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Lot 293
A Georgian intaglio engraved cornelian ring, with reeded shank, and a Georgian memorial ring, with an oval centre panel and glazed cover with a garnet set border, four deficient (2)Finger size approximately C CONDITION REPORT: Light surface scratches to the cornelian. Patch repair to the inside of one shoulder. Sizing join to the shank. Four stones deficient, with damage to others. Light scratches to the glazing, with discolouration below, at the borders. Soft solder to the shoulder join at one side.
Lot 293
A Georgian intaglio engraved cornelian ring, with reeded shank, and a Georgian memorial ring, with an oval centre panel and glazed cover with a garnet set border, four deficient (2)Finger size approximately C CONDITION REPORT: Light surface scratches to the cornelian. Patch repair to the inside of one shoulder. Sizing join to the shank. Four stones deficient, with damage to others. Light scratches to the glazing, with discolouration below, at the borders. Soft solder to the shoulder join at one side.
Lot 837
A .177? Britannia ?pop out? air pistol, c 1930, of blued steel, the butt marked ?The Britannia? with figure of Britannia, and ?Made in England?. Near VGC for age, retaining virtually all original finish (very small patch of pitting, scear fails to engage); in its original carton with coloured printed label. Clean Condition for age (light wear to lid and staining to label, 3 pellet holes in base). Plate 10 )
Lot 151
Dogs of War signed colour 10 x 8 photo stills Five signed each signed by Frederick Forsyth and Geoffrey Burgon inscribed with a line of the music score, Forsyth has also inscribed each one with the scene. Christopher Walken & Tom Berenger on the freighter, Christopher Walken trying to patch up with his wife, Christopher & Colin Blakley at the bar in Clarence, Final preparations in a hotel room and Pretending to be a bird watcher in Zangaro. Unique and very collectable piece of classic movie memorabilia. Excellent condition
Lot 272
Chinese bronze tripod censer bearing an apocryphal sixteen character Xuande mark, 13.25cm wide Looking inside the censer there is a foundry patch approximately 40mm x 30mm which is faintly visible on the exterior as a small jagged edged oval insert measuring approximately 20/25mm in diameter, looking again into the base two of the depressions above the feet are sealed above the third foot there isn`t a depression but there is a small rectangular slot approximately 8mm x 3mm but as this is above the foot it cannot be seen from the exterior - ** General condition consistent with age
Lot 274
Chinese bronze censer of quatrefoil form, the cover with two apertures, bird masks to the side and standing on four squat feet, 10cm wide There was possibly originally a knop which is no longer present, the underside of the cover shows a blob of solder, the top a rectangular patch where the knop was once fitted, the base has one shallow dent to one of the lobes approximately 20mm in diameter, the whole with much surface oxidisation as apparent in the images - ** General condition consistent with age
Lot 272
Chinese bronze tripod censer bearing an apocryphal sixteen character Xuande mark, 13.25cm wide Looking inside the censer there is a foundry patch approximately 40mm x 30mm which is faintly visible on the exterior as a small jagged edged oval insert measuring approximately 20/25mm in diameter, looking again into the base two of the depressions above the feet are sealed above the third foot there isn`t a depression but there is a small rectangular slot approximately 8mm x 3mm but as this is above the foot it cannot be seen from the exterior - ** General condition consistent with age
Lot 274
Chinese bronze censer of quatrefoil form, the cover with two apertures, bird masks to the side and standing on four squat feet, 10cm wide There was possibly originally a knop which is no longer present, the underside of the cover shows a blob of solder, the top a rectangular patch where the knop was once fitted, the base has one shallow dent to one of the lobes approximately 20mm in diameter, the whole with much surface oxidisation as apparent in the images - ** General condition consistent with age
Lot 705
A large Chinese famille rose vase, with Dogs of Fo handles, decorated panels of figures on a ground with peonies, birds and other motifs (some restoration), 60.5 cm high See inside back cover colour illustration Condition report Report by NG Restoration to neck and rim. Production faults including pitting, pock marks and unglazed patch internally. Crack in panel, decorated figures on horse back approx. 17 cm long. Grubby. Rubbing, scratches and losses to enamel colours. A series of star cracks to base.
Lot 708
A Chinese famille rose vase, of tapering square form, with Dog of Fo mask ring handles, decorated exotic and other birds amongst flowers and foliage (slight restoration), 56 cm high Condition report Report by NG Crack to rim and patch of repair. Pock marks and pitting. Wear and roughness in glaze. Some losses to enamel colours. Other rubbing, crazing and losses to colour. Some surface scratches, internal firing cracks.
Lot 708
A Chinese famille rose vase, of tapering square form, with Dog of Fo mask ring handles, decorated exotic and other birds amongst flowers and foliage (slight restoration), 56 cm high Condition report Report by NG Crack to rim and patch of repair. Pock marks and pitting. Wear and roughness in glaze. Some losses to enamel colours. Other rubbing, crazing and losses to colour. Some surface scratches, internal firing cracks.
Lot 31
Vasily Malishev, Russian (19/20th century) Oil on Canvas ""Village Shore Scene"". Signed Lower Right. Patch (en verso), In-painting, Craquelure and minor flaking otherwise Good Condition. Measures 27-5/8 Inches Tall and 20-3/4 Inches Wide, Frame measures 32 Inches Tall and 25 Inches Wide. Shipping $245.00
Lot 201
Unique Art, Li`l Abner and his Dog patch Band, American, circa 1950s, tinplate, clockwork, lithograph toy, upright piano labelled `The Dog patch 4`, with attached figures of Daisy Mae, Abner, Mammy and Pappy Yokum. When wound the figures dance, play drums and piano, mammy directs (30cm W), (AF: lack three arms).
Lot 55
Seventeen vignettes, Robert Lee and Robert Tyndall, pen and ink and watercolour, for illustrations in Book 14, Noddy and the Bumpy-Dog, titles as follows: "Then he got on his bicycle and away he went again" (on card), for p. 15 (6.1 x 8.5cm) (piece missing from top right corner); "He rushed next door to Mr. Tubby Bear, crying loudly" (on card), for p. 40 (6.8 x 8cm); seven various cut-outs of Tessie Bear, for illustrations on p. 8, 11, 12, 13, 15, 16 and 17 (various sizes); "`In the peg-bag`, said Big-Ears, `I`ll bring it out with me`, so he went out with Noddy" (on card), for p. 20 (13.6 x 9.8cm); "Noddy fell over and sat down hard on Mr. Tubby`s patch of mint" (on card), for p. 46 (9.8 x 14.4cm); "Noddy laughed and laughed. But Mr. Plod didn`t" (on card), for p. 44 (8.1 x 8.4cm); "What! a dog wearing his precious helmet?" (on card), for p. 44 (6 x 3.8cm); "Gilbert Golly if I have any more of your nonsense this morning I`ll lock you up" (on card), for p. 32 (9 x 15cm); Letters for the Title page, pencil and watercolour (on board) (9.5 x 17.1cm); "Goodbye, dear Bumpy! Look after little Tessie Bear, won`t you?" (on card), for p. 60 (9.2 x 10cm) (piece missing top right corner); and "They picked up Mr. George Golly" (on card), for p. 30 (8 x 8.6cm). (17)
Lot 201
Unique Art, Li`l Abner and his Dog patch Band, American, circa 1950s, tinplate, clockwork, lithograph toy, upright piano labelled `The Dog patch 4`, with attached figures of Daisy Mae, Abner, Mammy and Pappy Yokum. When wound the figures dance, play drums and piano, mammy directs (30cm W), (AF: lack three arms).
Lot 55
Seventeen vignettes, Robert Lee and Robert Tyndall, pen and ink and watercolour, for illustrations in Book 14, Noddy and the Bumpy-Dog, titles as follows: "Then he got on his bicycle and away he went again" (on card), for p. 15 (6.1 x 8.5cm) (piece missing from top right corner); "He rushed next door to Mr. Tubby Bear, crying loudly" (on card), for p. 40 (6.8 x 8cm); seven various cut-outs of Tessie Bear, for illustrations on p. 8, 11, 12, 13, 15, 16 and 17 (various sizes); "`In the peg-bag`, said Big-Ears, `I`ll bring it out with me`, so he went out with Noddy" (on card), for p. 20 (13.6 x 9.8cm); "Noddy fell over and sat down hard on Mr. Tubby`s patch of mint" (on card), for p. 46 (9.8 x 14.4cm); "Noddy laughed and laughed. But Mr. Plod didn`t" (on card), for p. 44 (8.1 x 8.4cm); "What! a dog wearing his precious helmet?" (on card), for p. 44 (6 x 3.8cm); "Gilbert Golly if I have any more of your nonsense this morning I`ll lock you up" (on card), for p. 32 (9 x 15cm); Letters for the Title page, pencil and watercolour (on board) (9.5 x 17.1cm); "Goodbye, dear Bumpy! Look after little Tessie Bear, won`t you?" (on card), for p. 60 (9.2 x 10cm) (piece missing top right corner); and "They picked up Mr. George Golly" (on card), for p. 30 (8 x 8.6cm). (17)
Lot 1019
After JOHN CONSTABLE (1776-1837) British Figures in an Extensive Rural Landscape With Storm Approaching Oil on canvas Bears signature and dated 1830 74 x 62 cms, framed CONDITION REPORTS: Generally in good condition, expected wear, re-lined at some stage, old patch repair, old repairs to frame, old inscribed and typed labels to verso, reading copy of the adjoining writing a country lane scene leading to a corn field in Suffolk, painted by John Constable RA (the next line is indistinct but looks like "My own family dated in Littlestone Convent"). The property of ...... Rev. Levy (?), North Crawly Rectory, Littlestone.
Lot 1060
J. GILBERT (19th century) British Portrait of a Girl Holding a Basket of Flowers Oil on canvas Signed and dated 1879 37 x 54 cms, framed CONDITION REPORTS: Generally in good condition, expected wear, re-lined, patch repair and associated over painting, some cockling and element of over painting.
Lot 438
A 19th century Chinese patinated bronze model of Guanyin Modelled wearing robes holding a basket of fish, housed in a wooden box with script to the top. The figure 16.5 cms high. CONDITION REPORTS: Some patination wear, slight pitting, one small hole to reverse, repaired patch to neck, general wear.
Lot 995
Attributed to ROBERT A. KENNEDY (flourished 1863-1910) British Water Gatherer in a Highland Landscape Oil on canvas Signed with monogram 49.5 x 67 cms, framed CONDITION REPORTS: Generally in good condition, expected wear, some old patch repairs and associated over painting, indistinctly inscribed to verso.
Lot 438
A 19th century Chinese patinated bronze model of Guanyin Modelled wearing robes holding a basket of fish, housed in a wooden box with script to the top. The figure 16.5 cms high. CONDITION REPORTS: Some patination wear, slight pitting, one small hole to reverse, repaired patch to neck, general wear.
Lot 1019
After JOHN CONSTABLE (1776-1837) British Figures in an Extensive Rural Landscape With Storm Approaching Oil on canvas Bears signature and dated 1830 74 x 62 cms, framed CONDITION REPORTS: Generally in good condition, expected wear, re-lined at some stage, old patch repair, old repairs to frame, old inscribed and typed labels to verso, reading copy of the adjoining writing a country lane scene leading to a corn field in Suffolk, painted by John Constable RA (the next line is indistinct but looks like "My own family dated in Littlestone Convent"). The property of ...... Rev. Levy (?), North Crawly Rectory, Littlestone.
Lot 1060
J. GILBERT (19th century) British Portrait of a Girl Holding a Basket of Flowers Oil on canvas Signed and dated 1879 37 x 54 cms, framed CONDITION REPORTS: Generally in good condition, expected wear, re-lined, patch repair and associated over painting, some cockling and element of over painting.
Lot 513
Philip James de Loutherbourg RA (1740-1812) Figures with horses and cart before a cottage, possibly Patterdale Signed, oil on canvas, 38cm by 56cm Provenance: David Messum, Beaconsfield In fully restored condition. Re-lined, cleaned and re-vanished. Paint is a little thin in places. There has been a vertical repair with associated re-touching on the right hand side around the figures, approx 10cms long and with horizontal re-touching running into the canvas towards the horses and cottage which is approx 5cms long. There is one small patch of re-touching on the lower edge and more consistent retouching and over painting throughout the mountains especially towards the peaks. Further small area of re-touching to the left of the horses and sky. Covered in a thin layer of dirt and discoloured varnish. Fine stable cracquelure.
Lot 556
Attributed to Michael Dahl (1659-1743) A head and shoulders portrait Mr William Woodward Oil on canvas, 71.5cm by 61.5cm (oval) William Woodward was the only son of Edward Woodward and grandson of Sir Christopher Lewkenor, and heir to John Lewkenor, his second cousin. He took the name of Knight upon marrying his first cousin Elizabeth, and great niece of Sir Richard Knight, he died in 1721. Knight is a branch of the Austen family of whom the novelist writer Jane Austen (1775-1817) was a member of. Provenance: Chawton House in Hampshire. The picture bears the inventory number 15 The canvas has an old reline. The left hand side edge of the sitters lower body below the cravat and across towards his left hand arm has consistant re touching and in filling to old craquleure. These is more linear and isolated re touching/over painting within the folds of the drapery of his left hand side arm (the edge nearest to his body) there are other areas of re touching and over painting within the folds of his gown. There are more minor areas around his shoulder, beneath the cravat, an isolated patch to the parting of his hair running approximately quarter of the length down his face. There are some very minor and isolated patches to the background. There has been an old clean and re varnish, there is small sized craquelure across his entire face and through the cravat and other untouched areas of the drapery.
Lot 663
John ffrench (Irish 1928-2010): A Vase, with spike decoration, painted in custard yellow and lime green, painted monogram J.FF. and dated 2007, 24cm; A Vase, the shoulders decorated with orange and lemon slices, on a bright yellow ground, painted monogram J.FF. and dated 2004, 22cm; and Another, with five necks, gilt rims, on a mustard yellow ground, painted monogram j.ff. and dated 2006, 13cm (3) *PLEASE NOTE: Droit de Suite Royalty Charges (or ARR) apply to this lot Sliced fruit - nicks to rim (which appear white glazed). Underglaze painted chip to fruit. Underglaze chips to fruit (showing the body). Spikes - glaze flake to tip of spike on bottom row. Rough neck with tiny wear. Five necks - patch of underglaze on one neck. 131114
Lot 513
Philip James de Loutherbourg RA (1740-1812) Figures with horses and cart before a cottage, possibly Patterdale Signed, oil on canvas, 38cm by 56cm Provenance: David Messum, Beaconsfield In fully restored condition. Re-lined, cleaned and re-vanished. Paint is a little thin in places. There has been a vertical repair with associated re-touching on the right hand side around the figures, approx 10cms long and with horizontal re-touching running into the canvas towards the horses and cottage which is approx 5cms long. There is one small patch of re-touching on the lower edge and more consistent retouching and over painting throughout the mountains especially towards the peaks. Further small area of re-touching to the left of the horses and sky. Covered in a thin layer of dirt and discoloured varnish. Fine stable cracquelure.
Lot 663
John ffrench (Irish 1928-2010): A Vase, with spike decoration, painted in custard yellow and lime green, painted monogram J.FF. and dated 2007, 24cm; A Vase, the shoulders decorated with orange and lemon slices, on a bright yellow ground, painted monogram J.FF. and dated 2004, 22cm; and Another, with five necks, gilt rims, on a mustard yellow ground, painted monogram j.ff. and dated 2006, 13cm (3) *PLEASE NOTE: Droit de Suite Royalty Charges (or ARR) apply to this lot Sliced fruit - nicks to rim (which appear white glazed). Underglaze painted chip to fruit. Underglaze chips to fruit (showing the body). Spikes - glaze flake to tip of spike on bottom row. Rough neck with tiny wear. Five necks - patch of underglaze on one neck. 131114
Lot 696
Zoe Benbow, British b.1963- "Afternoon Nap"; oil on canvas, signed, titled and dated 1996 reverse of the canvas, 106.5x106.5cm, (may be subject to Droit de Suite) CONDITION REPORT: oil on canvas in a wooden white painted frame the frame is not painted white on the reverse with drip marks from painting the front with stapled canvas salvage with three canvas patches adhered to the reverse one patch is over the inscribed artists name, not the signature recto the black painted area of the canvas is tacky, dust and hairs have adhered to this area in the top right section where the canvas is painted cream there are signs of crazing and cracking overall in fair condition
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24353 item(s)/page