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Elizabeth Maria Chapman (exh.1896-1938), Portrait of a young girl, signed and dated 1909, oil on canvas, 52.5 x 42cm.; 20.75 x 16.5in. * Studied portrait painting under Reginald Barker at the Manchester School of Art. Condition Report: The painting is in good, original condition.  There is evidence under UV light of some areas of over painting certainly a patch in the top centre as shown.  There also appears to be craquelure across the painting and an area in the white apron where the varnish has discoloured or again there has been some over painting.  The painting is framed but not glazed as can be seen.  The frame has the odd minor knock and loss commensurate with age as can be seen.

A box of 37 Lilliput Lane ornaments to include: Hampton Manor, Lane Lane, Little Smithy & Cabbage Patch Corner.

British WWII Burma Star Group of five including: The Africa star, 1939 - 45 Star, Defence Medal and 1939 - 1945 War Medals attributed to Pte Reg Pasco. With The Burma Star blazer patch, and Devon Regiment cloth blazer patches. With an image of Mr Pasco standing next to Bert Weedon and a signed image of Burt Weedon. good research possibilities

Queen's Royal West Surrey Regiment WWI embroidered arm patch, gold braid on black cloth. Scarce

A George III silver patch box, by Samuel Pemberton, Birmingham 1791, circular form, with a pull-off cover, bright-cut decoration and a shield-shaped vacant cartouche, diameter 2.4cm, approx. weight 0.1oz.

Mary Fisher, 1801, - A patchwork quilt of hexagonal tessellating pieces of printed cotton, with cotton fringing, with ball tasseled elements, the central patch embroidered in blue, 134 x 114cm

Four late 18th/ early 19th Century Bilston enamel patch boxes, one with motto and an enamelled scent bottle case

A small circular pierced bowl with twin handles, 1.4 troy ozs, Birmingham 1945 and a white metal and abalone lidded hexagonal Mexican patch box

A box containing six peach silk cami-knickers and a cream silk half-slip, a piece of 1950s floral printed fabric, to/w a pair of embroidered cotton sheets and four pillowcases and a bag of embroidery yarns Condition Report Patch of discolouration near embroidery on one pair of cami-knickers

An Edwardian cotton dress, pale grey with trailing foliate pattern on white ground with mother-of-pearl button fastening to front, to/w a cream silk striped jacket printed with blue/green floral sprays with mother-of-pearl button fastening and pale green silk fringing (2) Condition Report Dress worn condition, some repairs to side opening, some fraying to hem, patch repair to each side of chest, slight staining to bodice. Jacket good condition, possibly some later alterations

A Georgian Enamelled Patch Box Decorated With Birds, Some Faults

Val Musetti Arai race-worn helmet with two Sparco racesuits and accessories, a white Arai GP-3k helmet, MSA approved, radio intercom lead, Snell No.SA400360, with visor and helmet bag; a red Sparco Nomex racesuit with white top bearing his name and blood group, 'Racewear from Road & Racing' logos, plus an FIA approval patch; another in black with red trimming bearing his name and blood group, Dunlop epaulette logos, FIA Standards approval stitched into the collar; also a plain black Sparco Nomex practice suit with white trimming; a pair of Sparco Nomex driving boots, gauntlet gloves and undergarments, all held in a Sparco zip hold-all (qty.) The items date from later in film stuntman Val Musetti's racing career, which lasted into the 1990s and included outings in World Sportscars and British Touring Cars. By then he was working on Hollywood blockbusters like Indiana Jones and Robin Hood: Prince of Thieves, plus many British TV series like The Sweeney and Minder. Often credited as an actor, he also starred in Road Safety commercials.

Henry Cooper's Great Britain boxing team gown from the Helsinki 1952 Olympic Games, in rose coloured silk with white trim, complete with belt, the reverse embroidered with a Union Jack flag patch inscribed OLYMPIC GAMES 1952 and white felt lettering HENRY COOPER; sold with a signed letter of provenance from Henry Cooper's nephew Neal Cooper; and a scanned picture of Cooper fighting his Soviet opponent Anatoli Petrov at the Helsinki Games (3) Neal Cooper's letter reads: My uncle, Sir Henry Cooper, wore this gown at the Helsinki Olympic Games in 1952. He was at the beginning of what would become a legendary career, having recently won the ABA championship as a light-heavyweight. He would have been so proud to wear this gown for Great Britain. Henry was defeated by the Russian, Anatoli Petrov, following a dubious decision. Onlookers said Henry had given the Russian a boxing lesson. He would turn professional two years later. The rest literally is history. Henry gave the gown to my late father, Bernard Henry Cooper, his older brother, in the 1960s and it has been in my family ever since. My father passed away last year and we have decided to put it up for auction with Graham Budd. I delivered it in person to Graham at Sotheby's on the 4th February 2016. It is our hope that it will be preserved for posterity and cherished by its new owner, just as we have cherished it.

A collection of football pennants from the collection of a former steward at Arsenal FC, accordingly the pennants are mostly associated with Arsenal and their match opposition, also Irish interest, the lot also including a steward's armband from the 1968 League Cup Final and some scarves, neck ties and patch badges

An early Fry's Pure Concentrated Coca pictorial "Tom Browne" enamel sign titled "So near and yet so far", with some minor professional restoration mostly to the border, also a patch top left and another lower right, otherwise excellent gloss, 10 x 14".

Unused retail stock - a selection of unused retail stock in sealed blister packs to include video modulators, digital alcohol breathalyzers, patch leads, video leads, headphone splitters and similar

A large 19th century cloissonne vase, (painted over damaged patch)

Mixed Autograph Collection 16. Large folder containing over 50 autographed items. Part of a vast collection, this particular folder contains mostly celebrities with the surname beginning P. Condition is varied, and there are many press clippings, unsigned photos, printed autographs, magazine photos and lots more. We have identified the following genuine autographs: Lynne Perrie, Wally Patch, Maggie Philbin, Elaine Page, Sandy Powell, Donald Peers, Richard Pasco, Claude Powell, Charlie Pride, Lyn Paul, Lester Piggott, Wilfred Pickles, Nicholas Parsons and many more. Some careful research into this collection could possibly yield some further valuable items - there are so many articles, clippings, letters and more. No reserve with a low starting price. Good condition. All signed items come with a Certificate of Authenticity and can be shipped worldwide.

Arab-Sasanian, Ziyad b. Abi Sufyan, drachm, DA (Darabjird) 43h, 4.02g (SICA 1, 239ff), small patch of corrosion in obverse border, good very fine and toned

Revolutionary Period, temp. ‘Abdallah b. Mu‘awiya, dirham, Ramhurmuz 128h, 2.88g (Klat 391; Wurtzel 7), small patch of excess metal in lower reverse field, otherwise good very fine and scarce

Assorted collectors spoons, some silver, enameled patch boxes and other miniature items to a tray.

Aldrin, Buzz, framed and signed photo with Apollo 11 patch, with certificate

A COLLECTABLE GERMAN 3RD REICH WWII ERA, number of badges, patches and car bonnet flag consisiting of U Boat War Badge (believed 1st type), no maker's mark present, Destroyers War Badge (believed 1st type), maker W H to reverse, High Seas Fleet War Badge (believed 1st type), maker's mark FO to reverse, Coastal Artillery War Badge (believed 1st type), vertical pin Fastening and Schwerin Berlin, maker's mark to reverse, German Day Badge I Mai 1936 reverse marked A.D. BAUMEISTER, LUDENSCHEID, German WWII Wound Badge pin missing, Demjansk Shield 1942 crossed swords three pin book, believed nickel, Circular Badge, heavily oxidised, Eagle/Swastika plate gold coloured, Oval Wreath Eagle and Swastika plate silver coloured, Small Eagle and Swastika plate silver coloured, Eagle/Swastika cloth patch navy/white, Eagle Swastika cloth patch silver braid, Klaki Eagle/Swastika cloth patch, gold coloured, Circular Collar Badge, Large Alloy Cap/helmet plate?, Kriegsmarine bonnet car flag, navy gold and yellow with fixings, Eagle Swastika patch gold/black, Eagle Swastika patch white/blue (some ink damage)

An English enamel double compartment patch box, late 18th/early 19th century with portrait of Queen Charlotte to one side, and a still life with fruit to the other 5cm x 4cm

A tortoiseshell patch box, with monogrammed oval white metal paterae, and white metal sides, 10cm L

A Derby bell-shaped mug: with scroll handle, painted in puce monochrome and gilt with an oriental-style banded hedge and flower sprays, patch marks, circa 1760-62, 14 cm.

A Derby two-handled vase and a Derby mug: the vase with double scroll handles and painted in the style of Withers with floral bouquets within gilt edged panels on a turquoise ground, patch marks, circa 1775, 17 cm high [one handle and base re-stuck]; the mug with concentric reeding to the neck, painted with floral bouquets within gilded deep blue borders, blue crowned D mark, circa 1775-80, 12.5 cm high [minor star crack].

A Stafforshire Enamel Patch Pot

A German Third Reich Luftwaffe white metal belt buckle; a pair of Luftwaffe silver thread epaulettes; and a Eagle/Swastika in laurel wreath patch dated 1940, Bevo-Wuppertal.

PIETRO BARUCCI (ITALIAN, 1845-1917), OIL ON CANVAS, H 22", W 37"Signed at the lower left in red, also marked "Roma" in red. Italian, 1845 - 1917. As viewed under UV light in the unopened frame:  UV clean; overall craquelure with instability developing; repair patch on verso in upper center; not lined; canvas is sagging very slightly in the far LL corner; frame having cracks. - For High Resolution Photos visit Dumouchelles website.

ALFRED FONTVILLE DE BREANSKI (1877-1945) ON THE RIVER LYD, DARTMOOR; NEAR LYDFORD, DARTMOOR A pair, both signed, each also inscribed verso, oil on canvas Each 29 x 39cm. (2) ++ The latter with patch in sky verso, associated retouching; each needs a light clean; period gilt frames

ALFRED FOWLER PATTEN (1829-1888) THE BIRD'S NEST IN DANGER Signed and dated 1885, also signed and inscribed with title on a label on the stretcher, oil on canvas 50 x 45cm. ++ One patch lower centre; a little associated retouching; slight bitumen damage

Eleven boxed Royal Doulton 101 Dalmatians figures; DM6 "Pongo" x 2, DM7 "Perdita", DM1 "Cruella De Vil" x 2, DM8 "Lucky", DM4 "Rolly", DM2 "Penny", DM9 "Patch in a Basket", DM3 "Penny and Freckles", DM11 "Pups in the Armchair", and an unboxed figure; DM10 "Lucky and Freckles on Ice" (second) (12). CONDITION REPORT: Some surface dirt, otherwise good condition.

A 19th century muzzle loading percussion cap rifle, the large calibre octagonal heavy barrel with deep cut polygonal rifling, and engraved lock. CONDITION REPORT: Stock broken and repaired and a patch repair. Heavy wear.

HENRY R. HALL (1859-1927); oil on canvas, mountainous loch landscape with Highland cattle in foreground, signed and dated '90, 60 x 90cm, framed. CONDITION REPORT: There are five small old patch repairs to the canvas, there is a tear upper right of approx 2 x 1cm, and a scrape thinning of paint just beneath, there is a double impressed mark to the left pushing through the canvas and splitting the paint, there is a small hole lower left, and overall in need of cleaning. The frame is a modern gilt frame.

A 15 bore side by side muzzle loading percussion cap hammer gun, with chequered walnut stock and 30" skelp barrels. CONDITION REPORT: Overall condition good, very minor pitting to the barrel. Ramrod replaced with spliced original end. Patch repair under action beside trigger guard. Light rubbing to muzzle end.

*Section 2 Shotgun Licence required* A B.S.A 12 bore side by side boxlock double trigger ejector shotgun, with 2 3/4" chambers, chequered walnut stock and 28" barrels fitted with smooth inset rib bearing makers mark, in leatherbound canvas breakdown carry case, S/N: 37206. Overall good condition, very minor pitting to the barrel, slight internal patch of pitting to the right barrel near muzzle end, barrels choked 1/2 and cylinder, length of pull 14 1/4", drop at comb 1 1/2", drop at heel 2".

A signed limited edition (85/195) print by Govinder 'A New Lead for Patch' (approximately 75 x 40cm)

A small collection of illustrated titles to include The Engraved work of Eric Gill catalogue from the V & A, Music-Hall Memories with foreword by Sir Harry Lauder and Printer and Playground by Oliver Simon and William Long's Brier-Patch Philosophy by Peter Rabbit

An Indian white metal filigree box and patch box, together with a white metal locket and miniature chair, a wirework basket and a silver plated seal modelled as a bust

An 18th Century Derby porcelain figure of a seated boy with posy against a bocage backdrop, on high rococo base, 6.75ins high (patch marks - some loss)

Early 19th century Derby plate with central painted landscape with figures, ornate gilt and blue borders with painted flower-head cartouches and enamel pearls - puce mark and no. 2 and 7 to rim of foot, 23cm diameter CONDITION REPORT Small chip to footrim, other very minor footrim chips, patch of glaze undrside is unglazed but appears to be manufacturers fault minor wear to gilding otherwise OK

Ten various 19th enamel patch boxes etc.

An Edwardian Silver Circular Patch Box Marked Spink & Son London. 24 grams - London 1901.

GICLEE COLOUR PRINT AFTER SIMON LAURIE of 'Yellow Patch', numbered 2/50, with Certificate of Authenticity, framed, 70.5cm x 75cm overall; 

A 19th century Japanese carved ivory netsuke, a turned wooden Georgian patch box with inlaid mother of pearl to the centre of the lid, turned bone crotchet hooks and other items

An early 20th century silver and tortoise shell patch box, the lid with armorial

A SMALL ENAMEL PATCH BOX 'Forget me Not' and two small scent flasks

A GEORGE III SILVER PATCH BOX

A good 16 bore percussion holster pistol by Lacy & Co, 15½” overall, barrel 9” with London proofs and later B’ham proofs, the flat signed lock of flintlock form with double line borders to plate and hammer, the pale varnished fullstock having regulation military pattern brass mounts, and with stirrup ramrod. VGWO & C for age, the barrel retaining most original dark browned finish, the lock with traces of colour hardening (small patch of rust to barrel). Plate 7 Note: Lacy & Co made weapons for the Bank of England Guard.

A collection of vertu items comprising a Kent Rifle Volunteers silver badge, a crown cap badge, and a Nottingham cap badge, a Dresden hand painted perfume, a Minton patch box, five Chinese miniature figures, a piece of Blue John, and further collectables. (34)

An unusual Antique Continental enamel patch box in the form of a tricorn hat with gilt figural and foliate decoration

A PAIR OF 18TH CENTURY PATCH MARK RECUMBENT SHEEP, painted and applied floral decoration, 7cm high, together with a Derby INKWELL, a Worcester circle VASE, and a set of six Worcester COFFEE CUPS AND SAUCERS, deep pink ground with enamel dot and gilde d decoration

A circa 1900 Faberge gold and guilloche enamel decorated brooch with bow finial over scrolling harebells enclosing a red enamel cross on an opalescent ground, bearing marks to pin verso, approx. 3.2 cm long CONDITION REPORTS There is no inventory number. The back / outer edging has been re-soldered and is bleeding through on the back and a little on the front seam. There is a scratch to the enamel on the left hand side approx 4 mm in - running from the top down to the second patch of gold wreathing. There is a small black mark at the bottom of the central wreath between that and the edge. Unsure if the enamel is missing or just dirt covering it. Brooch is very dirty and in need of a good clean. Has general wear and tear, knocks, etc, conducive with age and use. See images for more details.

A Persian rug, the central panel set with floral decorated medalion on a red ground within a stepped floral boarder of blue, mushroom, cream and mustard colour 141cm x 205cm CONDITION REPORTS Signs of moth damage. There is discolouration. Bald areas. It looks as though a piece of furniture has been stood on it for some time as there are marks. It is rucked slightly in several places. Animal hairs on it, and a white patch to one side. There are repairs to the edges. General wear and tear.

A 17th Century oak coffer, the plank top above a two panel front with moulded decoration, raised on moulded stiles, 91.5 cm wide x 72.5 cm high CONDITION REPORTS Colour overall good. Show signs of wear, tear, splits, knocks and dumps etc throughout the piece conducive to age, The top has a old staple repair to front right corner (see image) also running full length horizontally across the top a section approx 6cm x full with of piece has been replace to lid with an old well matched piece - this appears to have been done sometime age. The back right corner back has been cut in as hinge visible (see image) looks like very old repair, there are very other splits etc to top conducive to age. The supports to lid have been replaced, again sometime ago and pegs to hold them in visible at top. Base appears sound the bottom boards look like a hot log placed into coffer and signs of burning (see images) locks and hinges replacements, various other old patch repairs to base particularly on corners, there is and old staple repair to one side (see images) the piece show all the signs of wear, splitting old wood worm treatment to feet, splitting to feet etc you would expect on a piece of this age - overall sound.

E S ENGLAND "Prize white sow in rural landscape", oil on canvas, signed "E S England 1878" lower left, 41 cm x 61 cm CONDITION REPORTS Has had some quite crude restoration / repairs to the top right corner where there has been a hole (please see photos for examples) - back has patch repairs. Also restoration/repairs towards the lower section near the pig's chin where there is another hole which has been crudely restored. The picture has had various restoration. There are no obvious signs of flaking but there is some cracking across the sky and the picture appears quite dirty. Frame is generally in good condition with a few minor knocks to corner.

A mahogany crossbanded demi-lune tea table, the sides with shell inlay stringing to square sectioned, tapering legs terminating in spade feet, 89 cm wide CONDITION REPORTS Top - four large section of veneer missing from back inlaid section and various other small pieces, larger piece 4 x 2.5cm, 7.5 x 2.5cm, 3 x 2.3cm, 1 x 2.5 cm approx. There is scratches throughout the top from general use a small patch repair to top in main body approx 1 x 0.5 cm (see image) some other old professional repairs to veneer around edges on top and several knocks to edges of the veneer on the edges, back right corn has patch repair 6 by 2.5cm and other of the other corner 10 x 2.5 cm and splitting to veneers conducive to age, inside good colour, splitting to veneer due to age, some scratches and staining from use (see images) splitting one front apron enter panel running horizontally from one side to other and left apron (see images) back left leg has repair to shell decoration has a repair 7 x 1 cm (see images) general knocks, splits and bumps to the piece conducive to age throughout the piece. Both legs swing out. Base of apron to floor is just under 60 cm. Significant loss of inlay to banding, especially at the back. Various scratches and impressed marks throughout, small chips, losses to veneer. Top is warped, old repair to the mahogany, top with various dents, scratches etc. old repairs to the inlay, cracks to the inlay, cracks and splits to the sides, scratches, indentations, large split running all the way along. Table is not 'sturdy'. Knocks, nibbles and chips to the legs. General wear and tear. Distance between front legs is 43.5cm

A George III silver patch box of oval form with engaved shield shaped cartouche with wreath to sides and top (by Joseph Taylor, Birmingham, 1796), 3.7 cm long, 0.2 oz

A Birmingham 1912 silver snuff box and a silver patch box