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Lot 218

A Swedish 'Samas' cocktail sofa in green striped button upholstery, on beech legs, designed by Carl Malmsten (1888-1972)*Sold subject to our soft furnishings policy https://www.peacockauction.co.uk/wp-content/uploads/2020/01/Mid-Century-Design-Soft-Furnishings-Policy.docx CONDITION REPORT: No maker's labels (the auctioneers understand this to be normal). Structurally sound with no concerns regarding the frame or legs. The upholstery has no tears or stains but there is one small worn patch and there is 'bobbling' throughout- please see the extra images for examples of this.

Lot 202

A charming antique 19th Century novelty bronze figurine / paperweight depicting a baby within a cabbage. Central figure with detailed leaf surround. Made to go along with the tales of where babies come from - found under a cabbage leaf / found in a cabbage patch. An interesting example. Measures approx;9cm.

Lot 16

Signed and dated '53, oil on canvas.133.5cm x 82cm (52.5in x 32.25in)Footnote: Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The painting is in good, original condition. There are some minor scuffs and scratches with resultant small areas of paint loss across the canvas and one repair patch on verso with corresponding overpainting. The painting is framed but not glazed. The frame has the odd minor knock and loss commensurate with age.

Lot 296

Wentworth (Patricia) Miss Silver Deals with Death, first edition, signed presentation inscription from the author "with so much appreciation of you help" dated "Xmas 1944" to endpaper, small patch of browning and minor chipping to foot of title, original cloth, spine ends and corners a little bumped and discoloured, dust-jacket, splitting to lower joints chipping, creasing and fraying to extremities, significant loss to head of upper panel, 8vo, New York, 1943.

Lot 277

Victorian mahogany chest of drawers, 97cm x 36cm x 101cm high Condition: General overall fading, patch or veneer loss to top approx 4cm x 2cm, also split to top running approx 20cm from left side. Minor scuffs and veneer loss to front, split to lower edge of front apron.**Due to current lockdown conditions, bidders are unable to view lots in this online-only sale. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.

Lot 76

A collection of eighty British quad film posters, to include The Ghost, Wayne's World 2, Ten Things I Hate About You, Eyes Wide Shut, EdTV, Mrs Doubtfire, The Thomas Crown Affair, Traffic, The Grinch, Return to Paradise, Air Force One, What About Bob, The Truman Show, It Could Happen To You, Monsters Inc, Kingpin, Swordfish, The Gift, American Psycho, The Out of Towners, Memento, The Mask of Zorro, GI Jane, Moulin Rouge, Legally Blonde, Chocolat, Mission Impossible 2, Sleepy Hollow, She's All That, The Waterboy, The Dark, Home Alone, Mighty Morphin Power Rangers, Patch Adams, Very Bad Things, Zoolander, etc. (80)

Lot 377

Militaria : German WWII medals - Iron Cross badge, patch - all good cond

Lot 302

Historically Important British Paratroopers Beret Belonging to British Army Officer and Later Hollywood Actor, Lieutenant Richard Todd OBE, Who Served with 7th Battalion Parachute Regiment on D-Day, Helping Major Howard to Hold Pegasus Bridge on the 6th June 1944, Who He Later Portrayed in the Film “The Longest Day”, good example of a well worn maroon airborne troops beret with its leather trim and leather rectangular patch behind the blackened brass eyelets. Typical spiralling weave to the top of the beret which is typical of early wartime berets. Heavily worn black cloth lining to the interior with all markings being worn away. Outline of where the original parachute regiment badge was once present. The beret shows heavy wear and has some staining and wear. The beret is accompanied by a signed autograph album page by Todd and three document folders with personal correspondence and production / film role paperwork that belonged to Richard Todd, many of these addressed to him and his home address. This beret and paperwork was all discovered when his property was cleared after his death in 2009 and has been in a private collection since. Richard Todd gave an interview before he died, when he explained his role and experiences during the D-Day landings, “At about 0040 hours on Tuesday June 6 1944, I thumped onto a corn field in Normandy, an illegal immigrant without a passport but nevertheless welcome, I hoped, at least to the locals. I discarded my parachute harness and fumbled with the kitbag cord from my belt. I realised that my right hand was a bit messy. I crouched down and took stock. Aircraft were still coming in and I got my bearings by noting their flight path. There was no one near me and I reckoned that was probably because I had jumped No.1, and therefore was at the extreme end of the "stick". To the east I could just make out the dark line of a wood, and concluded that I was a good half-mile from the battalion rendezvous. Meanwhile, the Dropping Zone was being raked by small-arms fire, so I decided to get into that wood. I put my Sten gun together and loaded it. Once in the wood I heard voices and froze momentarily, only to realise that they were speaking English. In a little clearing, there stood Colonel Pine-Coffin and about a dozen others. The CO said there was no way of knowing if the glider-borne attack on the bridges had been successful and we must get to the rendezvous as quickly as possible. We broke out from the woodland and set off at the double. Scurrying figures were everywhere. By about 0100 our group, numbering by then some 50, was at the rendezvous. A bugler repeatedly blew our rallying signal, and men came stumbling towards us, shadowy, bulky figures. But still no mortars, no machine guns and no wireless. At about 0130 hours the CO gave the order to move off to the bridges even though we still numbered only 150 men, a quarter of our strength. All seemed quiet as we reached the bridge and trotted over it. I got my first sight of a D-Day casualty: a legless German lay at the roadside, a groaning sound coming weirdly from him. Internal gas, I supposed. Normally, the sight of blood turns my stomach, yet I felt only mild curiosity. We doubled along the causeway towards the canal bridge, a large iron structure that could be opened to allow the passage of sea-going craft. Later it was to be named Pegasus Bridge. Suddenly, all hell erupted on the road ahead. Heavy explosions, flashes and tracer bullets rent the night like a spectacular firework display. "Christ!" I thought. "This is it. Here we go!" We speeded up our jog-trot. Then, as quickly as it started, the tumult died down. An old tank probing the bridge had been hit by a piat bomb and this was its ammunition exploding”. He continues with his account from the day, “While the mighty invasion from the sea was being fought out, quite a lot, on a smaller but no less deadly scale, was going on in the 7th Para area. There was no cessation in the Germans' probing with patrols and counter-attacks, some led by tanks, and the regimental aid post was overrun in the early hours. The wounded being tended there were all killed where they lay. So too was Padre Parry, who had evidently fought like a tiger to defend them. Our position had developed into a classic airborne situation. There was no front line as such and the battalion had evolved into four pockets of resistance: the three rifle companies and the Battalion Headquarters group, largely out of touch with each other, but each in positions of their own choosing. From our site on the slope we had a good view of the open ground between us and the canal bridge, and more than once we were able to drive off enemy infiltrating groups with enthusiastic bursts of small arms fire. I had primed my plastic Gammon bomb and kept it handy just in case a tank might break through. There was sporadic enemy mortar and artillery fire we could do nothing about; one shell landed in a hedge near me, killing a couple of our men. I dearly wished we had recovered some of our own three-inch mortars, especially now that a handful of mortar men had got through to us. From my slit trench on the slope at Le Port, I had a perfect view over the bridges and into the divisional area. In the distance, beyond the River Orne, the skyline was stippled with flashes and smoke from explosions or air-burst shells. In the foreground, just below us, was the canal bridge, so brilliantly captured a few hours before by Major Howard and his glider force from the Ox and Bucks Light Infantry. By our end of the bridge, stood the café owned by the Gondrée family, seemingly untouched. It was now being used as a first aid post. George Gondrée and his wife had already dispensed champagne to all those who had had time for a swig - exclusively John Howard's men. The sparkling cache had been buried in his garden since the Germans had occupied the area in 1940, so it had matured nicely. I was contemplating this view when I noticed emerging from a screen of trees two boats apparently deserted and drifting slowly towards Caen. There was little or no current on the canal, so I mentioned my suspicions to the CO and he ordered his HQ group to fire on them. Our fusillade was briefly answered from below decks but, after a direct hit on one boat two parties of Germans emerged and were taken prisoner. So to add to our battle honours that day, we were able to claim a naval victory. At about midday, we finally heard the skirl of bagpipes that heralded the approach of the Commandos under Lord Lovat. More than a thousand men passed through us on their way to the main airborne bridgehead over the Orne. It was a fine sight, and there was great jubilation as red and green berets mingled on the road. There was still no sign of the seaborne infantry or armour reaching our area. We had expected them immediately behind the Commandos. The D-Day programme appeared to be running late.” Todd continued to serve with the Parachute regiment and served with them in Palestine. He was discharged from the army in 1946 and continued to pursue his love of acting. This finally paid off and he became one of England’s most famous actors of the early 1950’s and 1960’s etc. His first major film role, was his portrayal of Wing Commander Guy Gibson VC in the motion picture “The Dam Busters”. He later was cast as Major Howard in the classic war film about the D-Day landings “The Longest Day”, it is believed that Todd wore his original beret (this example) during the filming and had to remove his Parachute regiment cap badge for the purpose of the filming. Richard Todd was a keen supporter of Military charities and events to commemorate the veterans of the Normandy landings and also the 617 Dam Buster squadron. Ricard Todd died at his home in Lincolnshire on 3rd December 2009. 

Lot 364

WW2 British Civil Defence Female Wardens Tunic, coarse dark navy blue wool four pocket female tunic with chrome Civil Defence crowned buttons to the front, pockets and shoulders. Embroidered Civil Defence breast badge, embroidered Derbyshire district patch and printed WARDEN shoulder titles. Interior with black cloth lining. Original size 9 tailors label with clear 1941 date. Very good overall condition.

Lot 534

Rare WW2 German Panzer Pioneer Collar Tab, black cloth collar patch with black and silver wire twist piping to the edge. Zinc metal Panzer skull to the centre. Card back to the reverse and remains of paper residue, probably been removed from a photograph album at some time.

Lot 636

WW2 American US Army Air Force B-3 Leather Flying Jacket, brown multi-patch leather flying jacket with sheep’s wool lined interior. Remains of the stencilling to one arm. Original 36R size label to the interior with details of manufacture, Aero Leather Clothing Company. Working front zip. Some scuffing and cracking to the leather and some holing to the collar area. Good worn example. Typical example of a jacket worn by the American bomber crews flying the fying fortress aircraft in the daylight raids over occupied European countries and the endless raids on Germany.

Lot 27

19th century English School oil on canvas- greyhound seated on cushion on a balustrade with gardens beyond, in gilt frame, 25cm x 19cmCondition report: The canvas has not been re-lined, a patch repair as visible verso. Under a UV light there is evidence of restoration and overpainting. There is some flaking to the paint in the lower right corner and one or two other areas. A good frame and overall charming picture.

Lot 2231

AN ANTIQUE ERSARI CARPET, c.1900, the brick red field with three columns of elephant foot guls, enclosed by a narrow border. 252cm by 177cmThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Patch repair and fraying to the edges, overall general wear and surface dirt.

Lot 2263

A VERY LARGE TURKISH OUSHAK CARPET, the red field with all-over green and blue pattern, enclosed within a blue border. 672cm by 464cmThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.One long edge has been cut down by approximately 55cm (please see image with tape measure to illustrate), tear to one corner, small holes noted to centre of design, fraying to the edges and fading to the centre, patch repair (see image). General surface wear and ingrained surface dirt.

Lot 2003

Late 19th Century Bedding and Accessories, comprising a patchwork pyjama case of envelope form, worked with printed coloured cottons, 44cm by 39cm (unfinished); patchwork cot cover with floral patches, within a red cotton trim, cream to the reverse, 79cm by 67cm; white cotton bed cover embroidered overall with an undulating ribbon border, enclosing dragonflies and posies of flowers, with a gathered trim, 140cm by 180cm (excluding trim) (3). Pyjama case = hole to patch on bottom corner and some staining and wear. Patchwork cot cover - some fading, discolouration and wear. White bed cover, some wear and slight discolouration.

Lot 2046

Assorted Late 19th/Early 20th Century Ladies' Undergarments and Shirts, comprising three Edwardian white and cream cotton shirts with floral embroidery and lace insertions; a white cotton under skirt designed for a skirt with a train; blue cotton sleeveless slip with remnants of original card label; cotton flannel pink, cream, green and blue striped night dress, with two patch pockets to the bust, elbow length sleeves; cream short skirt with decorative lace insertions and trims; short blue woven cotton under skirt, with a plain light blue mount below the waistband; two red and white striped cotton under skirts, and a similar one in blue and white (11) . Three shirts - top with floral embroidery and three-quarter length sleeves has a brown mark running across shoulder, and down top of one arm, some discolouration also towards the waist, slight wear overall. Other white shirt slight wear. Cream shirt has some small brown spotting marks, discolouration to the back of the shirt, small hole to the front, repair to the cuffs, has a sailor style back panel on it. White train under skirt - couple of small brown marks and a couple of small holes. Blue slip dress - slight wear. Striped night dress - condition slight wear and some discolouring. Cream skirt - repairs to the waistband, the upper trim coming loose in a couple of places, some discolouration and loose threads. Blue skirt - slight wear. Striped under skirts - all have some small brown marks, fading and wear.

Lot 2074

Circa 1930-40s and Later Ladies' Costume comprising Minx Modes Junior navy and pink dress with pleated navy skirt, pink spotted top with capped sleeves, round neck together with matching jacket with elbow length sleeves; a blue jersey dress with three-quarter length sleeves, silk type gathered skirt and matching trims; Forman & Gumner Boston navy blue ribbed dress with three-quarter length sleeves, v-neckline, two patch pockets and mounted with four diamante buckles to the front; black jersey short-sleeved dress with scoop neckline; black short-sleeved dress with v-neck line and trim, multi buttons to the front; black jersey dress with v-neck, three-quarter length sleeeves, faux brass studs to the bodice and belt; a brown and black woven skirt (size 14); silver and black striped sleeveless faux double breasted dress; a purple short sleeve dress; a blue, black and gold metallic brocade cropped evening jacket, with three-quarter length sleeves, curved lapels and pleated detail to the front (10). Minx Modes - the jacket has fading to the shoulders and sleeves and some wear, dress has a small split to the centre of the front neckline, the seam is open underneath one arm hole, and slight discolouration to both. Blue dress - some loose threads to the waistband, the back of the skirt, slight wear over all and the belt missing. Forman & Gumner dress - t-loose threads to the waistband the back of the skirt slight wear over all belt missing. Black dress - slight fading and wear, the sleeve seams have some repairs. Black dress - belthas splits, some thread pulls to the chest, repairs to the waist and slight wear. Black studded dress - slight wear and hem altered. Woven skirt - several loose threads especially to the bottom area, and repairs to the waistband. Striped dress - belt missing, slight rubbing and wear overall. Purple dress - missing belt, some fading and loose threads to the pleats, and the hem is down. Brocade jacket - slight wear overall.

Lot 2076

Circa 1940s Costume Bearing the CC41 Label, comprising a brown wool jacket with three button fastening, two front pockets; Wear-Well Overall Company Ltd brown cotton canvas jacket (size 36), and another similar unlabelled (size 36); black wool double breasted over coat with large front pockets, fabric belt; pair of corded brown breeches with lace ties to the leg; six cotton shirts of various designs; and a ladies short sleeved dress with notch neck and collar, a-line skirt with patch pockets to the front, central inverted pleat (12) . Brown wool jacket - some wear to the wool, sleeve holes on lining torn, restitched and faded; Two brown cotton canvas jackets - both slight wear. Black coat - slightly worn, small hole to the reverse, unlined, card label stitched to the hem, general wear. Breeches - couple of stains to the crotch and rubbed areas to the front, slight wear. Shirts - no holes to any of them but the two brown striped shirts have quite a few dirty marks on them, that could be washable. Dress - slight staining under the arms and to the bust, stitched repairs to the waistband, area of wear to the left sleeve, missing belt, split to notch neck, general wear.

Lot 2078

Assorted Circa 1940-50s Suits, Jackets and Separates, comprising an Ideal Model green checked two-piece suit, two pockets to the front and matching pleated skirt; another suit in blue and green checks, with straight skirt, kick pleat to the front and back; navy wool jacket with three button fastening, and a crêpe lining; Neil M Main Glasgow grey wool jacket, with stylised pockets to the front; grey wool loose fitting jacket; a green wool jacket; John Collier Tailor Made khaki green jacket, with shaped lapels; other jackets including Movisons by Harella brown wool fitted jacket with pockets to the front, white collar, three large button fastening; mauve crêpe jacket with scalloped collar, patch to pockets embroidered with flower heads and appliquéd with beads, turn back cuffs; a pink textured jacket with tab details; four similar wool skirts in black, navy and blue, three with pleated details; a cream silk short-sleeved shirt with floral cut work decoration, a Maxton pink tricell blouse (size 38), a Huppert London pale blue short-sleeved top with buttons to the front, a cream flocked shirt, white lace sleeveless top, and a pink short-sleeved top with a round collar (20) . Ideal Model suit - skirt - ok, jacket has fading and discolouring, buttons restitched, slight wear. Blue green checked suit - condition- skirt has a very tiny hole appearing to the front, the lining of the jacket is very discoloured, stitched repairs and slight wear overall to the jacket, tiny pinhole sized hole to one of the sleeves, general wear. Navy jacket -couple of small holes near the first buttonhole, the lining is worn, where there are holes, stitched repairs and discolouration. N Main grey jacket - there is some wear overall to the wool, the lining shows numerous small holes and stitched repairs. Grey wool jacket - shows slight wear overall to the wool, and the lining has some stitched repairs and slight wear. Green wool jacket - one button is missing, the lining has got a stitched repair and slight wear overall, the wool shows slight wear. John Collier jacket - appears in okay condition, the lining has some wear and rubbing. Movisons jacket - the lining shows slight wear, spare button to the inside and slight rubbing to the jacket. Mauve jacket - the lining shows slight wear overall, one button is hanging loose, there are a couple of marks overall, a bit of fading to the shoulders and the back. Pink jacket - jacket shows slight wear, a bit of discolouration under the arms, around the cuffs, lining shows slight wear overall. Four skirts - slight wear. Shirts - slight wear to the flocked shirt it possibly has some alterations, the pale blue top has got some slight discolouration; couple of loose threads and wear to the pink lace top

Lot 2084

Circa 1940-50s Cotton Day Dresses and Other Items, comprising cotton floral printed long sleeve round day robe in mauve and pink, and attached fabric belt; a CC41 short-sleeved shirt dress in pale cotton, printed with fruits; green cotton sleeveless apron printed with paisley motifs; Dan Keller blue and green patterned dress with three-quarter length sleeves, round collar and button fastening to the neckline; a blue and white cotton short-sleeved dress with wrap style bodice; blue and white cotton sun dress with capped sleeves, pleated skirt, square neckline with sailor type collar; a pink checked short-sleeved cotton dress with patch pockets, appliquéd bows to the front of the skirt, has a white cotton collar and matching mounts to the pockets, and fabric waist ties; a cotton checked day dress with capped sleeves, button detailing to the reverse; a red cotton day dress with floral sprigs, short sleeves, buttons to the waist, patch pockets and gathered skirt; pink sleeveless summer dress, with patch pocket to the skirt and lace trims; black and white floral patterned short-sleeved dress, buttons to the neck; Rhona Royal London cotton sleeveless day dress printed with stylised strawberries, with button fastening, black trims to the sleeve holes; pale green cotton sleevless dress, green stitch detailing to the front placket; Rembrandt yellow short-sleeved dress with buttons to the bodice, pockets to the front (size 14)-belt missing slight fading and where (14) . Day robe - -some fading, couple of brown rust marks, buttons are missing; CC41 dress - a couple of holes to the front and the back, several stitched repairs, also very faded and worn overall. Dan Keller dress - missing belt, some of waist seams open and slight wear. Blue and white wrap style dress - fading to the bodice, the lower part of the hem and the shoulders, some loose threads, stitched repairs under the one arm, and to the end of one sleeve, fabric ties have loose threads and overall wear. Blue and white dress - fading and wear, especially to the back of the neck and the inside of the white collar. Pink checked dress - fading especially to the back of the dress, repair to one pocket and to the edge of the waistband, some staining around the sleeve holes, wear, small hole to back of neck. Cotton checked dress - belt missing, white trims slightly discoloured and to the neckline, slight wear overall. Red dress - stitch repairs to the side opening, and to the back of one sleeve, also a rip to the back of one sleeve, fading in various areas overall, waistband loose in several places, and hem loose. Pink sleeveless dress -fading to the front and back, rubbing and general wear. Black and white dress - belt missing, split to one sleeve, and some stitched repairs, slight wear. Rhona dress - missing belt, repairs around the bottom of the collar, small splits and stain to one of the buttonholes, some very small thread pulls to the back of the neck, possible stitched repairs to the waist. Green dress - missing belt, fading overall. Rembrandt dress - belt missing, slight fading and wear.

Lot 2099

Circa 1960-70s Ladies' Costume, comprising a Jean Muir London green suede jacket with open placket, round neckline, patch pockets, side splits, trimmed to all the edges with green punched leather and a long panelled green suede skirt with side pockets, elasticated waist, matching leather trim to the hem; Marisa Martin Knightsbridge kaftan style long dress with a black quilted bodice to the front and back, appliqued with embroidered roundels to the front and back, ribbon tie, chiffon skirt printed overall with boteh, three quarter length contrasting wide sleeves; Marisa Martin Knightsbridge with a green net mounted scooped neckline, black silk gathered long sleeves with elasticated cuffs, green skirt with sheer black mount printed with various shapes and embroidered and appliqued with small sequins overall, with matching scarf (3) . Jean Muir jacket - has been worn, leather is quite rubbed in some places and couple of marks on the suede, 38'' bust. J Muir skirt - couple of small marks to the skirt and wear. Marisa Martin dress with roundels - some wear to the hook and eyes on the bodice, slight wear, with a similar scarf, 30'' bust. Tunic Dress - dress has some loose threads to the skirt and also some pulls to the green net neckline, 38'' bust, scarf is very worn rubbed to the edges and loose threads and sequins.

Lot 2100

Circa 1960-70s Ladies' Costume, comprising Lee Bender at Bus Stop long sleeved knitted silver cardigan with buttons, (size 10), a burgundy crêpe top with satin mounted wide collar, cuffs and pockets, four large buttons to the front and belt, (size 12); Dawn Breakers Designed by Diana Mackinnon trouser suit in a red and black, comprising a long sleeve jacket with collar, button fastening, and a long full length flared skirt (size 12); a Bill Gibb cream leather short-sleeved top, detailed with green over stitching, three green button fastening (size 10); Annie Gough at Gemini two-piece suit in brown and cream chevron stripes woven with gold metallic threads, comprising a long sleeve V-neck jacket with buttons, a full-length a line skirt (size 12); Indian long sleeved cotton dress printed with dragons and decorative birds, buttons to the waist and pleated skirt (size S); full-length a-line skirt in chequered silks of black, grey, silver, orange and bronze; Peter Barron London purple crêpe two-piece, comprising a sleeveless tunic top with sequin trims to the neck and hem, a pair of matching full length trousers (size 12); Koupy cream crêpe two-piece, comprising an Indian style long sleeved tunic top with silver and gold braid trimmed to the neck, cuffs and panels, matching wide leg trousers with trim (size 16); Eastex pale blue crimplene sleeveless tunic with gold and jewelled neckline and matching trousers (size 10); another similar crimplene two-piece with faux pearl appliques to the shoulders; another with a sleeveless long line waist coat with buttons to the front, two patch pockets in a blue and white dog tooth check, woven with squares of red and white threads, and matching flared trousers (12). Lee Bender silver cardigan - some loose threads and slight wear. Lee Bender top - slight wear, rubbing to the satin mainly to the collar and cuffs. Dawn Breakers suit - slight wear to both. Bill Gibb leather top - no belt, some holes and wear to the lining, and some discolouration to the leather. Annie Gough - several loose threads and some rubbing and wear. Indian dress - some fading and wear. Checked skirt - slight wear. Peter Barron - some fading and wear around the waistband on the trousers. K Koupee suit - some wear to the trousers and to the waistband the top shows slight discolouration and wear. Eastex two piece -fading to the folds on the trousers and some fading and slight wear to the tunic. Crimplene suit - slight wear overall. Blue checked suit - slight rubbing and wear.

Lot 2103

Circa 1970s Ladies' Evening Wear, comprising Jean Varon dresses including a floaty blue and green dress with flared exaggerated sleeves and fabric belt tie (size 12); another in a striped print with faux lace up bodice, three-quarter length sleeves with gathered cuffs, another in pink chiffon with loose mount to the bodice and hung with tassels (size 12), another in red, white and blue, with a blue short-sleeved bodice and a skirt of floral design, and a pink chiffon evening dress; a Jean Allen London striped jersey dress with long billowing sleeves and gathered cuffs, v-neck line with collar, black silk skirt with appliqué patch pockets, striped panel to the front, (size 38); Shirley Leonard red sleeveless full-length a line dress, with paste set buttons to the front and side pockets; Susan Small green chiffon full length dress with long sheer sleeves, with original belt: Gerald McCan red linen sleeveless full-length dress with a black trim to the seams, pockets, a drawstring waist, pleated to the reverse (size 12); John Marks cream jersey sleeveless dress with straps, gathered bust with bow detail and full skirt (size 14); Carnegie leopard print halter-neck dress, with gathered bodice and skirt; Frank Usher cream jersey Grecian style sleeveless evening dress, trimmed with gold, faux wrap skirt, with belt (size 36); Bernshaw black velvet strapless dress, with black ruffle trim to the top of the bodice and to the skirt; Peterson Maid of London green full-length sleeveless jersey dress with exaggerated gathered shoulder mounts to the front and back, and silver trim to the neck (13) . Jean Varon blue and green dress - slight wear. Jean Varon striped dress - slight wear. Jean Varon pink dress - slight rubbing and wear. Jean Varon red, white and blue dress - some wear and hem has some dirty marks. Jean Allen dress - a small split to the hem 2/3'' from the end, a hole about 12'' from the hem, belt missing, scuffing and wear mainly to the hem. red sleeveless dress - a couple of marks, loose threads around the buttonholes, some of the stones missing from the buttons, slight wear. Susan Small dress - slight wear. G McCan dress - little bit of fading and slight wear. John Marks dress - slight wear. Carnegie dress - slight wear. Frank Usher dress - couple of marks to the reverse, pen mark to the bodice, the gold trims are rubbed and fading. Bernshaw dress - missing a belt, and some wear and rubbing to the velvet. Peterson Maid dress - slight wear.

Lot 2110

Brown Chevron Striped Light Fur Hooded Jacket, with drawstring to the neck mounted with pom poms, patch pockets, long sleeves; Marshalls of Harrogate brown ermine stole with curved pockets to each end, similar hat and fur belt; Similar Fur Jacket with gathered sleeves and cuffs (5) . Hooded Jacket - 44'' chest and slight wear. Fur jacket - bust size 42'', slight wear overall. Stole - shows the most wear, some patches of discolouration and wear. Hat - worn.

Lot 2158

Yves Saint Laurent Pale Pink Wool Blazer, with single button fastening, tab details to the waist, (size 36); Aquascutum Brown Leather Handbag, with checked trim insertion to the shoulder strap and the lower part of the bag, chrome fittings, two patch pockets to the front with press stud fastenings, shaped leather flap, internally has Aquascutum woven lining, one zipped pocket, leather tab, with dust bag, (unused), 24cm by 14cm by 8cm; Passigatti Italian Brown Mink Scarf, 20cms by 134cm, another Passigatti Scarf in Pale Blue Rabbit, 120cm long (4). Aquascutum handbag - unused, but some tarnishing to the chrome fittings and mounts. Sligh wear to both scarves. Jacket - several tiny brown spots to the sleeve and near the pocket, slight wear.

Lot 243

Art Deco chrome table lamp, with a pink opaline glass shadeCondition report: The shade looks intact but is dirty. The stand is dirty and has a small worn patch to the chrome below the switch showing the metal underneath. Stands ok. PAT tested ok.

Lot 314

A Turkish woollen rug, having central diamonds, on a red ground, 187 x 111cm together with another smallerCondition report: Both are dirty and worn. The larger is faded and has a torn patch 8cm to one side of the field.

Lot 197

A Dutch silver patch box. 5 cm wide.

Lot 198

A Dutch silver patch box. 6 cm diameter.

Lot 221

FIVE ASSORTED PAINTED PATCH BOXES to include casket and oval outline, and with floral and courting couple decoration.

Lot 117

Large mixed collection of vintage Military patches, stripes and epaulettes including a German WWII patch

Lot 606

ATTRIBUTED TO WILLIAM COLLINS,  RA (1788-1847) - CROSSING THE BRIDGE, SIGNED, INDISTINCTLY DATED 184- , OIL ON CANVAS, 22 X 36.5CM Patch repair centre right, support somewhat uneven on the stretchers but otherwise unlined, light craquelure, varnish yellowed with age, in ornate Victorian gilt frame with loss

Lot 641

AN EDWARDIAN MAHOGANY GRAMOPHONE-THE CARILLON, IN QUARTER VENEERED FIGURED CASE, THE HINGE TOP REVEALING GREEN FELT TOP TURNTABLE, ARM, SOUND BOX, FRET CUT FRONT, THE CUPBOARD UNDER WITH TWO SHELVES, SQUARE TAPERED LEGS WITH SPADE FOOT, 10CM H X 45CM W Cracked and with chip to moulded edge. Top painted with mahogany stain, the movement not tested but the arm with broken cartridge, spare cartridge inscribed Gilbert Tone Reflector, Sheffield England Patent No 289176, boxed with winding handles and needles, the sound chamber doors lacking handles and with losses to veneer around handles, scuffs and scratches. The doors beneath with scratches around handles, patch above winding handle hole.

Lot 684

A CHILD'S PULL-ALONG DONKEY, C1900, THE STRAW STUFFED BODY COVERED IN PALE GOLD PLUSH WITH BLACK BOOT BUTTON EYES, ON BLACK AND GILT JAPANNED IRON ROD BASE WITH FOUR SIX-SPOKED WHEELS, TRACES OF GILDING, 76CM H Old patch repairs but entirely free from professional restoration

Lot 701

A LATE 17TH C OAK BLANKET CHEST, LATER INLAID AND THE FRONT RE-PANELLED, BOARDED LID, PANELLED SIDES AND BACK, 69CM H; 124 X 54CM Top split, large patch right hand edge 19 x 10cm, old screw holes - some filled, the front with replaced mouldings and panels, moulded style feet with faults, lock replaced

Lot 758

A GEORGE III OAK BUREAU, C1780, THE FALL-FLAP REVEALING CONVENTIONALLY FITTED INTERIOR OF PIGEON HOLES AND DRAWERS, ABOVE PAIR OF SLIDES AND FOUR LONG GRADUATED SCRATCH MOULDED DRAWERS, SHAPE BRACKET FEET, 103CM H X 91CM W Small chips to flap edge moulding, replaced hinges, replaced handles, extensive scratches, abrasions, bruises commensurate with age and beneath faded polished front, sides of deeper colour, bracket feet with old faults and repairs. Split to right and left side with small patch to left

Lot 765

A POST REGENCY MAHOGANY CHEST OF DRAWERS, C1830, THE RECTANGULAR TOP ABOVE TWO SHORT AND THREE LONG GRADUATED SCRATCH MOULDED DRAWERS, OVAL EMBOSSED BRASS ESCUTCHEON AND LOOP HANDLES, 92CM H; 98 X 48CM Top slightly warped, patch to back right corner ripped, patch to left corner, multiple scratches, water stains and marks. Upper right drawer cracked, multiple scratches and other marks, bracket feet reduced

Lot 15

USA WWII bronze star and African campaign medals, EF and NVF; and an embroidered patch of the “Ghost Army” GC. The Ghost Army was set up to deceive the enemy and served from shortly after D Day until the end of the war, see “The Ghost Army Conning the Third Reich” by G & J Souter for details. (3) £40-50

Lot 69

A large gold bullion embroidered Luftwaffe officer’s cloak eagle, 7” across; an embroidered Luftwaffe breast eagle; a single customs or Police officer’s epaulette; a “Leutnant Sturmartillerie” single epaulette; a silver embroidered on dark grey collar patch; and two uncut gold on black Bevo woven N.S.R.L. eagles, marked “GES.CESCH”. GC £50-70

Lot 5022

A 1960's grey faux fur coat with a large bobble button cross over fastening and a 1950's pale green textured fabric coat, two front patch pockets with v shaped detail.

Lot 5024

A dark green wool coat with a large collar, turn back cuffs, seamed yolk, two large patch pockets to the front and a green coloured fleck wool coat, shawl collar, turn back cuffs, green buttons and matching belt, buckle is split.

Lot 340

ELEVEN VILLEROY & BOCH FOXWOOD TALES FIGURES, comprising 'Rue Rabbit' No 1, 'Jeremy Badger' No 3, 'Katie Rabbit' No 4, 'Harvey Mouse' No 5, 'Rue Rabbit Fun in the Snow' No 16, 'Willy Hedgehog Matchball' No 22, 'Jeremy Badger Bullseye' No 23, 'Willy Hedgehog Wishing' No 24, 'Rue Rabbit Strike' No 25, 'Katie & Rue A Good Swing' No 26 and 'Jeremy & Harry You're Out' No 27, all with original tins (Condition Report:- Katie Rabbit has a small chjip at the rear, on the grass below the birds tail. Sports at Foxwood - the cricket bat has a tiny nibble/rough patch on the top (held aloft). Overall they are in good clean condition and appear largely dust free so they may have been stored in their tins)

Lot 411

VILLEROY & BOCH TABLEWARES AND TRINKETS, comprising 'Naif Christmas' covered sugar bowl and eight 20.5cm plates, three Winter scene graduating trinket boxes, a 'Le Ballon' trinket box and a Noah's Ark charger, diameter 31cm (Condition Report:- The Naif Christmas sugar bowl base has a small rough patch on the red band rim. All pieces are 1sts. There is scratching to the glaze on the plates)

Lot 79

AN ASSORTMENT OF WHITE METAL JEWELLERY AND A JEWELLERY BOX WITH COSTUME JEWELLERY, to include a variety of white metal Scottish Celtic designed jewellery such as thistle earrings, brooches set with paste and semi-precious gemstones, pendant necklaces etc, most stamped 925 with boxes, cubic zirconia set white metal earrings and necklaces stamped, a silver St.Christopher pendant fitted with a circular jump ring hallmarked London, approximate gross weight 19.2 grams, a silver marcasite and amethyst set cross pendant hallmarked London, suspending from a fine belcher chain fitted with a spring clasp stamped 925, Luckenbooth brooches and pendants, various paste set brooches in the form of scorpions, a 'Blackpool & Fylde gilding club' jacket patch and car badge, together with a cream jewellery with costume necklaces, brooches etc

Lot 1

Miscellaneous small porcelain items to include various patch boxes, tea set, jug and basin, bell etc.

Lot 300

A quantity of Hammersley teaware; a Victorian breakfast cup and saucer; a smaller similar; scent bottle; patch box; a brass shaker; a white metal badger brooch; old tin etc.

Lot 342

A framed Space Shuttle ephemera group to include signed photo image of Colonel Mark N Brown,image of crew of Space Shuttle mission STS-48 plus patch Shaw Richards together with C O A S.

Lot 1475

A box containing assorted items including a 19th Century cow creamer, a porcelain patch box, miniature vases and paintings

Lot 428

A 19th century oil on board, "Sheep on a Rocky Outcrop" unsigned, within an ornate moulded gilt gesso frame, 16 cm x 19 cm. CONDITION REPORT: Some surface soiling and dark patch to upper right corner, some craquelure to lower edge. The frame with cracks and depletions.

Lot 699

Middlesex Regiment, award medals (10), viz. Shooting, Battalion Rifle Club Challenge Shield, named (Pte. Mabe, 1910), silver, 50 x 34mm; Shooting, named (Section No 2, Shooting, 1910), silver, 25mm; Athletics, named (Depot Record for 440 Yards. Time 58 2/5 Secs. No 6202795 Pte. L. Baggett), silver, 32mm; Boxing, named (Inter Coy Open, Light Wt, Pte. Whitehouse), silver and enamel, 26mm; Sergeants Mess, named (1912, Presented to F. Shaboodeen by Members, Sergeants Mess, 1st Bn Middlesex Regt, as a mark of Appreciation For Good Services), silver, 51mm; Shooting, named (No. 3 Section, Musketry, 1913), silver, 25mm; Shooting, named (Battalion Twenty, 1920, Cairo), bronze, 36mm; Wrestling, named (Commanding Officers Bronze Medal for Progression, No 6202795 Pte L. Baggett), bronze, 32mm; other sports, named (Albuhera Day, France 1917), silver and enamel, 31 x 24mm; named (A. Company, 1930), silver, 33mm; together with a shoulder patch (3rd Middx Regt, C.C., 1903), 60 x 57mm [11]. Varied state; most with loops for suspension, two cased £150-£200 --- Provenance: J. Webb Collection

Lot 236

A tray of vintage collectables, a Stratton combination powder compact/lipstick, Kingcraft combination chrome-plated cigarette case and lighter, Imco-Triplex Junior lighter, Consul lighter, H.M.S. Victory souvenir penknife by Richards, brass vesta case, silver patch box with presentation inscription 1922, Deakin & Francis enamel top pill box, Birmingham 1933, miniature two draw mother-of-pearl scope/glass, 40mm extended.

Lot 3105

German WWII type Waffen SS embroidered sniper uniform cloth patch. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 3114

German WWII type Luftwaffe embroidered Paratrooper uniform patch. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 3115

German WWII type NSFK embroidered uniform patch. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 3200

German Third Reich type NSDAP embroidered patch. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 3213

German Third Reich type NRSL 1943 embroidered patch. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 3300

Israeli WWII type 101 Squadron embroidered circular patch. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 3307

Polish WWII type embroidered cloth 1st Armoured Division patch. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 3309

American WWII type Special Troops Ghost Army Division patch. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 3323

British WWII type Glider Bourne Troops embroidered cloth patch. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

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