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A Victorian Silver Sauceboat, by Edward Barnard and Sons Ltd., London, 1896, in the George III style, oval and on three shell-capped pad feet, with leaf-capped scroll handle, 17cm wide, 9oz 8dwt, 293grCondition report: Fully marked underneath. There is some wear to the marks. There is some overall surface scratching and wear, consistent with age and use. There has been a repair to the handle junctions and a strengthening patch has been applied in this area. There are two splits to the border.

NO RESERVE Needlework.- Album of embroidery patterns, over 130 leaves of pen & ink designs, on rectos only, some light offsetting, ink inscription "Sarah Vivian Marino May 18th 1817" to front pastedown and ticket of Rowe & Waller Stationers of London, original half roan, rubbed, worn patch to lower cover, 4to, [1817].

17th-century oak coffer, replacement two plank lid with later hinges, front panel with carved decoration, patch where original steel lock was installed, lock now missing, dated 1676, initialed W.S., interior with candle box.width 88cm (34"), depth 40cm (16"), height 51cm (20")Condition report: Later lid and hinges, patch where original lock was installed, damages to bottom edge of end planks (see photographs), appears to have been stripped of original patination at some stage.

A George III South Staffordshire enamel navette shaped patch box, the hinged cover painted with a named view of Andover Church, Hampshire, mirror to verso, pale blue base, 5cm wide, c.1800

A George III South Staffordshire enamel oval patch box, hinged cover decorated in raised opaque with a swan, on a pale blue ground, enclosing a mirror, 5cm wide, c.1785

A George III South Staffordshire enamel oval patch box, the hinged cover inscribed A Present from Banbury and painted with love birds and hearts, mirror to verso, pink fluted base, 4cm wide, c.1780

A George III South Staffordshire enamel rectangular patch box, hinged cover inscribed Unto the End I Love my Friend, apple green base, 4cm wide, c.1780

A collection of Horrockses Fashions dresses - a navy crepe shirt waisted dress, size 10/12, brass buttons to front, two patch pockets to bodice with brass buttons, short sleeves, early 1970s; a paisley pattern shirt waisted dress, in colours of claret, blue and green, long sleeves with cuffs, buttoned to waistline, size 12; a white shirt waisted dress, the pattern in a graphite grey and dove grey stripe, seersucker cotton, size 12, short sleeves, buttoned down front, early 1960's; a candy pink check dress, flared skirt, in a colourway of pink, yellow, lilac and blue, turned-backed cuffs in cerese pink, peterpan collar, late 1950's/early 1960's (4)

A quantity of film, music and advertising posters to include British quads and other sizes, including Patch Adams, The Englishman Who Went Up A Hill But Came Down A Mountain, In & Out, Universal Solider, The Waterboy, Marianne Faithful, The Mars Volta, The Rolling Stones, Natalia Imbruglia, The Beatles etc. (qty)

FOOTBALL, selection inc. empty albums, Football Legends (with uncut sheets), Marks & Spencer, Hall of Fame, Esso, Merlin, Topps, Wotsit, Magic Box etc. (some with cards); pocket size booklets, Top Trumps, Texaco; books Caxton vols. 1-4, annuals; Blackburn cloth patch rosette etc. FR to EX, Qty.

A 19th century pressed wood circular patch box, 2 1/2" dia, an African neck rest, a bronze censor with six character mark to base, two carved malachite plaques (damaged) and other items

A Chinese cylindrical brush pot, decorated dragon amongst clouds with flaming pearl 4 1/8" highCondition:No apparent major issues, there's crazing to the inside and base and an unglazed patch in the middle of the vase 

A 9 CARAT GOLD BROAD HINGED BANGLE BIRMINGHAM 1966 The broad bangle with scrolled foliate decoration, maker's mark B.Bros SIZE/DIMENSIONS: Inner width 6.1cm GROSS WEIGHT: 69 grams Condition Report: There is some yellow solder to the hinge where it may have had a repair, and a yellow solder patch to the inside of the bangle where it may have had a repair, but it could be from manufacture. There are no major dents to the outside of the bangle, some scratches and marks from use. Condition Report Disclaimer

TWO GEORGE III ENAMEL PATCH BOXES SOUTH STAFFORDSHIRE, C.1770-80 one with a portrait rondel of George III, inscribed 'The Gift of a Friend', the other of navette shape with a tomb, inscribed 'Remembrance of Friendship', each with a mirror to the lid (2) 5cm wide (max) Provenance 'A Lifetime of Collecting' - The Property of a Gentleman.

A French porcelain patch boxlate 19th centuryof circular form with vertical fluting to the base, decorated with a puce panel of frolicking putti, signed 'LEDU', the interior further decorated in puce with flowers, painted blue factory mark, 7.2cm diameterCondition report: Good condition without any damages or repair. There is some minor gilding wear to the gilding around the lower edge of the base and there lid does not sit completely flush when closed.

A large Sèvres-style ormolu-mounted vase and cover19th centurydecorated with two figures in grand interior and an opposing panel of a lake with mountain beyond, interlaced L mark, 44cm highCondition report: Underside of cover and base both with interlaced L mark.Some areas of wear to the gilding on the edge of the cover. Wear to gilding on lower section of vase and further small patch of wear just below figural panel.Otherwise, condition is good with no signs of damages or repairs.

A Venetian glass liqueur setcirca 1930s-50sthe clear glass with ruby overlay panels and gilded decoration, the set comprising a decanter and stopper, 25cm high and six liqueur glasses, 8.5cm high, housed in a fitted case, 'Rialto Venetian Glass' paper label to the foot of the decanterCondition report: Small nibble to the underside internal edge of the stopper. One chip to the decanter's rim. One patch of staining to the interior to the case. Some minor rubbing to the gilding around the rims of the glasses, but not disfiguring. No further damages or repairs.

Collection of mainly bowling pin badges, beer tankard cufflinks, bowling patch etc

A lady's evening purse, set with paste stones; an enamel match case; a snuff box inlaid with turquoise; a similar patch box

Collection of illustrated books to include The Patch Work Quilt, by Graham R. Tomson, London: Ernest Nister, pictorial paper covers with silk ties, remnants of dust-jacket; Marigold Garden, by Kate Greenaway, London: Frederick Warne & Co. Ltd., n.d., quarter cloth with worn jacket; Letters from a Citizen of the World to His Friends in the Far East, by Oliver Goldsmith, illustrated by Edmund J. Sullivan, London: Wells Gardner, n.d., gilt pictorial cloth with worn jacket, and others, condition varied as found, sold with all faults (8)

English school (19th century),A cottage kitchen scene,Oil on canvas,Unsigned,20cm x 30cm,Framed (at fault) CONDITION REPORT:The paint surface shows craquelure throughout.  There is a small depressed puncture to the canvas at the top right of the fire grate, and a depressed scratch approximately 15mm long at junction of the front leg and arm of the chair on the right of the picture.   There is a repair to the top right corner of the canvas  approximately 7cm in from the right hand side and 4cm down from the top edge, corresponding to the patch on the back of the canvas.  There are punctures to the canvas at each of the four corners on the stretcher, which may relate to how the picture was initially framed.  The canvas is loose in its frame, and this has resulted in some wear to the edges of the picture.  Examination under UV reveals no evidence of further restoration or repair.  The frame is not original, and has been overpainted with gold and brown paint, which is now beginning to rub and wear, particularly at the high points.

A pair of silver coloured William & Mary commemorative plaques,18th Century,Depicting repoussé profile busts of each monarch, with Latin inscription surround,Each approximately 9cm x 7.5cm,in ebonised wooden frames (at fault) (2)CR; Both plaques show heavy wear and tarnish. Both examples show denting, thinning and splitting, concentrated to the highpoints and around the edges of the plaques, the William example showing more splitting then the Mary. There is moderate to heavy loss of definition to the lettering and profile of the William example, with some of the letters on the border no longer legible. The Mary example shows some loss of definition, but is largely still clear and legible. The Mary example is taped into it's frame, and is removable - there appears to be a possible patch of repair behind the face (pictured). The William example is secured into the frame by nails, and cannot be removed. Both frames show heavy scratching and wear, but no splits or signs of repair. Please refer to the additional images for further illustration. 

A 17th/18th century Dutch brass warming pan, the domed cover with pierced flower head motifs, applied with a wrought iron twisted handle extending to a turned hardwood handle, 92cm long, a Dutch brass warming pan with pierced 'patch' detail, applied with a turned hardwood handle, 109cm long, a further domed brass warming pan with embossed cover and a copper warming pan (at fault)(4)

A carved oak chest of drawers, 17th century and later constructed, the three board top with incised initials 'H R', above four graduated drawers each carved with an individual scrolled or geometric design, applied with brass teardrop handles and raised upon stile feet, 99cm H x 98cm w x 59cm D (at fault)Condition reportTwo full width splits to chest top, a third split culminating in a 10cm patch repair.Later drawer construction with thick liners and rail runners, drawers run smoothly if a little loose.Evidence of light historic worm to feet with some minor losses.Chest appears to be later constructed from early timber, some play in the chest joints

A WEDGWOOD MEDICI PATTERN (R4588) DINNER SERVICE, comprising an oval meat plate, length 36cm, an oval serving dish, length 28cm, a pair of circular twin handled tureens and covers, a sauceboat on stand (the stand has a raised rough patch of clay fired to the base next to the W of Wedgwood), twelve dinner plates, (five have wear /faded decoration to the shell border, another has four stained cracks to the foot rim and another has three inclusions in the glaze to the front of the plate), six soup plates, (one has loss to blue glaze on rim, another has a black inclusion to the centre of the bowl), six soup coupes and six saucers, (one soup coupe lacks factory marks, another has inclusions in the glaze to the interior, three saucers have green dots painted on the undersides), fifteen dessert/ starter plates, (one has a fired on raised rough patch of clay to the rim), nine dessert bowls, (one has small patch of loss to rim decoration), a tea pot and cover, a coffee pot and cover, a milk jug (black inclusions to inside), three small saucer dishes, diameter 13cm, five saucers with 6.8cm diameter wells to the centre, seven side plates, (one with chinagraph writing to the base), six tea plates, ten tea cups, six saucers, (one has fault to the glaze on the underside and another has raised fired on clay over the factory mark), six coffee cups and six saucers (all six have green painted dots to the underside) (112) (Condition report: any damage noted is mentioned within the description, the set has signs of moderate wear, although pieces are not clearly marked as seconds a proportion of the set may well be)

THIRTY ONE LILLIPUT LANE SCULPTURES FROM SYMBOL OF MEMBERSHIP, with deeds and boxes where mentioned, comprising Pack Horse Bridge 1986/87, The Little lost Dog 1987/8, Wishing Well 1988/89, The Dovecot 1989/90, Cosy Corner 1990/91 (rubbing to base), Puddlebrook 1991/92, Pussy Willow 1992/93 (deeds), The Spinney 1993/94 (deeds), Petticoat Cottage 1994/95 (deeds), Thimble Cottage 1995/96, Wash Day 1996/97, Hampton Moat 1997/98 (deeds), Kiln Cottage 1998/99, Fresh Today 1999/00 (boxed and deeds), Little Bee 2000/01 (deeds, chip to chimney), Little Scrumpy 2001/02 (deeds, chip to eaves), Gold Top 2002/03, The Chocolate Box 2003/04 Boxed), The Toy Box 2004/05, Cabbage Patch Corner 2005/06, Sugar Mouse 2006/07, Afternoon Tea 2007/08, Nutkin Cottage 2008/09, Fruits of the Sea 2009/10, The Pigsty 2010/11, Arithmetic at the old School House Walney 2011/12 (rubbed to base), Parsley Cottage 2012/13 (boxed), An Apple A Day 2013/14 (boxed), Alfresco Afternoons 20014/15 (boxed), The Hop Pickers 2015/16 (boxed) and Out to Sea 2016/17 (31) (Condition report: as description)

A Charlotte Rhead sandwich tray, patch-pattern dish and a Persian Rose pattern vase, latter 17cm

Taxidermy: Himalayan Serow (Capricornis thar), circa 1920, adult male neck mount looking straight ahead,, mounted upon a period oak shield with ebonised border, 42cm from the wall, 61cm high, repaired horns, (af)Condition report: poor condition conducive with age, both ears damaged, bald patch under chin area, visible stitching to neck area, one horn broken, evidence of restoration to both horns, hair loss around both eyes and nose area, 29/12/17

A millefiori glass ink bottle and stopper, the knop and base set with concentric canes, 11cm high, together with circle of Edmund Blampied (1886-1966), fisher folk on a shore, watercolour, 17cm by 19.5cmCondition report: The stopper is fixed in place, free from chips and cracks, no notable surface scratches, the water colour has one small patch of discoloration

A Gilt Metal and Ivory Patch Box, 19th Century, oblong and with canted corners, the hinged cover with a glazed panel with a seed pearl and glass bead scene on a blue enamel ground, 8.8cm wideCondition report: The glazed panel with a seed pearl and glass bead scene, with numerous loose elements, cover a little off centre with top as the push button clasp does not connect, push button also very stiff, a small 2cm section of the wire inlay on the cover is loose

Green painted metamorphic high chair, wicker pram and two dolls including a Cabbage Patch doll

Silver Fronted Matrimony Book, silver medal on plated chain, Pompadour necklace, travelling set, Halcyon Days patch box, coins, etc.

Snuff Boxes, pear paperweight, enamel patch box, bottle stopper, etc:- One Tray

A qty of mixed stickers and a embroidered patch including Castrol and Firestone etc

ELEVEN BOXED ROYAL DOULTON FIGURES/GROUPS FROM DISNEYS 101 DALMATIANS, comprising Cruella De Vil DM1 (signed to base), Penny DM2, Penny and Freckles DM3, Rolly DM4, limited edition Patch, Rolly and Freckles DM5 no 2779/3500, with certificate and wooden plinth, Pongo DM6, Perdita DM7, Lucky DM8, Patch in Basket DM9 (signed to base), Lucky and Freckles on Ice DM10 (signed to base) and Pups in the Armchair DM11 (signed to base), together with three wooden stands (14) (Condition report: no obvious damage)

A MERRYTHOUGHT MR. TWISTY CHEEKY BEAR, c.1966-1968, gold mohair head with velvet muzzle, black stitched nose and mouth, amber and black plastic eyes, no bell in ear, blue fabric body wearing red dungarees with black felt patch, white hands and black feet, Merrythought label to right foot, damage to stitching on nose and to left leg, dungarees and felt collar, other minor fading, marking and wear, golden plush in fairly good condition, height approx. 28cm

An 19th century mahogany bow fronted chest of two short over two long drawers, raised on bracket feet, 87 x 90 x 49cm (af). CONDITION REPORT There is heavy scratching an wear including staining, dulling, chips, dents etc to the top, further losses to the side of the carcass including split, patch repairs etc, the right hand side has a small trim missing form the top and there are splits to the veneer on the drawer front and further losses to the feet.

An early 20th century mahogany crossbanded draw-leaf dining table, raised on turned baluster supports united by a stretcher, when extended 75 x 180 x 99cm. CONDITION REPORT Top has several scratches localised to one area, and further scratches to the top, a small patch where the polish has broken down, there is light surface scratching to the majority of the top, the polish has slightly faded and just started to turn milky, the supports and legs have further light scuffs and scrapes etc.

POOLE; a group of eleven ceramics to include three 'The Matzo' plates, length 18.5cm, a pair of decorative teal blue ground plates with applied pewter floral decoration, diameter 18cm, three small plaques designed by Julie Herring, 'From Bournemouth University, Creating a Brighter Future', diameter 15cm, a small baluster vase with line and abstract decoration in blue and green, impressed mark to the base and initialled 'SP', height 10.5cm, a c1950s waisted vase, initialled to the base 'PB', height 14cm and a baluster vase in the Bloomsbury Group style, height 16.5cm (11). CONDITION REPORT Overall good condition, with light surface wear visible throughout, including light surface scratches, etc. No other obvious signs of faults, damage or restoration. The slender vase has a very very minor chip to the outer edge of the top rim and a more significant chip to the foot rim, with a small patch of staining to the top shoulder. The baluster vase has traces of adhesive to the shoulder of the vase and there is a minor chip to the foot rim, which has started to come away, but is still present, possibly remnants of a previous repair.

A George III mahogany crossbanded and line inlaid bow fronted sideboard, with single frieze drawer flanked by pair of deep drawers, raised on square tapering supports, 88 x 122 x 59cm (af). CONDITION REPORT There is a later piece of thick glass on the top of the sideboard, both front corners have chips, below there is light surface wear commensurate with age which has been polished in,there is further splits to the veneer on the crossbanding , the right hand drawer front has a section of the crossbanded veneer missing and a further section on the trim panel below, the left hand drawer has damage to the crossbanding most of the way round with further split sna d patch repairs, etc, surface wear throughout the lower frieze and legs

[SPORTING]. EQUINE Lyle, R.C., & Edwards, Lionel, illustrator. Royal Newmarket, de luxe limited edition 30/100, Putnam, London, 1945, full leather, top edges gilt, ten colour plate illustrations (including frontispiece, as called for), further full-page and text illustrations, quarto; Curling, B.W.R., & Edwards, Lionel, illustrator. British Racecourses, first edition, Witherby, London, 1951, scarlet cloth, dustjacket with pictorial onlay, twelve colour plates (one more than called for), quarto; McCall's Racing Chronicle or Pocket Turf Calendar for 1886; 1887; 1888; 1889; 1893; and May Part 1893, each in original cloth, each 12.5cm x 8.5cm; and four other works, (12). Condition Report : Lyle: Scuffed, with losses to spine strip and hole to lower joint; Curling: Jacket rubbed, with small losses at spine ends and corners, and with scarred patch to upper side; McCall Chronicle for 1886 lacking title label to upper cover. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

1950s ladies Omega gold plated wristwatch on replacement expandable bracelet (with service receipt dated August 2021)Condition report: Movement numbered- 16456127. Inside back case numbered- 2418-8Watch currently winds and ticks but we cannot guarantee the accuracy of its timekeeping. Recent service receipt present with watch - replaced glass and crown. The dial itself is dirty and has some chips to the edges, with a more noticeable patch by the 9 o'clock marker. The hour hand is slightly bent inwards. The case has some surface scatching and there is damage to the metal hooks that attach the strap

Regency papier-mâché face screen, with a petit point needlework, panel, parcel gilt and ebonised handle, 41cm; and two continental circular patch boxes (3)

A good selection of tourist souvenir cloth patch badge and a quantity of cigarette card albums.

An 18th century Bilston enamel patch box, titled 'A Trifle from London, A View of St Paul's Cathedral' (a/f).

A 19th century oval Bilston enamel patch box, the cover painted with a verse (a/f), 3.5cms wide; together with a gilt metal hardstone fob seal (2).

Follower of POMPEO GIROLAMO BATONI (Lucca, 1708 - Rome, 1787). "Magdalena". Oil on canvas. It has slight repainting and a patch on the back. Size: 76 x 100,5 cm; 110 x 132 cm (frame). In this devotional image the figure of Maria Magdalena is appreciated, reclining in a landscape, reading a book, with the interlaced hands. The British Museum in London has an engraving of a later period in which this same scene is reproduced, following the composition of Pompeo Girolamo Batoni, whose original work Magdalena penitente en el desierto (Magdalene penitent in the desert) is lost or destroyed. Mary Magdalene is mentioned in the New Testament as a distinguished disciple of Christ. According to the Gospels, she housed and materially provided for Jesus and his disciples during their stay in Galilee, and was present at the Crucifixion. She was a witness of the Resurrection, as well as the one in charge of transmitting the news to the apostles. She is also identified with the woman who anointed Jesus' feet with perfumes before his arrival in Jerusalem, so her main iconographic attribute is a knob of essences. While Eastern Christianity honors Mary Magdalene especially for her closeness to Jesus, considering her "equal to the apostles", in the West, based on her identification with other women in the Gospels, the idea developed that before meeting Jesus she had dedicated herself to prostitution, hence the later legend that narrates her penance in the desert. In art she was preferably represented in this way, especially in the 17th century, a time when Catholic societies felt a special fascination for the lives of mystics and saints who lived in solitude in wild places, dedicated to prayer and penance. The theme of the Magdalene, moreover, offered the possibility of representing a beautiful woman who shows some parts of the anatomy then considered taboo, such as the feet or the breast, but who in her respects decorum in that she is mortified flesh expressing repentance for her past sins. Batoni began his artistic training at the hand of his father, who was a gilder, but later continued his education in Rome, where he moved in 1727, to study at the Academy of the Nude of Sebastiano Conca. At first he began to work as a fan decorator, but in 1730 he began to achieve a certain recognition as a painter, due to his paintings of historical, religious and mythological themes. After a certain failure in the intervention of an altarpiece he began to work on portraits of tourists who came due to the Grand Tour. In 1741 he was elected member of the academy of Saint Luke, where he took on the responsibility of tutoring foreign students.

AN EARLY 19TH CENTURY JAPANESE LARGE HEXAGONAL VASE AND COVER,decorated with alternate river landscape and still life panels, with a wide continuous river landscape with figures beneath, the domed cover with shishi finial, 84cm highCondition report: Vase lid interior chipped, cracked and damaged in areas; finial with encrusted dust and dirt; pronounced crazing; chips to rim top, chip to neck, neck has either been off or nearly off, there are two cracks running around the majority of joint between neck and shoulder, a further hairline running down lower third of body, rubbing to decoration, imperfections, inclusions and further general wear, discoloured or repaired patch to body, further hairlines to base, additional images available

A collection of three 20th Century WWII Second World War Indian Infantry and Malaya Command formation cloth patch badges comprising; 5th Indian Infantry Division, 3rd Indian Infantry Division ( Chindits ) and a pair of Malaya Command patches.

Two 20th Century WWII Second World War British Infantry Regiment formation patches comprising; Gloucester Regiment with 56th Independent Infantry Brigade and 49th West Riding Infantry Division patch and the 38th Irish Infantry Brigade in the 6th Armoured Brigade.

A collection of three 20th Century WWII Second World War British and US United States Airborne division formation cloth patch badges comprising; US 82nd and 101st Airborne division ( Normandy ) and British 1st / 6th Airborne division ( France & Germany ).

A collection of assorted WWII Second World War Third Reich Nazi German Airborne Leaflet Propaganda / Letter bomb items and ' bring back souvenirs '. The collection comprising of largely German text / newspaper cuttings with x1 English example called ' Caught Like Foxes in a Trap '. Flyer aimed at English and American soldiers as a scare tactic, explaining the bleakness of their situation and information on a new German weapon 'robot planes' and other areas of German dominance. The reverse side has quotes from newspapers across europe reporting on the destruction being caused in England by Germany. Also in the collection is a small Nazi cloth patch with eagle atop the Swastika and a black and white photograph showing x2 German soldiers on the road side, written on reverse ' another souvenir '. 

An original WWII Second World War period British 4th Infantry Division battle dress uniform tunic. The tunic having the formation patch to each sleeve (a red circle with one quadrant displaced) and the medal bar above the breast pocket. War Department inspection mark to the inside lining. 

A collection of x6 assorted 20th Century WWII Second World War British Army formation cloth patch badges to include; 53rd Welsh Infantry Division with 21st Army Group, 25th Army Tank Brigade, 74th Field Regiment Royal Artillery, North Wales and West Midlands District, WWI First World War 10th Battalion South Wales Borderers and a pair of Combined Ops patches.

A late 19th/early 20th century oil on canvas, still life study, unsigned, 32cm x 42cm, framed3 very small patch repairs which are not visible on the front, would benefit from a light clean, generally good original condition, frame has a few minor gesso chips

F Mountray (French), mid-20th century oil on canvas, woodland scene, 59cm x 49cm, framedSome paint abrasions and minor flaking at the very edges, 1 small patch repair not visible from the front, generally good

Early 20th century oval oil on canvas, Dutch style flower study, unsigned, 85cm x 65cm, framed1 small patch repair not visible from the front, signs of some overpainting down the left-hand edge, paint all stable, frame good

Oil on canvas, impressionist tree study, unsigned, 50cm x 60cm, framed1 patch repair with overpainting otherwise good condition

Englhart, oil on canvas, park scene, signed and dated 1948, 40cm x 60cm, framed1 patch repair with spot of overpainting, otherwise good condition

19th century oil on canvas, mountain stream, indistinctly signed, 36cm x 25cm, framed1 patch repair no visible from the front, generally very good condition