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Early 19th Century Patchwork Quilt, with large central square incorporating printed patches in purple, pink, blue and ochre, within two alternating floral frames, middle frame comprising nine patch squares on point and triangles, cream cotton to the reverse, 240cm by 250cm

Circa 1920s Sleeveless Day Dress, on a peach cotton woven ground printed with pink and green flower heads, shawl neck collar and pink trim to the button, handkerchief style hem and lacking belt; Circa 1920s Cream Silk Short Sleeve Dress, with buttons to the front and patch pockets, pleats to front and back, matching short sleeve jacket with green trimmed lapels and matching green belt (2)

Circa 1950s Cocktail Dresses and Evening Coats, including a Hershelle blue velvet swing style coat with flared three quarter length sleeves, velvet corsage fastening to the neck; Claire of Charring Cross brown and gilt woven brocade jacket in a similar style; Windsmoor navy blue coat with asymmetric button fastening and stylish single circular pocket to the front; Sambo Fashions blue brocade sleeveless dress, with buttoned patch pockets (size 38); Carnegie blue devoré sleeveless dress (size 20), a green/blue grosgrain style sleeveless dress, white bead detail to the bust and skirt together with belt; similar coloured dress with appliqué trim to the neck, front pockets, lacking belt; purple floral brocade dress with spaghetti straps and collar, A-line skirt; Lincoln Days pure silk green printed long sleeved dress with detail to the hip; Blanes black crushed velvet short sleeve mini dress with black silk trims; Hendersons of Liverpool black grosgrain opera style coat, split flared sleeves, side pockets; Berg of Mayfair London black velvet evening coat, collar, turn back cuffs, side pockets and quilted lining (12). Hershelle blue coat - lining stained around the armholes, slight wear overall. Claire of Charring Cross - slight wear and couple of loose threads. Windsmoor coat, wear and couple of holes to the lining. Sambo Fashions dress - slight wear, stitched repair at the centre back. Carnegie grosgrain dress - hole at the front near the hem and some discolouration. Carnegie blue dress - two small holes to the bodice, fading to the shoulders. Grosgrain style dress - slight discolouration. Purple brocade dress - some areas of wear. Lincoln days dress - slight wear. Blanes mini dress - slight wear, hook and eye to the back of the collar is rusting. Hendersons coat - couple of areas of wear. Berg of Mayfair slight wear.

Circa 1950s Summer Dresses and Coats, including a Ronnay brown and cream textured swing coat with front pockets; grey check swing jacket with patch pockets, collar and single button fastening, pleat to the back; pale pink sleeveless dress with gathered skirt and flocked floral stripes; similar dress in green with white floral flocking, diamante brooch to the front, lacking belt; Cine Modes of Auckland pale blue flocked dress with waist bow detail and diamante brooch; similar style dress in royal blue with flocking, capped sleeves; grey floral textured dress with drop waist and printed with flowers and pleated skirt; A Diana Dress, in floral sleeveless design; another dress in pale green, printed with sprays of flowers, wrap bodice; grey sleeveless dress with pleated skirt buttons tabs to the shoulders, printed with yellow and blue flower heads; Riddella brown cotton short sleeve dress printed with an abstract design, pleated skirt and belt; Jeannie Brand long sleeve jersey dress with scoop neck pleated detail to the hip, printed with brown and pink flowers, with belt; Bernard Freres London cream silk sleeveless shift dress printed with yellow flowers (size 14) (13). Ronnay coat - slight wear. Grey swing coat - slight wear. Pale pink sleeveless dress - slight wear. Green flocked dress - slight discolouration under the arms and a small mark to the front. Cine Modes of Auckland dress - slight discolouration and couple of stones missing to brooch. Similar royal blue dress - slight wear and side seam open. Grey textured dress - slight staining under the arms. Diana Dress - missing belt, stitched repair to the bust. Pale green dress - slight wear, lacking belt. Grey sleeveless dress - slight wear. Riddella dress - slight wear. Jeannie Brand jersey dress - slight wear. Bernard Freres dress - slight wear.

Burberrys Lady's Moss Green Wool Coat, with concealed button fastenings, slit pockets and bracelet length sleeves, the reverse with large pleat to create a flare/opening, lined in iridescent silk; together with a Burberrys Houndstooth Blazer, wool, cashmere and mohair blend in green/grey, cream and yellow, with two large patch pockets (2). Moss green coat - no size label, 34'' bust, 15.5'' underarm to cuff, 41'' shoulder to hem, some staining to one cuff, slight wear overall. Blazer - no size label, 30'' bust, 15'' underarm to cuff, 24'' shoulder to hem, some loose threads under one arm, otherwise good.

A Georgian ivory and gold set mourning patch box, inlaid with a panel of woven hair, the glass inscribed EB, the interior lined with dark blue velvet, mirror to inside lid with twist gilt metal rim, 10 by 5.2 by 2cm.

An incredible local interest WWII Second World War 1st Battalion Parachute Regiment collection of items. All relating to a Ronald ' Roy ' Charles Harris. Harris joined the First Paras and later the Eleventh SAS. From his obituary (included with the sale): ' Roy came from a large family...(and) he set up the Kingswood firm 'Harris Brothers' with his two brothers...before he started the family firm he served his country in the Second World War... (he) joined as a soldier of the First Paras and Eleventh SAS and was in action in Europe. In 1942 when parachuting into Sicily, Roy was injured when the Germans opened fire as they came down. Roy was captured and taken prisoner of war where he spent long periods in solitary confinement which affected his health...'. Included within the lot is: - Harris' own ' No.2 Commando 11th SAS 1st Parachute Battalion ' patch- Harris' Soldier Service Book - listing his Army Number as 4625961- Several photographs of Harris (and his battalion) - x3 framed, one unframed. - Harris' original Parachute Battalion beret, with parachute regiment badge to front.- An Air Letter from Harris sent home to Bristol. Dated 29.4.1943, the letter reads, in part: '...it won't be long now before North Africa is ours... the last few days have been very hot, and we have been sun-bathing - most of the lads are black! Will you let me know if the papers in England said anything about the 'Parachute' fighting in this country - I should like to know they did ' and followed by more family related sentiments- Two copies of Prisoner Of War camp ' Punishment ' notices - dated August 17th 1944 which lists Harris and another prisoner. For escaping the camp, they are given ' close arrest for a term of 7 days ' (solitary confinement). Written in German and English. - Harris' own Fairbairn Sykes British Commando dagger - within it's original leather and steel scabbard. - Harris' SAS / Commando issue Knuckle Duster - with ministry markings.- Several effects relating to a ' 1st Para Battalion 11th SAS Reunion Dance ' on March 29th 1947 at The Angel Hotel, Knutsford '. Including an original (fragile) poster, ticket, press photograph, and newspaper extract from the event ' Red Devils meet again! '.- A No.2 Commando 11th SAS 1st Parachute Battalion Reunion Dinner menu from 1985..and various other personal (and later effects) including a Union Flag, Matador throwing knife, and various Parachute Regiment related mementos.An interesting and important collection of WWII militaria. 

A collection of original WWII Second World War related medals and patches to include; The 1939-1945 Star, 2x Defence Medals, National Service Medal 1939-1960, Home Command Royal Air Force Support and Bomber Squadron Royal Air Force Loyalty patch.  

A WWII Second World War medal group comprising: War Medal, Defence Medal, and 1939-45 Star. Along with associated effects to include a '1st SAS' patch, various badges, and a selection of photographs - including a 'regimental' donkey dressed as a soldier. 

CELI ADOLFO: (1922-1986) Italian Actor, famous for his role as Emilio Largo in the James Bond film Thunderball (1965). A good signed and inscribed 7 x 9 photograph of Celi in a head and shoulders pose wearing a black eye patch in costume as Emilio Largo from Thunderball (1965). Signed in bold red ink to a clear area of the background. Together with a T.L.S., Adolfo Celi, on one side of his personal printed correspondence card, n.p., 18th April (1982), to Barrie Collington. Celi thanks his correspondent for their letter, apologises for the delay in replying, and forwards a signed photograph, remarking 'It has been taken for “Thunderball”, one of the oldest James Bond pictures - I hope you shall like it and remember me younger than I am!'. Accompanied by the original envelope postmarked in Rome, 21st April 1982. Autographs of Celi are rare in any form and signed photographs of the actor in costume as Emilio Largo are particularly desirable. A couple of very light, minor surface creases, otherwise VG to EX, 2

[§] BOYLE FAMILY (SCOTTISH CONTEMPORARY) UNTITLED Inscribed verso 'To Avril and Richard, with love from the Boyle Family', mixed media, resin and fibreglass 40.5cm x 40.5cm x 6cm (16in x 16in x 2.25in) Provenance: The Boyle Family gifted this work directly to the present owner Note: This work is believed to be a maquette for a larger work, a private commission for a British collector c. 2000. Note: Their collective comprises husband, wife, son and daughter, but beyond being close family members, the Boyle Family are artistic collaborators. This began soon after Mark Boyle, a Glaswegian by birth, and Joan Hills, originally from Edinburgh, met whilst living in Yorkshire in the 1950s. Their children Sebastian and Georgia were exposed to studio life from an early age, ultimately opting to continue the collaboration into adulthood. Though initially exhibiting under Mark's name alone, they represented themselves as 'Boyle family' as soon as the artworld expanded its narrow mindset to perceive the nature of their collaborative process, as opposed to only understanding it through the typical mythologizing of the (usually) male artist as loner/genius. From the very first, the work itself had been the primary focus and importance, and they did not divert themselves with attempts to challenge art world stereotypes or with efforts to market themselves in a calculated manner. Now, happily, the industry recognises, respects and celebrates the unique approach to their collective practise. Their work was experimental and cross disciplinary from the start, with famous early projects including innovative visual installations in collaboration with musicians like Jimi Hendrix and the Soft Machine. Elements of film and performance continue to play a part in their practise, but it is the Earth Series for which they are best known. The Earth Series, in their own words, 'are three dimensional casts of the surface of the earth which record and document random sites with great accuracy. These works combine real material from the site (stones, dust, twigs etc) with paint and resins, preserving the form of the ground to make unique one-off pieces that suggest and offer new interpretations of the environment.' The full details of their materials, casting technique and how they achieve such accurate representations is a well-kept family secret. Randomness, chance and an attempt to eliminate all bias are underpinning concepts of this project. Sites were selected on the map by the throw of a dart whilst blindfolded, and the precise patch of ground to be immortalised narrowed down by the toss of a t-square over the shoulder. No subject is above or beneath capture and depiction. Their aim is to create a truthful and unadorned representation of a fleeting moment of reality, freeing us, the audience, from our typical interpretation of art via projected prejudices, cultural reference points, associations and reminiscences. Though Mark Boyle sadly passed away in 2005, the family continue their work. Boyle Family has exhibited in galleries and museums world-wide, including representing Britain at the Venice Biennale in 1978 and the Sao Paulo Biennale in 1987. Their exhibition 'Beyond Image' at London's Hayward Gallery in 1986 attracted 176,000 visitors. Their work is represented in many private and public collections with major works in forty museum collections worldwide, including Tate Britain; Stuttgart Staatsgalerie; Los Angeles County Museum; Kunstmuseum Luzern; Tokyo Metropolitan Museum; Museum Moderna Kunst Vienna. The National Gallery of Scotland, Edinburgh, hosted a major retrospective of the family's work in 2003.

A Fedoskino Pegockuno Russian black lacquered papier mache patch box, of rectangular form with detachable lid, the top depicting couple in an horse drawn sleigh in Winter, red lacquered interior, complete with outer box and papers

Two gold plated keywind pocket watches together with a silver patch box on chain

Two Pegockuno Russian black lacquered papier mache miniature patch boxes, of sarcophagus form, one painted depicting a young lady in a dress; the other with a man and woman in a workshop, red lacquered interior, bun feet, 3.5cm high, each complete with papers and box

A French porcelain patch or trinket box, painted with flowers, probably Samson, circa 1890, pseudo gold anchor, 5cm by 5cmCondition: hinged frame re-attached

A LARGE GROUP OF MAUCHLINE TARTANWARE LATE 19TH CENTURY comprising a GLOVE STRETCHER, in Sinclair tartan, 14cm long; a PIN CUSHION, in McLean tartan, 3.5cm long; another PIN CUSHION, in Gordon tartan, 3.5cm high; an OVAL NEEDLE BOX, in Gordon tartan, 5.5cm high; an EGG-SHAPED ETUI in Albert tartan, 7cm high; a PIN CUSHION BOX, in Stuart tartan, 5cm diameter; a TAPE MEASURE in Lorne tartan, 4.5cm high; a PATCH BOX, in Stuart tartan, the lid painted with a ploughing scene, 5cm diameter; a BROOCH, 7cm high; another BROOCH, in McPherson tartan with applied image of a Classical lady, 5cm high; an ADDRESS BOOK, 7.5cm long; a PEN KNIFE, 4cm long (6.5 with blade unfolded) ; and a WHISTLE, in Prince Charlie's Stuart tartan, 7cm long (qty) Provenance: The Alex Wilson Collection

Early 19th Century French porcelain oval patch box, enamelled in puce with river scene and floral sprays, 7cm x 6cm x 3cm high, monogrammed S.X. to base

An early 20th century oak six drawer plan chest, width 145cm CONDITION REPORT: See additional images. Some small losses to the veneer. Generally faded and with watermarks. Signs of worm to one patch on the right side. Drawers run smoothly.

A Marx Eugene Clauss Paris porcelain trinket box of square form, the gilt brass mounted hinged lid with figural outdoor scene and raised gold highlights, the ribbed sides with raised gold foliate scroll, bearing underglaze crossed swords and initial mark, 1 7/8in. (4.8cm.) square, together with enamel circular patch box 'Thou givft me Pleafure' (a/f) and a pair of faux tortoiseshell lornettes. (3)

A boxed Pedigree Patch doll Ref. 9GPS with auburn hair and clothed in a partially complete Brownie Uniform which comprises dress, beret, belt with whistle attached and brown pants. The contents of the box also includes a 'Sindy' branded stand.

A French bisque figure of a man holding a shoe, Bon blue applied patch, 37cm high

An 18ct gold chain with an Art Deco 9ct back and front locket, and a further yellow metal locket, weight 16.6gms Condition Report: Deco locket in good order, needs a clean has a patch of stickyness to the back, box chain and clasp ok, round locket wont close no hallmark.

Major O Patch & Captain A W F Sutton signed JS/50/40/7 cover Battle of Taranto 'Operation Judgement'. 34p GB QEII stamp. BFPS 2234 11th November 1990 postmark. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.

A stuffed lion soft toy and a teddy bear with jointed limbs (2). Additional InformationWear and tear throughout, teddy bear has circular patch of missing fur to his back.

A selection of 19th Century snuff and patch boxes to include three boxes of rectangular form constructed from horn, two having tortoise shell lids, a lacquered snuff box with abalone shell borders, and a small lacquered box having a painted scene of carriages to the lid. 

A collection of silverware to include Art Deco and earlier cigarette boxes, Vesta case, patch box and a set of six seal ended silver teaspoons

WWII German collar patch Zugfuhrer

Two 17th century maps, one by Nicholas Sanson c1656 entitled 'Le Pérou et le Cours de la Riviere Amazone' with hand-coloured borders in greens and yellows and a Willem Janszoon Blaeu c1630 map of Perv (Peru) with hand-coloured land borders in greens and polychrome hand-coloured decorative cartouche to the top-left, 38 x 49cm, each in Hogarth frame and glazed, an 18th century map of Peru and two 19th century examples to include an 1818 John Pinkerton map of Peru with magnified cutaway of the coast by Bishop, an 1828 Sidney Hall map of Peru with land borders coloured in pink and yellow and a 1764 Jacques Nicolas Bellin map entitled 'Suite du Perou Audience de Charcas', hand-coloured in yellow border with pink land borders and polychrome hand-decorated cartouche to the lower-left, notation to the top corner border 'Tome II No 75', approx 23 x 31.5cm, all in Hogarth frames and glazed (5). CONDITION REPORT Sanson map with pale stripe and some minor creasing by the fold, the other with significant vertical creasing by the centre fold and pale patch to the corner, both with pencil prices lower left.

Middle Eastern robe/dress in black cotton, heavily embroidered with metal detail and cotton, gold-coloured metal on the cuffs, some later additions used to patch on the skirt to protect the hem and around the collar, possibly Bedouin

TWENTY LILLIPUT LANE SYMBOL OF MEMBERSHIP SCULPTURES (17 boxed), two 'The Dovecot' 89/90, three 'Cosy Corner' 90/91, two 'Puddlebrook' 91/92, two 'Pussy Willow' 92/93, two 'The Spinney' 93/94, 'Petticoat Cottage' 94/95 (no box), 'Hampton Moat' 97/98 (deeds), 'Kiln Cottage' 98/99 (deeds) (chipped chimney), two 'The Chocolate Box' 03/04 (both deeds, one box), 'The Toy Box' 04/05 (deeds), two 'Cabbage Patch Corner' 05/06 (both deeds, one box) and 'Sugar Mouse' 06/07 (deeds) (20)

A silver patch box having engine turned chequered decoration, monogrammed cartouche and presentation inscription to interior, Birmingham 1920, Lawrence Emanuel, an Edwardian silver vesta of plain form, Chester 1908, William Neale and a modern HM silver letter knife having moulded decoration to handle

A COLLECTORS LOT, MINIATURE TANKARDS, CUFF LINKS, PATCH BOXES, EYE GLASSES, DRAWING INSTRUMENTS ETC.

A COLLECTORS LOT, INCLUDING SILVER PHOTO FRAME, COMPACTS, PHOTO BROOCH, PATCH BOX, BRASS COFFEE AND TEA CADDY (10 ITEMS)

An 18th Century patch stand with a shallow circular dish raised to a double bobbin stem and domed and folded foot, height 6.5cm, S/D.

A collection of six enamel pill or patch boxes by Halycon Days and Staffordshire Enamels, mostly decorated with flora and fauna, all but one boxed. (6)

A 1964 official souvenir book for the Tokyo Olympics, also brochures and a sew on patch, etc. (qty)

A late 18th century Bilston enamel patch box inscribed ''Look within and you may view a maid to whom I will be true'', mirrored interior, some damage

A quantity of continental white metal to include cased servers, a patch box, coasters and miniature figurines (10)

Ephemera, a selection of 10 late Victorian greetings cards all showing Black humour. Publishers inc. Tuck, Eyre & Spottiswoode, M H Nathan, Hildesheimer and Faulkner. Themes include singing, sewing a patch, posing with monocle, etc (5 with adhesion marks to reverse, o/w mainly gd)

GENERAL HOSPITAL BATH - AN OVAL BILSTON ENAMEL PATCH BOX 18th century, the light green base with hinged white cover, decorated with a transfer print of the hospital, 45 x 35 x 20mm

AN BILSTON ENAMEL OVAL PATCH BOX 18th century, the green base with hinged white cover, inscribed 'the gift of a friend', 40mm long; an oblong shaped Bilston enamel snuff box with a lilac base and hinged cover inscribed 'a pledge of love' 40 x 30 x 25mm; an oval shaped Bilston enamel patch box, 18th century, the blue base with hinged white cover inscribed 'my friends interest.....' 40mm long (3)

FIVE ASSORTED WHITE METAL AND OTHER PATCH BOXES one of pierced openwork design, another with the cover depicting a courting couple (5)

FIVE ASSORTED PAINTED ENAMEL PATCH BOXES one of heart shaped outline and all depicting courting couples (5)

FIVE ASSORTED PATCH BOXES one with a Sevres style mark and with floral swag, bird and courting couple decoration (5)

FIVE ASSORTED PAINTED PATCH BOXES to include casket and oval outline, and with floral and courting couple decoration (5)

THREE PAINTED PATCH BOXES with floral decoration and an oval gilt metal box with mirrored interior (4)

THREE BILSTON ENAMEL PATCH BOXES and another with basket of flowers decoration (4)

THREE PATCH BOXES a green glass egg shaped box with clover decoration; a green glass circular pot and cover with gilt decoration; a mounted walnut shell opening to reveal a pair of miniature scent bottles and a beadwork purse of floral design (7)

A GROUP OF FOUR PATCH BOXES OR SNUFF BOXES including a Chinese white metal example with enamelled cover depicting a lady in landscape, 5.5cm diameter; two gilt metal mounted continental porcelain boxes, and another oval gilt metal box with enamelled hinged cover (4)

A large wool rug with patch repairs, 250x200cm; together with another, 150x89cm

A West Persian carpet, with patch repairs, 200x120; together with a very large Persian carpet with repairs, 310x230cm

****PAY COLLECT AND POST ETWALL***LW***Bible. Biblia Sacra: Facsimile Edition of the Gutenberg Bible, limited edition of 1000 (996 for sale), 'This is the first Gutenberg facsimile ever printed in the United States and only the second in the world', New York: Pageant Books, 1961. Text pages printed by lithography, the illuminated pages by sheet-fed gravure. Folio, in two volumes, hand-bound in full burgundy buckram lettered in gilt, bookseller's ticket to front pastedown (Henry Sotheran), each volume housed in solander box bearing title labels. Excellent condition, very good, clean and bright; pencil catalogue note to verso of ffep (presumably by Sotheran) over small worn patch (presumably erased owner inscription); bindings tight and solid, very good; solander boxes have some discolouration and light wear (2)Provenance: Consigned to sale by the Turbutt family. The vendor's uncle was Gladwyn M. R. Turbutt - the man who discovered the original Bodleian copy of the first folio of Shakespeare (The Turbutt Shakespeare)

Selection of enamel patch boxes inc Halcyon Days (one with lid only)

Quantity of Cabbage Patch Kids & Cabbage Patch Koosas and a selection of Barbie and Sindy dolls etc.

An 18-bore double barrelled percussion sporting rifle by Tanner & Son Hannover from the Royal House of Hannover, 28.25inch sighted damascus barrels inlaid in gold on the sighting rib C.D. TANNER& SOHN IN HANNOVER and with gold lined breeches, bored and scroll engraved locks finely decorated with stags in wooded landscapes, half stocked with border and scroll engraved steel mounts to include a patch box, all finely engraved with hunting scenes, brass capped wooden ramrod.

A .650 CALIBRE FLINTLOCK VOLUNTEER BAKER RIFLE BY DURS EGG, 30inch sighted browned damascus barrel, bevelled lock signed D-EGG, full stocked with regulation brass mounts, the butt with patch box, steel ramrod, complete with bayonet. The ramrod has been shortened.

An early Derby polychrome sauceboat, c.1758, patch marks,

A bone patch mirror, decorated with two cats, together with a North African inlaid box

Vinyl - Sealed ltd edn The Bob's Burgers Music Album box set containing 3 disc LP set, 7" record, lyric book, sheet music sampler. Stickers, posters and iron on patch

A Lalique glass fish figure, a Chinese cloisonne floral bowl, reproduction musical patch box, Caverswall miniature teaset, and a small oval glass dish, and miniature enamelled egg vinaigrette