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Click here to subscribeA Bilston enamel patch box, c.1770-80, the circular lid printed in dark purple with a gentleman playing the flute to his companion who sits reading from a book, reserved within a scroll border on a pink ground, the base printed with fisherman hauling in a catch before a sailing boat, the interior fitted with a convex mirror and inscribed 'Ecouté ma Beauté', 5cm across.
A rare Bilston enamel patch box of American interest, c.1780, the oval form titled to the lid in black with 'Great Washington to Thee We owe our Liberty' within a simple continuous leaf border, raised on a pale pink base, with internal deteriorated mirror, 4.7cm. Paper label for D M & P Manheim, New York and London.
A rare English enamel patch box of American interest, c.1770-80, probably Bilston. the oval form titled in black to the lid with 'God Bless the United States' within a simple green and red border, raised on a moulded green base, the interior fitted with a new mirror, 4.4cm. Paper label for D M & P Manheim, New York and London.
A 19th century Continental silver mounted enamel patch boxThe exterior decorated with trailing foliate garlands, the interior decorated with a rural landscape and a river before a castle. 6 cm wide. CONDITION REPORTS: Generally in good condition, some glue residue around hinge, general wear.
The Beatles, Sgt. Peppers, five related items, two jig-saw puzzles (sealed), photo album (sealed), ring binder and set of six nested gift square boxes (sealed) together with a Sgt Pepper original pin badge, The Beatles Monthly book No 47 ( Sgt Pepper special) and cloth patch by Fantasy Northampton, England sealed in original packaging
20th-16th century BC. A feldspar cylinder seal, the scene divided into three horizontal registers: in the upper a crouching lion with narrow waist, of slight build back and mighty upper part of the body looks to the right at a group of four caprides and he hits with one paw after the throat of the left one of both lower caprides; above this both a third capride lies, facing right to two rows of a crocus patch, above this a bird with spread wings and another capride also looking right, beneath two falcons; the middle register shows a double-lined guilloche stylising a river or brook, on its other shore, the lower register, one sees two vultures and two rabbits in antithetical scenes and another vulture between them. Cf. Keel-Leu, H. & Teissier, B Die vorderasiatischen Rollsiegel der Sammlungen Bibel+Orient der Universität Freiburg Schweiz, Freiburg Schweiz, Göttingen, 2004, no.325.4.38 grams, 23mm (1"). From an important London collection, acquired in the 1990s. Very fine condition.
Collection three vintage 60's minidresses, two with matching coats to include: a gold and brown sleeveless mini dress with velvet skirt and lame top with brown netting, a pale pink double breasted coat and mod dress with button decoration and a fuschia pink 3/4 sleeve light coat with baby doll mini dress with bow by Tom Jones of Mayfair. (3 outfits, 5 items). (B.P. 24% incl. VAT) CONDITION REPORT: Gold and brown dress - quite badly damaged to lining, loose thread near zip, looks ok from outside. Fuschia outfit - size 36, crumpled. Coat - has moth hole and slight staining near bottom edge. dress - patch of discolouration/staining near the bottom edge. slight staining to lining at armpits. pale pink outfit - quite a lot of small brown stains to both garments, dress lining discoloured at collar. Measurements available on request.
A collection of vintage clothing (60's-70's) to include: a brown cord coat with faux fur collar and hood, a 60's mod style mustard colour wool coat with diamond shape buttons, a black leather coat with fur collar, sash belt and padded lining, a brown suede hooded and belted coat with sheepskin collar, hood and cuffs by HeaTona, a brown sheepskin coat with high collar and a green suede jacket with later added fur collar. (6) (B.P. 24% incl. VAT) CONDITION REPORT: mustard coat - good condition with no obvious damage. Measurements - shoulders: 48cm/19" length 106cm/41.75" cord coat - good condition with no obvious damage. faux fur looks worn. Measurements - shoulders: 43cm/17" length 106cm/41.5" sheepskin - Generally good condition, small patch of wear on left arm. Measurements - shoulders: 44.5cm/17.5" length 110cm/43.25" green suede jacket: generally good condition, some small patches of discolouration to suede. lining good. Measurements - shoulders: 43cm/17" length 89cm/31" leather coat - Some discolouration to leather on the side and back of the coat. Lining good, fur collar good (probably raccoon fur). UK 14 label. Measurements - shoulders: 45cm/17.5" length 115cm/45" brown suede - collar and cuffs look worn, missing button, slight staining on arm. Otherwise good. Size 14 label.
An incredible Iraqi War Sniper's kit bag, with contents. Comprising of the complete uniform kit - to include; Two combat helmets, a gas mask, two Olive vests, olive shirt, three SPS notated camo jackets with SPS patch (2x long sleeve, 1x short sleeve), two pairs of trousers, haversack, waterproof poncho and various other items - webbing, straps, first aid supplies etc. Most parts are named with rank number featured. All contained within the original kit bag. Service fresh - sand still remains in the bottom of kit bag. Rare and interesting personal collection.
First edition, first printing, 'A Clockwork Orange' by Anthony Burgess, 1962, published William Heinemann Ltd, with dust jacket. PROVENANCE: Consigned by The British Heart Foundation, Ewbank's are waiving vendor commission for the sale of this lot for the Charity.. Dust jacket: Small tears/marks to the edges. Age discolouration particularly to the spine. Cover: Small white patch of discolouration to the top of the spine. Date stamp to corner of first page. Small evidence of ageing where front and back covers have been glued to the paper. One or two very small nicks to the edges of pages. Pages 181-185 set back slightly in the binding.
Kirsty Wither (Scottish, b. 1968), pair of limited edition giclee prints, each signed and numbered in pencil: 'Fair Few Flowers' (Artist Proof I/X), 'Big Patch of Sun' (Artist Proof). Together with David Lee (Chinese, b. 1944), limited edition serigraph of hummingbird and flowers, signed in black crayon and and numbered 283/300. Together with a framed giclee print after Marc Chagall, 'Original Bouquet over City'. (4)
A black velvet classic shift dress, below knee length, a New Look black glazed cotton dress, late 1940s, side metal zip and large patch pockets, diamante paste stones, small classic collar, elbow length sleeves and turned back cuffs 1950/51, an Air Force blue day dress early 1950s belt and side slit pockets and side metal zip, covered buttons on bodice (3)
A Derby Patch Mark figure, of a Flower Girl, she stands holding a posy, wearing a feathered headdress, pink bodice, blue skirt, before bocage, scroll base applied with flowerheads, 21.5cm high, c.1770; a Derby Patch Mark figure, of a Shepherdess, she standing wearing a green bodice and floral dress, with a sheep wearing a floral garland, before bocage, scroll moulded base, 13.5cm high, c.1770 Condition Report: Flower Girl - Slight chips to the bocage, Headress restored; glaze mark to the apronShepherdess - head reglued, chip to bocage
A .360” Martini action Rook Rifle, 43” overall, barrel 26½” with 2 folding leaf rearsights, engraved “Field Rifle Co, Birmingham”, and numbered 14-134, the plain frame having safety catch on right side, the walnut halfstock having chequered fore end and wrist, vacant escutcheon, and horn fore end cap and butt plate. GWO & C (some wear, patch of pitting on left of frame). Plate 9
A French 12 bore Model An IX flintlock cavalry pistol, 16" overall, barrel 9", the breech engraved “Z”, the flat lock having bevelled pan and frizzen and old replacement cock, walnut fullstock with regulation brass mounts and old steel ramrod. QGC (worn overall, the stock with patch of worm above lock, the lock apparently lacking any internal mechanism)
A 6 shot 70 bore self cocking bar hammer percussion pepperbox revolver, 7¾” overall, barrels 3” with B’ham proofs and numbered 1 to 6, with scroll engraved rounded frame, hammer, trigger guard and grip straps, and finely chequered walnut grips. GWO & basically GC (dark patina with some pitting and surface rust, patch of deeper pitting on the nipple shield, some wear to grips). Plate 13
A mid 20th century Singer machinist's chair CONDITION REPORT: This chair has a taped patch to the seat and more tape securing the underside of the seat to the base. Presumably the base needs some attention. The chair seat may also be damaged beneath the tape. We have left the item as it was when it came into the saleroom and it is sold as seen.
Unusual late 18th / early 19th century double-hinged white metal case in the form of a horn, containing a compass with bird pointer and separate enamelled compartment, ornate securing hook and hinged suspension loop in the form of a heart (unmarked), together with a George III silver patch / counter box with bright cut decoration (Birmingham 1795) and two contemporary silver swizzle sticks
Circa 1920/30s Summer Lightweight Driving Coat, in brown glazed cotton with contrasting collar and fold back cuffs, one patch pocket, unlined; Copy of a Circa 1930s Driving Coat, in a grey/green cotton, lined with blue and green wool check, with press stud fastenings and belt; labelled Thread Needle & Co; RAF Blue Jacket and Trousers (3) Lightweight driving coat; several small light spots overall, slight wear. Copy of a driving coat; some slight bobbling to the outer fabric, slight wear.
Group of Ladies Assorted Designer Clothing, comprising Armani Jean midnight blue faux fur biker jacket, with zip fastening and pockets (labelled size 42); Alexander McQueen moss green bandage halter-neck dress, with slightly dark green panels and deep pleated hem (labelled size S); pair of Gucci black leather trousers with zip pockets and zip detail to ankles (labelled size 42); Jean Paul Gaultier black and white striped double breasted short blazer, with check lining and striped knotted skinny scarf (labelled size 10); Prada black wool hooded cardigan, the hood trimmed with black faux fur and patch pockets with 'coin' buttons, with black suede waist belt decorated in a similar fashion, zip fastening (no size label - approximately size 8); Antonio Berardi nude/pink and black lace overlay sleeveless top, with cowl neck and decorative black faux pearl buttons to the reverse (labelled size 42); N Peel cream hooded cashmere cropped poncho, the hood trimmed with brown faux fur (no size label - S); and a Juicy Couture Grey cashmere two piece lounge set, consisting of jogging bottoms and a cold-shoulder jumper with metallic thread decorated bows (labelled size XS) (8)
Group of Ladies Assorted Designer Clothing, comprising Giorgio Armani two piece suit, comprising grey striped jacket, the panels of stripes in alternating directions, with decorative leaf printed buttons and patch pockets (labelled size 38), with a brown finely ribbed pencil skirt (labelled size 40); Burberry Prorsum circa 2004/5 camel belted jacket, with ruched and 'twisted' detail to shoulders and lower (labelled size 42); Giorgio Armani cream/mink sleeveless bandage dress, zip fastening to the reverse (labelled size 40); Armani Collezioni taupe long sleeve wrap dress, with deep V-neckline, zip fastening to reverse (labelled size 40); and a Ralph Lauren circa 2002 pinstriped blue sleeveless dress, with gold tone buttons, the wrap and buttoned neckline trimmed and lined in red, slit to the thigh and zip fastening to size (labelled size 4) (5) The Giorgio Armani two piece suit was purchased in Milan, reputedly in the company of Giorgio Armani himself.
Small Group of Ladies Assorted Designer Clothing, comprising Ralph Lauren grey shawl cardigan, a merino wool, cashmere, silk and angora blend, with attached belt (labelled size XS/S); Loro Piana baby cashmere grey full length jumper dress, with polar neck and finely ribbed knit to the upper section (no size label - approx size 10); Joseph grey cashmere jumper, with patch pocket (labelled size S); and a Les Copains brown and black contrast pencil dress, with polar neck and attached leopard print skinny belt, side zip fastening (labelled size 42) (4) The Loro Piana dress was worn by Marilyn on This Morning, March 2017.
Tom Ford for Yves Saint Laurent, Rive Gauche Autumn 2003 Collection Two Piece Ensemble, comprising dark teal velvet jacket/blazer, large patch pockets, multiple velvet covered buttons to cuffs, duck egg silk tie fastening, lined in green silk (no size label - approx size 10); with a green silk strap dress, with ruffled tier to neckline leading to hem, zip fastening to reverse (labelled size 38) This ensemble was used in one of the campaign images for this 2003 collection, it was also worn by Demi Moore at the Charlie's Angels: Full Throttle New York Premiere, 2003
Chanel Boutique Candy Pink Wool Long Line Cardigan, coral trim to neckline and patch pockets, fastened by six decorative gold tone grained buttons, featuring raised interlocking 'CC' motif, the same buttons applied to the patch pockets, with small embroidered 'CC' motif to lower left hand side (no size label - approx size 10), and a Matching Chanel Wool Tank Top, with small button fastening to nape of neck, small embroidered 'CC' motif to lower left hand side (no size label - approx size 8/10) (2)
Chanel Blue and Brown Two Piece Suit, comprising a jacket in beige and navy blue geometric design, the upright bowed collar lined in tan lambskin leather, with multicoloured zip fastening and patch pockets, lined in self patterned floral and 'CC' motif blue silk (labelled size 38), and a tan lambskin leather skirt with additional front panel and gold tone button stamped with interlocking 'CC' motif, fastening to the side, lined in terracotta self patterned floral and 'CC' motif silk (labelled size 38).
Follower of Jan Josefsz. van Goyen (1596-1656) Dutch, view of a town from the river, historically known to be Nijmegen, oil on panel, 54cm by 82cm In fully restored condition. Abrasively cleaned. Patch of re-touching and overpainting at approx centre of sky which is approx 3cms in diameter. Further heavier and consistent over painting to the grey of the clouds in the sky in the upper let hand corner and elsewhere. There has been infilling and general strengthening along the horizon and around the outline of the buildings and less consistently in the upper right hand corner of the background and sky. Some further general strengthening to the darker tones and shadows of the sails of the vessels, the vegetation and the barges within the foreground. There has been general treatment of the background, most likely at different periods. Two full width horizontal splits/ evident planks to reverse with old repair and visible to the eye at the front where the surface is not consistent. The paint is thin and the surface is fairly scrubbed in various places where the grain of the wood is evident. Surface dirt and discoloured varnish.
James Poole (British 1803-1886) 'View from Richmond Hill' Oil on canvas, unsigned, framed, 56cm x 89cm CONDITION REPORT: Painting has been viewed under a UV light, fluoresces green at the lower landscape area, indicating that the original varnish remains in the lower area.Varnish has been removed in the upper section of the painting.Over painting visible in the lower left tree area.Over painting in the waterfall pool area. Over painting in the sky/cloud area. Patch verso with corresponding infilling and over painting. All visible in UV light, however all done to a professional standard.Please note the painting has not been removed from the frame, therefore the condition of the edges is unknown.
Kathleen M. Pearson (1898-1961), Oil on canvas, Worcester farm scene with figure on a horse and chicken, Signed, 39cm x 49.5cm, Framed, (some paint loss)With a smaller oil on board landscape titled 'Galloway' verso and with various labels, (2)Provenance: Entered by the artists family. Kathleen Pearson studied at the Slade School in the early 1920's and then at the Royal Academy Schools, 1921 - 6. She also exhibited at the Royal Academy. It is believe that these images date from her time at The Slade School CONDITION REPORT: There is a patch of paint loss to the thatched roof on the left hand side and a much smaller spot to the bottom left corner. Some paint crazing, lightly grubby. The other better but lightly grubby.
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