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A Georgian Portrait miniature on ivory of a man, in a top hat and teal coat, inset into the cover of a possibly later wooden patch box, the box 8cm in diameter, the portrait miniature approx. 6cm in diameter Ivory Submission reference G9ANE25Y

A 19th century ebonised wood patch box, the cover with an applied coloured print titled; Royal Appointments, depicting nurses and a bay, one chip to the top, 8.5cm diameter AF

A Chinese bronze censer, gui, archaistic Xuande seal mark, 18th/19th century, of compressed globular form, on a circular foot, cast four character mark, 20cm diameter***CONDITION REPORT***The censer has been later polished. There are a few small nicks and scratches to the edge of the rim and to the body, there’s also a slight casting imperfection to a small patch on the shoulder, otherwise in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Charles II oak armchair, of small proportions, monogrammed AM and dated 1682, the seat fitted with a side drawer, 49cm wide, 55cm deep, 83cm high***CONDITION REPORT***Of a rich dark blackish, brown to reddish brown oak colour, arms with signs of wear and use, seat with splits running from the back, including a central divided split and a small patch to the left side in line with the lock to the drawer. Small breaks around the escutcheon, lock looks original, but no key. Once had feet, but these have now been worn away down to the level of the stretchers.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

An Edwardian inlaid satinwood display cabinet of D shaped form with central glazed door over an understage, on squared tapered legs, 110cm wide, 45cm deep, 173cm high***CONDITION REPORT***Overall in good clean condition, of rich golden hued tone, a few minor dents and chips around the edges of the cornice, door has original lock but no key encloses a single glass shelf and with mirrored backing that is now oxidised in one patch, no drawer present, minor dents, nicks and scuffs to the lower section.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A pair of Edwardian Sheraton revival marquetry inlaid satinwood card tables the D shaped folding top inlaid with vineous motifs, on squared tapered legs with spade feet, 94cm wide, 41cm deep, 75cm high***CONDITION REPORT***Some small imperfections but overall good condition, good rich golden satinwood tone and a fair state of polish, one or two smaller areas where tiny sections of veneer have started to lift, some signs of small old patch repairs to the veneers and one or two small old repaired cracks but essentially good order, baize is a little faded but fair.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Mid 17th Century English School Christ before Pilate and Jewish leaders, including Joseph of Arimathea, with many of the figures holding scrolls on which are writings inscribed in both Hebrew and English.oil on canvas76 x 158cm***CONDITION REPORT***Provenance; purchased from a deceased estate of a Norfolk manor house some years ago. It was believed to have been done as a comment on the trial of Charles 1st prior to his execution.Oil on canvas relined many years ago with a large patch near 12 o’clock showing on the work as an L shaped retouch above the central figures head. Otherwise some light scuffing elsewhere, housed in an old reeded ebonised frame no labels or inscriptions versoPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Attributed to Peter Behrens (German, 1868-1940). An Art Nouveau pottery and copper overlaid vase by Marzi & Remy, Hohr, covered in a bronze coloured drizzled glaze, the copper foliate strap work mounts formerly gilded, impressed makers mark, 40cm high, some copper overlay lifting***CONDITION REPORT***As catalogued, gilding worn; some lifting of copper strapwork, most notably one patch at shoulder, approx. 12x12mm with section of copper alongside missing, approx. 4x2mm; and similarly, some lifting of copper around footrim necessitating a temporary tape-repair. Impressed maker’s mark indistinct.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Chinese flambé glazed lobed meiping, 18th century, of quatrelobed section, with a caramel glazed base, 29cm high, glaze chips***CONDITION REPORT***There are some large glaze chips to the edge of the foot on one side and on the same side there are a number of tiny glaze losses to the surface running from the shoulder down to the base. There is also another tiny patch of these glaze losses to one side otherwise good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Chinese proto-celadon tripod ritual vessel, ding, Western Zhou dynasty/Spring & Autumn period (1046 - 476 BC.) the compressed globular body incised with bands of pinpricks interspersed by two fins, the shoulder applied with a pair of twisted loop handles, on three tapering feet, the coiled construction visible on the interior, unglazed patch to the base, 22cm wide, 13.5cm highProvenance - the vendor bought this vessel in the 1990s from a dealer while living in Hong Kong.***CONDITION REPORT***Etching and fine crazing to the glaze, remnants of earth to pin prick decoration on sides consistent with age and archaeology.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Kuba runner,late 19th to early 20th century, of Zaykhour design, with four central medallions, to a navy ground, and red borders,345 x 122cmCondition ReportWear and loss to the pile throughout, with large patch and tear repairs.

A WWI brass Christmas tin; an ammunition case; a selection of miniature campaign medals, each packaged; two German crosses; a 'For King and Empire Services Rendered' medal, inscribed '179386'; a 'God Save the King' badge; a Royal Army Dental Corps patch, with motto 'Ex Dentibus Ensis'; and other modern military interest items; together with a Claude Valentini wristwatch, with 'Gulf War Op Telic 2003-2004 Iraq Survivor' inscribed to the face, in box.

A collection of concert tickets for a variety of artists and bands, such as; Bruce Springsteen and The E Street Band (1985), 10CC (1993), Paul McCartney (2003) The Spice Girls (1999) and others. Plus an additional David Bowie patch. 

Royal Doulton bulldog "Patch"

A Louis Vuitton x Stephen Sprouse 2001 GRAFFITI Alma BB Handbag - Neutrals featuring graffiti print, two rounded top handles, two-way zip fastening, main compartment, internal slip pocket, internal logo patch, metal feet and silver-tone hardware, width 25cm, depth 10cm, height 12cm***CONDITION REPORT***Fair to good condition, signs of wear to the handles, some rubbing to one side and some dirt marks, light oxidisation to one zip pull, a few dirt spots beside the zip, a few dirt spots inside.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

An Ercol bedroom chest of three long drawers minor marks and scratches, small patch/loss of surface finish and some faint ring marks to top.

Heer - Panzertruppe : Schwarze Panzerjacke eines Majors der Panzertruppe.Schwarzer Wollstoff mit original vernähtem, gewebtem Brustadler. Im Knopfloch vernähtes EK - Band. Gelaschte Schulterstücke für einen Major auf rosa - roter Unterlage. Kragenspiegel mit rosa - roter Paspelierung und Metall - Totenköpfen aus Leichtmetall. Originales graues Innenfutter mit Verschnürung. Korrekte Stempelung. Sehr schönes und seltenes Originalexemplar in hervorragender Erhaltung. Army - Panzer Troops : Black Tank Officer's Panzer Wrapper for a Major.Black wool fabric with original sewn, woven breast eagle. Buttonhole with sewn Iron Cross - ribbon. Lashed shoulder pieces for a major on pink - red backing. Collar patch with pink - red piping and skulls made of light metal.Original grey lining with lacing. Correct stamping.Very nice and rare original example in excellent condition.

Deutsches Reich 1933 - 1945 - NSDAP : Uniform eines politischen Leiters (Haupt - Gemeinschaftsleiter) in der Ortsgruppe.Die Uniformjacke aus braunem Tuch mit vergoldeten Knöpfen mit Hoheitsadlern für Politische Leiter. Rückseitig RZM gestempelt. Kragen mit blauer Kordeleinfassung (Ortsgruppe). Kragenspiegel für einen Haupt - Gemeinschaftsleiter in der Ortsgruppe mit vergoldeten Hoheitsadlern, bzw. Rangsternen und vergoldeter Litze. Auf der Rückseite des Kragens 1 Mottenloch. Original vernähte Armbinde für Ortsgruppenleiter. Roter Wollstoff mit goldgesticktem Eichenlaubband und entsprechenden Litzen. Das Separat aufgenähte Hakenkreuz mit goldener Bordierung und vergoldetem Rangstern. Einfassung aus blauer Kordel (Ortsgruppe). Im Knopfloch vernähtes Band des EK 2. Klasse 1939. Die rechte Brusttasche mit genähten Ordensschlaufen. Dazu die passende Breecheshose in stoffgleicher Ausführung. Beinenden mit Reisverschlüssen. Dazu die sehr seltene M43 Feldmütze für Politische Leiter. Braunes Tuch mit Vorstoß aus versilberten Metallfäden. Vorne aufgelegter vergoldeter Metall - Hoheitsadler für Politische Leiter und vergoldete Knöpfe.Originales braunes Innenfutter und dunkelbraunes Lederschweißband. Sehr schöne komplette und zusammengehörige Uniform.The Third German Reich 1933 - 1945 - NSDAP : Uniform for Political Leaders (Haupt - Gemeinschaftsleiter) Ortsgruppe.The uniform jacket made of brown cloth with gilded buttons with eagles for political leaders. RZM stamped on the back. Collar with blue cord edging (local party group). Collar patch for a main community leader (Haupt - Gemeinschaftsleiter) in the local group with gilded nationality eagles and rank stars and gilded braid. On the back of the collar 1 moth hole.Original sewn armband for Ortsgruppenleiter. Red woollen fabric with gold embroidered oak leaf and corresponding braid. The separately sewn-on swastika with gold border and gold-plated rank star. Edging of blue cord (local group). The ribbon of the EK 2nd Class 1939 sewn into the buttonhole. The right breast pocket with sewn loops for orders and medals.Comes with matching breeches in fabric matching design. Leg ends with zippers.Comes with the very rare M43 field cap for political leaders. Brown cloth with silver-plated metal thread lug. Gold-plated metal eagle for political leaders and gold-plated buttons on the front. Original brown lining and dark brown leather sweatband.Very nice complete and matching uniform.

Heer - Panzertruppe : Feldbluse eines Leutnants der Panzertruppe.Feldgraues Tuch, im Knopfloch vernähtes Band des Eisernen Kreuzes 2. Klasse. Original vernähter Offiziers - Brustadler und Kragenspiegel. Mit eingenähten Schulterstücken eines Leutnants mit rosa - roter Unterlage (Panzertruppe) und aufgelegtem vergoldeten Buchstaben "P". Originales graugrünes Innenfutter aus Kunstseide. Army - Panzer Troops : Tunic for a Tank Unit Lieutenant.Field grey cloth, Iron Cross 2nd class ribbon sewn in the buttonhole. Original embroidererd officer's breast eagle and collar patch. With sewn-in shoulder pieces of a lieutenant with pink - red back (tank troops) and applied gilt letter "P".Original grey-green lining of artificial silk.

A collection of vintage dolls including Patch Doll (1964), Action Man, Barbie, Bratz etc

Collection of Ferrari items - F355 sales brochure along with Italian Motors sale and press documents about the Launch, Dark Green car seat cover with Ferrari name printed to top, Ferrari Embroidered centre patch, Yellow official Ferrari Staffordshire Tableware Mug along with Yellow Ferrari bag.

Lister Jaguar Stirling Moss limited edition book with presentation case and items, lot also along with a large collection of F1 ephemera to include various race programs, tickets and passes, and also to include Lamborghini embroidered Logo patch and Alfa Romeo 1984 Championship Shield (1 box).

A VINTAGE INDIAN (GUJARATI) EMBROIDERED WALL HANGING. Decorated with rabbits, peacocks, horses, butterflies, Ganesh and deities, centred with a foliate medallion, within flowerhead and tendril border, 175cm x 166cmOf good decorative appearance, the colours remain bright. There is a patch of water staining around the central medallion and further smaller patches elsewhere. Minor staining and small areas where pink dye has run. Small areas where thread is loose.

Mulberry, an oversized Alexa handbag, crafted from heavy grain chestnut leather, with polished gold-tone hardware, a braided leather top handle, long detachable crossbody strap, double magnetic front buckles and the maker's signature postman's lock fastening, opening to a brown suede lined interior with one patch pocket, measuring 17 by 32 by 37cm- Overall very good condition- No obvious marks or wear to the bag exterior or interior lining- Without maker's dust bag- Condition reports are a guide only and clients are advised to view items before bidding- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com

Mulberry, a small Antony messenger bag, designed with a brown leather exterior, adjustable canvas crossbody strap, top flap closure with maker's signature postman's lock fastening, and front patch pocket, measuring 6 by 20 by 25cm, with maker's care card and dust bag- Overall fair condition- Scuffs and few faint marks to the bag exterior- Light wear to the bag edges and base corners- Wear to the gold-tone plating on the postman's lock fastening- Marks to the flap underside and slight discolouration to lining- Condition reports are a guide only and clients are advised to view items before bidding- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com

Chanel, a vintage Classic Tall Double Flap handbag, designed with a black diamond quilted lambskin leather exterior, with 24k gold plated hardware, rear patch pocket, adjustable chain and interwoven leather shoulder strap, classic CC turn-lock fastening, opening to a secondary flap and burgundy leather interior lining, measuring 7.5 by 18 by 25cm- Overall very good condition for age- Few small scattered scuffs to the smooth leather exterior and inner flap closure- Interior lining is clean and unmarked- The insides of the two interior slip pockets are worn- Serial number 0739584 (1986-1988)- Without maker's dust bag- Condition reports are a guide only and clients are advised to view items before bidding- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com

Bottega Veneta, a small vertical crossbody messenger bag, crafted from grained ivory leather, featuring an adjustable crossbody strap, Intrecciato woven central detailing, rear slip pocket, snap button flap closure, and one front patch pocket, measuring 5 by 15 by 22cm- Overall good condition- Very slight discolouration to the back of the bag- No other marks or wear to the bag exterior or interior lining- Without maker's dust bag- Condition reports are a guide only and clients are advised to view items before bidding- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com

Louis Vuitton, an Ellipse PM handbag, designed with a structured curved shape, featuring maker's monogram coated canvas exterior, gold-tone hardware, tan leather piping, rolled leather top handles, double wraparound zip fastening, and one small interior patch pocket, measuring 13 by 25 by 31cm- Overall very good condition- No obvious marks or wear to the bag exterior- Interior lining is clean with very few small, faint marks- Date code TH1012 (November 2002 France)- Without maker's dust bag- Condition reports are a guide only and clients are advised to view items before bidding- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com

Chanel, a Maxi Classic Double Flap handbag, featuring the maker's signature black quilted caviar leather exterior, with silver-tone hardware, maker's CC logo turn-lock fastening, a rear patch pocket, double chain and interwoven leather shoulder strap, a secondary inner flap closure, and smooth burgundy leather lining, measuring 9.5 by 23 by 33cm, with maker's authenticity card- Overall good condition- Minor wear to the base and front flap corners- Very few small marks to the bag exterior- Few small scratches and faint marks to the interior lining- Serial number 15677988, 2011- Without maker's dust bag- Condition reports are a guide only and clients are advised to view items before bidding- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com

Chanel, a quilted wallet, featuring a diamond quilted black caviar leather exterior, with a rear patch pocket, gold-tone CC front logo and snap button fastening, opening to a smooth burgundy leather lined interior, with multiple card slots, slip pockets, and a coin compartment, measuring 2.5 by 11 by 18cm- Overall good condition- Minor wear to the wallet edges and edge of the gold-tone plated CC front logo- Faint scuffs and marks to the interior lining- Serial number 18067566 (2013-2014)- Without maker's dust bag or box- Condition reports are a guide only and clients are advised to view items before bidding- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com

Chanel, a vintage Paris Double Flap handbag, designed with a diamond quilted black lambskin leather exterior, with 24k gold plated hardware, chain and interwoven leather shoulder strap, rear patch pocket, two-tone CC turn-lock fastening, inner flap closure, and a burgundy leather lined interior, measuring 6 by 17 by 28cm, with maker's authenticity card- Overall very good condition for age- No obvious marks or wear to the bag exterior- Few minor scuffs to inner flap closure- Some minor scuffs and scratches to the inner burgundy leather lining- The interior zip is split along the side approximately 4cm, zip is still functional- Serial number 0190821 (1986-1988)- Without maker's dust bag- Condition reports are a guide only and clients are advised to view items before bidding- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com

Prada, a jacquard logo backpack, crafted from khaki green nylon, with polished silver-tone hardware, front patch pocket, adjustable padded shoulder straps, top flap with dual clip fastenings and drawstring closure, measuring 13 by 26 by 35cm, with maker's dust bag, authenticity card and care guide- Overall very good condition- No obvious marks or wear to the bag exterior or interior lining- Condition reports are a guide only and clients are advised to view items before bidding- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com

Chanel, a CC Delivery handbag, crafted from pale pink diamond quilted leather, featuring a unique black plexiglass top handle, with a rear patch pocket, polished silver-tone hardware, chain and interwoven leather shoulder straps, maker's signature CC turn-lock fastening and one interior zip pocket, measuring 7.5 by 25 by 30cm- Overall very good condition- Faint scuffs to the bag exterior- Slight wear to the base corners- Interior lining is clean and unmarked- Serial number 21553075 (2015-2016)- Without maker's dust bag- Condition reports are a guide only and clients are advised to view items before bidding- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com

Chanel, a nude Single Flap handbag, featuring polished silver-tone hardware, a rear patch pocket, double chain and interwoven leather shoulder straps, mademoiselle turn-lock fastening, and maker's logo fabric lined interior, measuring 7 by 13.5 by 25cm, with maker's product pamphlet and authenticity card- Overall good condition- Very minor discolouration and wear to the bag edges and corners- Interior lining is clean and unmarked- Serial number 10654171 (2005-2006)- Without maker's dust bag- Condition reports are a guide only and clients are advised to view items before bidding- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com

Chanel, a medium Classic Double Flap handbag, designed with a diamond quilted black caviar leather exterior, with gold-tone hardware, a rear patch pocket, maker's signature turn-lock logo fastening, double chain and interwoven leather shoulder strap, and an inner flap closure with burgundy leather lining, measuring 6 by 15 by 25.5cm, with maker's care guide, product pamphlet, dust bag and box- Overall very good condition- No obvious marks to the bag exterior- Very light wear to the base corners, only noticeable upon very close inspection- Light scuffs to the underflap- Few very light marks to the interior lining- Microchipped - Condition reports are a guide only and clients are advised to view items before bidding- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com

Gucci, a GG Plus supreme tote with matching purse, crafted from the maker's GG Plus coated canvas, featuring a front patch pocket, an open top, green and red striped web top handles, and a matching removable purse, attached by a gold-tone chain to the bag interior, measuring 6 by 31 by 37cm, with maker's authenticity certificate- Overall very good condition - Slight wear to the base corners, top edge trim and top corners- Minor wear to the gold-tone plating on the front logo plaque- Without maker's dust bag- Condition reports are a guide only and clients are advised to view items before bidding- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com

Chanel, a Grand Shopping Tote, crafted from grained black caviar leather with maker's classic diamond quilting and large embroidered CC logo to the centre front, with polished silver-tone hardware, a rear patch pocket, chain and leather handles, and an open top with three main interior compartments, measuring 13 by 25 by 33cm- Overall good condition- Wear to the base corners- Few very small marks to the interior lining- Serial number 14948968 (2011)- Without maker's dust bag- Condition reports are a guide only and clients are advised to view items before bidding- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com

Louis Vuitton, a monogram Saint Clouds PM handbag, featuring the maker's monogram coated canvas exterior with vachetta tan leather trim, long adjustable shoulder strap, rear patch pocket, top flap closure with engraved metal loop detail, push-clip fastening, and one interior zip pocket, measuring 5.5 by 19 by 20cm, with maker's dust bag- Overall good condition- Few scuffs and dark marks to the smooth leather trim- Very slight wear to the rear edge trim- The lining of the interior pocket is sticky and in a poor condition- Few very small marks to the interior lining- Date code TH0946 (April 1996 France)- Condition reports are a guide only and clients are advised to view items before bidding- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com

Loewe, an Anagram tote, crafted from ivory leather, featuring the maker's anagram logo on one side and name on the reverse, with two exterior patch pockets with drawstring closures, dual rolled leather handles, top zip fastening, and red canvas interior lining, measuring 14 by 19 by 33cm- Overall good condition- Faint marks and discolouration to the smooth leather exterior and interior lining- Without maker's dust bag- Condition reports are a guide only and clients are advised to view items before bidding- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com

Georgian silver - An 18th Century round patch box having engraved detailing to the lid (hallmarked Birmingham 1796, Samuel Pemberton?), George IV vinaigrette having engraved detailing and gilt interior (Birmingham 1825, John Bettridge), George III vinaigrette (A/F, Birmingham 1806, Matthew Linwood). Patch box measures 2.5cm.

A pair of George III silver chamber sticks, Ebenezer Coker, London 1766, with later silver snuffers, diameter 16cm, 18.2oz totalBoth quite heavily dented with several solder patch repairs, both snuffers are not original and 1 is lacking section of arm, hallmarks relatively clear

A Georgian gold garnet and hairwork mourning brooch/pendant, circa 1810, unmarked rose gold closed-back settings with central fine lattice woven hairwork panel beneath convex bevelled glass, within chased floral surround and round flat-top garnet border, 26.8mm, 4.7gAll stones present, 1 garnet is cracked, backing has a few small dents and brooch fitting has a small solder patch repair, unmarked

An Imperial Japanese Navy seaman rank patch

A Small Georgian Hallmarked Silver Circular Patch Box, Birmingham 1796, with engraved decoration and initialled, base 2.9cm diameter; a hallmarked silver and enamel circular pill box, highlighted in green and white (enamel damage); and a modern hallmarked silver 'The First Tooth' box. (3) [696200]

Le Carré (John) The Honourable Schoolboy, first edition, double-signed by the author "John Le Carré a.k.a David Cornwell 26 ii 02 Cornwall" on title, plain endpapers, original boards, slight bumping to spine tips, dust-jacket, light rubbing to upper edge, small patch of laminate lifting to upper panel, but a near-fine example overall, 8vo, 1977.⁂ The second title in the Karla trilogy, rare double-signed. There are two issues with either map or plain endpapers, seemingly without any established primacy.

Barrie (J. M.).- Ruskin (John) The King of the Golden River or the Black Brothers, twenty-ninth thousand, signed presentation inscription "To Michael [Llewellyn Davies] from J. M. Barrie Feb. 1907" on half title, illustrations by Richard Doyle, a few with childish hand-colouring, some smoke odour, the odd spot or patch of soiling, pencil ownership inscription of Michael Llewellyn Davies to endpaper, light browning to endpapers, hinges weak, original pictorial cloth, gilt, some light rubbing and marking to covers, 8vo, 1904.⁂ A presentation copy of this classic children's story from J.M. Barrie to one of the primary inspirations for Peter Pan and the Lost Boys.Michael was the fourth of the five Lewellyn Davies boys first encountered and befriended by Barrie during his walks in Kensington Gardens (though Michael was born a few years subsequent to this first meeting). Barrie would meet the boys' mother Sylvia in 1898 and the two became close, especially after Barrie's divorce in 1909. Following the death of their father Arthur in 1907 and of Sylvia in 1910 Barrie would informally adopt the boys. Barrie would frequently acknowledge the debt of inspiration owed to the boys in creating the world of Peter Pan. Michael Llewellyn Davies died in a suspected drowning accident just short of his 21st birthday in 1921; he, along with his brother George (who also died in his 20s), would be referred to by their younger brother Nico as the boys who meant the most to Barrie. See also lots 126, 127 and 171.Provenance: By descent through the family of Jack Llewellyn Davies and thence to the present owner.

Le Carré (John) Tinker Tailor Solider Spy, first edition, double-signed by the author "John Le Carré alias David Cornwell - or the other way around!" on title, original boards, dust-jacket, light creasing to head, small patch of laminate lifting at upper joint, faint rubbing to upper and lower edge, but a near-fine example generally, 8vo, 1974.⁂ Rare double-signed and in such good condition without the usual fading to spine.

1806 George III silver lidded patch box by Samuel Pemberton - 2.2cm diameter & 4.9g & in overall good condition

Guitar and audio equipment. Comprising a Tech 21 MIDI Moose one hundred and twenty-eight patch foot controller, a Roland Tri-Capture USB audio interface, and a Behringer Micromix MX400 four-channel mixer.The Roland Tri-Capture includes the original box, manual, and software CD.

Manchester United v. Sheffield Wednesday, home league match programme, 23rd October 1937 16 pages, lacking original staples, single replacement staple, with attached text patch on cover

Analogue Systems RS-230 CV Buffer A safeguard for your signals. British-made, this buffer ensures your CVs remain true, no matter the patch complexity. From a working modular rig, functions generally tested but not guaranteed as 100% working.

Omsonic Dual Buffered Multiple (DBM) Pristine signal integrity, doubled. Ensure each signal retains its original character, even when distributed across your patch. From a working modular rig, functions generally tested but not guaranteed as 100% working.

EDP Wasp with original manual and some patch cards. Brilliant British "budget" synth with so much attitude. OPERATIONAL STATUS: (C) Tested. Powers up, passes signal. All seems to work but has dirty controls, sockets and contacts and will benefit from a service. No guarantee or warranty implied. Operational status may change during shipping. See the main Buying Page for further important information.

Doepfer A-122 VCF3 24dB Low Pass II Filter Dive into deep sonic waters. This low-pass filter offers buttery-smooth transitions, enhancing every patch with its fluid character. From a working modular rig, functions generally tested but not guaranteed as 100% working.

Alice Mary Havers (British, 1850-1890)Contemplation  signed 'A Havers' (lower left)oil on canvas127 x 81.3cm (50 x 32in).Footnotes:ProvenanceWith Thos. Agnew & Sons, Manchester.With Pyms Gallery, London.Private collection, UK (acquired from the above).When Alice Havers died of an accidental morphia overdose in 1890, aged only forty years old, more was made of this abrupt, tragic end, linked to her status as a divorced woman than of her art. In her resultant obituaries, journalistic opinion swayed between describing her manner of dress, her mental health, only turning occasionally to the popularity of her art. Despite the seemingly gentle and traditional scope of her art, the life and career of Alice Havers, also known as Mrs Frederick Morgan, resonates with the fate of modern, creative women today.Alice Mary Celestine Havers was born on 19th May 1850. The Havers family lived at Thelton Hall in Norfolk, their ancestral home, built in the 16th century. Alice's father, Thomas Havers (1810-1870), relocated his family to the Falkland Islands in 1854, taking work as manager of the Falkland Island Company, then moving his family to Uruguay. Thomas Havers apparently had artistic aspirations himself, planning a series of pieces based on the flora and fauna of the islands and it is assumed he encouraged his daughter's talent.1 For source material far from home, Alice copied pictures from the Illustrated London News and the Graphic as her way of developing her artistic skills (Atlanta, Volume 4, 1890).After Thomas Havers' death in 1870, Alice returned to England with her siblings. She enrolled at the South Kensington Art School where her work earned her a free scholarship. She married fellow artist Frederick Morgan in April 1872 yet maintained her maiden name professionally. The couple had three children, including artist Valentine Havers (1873-1912), who tellingly used his mother's name professionally. Despite the pressures of motherhood, Alice continued to work and exhibit to some modest acclaim, including Ought and Carry One (1874), a profile of a schoolgirl working on a sum, which was bought from the Royal Academy by Queen Victoria. Coupled with this, Alice illustrated books, including the romantic novels of her sister Dorothy Boulger (1846-1923), becoming known for her spirited and expressive illustrations.  The Gentlewoman magazine in September 1890 commented on Alice's work as being 'graceful, delicate, almost ethereal...She never painted anything large or very ambitious in design or colouring...it was [beauty] proceeding from purity of soul, and the outward expression of the artistic thoughts and ideas treasured up in her heart'.2 Her output bustled with images of idyllic, industrious female rural lives; groups of picturesque peasant girls washing clothes, gathering flowers or just pausing in woodland or by streams. Such public-pleasing images became coloured plates, sold for domestic display and securing her reputation as a popular, accessible artist, not to mention providing an income to her household that would have easily rivalled, if not exceeded, that of her husband. Throughout these years, Alice was contending with an abusive homelife. Frederick Morgan had conducted affairs from the year after Valentine was born until Alice filed for divorce in 1889. The marriage was violent; her sister Dorothy once took the place of her sister at a dinner party after Alice was too badly beaten to attend. It is possibly unsurprising therefore that alongside the pastoral idylls, Alice occasionally exhibited more poignant, darker paintings such as End of her Journey (1875), depicting a woman dying by the roadside, and Trouble (1885), showing a mother holding her cadaverous child la pietà, while stoically instructing her other children, within a dingy room with the grey-washed city visible through the slanting windows. When Trouble was exhibited with the Society of Lady Artists, it was praised in the way Alice 'treats the domestic sorrows of humble life with touching tenderness of sentiment.' The common thread through these works is the condition of female existence in a perfect world, sometimes in harmony, sometimes at odds.The present painting hangs between the idyllic and the pensive. A beautiful peasant girl carrying a bundle pauses by a stream in a woodland. Beyond the screen of trees lies a sunlit meadow but she pauses, hand on hair, gazing down at a patch of foxgloves. The familiar elements of Havers art are present – the setting, the character, the eternal summer – but the girl's pondering of the flowers brings interpretations to the work. In Thomas Miller's 1840 book on the language of flowers, The Romance of Nature, he gives the meaning of foxgloves as 'I am not changed, they wrong me', an expansion on the traditional meaning of 'insincerity'. Arguably a narrative of Havers own marriage, the weary, thoughtful expression and dark, atmospheric woodland speaks of choices and disappointments, raising questions of where the girl is headed or what she is leaving behind.Alice's arrival in London in 1870 coincided with that of Paul Durand-Ruel (1831-1922), famed Parisian art dealer, who sought exile from the Franco-Prussian war. With the establishment of his London gallery in New Bond Street and its annual exhibitions, the shock of Impressionism was finally released on the London masses. Art students including George Clausen (1852-1944) flocked to see Impressionism and its treatment of the rural poor as a legitimate subject. This drive gained further momentum with the publication of Alfred Sensier's 1881 book Jean-François Millet, Peasant and Painter together with others including the Fine Art Society's Twenty Etchings and Woodcuts of Millet's work on the noble, rural poor. This influence was reflected in a review of Alice's illustrations for William Morris's 1889 book of poems, where the Birmingham Mail referred to her as 'one of the foremost English lady exponents of the French school'.3 Alice's transition from rural idyll to rustic narrative reflects the general movement in Britain which resulted in the art of Henry Herbert La Thangue (1859-1929), the Newlyn School and the novels of Thomas Hardy. The girl who considers the foxgloves in Alice Haver's painting is a proto-Tess of the D'Urbervilles or Bathsheba Everdene, considering her life choices that are ever-dependent on their socio-economic status in natural surroundings that offer both light and plenty and dark and danger.After a very public and damaging divorce in 1889-90, Alice and her children moved back to London, to St John's Wood where she rented a house with a studio, but the new life was not to last long. She had been suffering from neuralgia and medicating with morphia, injected straight into her forehead, spending her nights on the couch in her studio. On the morning of 25th August 1890, the maid found her insensible from an overdose, with the needle still clenched in her hand. On the table was a letter to her doctor, describing her symptoms as unbearable and requesting another course of treatment. 

A Continental gilt-brass and agate snuff box, 19th century, with canted corners, the sides engraved with a continuous design of leaves and berries, 9cm wideCondition Report: The inset agate top has a restored break across the back right corner and a curved fracture from the bottom edge into the centre of the lid.  There are tiny losses along the restored break and a tiny triangular nick near the left edge.  The gilt brass is rubbed and worn consistent with age and use.  The interior with areas of tarnishing and a small patch of green oxidisation.  The underside shows that the inset base is a little crude round the edges.

Cello 29 1/8" two piece back, labelled 'Carlo Bergonzi Cremona Fecit **24' and second label 'Attuned by William Hawes Northampton and Guaranteed to retain the true Italian tone if the instrument is unaltered' in hard case with bow stamped 'J. Channing'Appears to have had some repairs to ribs on lower bout near end pin assembly; pegs have been bushed; horseshoe repair to back button; crack to rib on lower bout bass side; general wear to finish from age and use; crack to back ~200mm repaired with oval shaped patch visible inside; repaired crack to front on bass side 100mm from purfling downwards

A George II silver porringer, London, 1736, James Manners, with twin handles to half-lobed body and a corded band beneath slightly flared rim, scratch engraved with the initials SWP to base, approx. 6.4cm high, approx. weight 2.2ozProvenance: The Collection of Lord and Lady Weinstock  Condition Report: Surface scratching, nicking and pitting commensurate with age. Split around lower handle join on one side. Several small splits noted around corded band. Heavily stamped hallmarks to base - showing through to inside. Patch to rim. Some solder around handles. Some dings to body

A Victorian silver four piece tea set, London, 1874, Martin Hall & Co., comprising tea pot, coffee pot, sugar and milk jug, of shaped, faceted form, the bodies raised on shaped circular feet with scroll borders and chased with floral and foliate scroll motifs, the sugar and milk with gilded interiors, the tea and coffee pots with bird finials to hinged covers and ivory insulators to handles, coffee pot approx. 29.5cm high, teapot approx. 20cm high, total weight approx. 78.7oz (4)Ivory submission reference: 2MVAF8YN   Condition Report: The tea set is in good condition commensurate with age. Some general surface scratching, nicking and pitting noted and some fading to gilded interiors. Some discolouration to ivory insulators. Some minor dings. Hinges in good condition. Decoration in good condition. A small patch of solder noted to one handle of sugar. Coffee pot wobbles slightly on foot. Damage to finial of teapot (part of one leaf has broken off). All numbered 1590 to base. Hallmarks slightly rubbed in places but generally clear. Overall a nice set in good condition. 

A George V silver teapot with woven wicker handle and matching milk jug, London, 1918, Goldsmiths & Silversmiths Co., of plain, oval form, the teapot with reeded banding to spout and an oval finial surmounting a Belgian coin, the jug with double scroll handle, teapot approx. 17cm high, jug approx. 12.8cm high total weight approx. 28oz (2)Condition Report: Good condition commensurate with age. Some general nicking and surface scratching to both. Wicker handle generally in good condition. Some marking towards base and some gaps to upper section. Repair to hinge and patch noted to interior. Some dings to bodies.