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A WW2 69th Infantry Division shoulder patch presented to Michael Booker by P.F.C. Alan H. Murphey, one of the four Americans who were the first to enter and liberate Colditz Castle (Oflag IVc) on 16th April 1945.Accompanying this patch is a photograph capturing the moment of liberation, featuring all four P.F.C.s on the terrace of Colditz Castle. The individuals in the photograph, from left to right, are P.F.C. Burrows, P.F.C. Murphey, P.F.C. Giegnas, and P.F.C. Miller, all of whom were awarded the Silver Star for their bravery in liberating Schloss Colditz Oflag IVc.Notably, P.F.C. Alan H. Murphey received the formal surrender from German Hauptmann Reinhold Eggers in the castle's courtyard, marking a significant moment in history. This lot also includes a picture of P.F.C. Alan H. Murphey (on the left) taken in Altenhain in April 1945.
size 40 (fits a standard 36-38 European), virgin wool, silk, alpaca, mohair, polyamide. sleeveless tailored tweed dress with a round neckline. Zipper closure at the back, two patch pockets at the front, fringes at the hem. Fully lined. labelled Dolce & Gabbana R, hand tag Dolce & Gabbana, labelled Dolce & Gabbana / made in Hungary Excellent condition
A BRONZE BUST OF A MAN VENETIAN, 16TH/17TH CENTURY On modern ebonised wood base bronze 13.5cm high, 17.5cm wide, 22.5cm high overall Condition Report: With old wear to surface- some casting faults such as to chin, lead visible to interior- possible patch to reverse of centre front edge and rear right edge. Small edge tears and paler patina wearCondition Report Disclaimer
PIERRE SUBLEYRAS (FRENCH 1699-1749) STUDY OF SAINT JEROME Oil on canvas 97.2 x 72.5cm (38¼ x 28½ in.) This is a preparatory study for the altarpiece depicting The Vision of Saint Jerome (408 x 232 cm.), which was commissioned for the church of Santi Cosma e Damiano in Milan and is today in the Pinacoteca di Brera, Milan. Here the model is posing nude in the studio, with a grape vine around his waist and an animal hide beneath his knee. Another version of similar dimensions but with minor differences sold at Artcurial, Paris, 7 November 2012, lot 44. The attribution to Pierre Subleyras has been endorsed by Nicolas Lesur on the basis of digital images. 1 https://pinacotecabrera.org/en/collezione-online/opere/san-gerolamo-che-suona-le-trombe-del-giudizio-universale/ Condition Report: The canvas has been lined. There is a small patch to the centre left of the canvas verso, and this corresponds to a small area of repair under the sitter's left armpit, which can be seen in natural light. There are a number of further repairs, largely to the background area of the canvas, which are visible in day light. Scattered craquelure throughout, with a more concentrated area to the sitter's right shoulder, where some of the paint has started to lift. There are also associated losses. A further area of similar loss to the sitter's right thigh and lower torso, where there is some visible infilling. Further minor scattered losses throughout. Stretcher marks visible, rubbing and abrasions to the edges. Inspection under UV light reveals retouching and infilling throughout. Condition Report Disclaimer
AN OAK COFFER FLEMISH, 16TH CENTURY With a hinged, fielded lid, the front with five panels with allegorical carvings of female figures within arches, the sides with moulded panels and iron handles, on a shaped plinth 85cm high, 173cm wide, 65cm deep Condition Report: Generally good condition, structurally secure and consistent colour, with dents marks and scratches and shrinkage cracks due to age and use. The lower right side rail cracked. Note the `plinth' only extends across the front, not the sides, so the chest actually rests on stile feet. There is a small patch to centre top and moulded front edge of the lid, probably as a consequence of the lock being forced. Condition Report Disclaimer
Mick Rooney RA (b.1944) Oil on board "The Prodigy", Fosse Gallery label dated 2000, 26cm x 20cm Original Fosse Gallery receipt dated '9th December 2000 Provenance: artist's studio'. From the collection of the late Maurice CostleyCondition ReportThere is a linear patch of wear running along the top of the painting, having a matt appearance, perhaps where it was framed previously, there appear to be some small patches of retouching to the dark brown ground to the background and possibly to the arms and edges of the figures, although it is possible that this is part of the original paintwork. The panel is sealed at the back and has not been inspected out of the frame.
Campbell Archibald Mellon (1878-1955) Oil on board “Gorleston Beach - Summer's Day”, figures on beach with sailing vessels in background, with Mandell's Gallery receipt dated 1979, 49.5cm x 60cm (small newspaper cutting found on the reverse when purchased) From the collection of the late Maurice Costley Campbell Mellon was born in Berkshire and began his artist’s career in 1903. Moving to Norfolk he was taken under the wing of Sir John Arnesby Brown. He is known for his coastal scenes which are impressionistic, light and breezy, usually including busy little figures enjoying the beach. He was a member of the Royal Society of Oil Painters and exhibited at the Royal Academy. Condition ReportIn good order overall. There is a rectangular patch of discolouring to the reverse, which is presumably where the newspaper clipping was attached, there are some very small areas of cracking, very minor surface wear, with a small patch just below signature. The giltwood and gesso frame has been cracked and restored and regilt to some areas. Uninspected out of the frame.
A collection of enamel pill and patch boxes 18th century and later, to include Bilston examples, including examples inscribed 'Love for Love', 'Long May You Live and Be Happy', and 'A Trifle from Harwich', 'A Lover's Gift', and 'A Friend's Gift', the largest 5..5cm wide (11)Provenance: The property of the late Baron John Mauger Langin Condition ReportTwo examples with detached lids. Cracks and scratches to the enamel throughout. Three examples with cracked internal mirrors.
A collection of pill and patch boxes 20th century, to include Staffordshire and Bilston examples, two silver mounted Wedgwood Jasperware examples, celebrating the Bicentennial of American Independance, limited edition 463 and 245/500, a Chinese cloisonne example, in the form of a panda, a mother of pearl and a hardstone example, the largest 6.5cm wide (20)Provenance: The property of the late Baron John Mauger Langin Condition ReportOne example with a damaged hinge. One Bilston example with losses to the lid.
A FRANKLIN MINT REPLICA 'OLD BETSY, DAVY CROCKETT'S .41 CALIBER RIFLE' on a wooden display board, with inlaid moon and star decoration, figure engraved on the patch box cover, ramrod and plaque stamped 'Presented to David Crockett at Nashville Tenn., May 5 1822', with leaflet (1) (Condition Report: appears ok, a little rust present, minor knocks to board)
OMEGA - a Second World War Period stainless steel British Air Ministry RAF Pilot's/Navigator's mechanical wristwatch, circa 1942, silvered dial with black painted Arabic numerals, blued steel spade hands, sweep centre seconds hand and caseback engraved "AM 6B/159 2259/42", 16 jewel movement with calibre 30SCT2, serial no. 9458937, case no. 10324601, case width 33mm, working orderMovement – currently working Dial - very light surface dirt around edge and 1 tiny stain patch between 9 and 10Glass - general surface abrasions in top right cornerHands - good Case - general wear and light abrasionsCrown – signed with Omega logo, hands adjust smoothlyBracelet - unassociated brown leather strap, near newNotes – no box or papers
MUST DE CARTIER - a lady's vermeil sterling silver Vendome quartz wristwatch, ref. 590004, cream dial with quarterly Roman numeral hour markers, blued steel sword hands, cabochon crown, serial no. 070190, case width 24mm, working orderMovement – currently working Dial - small discolouration patch between 11 and 12Glass - a few extremely small edge nicks, otherwise cleanHands - goodCase - gilding still very bright, only light surface abrasionsCrown – hands adjust smoothlyBracelet - associated Cartier black leather strap, general wearNotes – no box or papers
ROLEX - an early 20th century gold plated half hunter keyless pocket watch, white enamel dial with black Arabic numerals, blued steel double spade hands, subsidiary seconds dial, front cover blue enamel chapter ring and gold plated dust cover, 15 jewel movement, movement no. 6200360, case no. 157012, case width 50mm, working orderMovement – currently working Dial - 1 faint hairline crack between 2 and subsidiary dial, otherwise cleanGlass - glue patch above 12, otherwise cleanHands - goodCase - general wear and abrasions with a few minor dents around bezelCrown – push button working, hands adjust smoothly
A Victorian 18ct gold Etruscan Revival shell cameo brooch, circa 1880, set with relief carved marquise shell panel depicting Classical female profile, within openwork beaded frame with tassel drop, unmarked mount tests as 18ct gold, 88.1mm, 17.7gShell has several small edge chips, frame has a few light dents, 1 patch repair on left edge, backing cover is base metal, tassel lacking 1 points drop tip, brooch fitting working, unmarked but tests as 18ct
Football Vintage Ranger Football Club European Campaigners Approx. 3.75x2.75Inch Patch Embellished. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Assorted Early 20th Century Costume and Lace comprising two white cotton bonnets, a cream silk baby dress, young girls cream silk dress with scalloped collar, elbow length sleeves and patch pockets,large cream lace applique and embroidered mount of rounded shape design the top end cut, approx 390cm by 145cm,and a cream net lace embroidered stole,(one box)
Ten of Spades. Kate Proudman. 'Crumpled', oil on canvas, signed verso, unframed, 76cm x 61cm. Kate Proudman - Kate Proudman is an architect and artist, studying Architecture at Bristol and Edinburgh Universities, and Fine Art at London Met. Her work ranges from collaborative installations to sound pieces, painting and photography. Recent exhibitions include a 2-person show, Beyond Reason and a group show, A Patch of Sky at One Paved Court in 2023, Lockdown Letters to Horace, at Strawberry Hill House in 2020, and a solo show at the Fairfax Gallery, Oxford University Press in 2017. Kate often involves other people to make her work. In the past working with staff in the education & archive departments at the Whitechapel Gallery, with the ferryman at Ham, with a group of teenage girls, and with shopkeepers at Brick Lane. In her recent work, her painting is made in response to a written description of an unknown place of personal significance given by a collaborator. Working from this text, Kate paints her interpretation of the place and then distorts and subverts the images to look for the unknown beyond what is described. Kate lives and works in London, and co-founded One Paved Court, an artist-led gallery & studio in 2017, to bring to West London some of the less commercial and more challenging art regularly enjoyed in East London. https://kateproudman.co.uk/ Kate Proudman, 30.07.2024 Please note that Ewbank's are charging no buyers premium for any lots sold in this auction.
A Gordon Russell Arts & Crafts oak 'Enstone' trestle dining table, the rectangular top on octagonal column legs and sledge feet united by a stretcher75 x 198 x 75cmProvenance: Formerly removed from The Walden School, Saffron Walden and subsequently sold through these rooms in 2018Table surface has well lived and patinated condition of numerous surface scratches abrasions, staples, glitter, glue, graffitti (to include "I hate my life" "W W woz here" "check out fake tits on porn hub") Please see further images. Structurally sound. Patch of chewing gum to stretcher.
TWO PAIRS OF MERCHANT NAVY THIRD ENGINEER SHOULDER BOARDS AND ASSORTMENT OF ENAMEL BADGEStogether with a chequered hat band and a hand-stitched patch with deer insignia reading "animo non astutia"; the badges including examples for various bowling clubs, model boat club, sailing, RNLI, poppy Scotland, British Red Cross and more
KAUFMANN, Karl(1843 Neuplachowitz - 1905 Wien) Romantische HafenansichtÖl auf Leinwand. Pseudonym-Signatur: L. van Howe. 69 x 105 cm. Gerahmt : 84 x 120 cm. Originaler Keilrahmen mit altem Klebezettel: Kunst Salon Hermes, profilierter Goldrahmen mit weiß gefasster Leiste. Rückseitig ein Flicken. Kaufmann (Carl): Landschafts- und Architekturmaler, studierte an der Akademie in Wien, bereiste Europa, signierte mit diversen Pseudonymen * Partnerauktion Bergmann. Literatur : Benezit (2006), Thieme-Becker (1907-1950), Fuchs (1973, 1978). Aufrufzeit 26. | Okt. 2024 | voraussichtlich 16:52 Uhr (CET) KAUFMANN, Karl(1843 Neuplachowitz - 1905 Vienna) Romantic harbour viewOil on canvas. Signed under the pseudonym: L. van Howe. 69 x 105 cm. Framed : 84 x 120 cm. Original stretcher with old adhesive label: Kunst Salon Hermes, profiled gold frame with white border. Patch on the reverse. Kaufmann (Carl): Landscape and architectural painter, studied at the Academy in Vienna, traveled Europe, signed with various pseudonyms * Partnerauktion Bergmann. Literature : Benezit (2006), Thieme-Becker (1907-1950), Fuchs (1973, 1978). Aufrufzeit 26. | Oct. 2024 | probably 16:52 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
VEDUTENMALER 19.-20. JAHRHUNDERT, Altstadtansicht von TübingenÖl auf Leinwand. Unsigniert. 67 x 53 cm. Gerahmt : 85 x 70 cm. Die Neckargasse mit Blick auf die Stiftskirche zu St. Georg, eine dokumentarische historische Architekturdarstellung. Originaler Keilrahmen, schwerer Goldrahmen. Rückseitig ein kleiner Flicken, partiell Craquelé. * Partnerauktion Bergmann. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 17:49 Uhr (CET) VEDUTENMALER 19.-20. JAHRHUNDERT, Old Town View of TübingenOil on canvas. Unsigned. 67 x 53 cm. Framed : 85 x 70 cm. The Neckargasse with a view of the collegiate church of St. George, a documentary historical architectural depiction. Original stretcher, heavy gold frame. A small patch on the reverse, partial craquelure. * Partner auction Bergmann. Call time 26 | Oct. 2024 | probably 17:49 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
FRANK, Franz(1897 Kirchheim unter Teck - 1986 Marburg) Südliche SommerlandschaftÖl auf Leinwand. Monogrammiert. Datiert: 1954. 30 x 40 cm. Gerahmt : 41 x 51 cm. Vorherrschend in Blau- und Grüntönen, die der Landschaft den Charakter von Frische und pulsierendem Leben geben, in lockeren, pastosen Pinselstrichen ausgeführt. Grau gefasster Profilrahmen. Rückseitig ein mittlerer Flicken. Frank: Maler und Grafiker, studierte und promovierte in Erlangen Kunstgeschichte. Ab 1921 an der Kunstakademie in Stuttgart, Schüler von Arnold Waldschmidt und Robert Breyer. Bereiste Jugoslawien, Griechenland und Italien. Frank gehört zur sogenannten "Verschollenen Generation" * Partnerauktion Bergmann. Literatur : Goldstein (1964) Seite 210, Saur (2005), Nagel (1986). Aufrufzeit 26. | Okt. 2024 | voraussichtlich 18:04 Uhr (CET) FRANK, Franz(1897 Kirchheim unter Teck - 1986 Marburg) Southern summer landscapeOil on canvas. Monogrammed. Dated: 1954. 30 x 40 cm. Framed : 41 x 51 cm. Predominantly in shades of blue and green, which give the landscape the character of freshness and pulsating life, executed in loose, impasto brushstrokes. Gray profile frame. A central patch on the reverse. Frank: painter and graphic artist, studied and completed his doctorate in art history in Erlangen. From 1921 at the art academy in Stuttgart, pupil of Arnold Waldschmidt and Robert Breyer. Traveled to Yugoslavia, Greece and Italy. Frank belongs to the so-called "Lost Generation" * Partner auction Bergmann. Literature : Goldstein (1964) page 210, Saur (2005), Nagel (1986). Aufrufzeit 26. | Oct. 2024 | probably 18:04 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Persian Heriz red ground carpet, large stylised pole medallion surrounded by Pitrak motifs, indigo ground border decorated with stylised flower heads and trailing leafy branches, within floral pattern guard stripesDimensions: Length/Width: 414cm Depth/Diameter: 320cmCondition Report:Patch of wear to one corner.
λ DENIS BOWEN (BRITISH 1926-2006) EXPLODED STRUCTURE Acrylic, sand and Ripolin on canvas 71 x 91.5cm (27 x 35 in.)Painted in 1958. Provenance: Redfern Gallery, London Private Collection, P. Dallas Smith (acquired from the above in July 1958) Condition Report: There is some cracking to certain areas of black pigment, notably the patch at the centre of the right edge. Some 'spotting' to the paint surface which appears to be consistent with the artist's intention (see lower right corner). Ultraviolet light reveals one small patch of retouching just off the lower edge in the lower right quadrant. Some surface dirt, but otherwise, in generally good original condition.Condition Report Disclaimer
Scarce Third Reich NSDAP / SA Sturmfahne of 11. Sturmbann Standarte GS4, cotton construction with white cloth centre and multiple piece constructed swastika on both sides. Left on top the wool district patch “11/GS4” and additional organisation martyr banners for “Hubert Kopp - Adolf Wiedermann”. Rings replaced by two clips on the left corners. Very good condition.
Special Air Service (S.A.S) Beret, fine example of the beige wool beret with probably late WW2 period embroidered winged dagger beret badge with the motto “Who Dares Wins”, the beret badge stitching has started to come unstitched, possibly by a collector to see behind the badge. The beret has beige lining with black leather trim. Black leather rectangular patch behind the gromets. The beret shows some service wear with a few scattered areas of moth tracking.
WW2 British Glider Pilots Airborne Beret & Paperwork Archive of Corporal J Jennings 2nd Battalion the Glider Pilot Regiment, fine example of a 1943 dated maroon airborne beret produced by Kangol Wear Limited. Beret with leather trim, leather patch behind the gromet vents and remains of the white broad arrow stamp with date letter ‘N’. The beret is accompanied by a fine group photograph of No10 Glider Pilot Course R.A.F Booker 1942-43 photograph, where Jennings is identified sitting on the right hand side of the front row. Also with the lot are two RAF pilots flying log books which detail his training, firstly on Tiger Moth aircraft in 1942/43, then he moves onto the Gliders, such as the Hotspur Glider and later the famous Horsa I glider in early 1944, at this time he had been promoted to sergeant rank. Other items of ephemera include his Royal Air Force training note books and a regimental Christmas card. More modern items in the group include another airborne beret of post war manufacture with Glider Pilot Regiment cap badge fitted and a Battle of Arnhem commemorative 50th anniversary medal, believed that the beret was worn by Jennings at various post war ceremonies and veterans events. An interesting attributed airborne beret which is worthy of further research into what he participated in once qualified as a Glider Pilot.
Impressive NSDAP / SA Sturmfahne of Standarte for Sulzkirchen District, cotton construction with white cloth centre and multiple piece constructed swastika. Left on top the wool district patch of “Sulzkirchen”. The flag is complete with the wooden pole and pole top eagle. Pole top in generally good condition with RZM code M3/4039.
Limited edition figure. Features a smiling, seated snow man on a patch of ice wearing a top hat, ice skates and a scarf that appears to be blowing in the wind. A penguin stands besides him giving him a hand. Stamped hand made and hand decorated. Stamped Royal Doulton Holiday Traditions Collection. Issued: c. 2007Dimensions: 8.5"L x 5.5"W x 5"HEdition Number: 844 of 1200Manufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
This acrylic Christmas figurine features a snowman conducting a meteorology lecture to the surrounds birds above a patch of snow. Marked Lenox. Dimensions: 10.5"L x 8.5"W x 7"HManufacturer: LenoxCountry of Origin: United StatesCondition: Age related wear. As is. Red bird perched on left tree missing tail.
Santa Claus in a pink robe holding a sack surrounded by two white bunnies and a small deer. The sack features a large gold gilded bow above a patch of Christmas holly. There are gold gilded details and Christmas foliage throughout the figure, including Santa's robe and the animals. Stamped Fritz and Floyd Classics. Dimensions: 9"L x 7.5"W x 9"HManufacturer: Fritz and FloydCountry of Origin: United StatesCondition: Age related wear.
Glossy Ceramic set including a spoon rest, a sugar jar and a creamer. The spoon rest features a large red bowl and festive Christmas decor, measuring 9.75"L x 9.25"W x 1.5"H. The sugar bowl doubles as a sleigh figurine with a man and woman sitting on top, measuring 6"L x 3.5"W x 6.25"H. The creamer is a white horse above a patch of Christmas trees. each piece features the classic Spode Christmas tree, measuring 8"L x 4"W x 6"H. Marked Spode. Issued: 21st centuryDimensions: See DescriptionManufacturer: SpodeCountry of Origin: EnglishCondition: Age related wear. Some gloss cracks on the creamer.
A set of six 19th century French white metal port cups and tray, the cups with ridged horizontal lines and evenly spaced points to the centre, similar border below flared rim, gilt interiors, Minerva head hallmark and maker's mark for Cesar Tonnelier, the tray with similar decoration to the centre, bright cut border with foliate corners, curved beaded rim, base with Minerva head hallmark and stamped A Jalliffier, 117 Palais Royal, all with vacant oval cartouche, cased.Condition report:Cup height - 4.25cm. There are scratches to the front and back of the tray, and a rough patch to the underside of the rim. The cups are in very good condition. The case is in poor condition. Please see additional uploaded images.
Frank Wright, Fox in a wood, signed, oil on canvas, 40 x 60cm.Condition report:There is an odd-looking white patch near the signature, which is not in keeping with the rest of the painting. There is no other evidence of damage, repair or restoration to the painting or frame. Please see additional uploaded image.
A Barr twin-handled, boat-shaped sugar bowl, wrythen fluted with puce, green and gilt sprigs, a Flight wrythen oval example with purple and gilt sprigs, a small Chamberlain's example similar and a small London shape example with purple and gilt flowers, late 18th - early 19th Century and three porcelain plates painted with flowers, late 18th/early 19th Century, comprising a Derby plate painted with a specimen 'Ladies slipper', a Tournai plate with a small bouquet and an English example painted with roses and oak leavesThe small Chamberlains sugar bowl has a patch of flaked gilding to the finial. All are without damage or repair.Of the plates: the yellow border Derby plate had a riveted hairline crack from 10o'clock to the centre. Light wear to the Tournai plate and the plate with the floral wreath has some flaking to the thickest pink enamel.
A Queen Anne wingback armchair in distressed velvet and embroidered foliate upholstery, on carved scrolling gilded legs and stretchers, 74cm wide, 130cm highVery distressed condition. The side wing frames are a little wobbly. The squab cushion is present but very soft. The rear legs are chamfered. The front stretcher has a centre scroll section missing and a strengthening patch to the rear surface. A small leafy section is also missing adjacent to the left hand scroll. The gliding is missing or has been scraped back in many places revealing the pink and white under-surfaces.
Quilt - A small quilt possibly for a baby's cot, a simple square patch design with a border bound from behind, the middle of each square is tied with green yarn, The wadding is made from a jacket or coat length pieced to some other material, the seam can be felt and there is evidence of button hole stitching. Measures approx 37" x 33". From the Meador Williams Heath Quilt Collection.
A wide mahogany framed sampler by Ann Whitehouse dated 1834, worked in coloured silks on a fine linen ground, in small stitches, bordered with a geometric stylistic vining pattern, set with a central verse, above her name and date, the sampler also embroidered with spot floral motifs, 31.5cm wide x 41cm high. Condition - the verse has a dark patch, there are other patches, the colours have faded in sunlight but stitching and background are undamaged or holed. The frame is good the slip has gilt missing.

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