We found 24353 price guide item(s) matching your search

A Tara Laughing Teddy Bear, 1950s, with golden mohair, mouth opening mechanism, swivel head and jointed limbs with cloth pads - 20in. (51cm.) high (some balding, missing eyes, patch to nose and general wear); and a small post - war Chad Valley Teddy Bear with side seam

A rare Farnell velvet seated dog, 1920s, with clear and black glass eyes with brown painted backs, velvet eye lid, white velvet with brown velvet eye patch, tail, tip of right ear and feet pads, swivel head and original leather collar - 7in. (17.5cm.) high (discoloured); and a Dean’s Rag Book Co. brushed cotton Dismal Desmond - 6½in. (16.5cm.) high (worn)

A GERMAN MORION IN THE SPANISH FASHION, CIRCA 1600 with one-piece crown of rounded almond shape (repaired with a large riveted patch at its rear) and narrow flat integral brim projecting to an obtuse point front and rear, its edges formed with plain inward turns and the base of the crown encircled by ten lining-rivets (replaced), two of which at the right side also serve to suspend a narrow slightly tapering one-piece cheek-piece (detached at its rear), and fitted at the rear with two similar rivets securing a later plume-holder of copper, and the whole retaining its original black-from-the-hammer finish (showing slight patination and wear at points) 27.00 cm; 10 ? in (with cheek-pieces)

A .577 CALIBRE GERMAN FLINTLOCK RIFLED SPORTING CARBINE BY ANTON MOCK IN TETNANG, CIRCA 1740 with signed octagonal swamped sighted barrel rifled with seven grooves, inscribed '98' and engraved with scrolls over the breech, bevelled lock (jammed), double set trigger, figured walnut full stock(small chips and cracks), carved with rococo scrolls about the rear ramrod-pipe and the tang, the butt carved with a stag and scrolls behind the cheek-piece on the left and patch box with sliding cover on the right, iron mounts including solid side-plate chiselled with scrolls, butt-plate with foliate tang and trigger-guard with finial en suite (fore-end cap and ramrod missing) 67.5 cm; 26 5/8 in barrel

Cabbage Patch Dolls- various; a pair of cabbage patch slippers (12)

Cabbage Patch Dolls - various, including cabbage patch cat (20) (2 boxes)

Cabbage Patch Dolls- various (15)

Ceramics - a Wedgwood blue Jasperware trinket dish, boxed; a Beswick Yorkshire Terrier; a Border Fine Art model; a John Sinclair patch pot;Royal Worcester egg coddlers; a Wedgwood Susie Cooper design vase; etc , qty

Cabbage Patch Dolls- various including cats and bears (17)

TWO ENGLISH ENAMEL PATCH BOXES, late 18th century, of oval form one painted with "A Pledge of Love" with blue waisted base, the other "Keep this for my sake" with pale pink fluted base, both with mirrored interiors, 1 1/2" wide, together with a similar box, painted in raised white enamel with a pair of doves flanking an urn on a blue ground (lacks mirror), two miniature Halcyon Days enamel boxes "A Lover's Gift" and "Je Aime" and an egg, and a basse-taille enamel and painted gilt metal box, 1 3/4" diameter (7)

A DERBY PORCELAIN FIGURE, c.1770, allegorical of Autumn modelled as a young boy wearing a white open neck shirt and blue breeches tying a sheaf of corn on his lap, seated on a stool on a naturalistically moulded base, patch marks, incised (?)7, 5" high

Six various silver and white metal patch boxes, and a scent bottle, (7)

A small silver patch box; a silver snap bangle; various silver and white metal bracelets, brooches, pendants etc.

Two porcelain continental nodding head figures, small elephant group, crystal monochrome image under glass and patch box. (5)

Bag of assorted silver to include: flower design miniature oval patch box; silver covered Common Prayer book; silver topped dressing table jar; bracelet; revolving pencil; amethyst type pendant on chain etc.

UNATTRIBUTED (EARLY TWENTIETH CENTURY) OIL PAINTING ON CANVAS Beech scene with two boys teasing a crab 11 1/2" x 9 1/2" (29.2cm x 24.1cm) (patch repair)

An oval yellow enamel 18th Century patch box, the lid having a mirror interior and bearing - 'This Trifle in Your Mind, I Hope Will Favour Find' and a circular blue pottery patch box with white porcelain lid - 'A Gift From Ashby-de-la-Zouch' (cracking)

Dated 1797 AD. Obv: profile bust right with GEORGIUS III D G REX incuse legend. Rev: Britannia seated left with BRITANNIA 1797 incuse legend; split and converted from two coins into a patch box with screw lid. S. 3775. 34.85 grams. [No Reserve] Fine.

Dated 1797 AD. Obv: profile bust with incuse GEORGIUS III D G REX legend. Rev: Britannia with incuse BRITANNIA legend and date; the coin split and hollowed to form a patch box and lid. S. 3777 for coin type. 16.80 grams. [No Reserve] Coin good fine.

1854 ½a black lithographic transfer on yellowish wove paper (Spence 86), pos. 3, with good but irregular margins all round, small patch of surface damage at top left (and into margins) also red pen mark and creasing in top margin

Revenue Stamps: 1945 $100 dull purple and ultramarine (Barefoot 2) u/m, couple of shortish perfs and a small patch of very lightly toned gum otherwise fresh and fine, a scarce stamp

Beano (1946) 275-300. Complete year issued fortnightly. Dudley Watkins begins to sign his work with Lord Snooty, Jimmy And His Magic Patch and Tom Thumb. Bright fresh covers, creamy white pages. Exceptional grades for 1940s paper stock. A few issues [fn], balance [vfn/vfn+] (26)

Corgi Major Toys Gift Set 19 Chipperfields Circus Land Rover with Elephant and Cage on Trailer. VG, small patch of paint flaking on tinplate tilt, in G box with inner tray.

A collection of Royal Doulton Dalmatians from the Walt Disney collection to include Pongo DM6, Patch in Basket DM9, Pups in the Armchair DM11, Patch, Rolly and Freckles tableau on wooden base DM5 and Cruella De Vil DM1 all boxed (5)

Quantity of various dolls including Cabbage Patch and clothing

A Portadyne Radio Approved Agent double sided hanging enamel sign, with a patch of restoration to the centre of one side, 18 x 11".

Yesterday's World Museum Cobblers - a Redfern's Rubber Heels rectangular enamel sign with retouching to most screw holes and a patch to the centre, 30 x 10".

A late 19th Century German porcelain snuff box of rounded rectangular design the hinged lid with a gallant and his companion in landscape within pink scaled and gilt leaf borders, the front conforming, 7cm wide, painted mark crossed swords in under glaze blue; a Halcyon days limited edition musical box the hinged lid printed with a lady at piano with musicians behind, formal borders and musical trophy printed base, 5.,5cm wide, the base with printed mark and inscribed In an edition limited to 500 the number of this box is 28; an Italian gilt metal oval snuff or patch box the hinged lid with a relief scene, 4cm wide, modern (3)

19th Century School Saint being supported by angels with a bishop's mitre and crosier at his feet. Unsigned, oil on board 26 x 20cm CONDITION REPORT: Colours generally good and bright. Some losses to paintwork particularly patch in sky circa 5mm square, two or three patches to wing edge of angel on right. Right hand margin on shoulder of red cloak. Right hand corner, bottom of centre of crozier. Some rubbing at bottom border. Scrape to rear bottom of white robe, one larger patch to shrub (brown) circa 7mm x 1.5cm (ragged) and possible area of re-painting alone. Two larger patches missing to 'blue angels' wing.

Style of George Morland, oil painting on canvas, horse, goat and dog. 60 cm x 74 cm, framed. CONDITION REPORT: The painting is not signed. There has clearly been a rip or tear in the picture indicated by a rectangular patch to the rear of the canvas. There is also overpainting corresponding with the patch over the rear legs of the horse and back flank. The overpainting and repair is reasonable but is visible on close inspection. Other than this the painting is in generally original unrestored condition and in our opinion could do with a clean. There are no other visible holes in the canvas and the crazing to the surface is not particularly bad. There is some loss to the paintwork around the extremities of the canvas and in particular in the bottom left hand corner.

A Regency mahogany sofa table, fitted with two frieze drawers and raised on a turned centre column with four downswept legs terminating in brass capped castors. Width closed 91 cm. CONDITION REPORT: Height 72.5 cm, Width with flaps down 91 cm, each flap drop 28.5 cm, depth 62 cm. The table is structurally sound and in generally good order. The top has old scuffs, scratches and watermarks and one very small old rectangular patch to the rear right hand corner. The drawers are in generally good condition with one minor cockbead repair to the left hand drawer which has been done professionally and a small veneer repair to the bottom right hand corner of the left drawer support. The centre column and legs are all in good order with no issues. The castors are very dirty and have lost their original lacquer but are original and sound. The table does not really require any repair or restoration but could do with a light clean.

A Vienna porcelain patch pot, hinged cover, modern, boxed; others, Limoges, German porcelain; Ashford, boxed; Minton; etc.

A French Art Nouveau patch box, the head of a young lady

Manner of Margherita Caffi (Italian, 1650-1710) Still lifes of anemone, peony, roses, pansy, carnations, tulips and cornflowers oil on canvas, oval, in black and gilt frames (a pair) 59 x 47cm (23 x 18in) Unlined canvas. One old tear that has been mended from reverse with patch. Localised areas of raised paint. Some retouching in areas. Thin layer of dull and slightly yellowed varnish. Losses and chips to the decorative surface of frame. Gilt and black frames have various chips.

English School (19th Century) A girl teasing her brother with a feather, whilst their sister reads a book, their springer spaniel alongside oil on canvas 61 x 74cm (24 x 29in) Unlined canvas. Canvas tension is poor with undulations across the surface. Old tear has been repaired with a canvas patch at reverse. Wear and loss along bottom edge - flaking at top edge. Retouching to areas of damage, but not extensive. Thick layer of yellowed varnish. Losses and rubbing to frame and flaking to gilding.

A George III mahogany chest of drawers, four long drawers, crossbanded top and sides, brass swan neck handles, on bracket feet 77 x 77 x 42cm (30 x 30 x 16in) Evidence of handle changes and a small venner patch repair to the top

A George III mahogany breakfront library bookcase, with gothic arched glazed doors above and panelled doors below, adjustable shelves, on a plinth base 267 x 263 x 58cm (104 x 103 x 23in) Small old veneer patch to the front edge, good figuring in the timber, some knocks to the corners, most noticeable on the plinth base

A Regency mahogany square top pedestal table, on a turned and gadroon moulded column and three splayed legs with turned feet 74 x 61 x 45cm (29 x 24 x 18in) Some expected marks and one small veneer patch

ERIC CLAPTON - a selection of 7 Eric Clapton tour memorabilia bags to include an October 17th '97 100 Shows Japan Bohemian synthetic leather and green canvas case, a North America/Europe 2008 tour toiletries case, a Japan Tour 2009 belt bag and canvas shoulder bag, a Royal Albert Hall 1991 canvas holdall, 2 x Europe '92 canvas holdalls with a Coca-Cola light patch each and a JBL lanyard.

World War II U.S.M.C. Fine group of five medals (including Navy) to Pvt. R.J.Fuller 1st Para Marines with picture and patch.

An Edwardian tortoiseshell patch box oval form, the hinged lid with centralised vacant gold shield form reserve, 2¾ x 1¾in. (7 x 4.5cm.); together with a tortoiseshell and horn snuff box of similar form; and a blonde tortoiseshell trinket box of domed miniature chest form. -3

An Edwardian silver patch box makers mark B. C., Birmingham 1911, enamel guilloche lid, violet reserve with Hippocampi above shield within white geometric border, impressed to underside with 'Souvenir of The Grand Hotel, Eastbourne', 1½in. (3.8cm.) diameter.

A 19th century silver patch box makers marks rubbed, Birmingham, compressed gadrooned bun form, hinged lid, on suspension chain, 1¾in. (4.5cm.) long.

Six English enamel patch boxes late 18th/early 19th century, of oval form, variously inscribed with mottoes of friendship and poems of love, the bases pink, blue and yellow, with mirrored interiors, some damages, 5.2cm max. (6)

Two small glass tazzae and a patch stand mid 18th century, one raised on a very low folded foot, the other on a triple knopped stem, the patch stand with a single knop and folded foot, 18.5cm max dia. (3) Provenance: from the estate of the late Peter James Rankin.

Five English enamel patch boxes for a sailor's lass late 18th/early 19th century, one painted in manganese with a three masted ship, one inscribed 'Peace and Plenty', the last three with poems and sentiments of love in absence, some damages, 4.3cm max. (5)

Six English enamel patch boxes late 18th/early 19th century, four of them souvenir boxes from Doncaster, Leicester, Yarmouth and Cranbrook, one titled 'Trifles shew Respect', the last circular and inscribed 'Love for Love', on blue and green bases, most with mirrored interiors, some damages, 4.8cm max. (6)

Two Staffordshire enamel counter dishes late 18th/early 19th century, of basket form, one painted with playing cards, the other with travellers beside Classical ruins, and an unusual oval enamel patch box painted with a hunting scene to the lid, the base with a stag and a black boar, some damages, 8cm max. (3)

Six enamel patch boxes late 18th/early 19th century, three round and three oval, five inscribed in black with poems and sentiments of love, friendship and loyalty, the last painted with a star motif, the bases pink, lilac, green and blue, the three oval with mirrored interiors, some damages, 4.5cm max. (6)

Three English enamel patch boxes c.1800, one painted with an optical illusion portrait of a couple titled 'One Month Before Marriage', and 'One Month After Marriage', one painted with a pair of doves and titled 'A Pledge of Love', the last with a couple and inscribed 'How Sweets the Love that meet return', on pink and yellow bases, two with mirrored interiors, some damages, 4.8cm max. (3)

A glass patch stand c.1740, the flat circular top with a vertical flange, raised on a bobbin-knopped stem above a domed and folded foot, 8.5cm high.

RICHARD HARRY CARTER (1839-1911) - The Fishermans Potato Patch, Cadgwith, watercolour heightened with bodycolour, signed, in modern gilt frame, 34cms x 52cms

Early 19th century Derby porcelain dog ornament with black patch and spot decoration, 12cm, two Victorian Staffordshire poodle ornaments and Staffordshire cat ornament, 10.5cm (4) CONDITION REPORT Small poodle has a repair - the rest in good order

Selection of miscellaneous Victorian and later silver and white metal, including a heart-shaped silver box, silver mounted match striker, silver and tortoiseshell patch box, silver cigarette case, five silver medallions, silver tray with lion mask handles, five white metal model animals and sundry other items (various dates and makers). Approximately 7ozs weighable silver (qty)

Late 19th century Staffordshire enamel patch box of oval form, the hinged mirror inset lid bearing enamelled portrait and the legend 'Keep this for my sake', 4.2cm wide

Rare 18th century Bilston enamel patch or pill box of circular cushion form, the slightly domed hinged cover pierced and polychrome enamelled with crown, angel and floral garland, possibly made for the 1760 Coronation, 4.5cm diameter CONDITION REPORT Cover has some slight chips and minor cracks from edge. Chips in particular at 12 o'clock and 10 o'clock position. Box has fair significant restoration which has now discoloured to cream, particularly to box and at seam of mount, also notable internally

George III ivory mother of pearl pique inlaid and silver mounted patch or toothpick box of navette form, the hinged cover with mirrored reverse, inset with vacant oval cartouche within geometric inlaid border, 9cm long

A 9 carat yellow gold circular patch box of a plain polished finish 43mm diameter. Hallmarked Birmingham 1918. Approximate weight 11.5gms.

A Sevres style blue Royale serpentine bonbonnerie, probably late 19th Century, the lid reserved, painted with figures in a garden setting in the manner of Nicholas Lancret and indistinctly signed, width 11cm and a Chinese cloisonne circular patch box, needlepoint lid, diameter 3.5cm, (2).

A small Victorian silver box and cover: , a small silver vase, an embossed silver patch box and cover, a mounted glass small casket, a mounted nail buffer and a cut glass silver top scent bottle, various makers and dates, weighable silver 5.32ozs.