunic, open collar, four-button front, four patch pockets with scalloped flaps and pleats, French cuffs, dark-brown collar. Silver pebbled buttons, ribbon bar pinned above pocket. Machine-woven silver-aluminum, 2nd pattern driver’s eagle on diamond-shaped black backing, machine-applied to lower left sleeve. Machine-woven silver-aluminum eagle on olive backing, hand-applied to upper right sleeve. Collar insignia rank of Oberscharführer on black backing, rank-side with one litze stripe and single silver pip, unit-side with silver metal numerals “1/M77” (Motorsturm 1 of Motorstandarte 77 Bayreuth), hand-applied. Single shoulder board of rank grouping in alternating silver-aluminum and black cord on black backing with green rayon piping, sewn into seam and secured with single, sewn-in silver button. Basic Party brassard hand-applied to left sleeve. Lined in olive-green rayon with striped sleeve lining, RZM tag inside pocket. Black leather belt with aluminum claw buckle and cross strap.USA-Los – weitere Infos hier An NSKK Enlisted Tunic An NSKK Enlisted TunicOlive-green tricot cloth, 1936 service tunic, open collar, four-button front, four patch pockets with scalloped flaps and pleats, French cuffs, dark-brown collar. Silver pebbled buttons, ribbon bar pinned above pocket. Machine-woven silver-aluminum, 2nd pattern driver’s eagle on diamond-shaped black backing, machine-applied to lower left sleeve. Machine-woven silver-aluminum eagle on olive backing, hand-applied to upper right sleeve. Collar insignia rank of Oberscharführer on black backing, rank-side with one litze stripe and single silver pip, unit-side with silver metal numerals “1/M77” (Motorsturm 1 of Motorstandarte 77 Bayreuth), hand-applied. Single shoulder board of rank grouping in alternating silver-aluminum and black cord on black backing with green rayon piping, sewn into seam and secured with single, sewn-in silver button. Basic Party brassard hand-applied to left sleeve. Lined in olive-green rayon with striped sleeve lining, RZM tag inside pocket. Black leather belt with aluminum claw buckle and cross strap.USA lot - more info hereCondition: II

An SA-Sanitätsführer Brownshirt Light-brown twill cloth, five-button front, two patch pockets with scalloped flaps and pleats, turn-back cuffs, collar with blue and white twist cord piping. Chrome silver buttons, waist button of dished metal, medal bar pinned above pocket. Collar insignia rank of Sturmführer on light blue backing with blue and white twist cord piping, rank-side with three silver pips, unit-side with green chain-stitched numerals “2/J1” (2nd Sturm of Jägerstandarte 1), hand-applied. Silver finish metal Askulapstab devices attached behind both tabs. Single shoulder board of rank grouping in silver-aluminum twist cord on blue backing, sewn into seam and secured with single, sewn-in silver pebbled button. Basic Party brassard hand-applied to left sleeve. Brown braided cord whistle lanyard attached to pocket and tunic buttons. Shirt is unlined. Brown tie, RZM tag at reverse, NSDAP party pin attached, and brown belt with basic brass buckle and cross strap.USA-Los – weitere Infos hier An SA-Sanitätsführer Brownshirt An SA-Sanitätsführer BrownshirtLight-brown twill cloth, five-button front, two patch pockets with scalloped flaps and pleats, turn-back cuffs, collar with blue and white twist cord piping. Chrome silver buttons, waist button of dished metal, medal bar pinned above pocket. Collar insignia rank of Sturmführer on light blue backing with blue and white twist cord piping, rank-side with three silver pips, unit-side with green chain-stitched numerals “2/J1” (2nd Sturm of Jägerstandarte 1), hand-applied. Silver finish metal Askulapstab devices attached behind both tabs. Single shoulder board of rank grouping in silver-aluminum twist cord on blue backing, sewn into seam and secured with single, sewn-in silver pebbled button. Basic Party brassard hand-applied to left sleeve. Brown braided cord whistle lanyard attached to pocket and tunic buttons. Shirt is unlined. Brown tie, RZM tag at reverse, NSDAP party pin attached, and brown belt with basic brass buckle and cross strap.USA lot - more info hereCondition: II