WW2 1940 Pattern Battledress Jacket And Trousers Dated 1945 khaki, woollen, single breasted, closed collar, short jacket. Lower extended belt. Patch chest pockets with exposed buttoned flaps. Internal maker's label dated 1945 ... Khaki woollen battledress trousers. Front of left leg with large patch pocket. Top flap with exposed button. Internal issue year "2" for 1945. Minor moth nips.
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WW2 Dated Utility Pattern Service Dress Jacket Dated 1943 And Trousers khaki, woollen, single breasted, closed turn over collar tunic. Patch chest pockets with buttoned flaps. Lower hidden pockets with plain flaps. Single pleat under the collar. Plastic, KC General List buttons. Internal issue label dated 1943 ... Khaki woollen, service dress trousers. Side slash pockets. Rear, hidden seat pocket with buttoned flap. Internal issue year "O" for 1942. Clean condition. 2 items.
1959 Pattern Denison Airborne Smock Dated 1963 brown, tan and green camouflaged jacket. Full front zip. Patch chest and lower pockets, all secured by plated press studs. Rear, fold down crotch strap. Both arms with RA Drop Zone flashes. The right arm with parachute qualification wings. Internal issue label dated 1963. Together with a green, scrim net ... 1937 pattern webbing belt.
WW2 Gordon Highlanders Uniform Set consisting khaki, service dress doublet. Single breasted, open collar doublet. Gauntlet cuffs. Pleated chest pockets and lower bag pockets, all with buttoned flaps. Brass Gordon Highlanders buttons. Collar and rank badges absent. WW2 medal ribbons ... Black patrol, single breasted, high collar doublet. Patch chest pockets with buttoned flaps. Lower patch pockets with plain flaps. Bullion embroidery Captain's ranking. Brass regimental buttons. Tailor's label named to "Capt. P E Myers 1947" ... Pair of tartan, high V back waist trews. Ankle turn ups. Side slash pocket. Some service wear.
Two 1949 Patt Royal Navy Medical Corps Battledress Uniforms consisting 2 x khaki, woollen, open collar, short jackets. Pleated chest pockets. Both arms with embroidery RAMC titles. Both shoulder straps with embroidery QC Colonel rank. Chest with medal ribbons. Internal issue labels dated 1954 and 1955 ... Two pairs of 1949 pattern, battledress trousers. One pair with issue label and dated 1954. Together with a pair of 1946 pattern battledress trousers. Right hip with first aid pocket. Front of left leg with large patch pocket. Internal issue label 1946 pattern, dated 1948. 5 items.
Good Uniform Archive To Col R S Lambert MC Guards & Hampshire Regiment consisting khaki, Grenadier Guards service dress tunic. Patch chest and lower pockets. Shoulder straps now with Major rank. Brass KC Grenadier Guards buttons. Left breast with MC & 1914 Star trio ribbons. Name label "Col. R.S. Lambert". Tunic faded ... Khaki service dress trousers ... Khaki, Hampshire Reg service dress tunic. Pleated chest pockets and lower patch pockets. Bronzed Lt Colonel shoulder rank. Bronzed Hampshire Reg buttons. Left breast with MC & 1914 trio ribbons. Named label "Lt Col R. S Lambert Nov 1942" ... Matching khaki service dress trousers ... Officer's, khaki, double breasted greatcoat. Darkened Lt Colonel shoulder rank. Brass Hampshire Reg buttons. Red Infantry service bars. Named label ... 1940 pattern battledress jacket. Tailored open collar with Staff collar tabs. Both arms with embroidery Grenadier Guard titles over 30 Corps formation badges. Left breast with MC, 1914 trio and 39/45 Star ribbons. Shoulder rank absent ... 1940 pattern battledress trousers. Issue label dated 1942 ... Khaki service dress cap. Red Staff band with bullion embroidery KC Staff Officer badge ... Khaki woollen beret with bullion embroidery, KC Staff Officer badge. Good comprehensive collection. 9 items.
WW2 Dispatch Rider's Waterproof Oversuit khaki, rubberised canvas suit. Short stand collar. Full front zip. Hidden breast pocket with plain flap. Patch leg pockets with buttoned flaps. Wrap over, tightening cuffs and ankles secured by press studs. Both arms with pen Corporal stripes. Some service wear.
Women's Voluntary Service Portsmouth Jacket And Skirt green grey fleck, woollen tweed, single breasted, open collar jacket. Lower patch pockets with button fastening. Right cuff with embroidery Kings crown WVS Civil Defence badge over "Portsmouth" title. Green lining with WVS label ... Matching skirt. Waist with side zip. Minor moth nips.
Pair Of WW2 Lease Lend American Produced Battledress Trousers Dated 1943 khaki, fine woollen, wide leg trousers. Right hip with first aid pocket. Front of left leg with large patch pocket. Flap secured by exposed button. Side slash pockets. Hidden seat pocket with buttoned flap. Internal issue label dated 1943. Minor moth nips.
American Naval Aviator's Uniform khaki green, single breasted, open collar tunic. Patch chest and lower pocket, all with buttoned flaps. Cuffs with black braid, Lieutenant rank. Chest with bullion embroidery, Naval Aviator's wings. Bronzed Naval buttons. Together with khaki shirt and black tie ... Khaki green, Officer's tunic. Pleated chest pockets. Lower hidden pockets. Embroidery Air R.O.T.C. formation badge. Buttons absent ... Pair of khaki trousers. 5 items.
WW2 Dated Tank Crew Winter Pixie Oversuit Dated 1944 khaki, heavy, waterproof canvas suit. Two full length opening zips. Breast pockets with press stud flaps. Right hip first aid pocket. Legs with patch pockets removed to the right leg. Tightening straps to the ankles and cuffs. Khaki blanket lining. Internal cuff with issue label dated 1944. Complete with removable hood. Well used suit with service wear.
Features a seated girl on a patch of grass holding a sunflower with a bee perched on it. Exclusive edition M.I Hummel Club. This item has its original box measuring 3.5"L x 3.5"W x 5.75"H, Certificate of Authenticity included. Goebel Hummel backstamp. Issued: 20th centuryDimensions: 2.5"L x 2.5"W x 3.5"HManufacturer: Goebel HummelCountry of Origin: GermanyCondition: Age related wear.
Victoria (1837-1901), bronze Penny, 1860, toothed obverse rim, muled with beaded reverse rim, laureate head bust in bodice facing left, L. C. WYON signature raised at rear of truncation, partly upon bust for designer Leonard Charles Wyon, legend with linear circle surrounding, VICTORIA D: G: BRITT: REG: F: D:, the last T in legend struck over a higher T, rev. draped Britannia seated wearing plumed helmet facing right on rocks with shield and holding trident, L.C.W. designer initials incuse on ground below shield, lighthouse on rocks to left, ship sailing away to right, sea meets linear circle, denomination ONE PENNY surrounding design, date in exergue, 9.42g (Peck 1628 dies 2*+A EXR; Freeman 9 dies 2+B R17; Satin 9; Gouby BP 1860H dies D/b R8; S.3954). Nearly full lustre with a light overtone, raised die flaw from tie ribands to bottom of coin, small patch of digs on reverse field near trident, some die clash evident in right obverse field, otherwise straight graded by NGC as MS63 brown, perhaps the finest extant example available, extremely rare.NGC Certification 8221108-004 – MS63 BN, seemingly this and the previous coin are the only examples certified and graded.The abbreviated Latin legend on the obverse translates as "Victoria by the Grace of God, Queen of the Britons, Defender of the Faith."This muling of a toothed rim obverse with a beaded rim reverse is seldom encountered in any grade and Gouby suggests there were 17 examples known as of his time of writing. This coin is amongst the best survivors available with a good provenance, and interestingly has the second T of BRITT struck over a much higher T.Provenance:Ex Spink Numismatic Circular, October 1990, item 6126.Ex Spink Numismatic Circular, May 1991, item 2791.Purchased from collector Keith Ashman privately as part of a much larger purchase including the 1954 Penny, by Bernard Workman on Wednesday 10th April 2002.
† Henry VI (1422-61), silver Halfgroat, annulet issue [1422-1430], Calais mint, initial mark incurved pierced cross [1422-27] facing bust within tressure of arcs, annulets by neck, legend surrounds HENRIC DI GRA REX ANGLS, rev. long central cross, three pellets in each angle, annulets in angles two and four, inner legend VILLA CALIS, outer legend POSVI DEVM ? DIVTOR E M, 1.60g (N.1429; S.1840). Toned, struck with rusty dies, soft patch otherwise about very fine.The abbreviated Latin legends translate as on the obverse "Henry King of England and France" and on the reverse inner legend "City of Calais”, outer legend “I have made God my helper.”
Victoria (1837-1901), bronze Penny, 1881 H, Heaton mint, toothed borders, laureate head bust in bodice facing left, seventeen leaf wreath with incuse veins to leaves and six berries, incuse lines to parts of design and deeper engraved nostril, no designer signature below bust, legend with linear circle surrounding, VICTORIA D: G: BRITT: REG: F: D:, rev. slightly larger draped Britannia seated wearing plumed helmet facing right on rocks with shield and holding trident, shield flat and heraldically coloured by virtue of line arrangement, no initials on groundline, thicker lighthouse on rocks to left, ship sailing away to right, the sea meets the linear circle, denomination ONE PENNY surrounding design, date in exergue with H below, 9.36g (Peck -; Freeman 103 dies 9+M R19; Gouby BP 1881G dies M/p R9; S.3955). Toned, light circulation wear and with many tiny surface marks and nicks both sides, small green patch to upper loop of second 8 otherwise extremely fine, the rarest currency die combination for the Heaton Penny of 1881, extremely rare.NGC Certification 8221103-005 – AU details – cleaned.The abbreviated Latin legend on the obverse translates as "Victoria by the Grace of God, Queen of the Britons, Defender of the Faith."In the “British Bronze Penny” by Michael Gouby he notes that there are only five examples known at the time of his writing. Provenance:Ex Laurie Bamford Collection, Dix Noonan and Webb, 20th June 2006, lot 111 as believed to be the finest.
George III (1760-1820), Pre-1816 issues, Pattern mule Halfpenny, 1797 (late Soho), by C.H. Küchler, in copper, from a 1795 obv. die, laureate bust right, wreath of 11 leaves with no berries, tie ribands detached from knot, soho on rim below flanked by ornaments and pellets, rev. Britannia seated left, soho and triangle of dots on rock, ship with 2 stays from foremast to bowsprit, raised rust patch on rim to left of ship and rim fault above bri in legend, edge plain, 14.04g/6h (BMC 1160 [KH 9]; Martin, SNC 2009, p.113). A deep cabinet tone with a turquoise hue, extremely fine, very rare £700-£900
Staffordshire pottery figure of a cricketer, circa 1865, modelled standing wearing a green cap and flowered shirt, holding his bat before the wicket, on a gilt-lined oval base, 35.5cm highCondition ReportOverall in good order. There is some slight flaking to brown enamels of wicket/stumps, very minor flaking to other enamels. There are some minor and typical firing cracks at the side of the figure. Small patch of staining to glaze at base, with very small glaze chip above this and minor glaze chip to top corner of wicket.
Bartholomeus Johannes van Hove (Dutch, 1790-1880) A Dutch town with figures outside a church, a figure in a boat in the foregroundsigned and dated 'B. J. van Hove, 1828' l.l., oil on panel45 x 57cmProvenance: With Frost & Reed;E Stacy-Marks Ltd., London;private collection, Moor Park, Hertfordshire.Condition ReportFramed: 63 x 75cmRubbing to the lower edge. There is a patch of discolouration to the clouds in the upper left quarter, please see additional condition images. Light rubbing/ abrasions and thinning to the paint to the upper edge and upper left edge. A couple of very light superficial scratches by the horse and cart in the lower left corner. A tiny loss to the centre of the bottom edge. Viewed under UV light there is a little touching up visible to the extreme bottom edge and lower right edges.
Helen Thornycroft (1848-1937) Still life of Japanese porcelain and a fansigned with monogram l.r., oil on board51 x 41cmProvenance: Bonhams, Oxford, 18 September 2013, lot 96;the estate of Baron John Mauger Langin.Condition ReportFramed: 71 x 60cm.A little light surface dust and dirt. Presents well when viewed under normal light. Examined under UV light there is a little retouching to the extreme lower right edge. A patch of overpaint fluoresces in the upper right corner. There is restoration to the upper left edge with a small patch of retouching to the plate in the same area. Please see additional images.
Philip James de Loutherbourg RA (French-British, 1740-1812) Figures and cattle in a mountainous landscapesigned 'P. l de Loutherbourg' l.l., oil on canvas71 x 91cmCondition ReportOverall: 82 x 102cmRelined. Craquelure. A 12cm scratch to the upper centre. A small loss with the potential for flaking to the centre of the right edge. A small patch of retouching is visible to the upper edge, centre right. A little further overpaint to the upper left corner and sky. Viewed under UV light much of the lower half of the painting is obscured by a layer of varnish which may conceal further restoration. Please see additional condition images.
Clifton Tomson (1775-1828) A bay hunter and foalsigned, inscribed and dated 'C Tomson, Nottm/1826' l.r., oil on canvas62 x 75cmProvenance: With Richard Green Gallery, London; Christie's, London, 18 November, 1988, lot 25.Condition ReportFramed: 75 x 89cmRelined. Light surface dust and dirt. Craquelure. There is a light scratch behind the horse's tail with restoration visible to the horse's back end. Examined under UV light there are scattered spots of retouching to the sky and in the lower right quarter. There is a T- shaped line of overpaint crossing the horse's rear and tail, possibly a repaired tear, with a further patch of overpaint beneath. Please see additional condition images.
George Frederic Watts OM RA (1817-1904) The Three Graces - a study of three classical figuresa grisaille oil sketch on canvas39 x 27cm, in a late 19th-century Florentine carved giltwood frameProvenance: With Christopher Wood, London.Condition ReportFramed: 55 x 43cmRelined. The paint appears to have been thinly applied. Examined under UV light scattered spots of retouching show, mainly concentrated in the upper left quarter, and to the thigh of the central figure. There is a further small patch of overpainting in the upper right quarter and a line of retouching to the background fluoresces in the lower right corner. The surface of the painting is partially obscured by a layer of varnish which may conceal further restoration. Please see additional images.
▲ Felix Kelly (1914-1994) Prior Park, Bathsigned 'Felix Kelly' l.r., oil on board29 x 39cmProvenance: With The Lefevre Gallery, London.Condition ReportFramed: 43 x 53cmLight surface dirt with a thumbprint (?) to the sky, upper centre, please refer to images. There is an uneven patch of varnish in the upper left quarter which is slightly discoloured. A small abrasion to the upper edge, centre right. Examined under UV light no obvious retouching shows. There is some fluorescing to the building in the upper left quarter however when viewed under normal light this appears to be a particular shade of white rather than overpaint. Please see additional images.
Circle of Enoch Seeman (c.1694-1744) Portrait of a lady, half-length, in a silver silk dress with lace collar and blue wrapoil on canvas76 x 63cmProvenance: Charles Edmund Dashwood;the estate of Baron John Mauger Langin.Condition ReportFramed: 95 x 84cmCraquelure. Stretcher marks along the top edge. Small spots of touching up visible to the background. Overpainting to the sitter's hair, corresponding to a 4cm a 7cm patch repair to the reverse. Not examined under UV light, for a full report please contact the department.
English School, early 19th century Portrait of a man, half-length, in a black coat and striped waistcoatoil canvas laid down on board66.5 x 51cmCondition ReportFramed: 82 x 68cmCraquelure in areas. Spots and speckles of surface dirt. Some restoration is apparent either side of the cravat and above the sitter's right shoulder.There is a further patch of overpainting in the centre of the right edge with further small spots of touching up visible to the background. Not examined under UV light, for a full report please contact the department.
Manner of Luis Meléndez Still life of a basket of quincesoil on canvas83 x 62cmProvenance: The estate of Baron John Mauger Langin.Condition ReportFramed: 96 x 75cmEarly 20th century. Relined. Light surface scuffs and abrasions with a very small indent to the centre of the left edge. There are two dark patches to the reverse which correspond to the basket and the ledge, above and to the right of the garlic. Under UV light there is a small patch of retouching to the basket above the garlic and on the handle of the green jug. There are some further small scattered spots of overpaint to the copper jug. On close inspection the background appears to have craquelure which has been infilled, however in our opinion the work presens well overall when viewed on the wall.
CASSINA CAB; A SET OF FOUR TAN LEATHER UPHOLSTERED DINING CHAIRS (4)47cm wide; 81cm highAll chairs in the set do suffer with some wear to the leather covers, particularly the outer edges of the back and supports, seats have started to sag ever so slightly from use, with a small amount of minor cracking starting to appear towards the back rest, overall though all in good usable condition. One does suffer with a small patch of glitter to the back rest, with some damp marks to the underside of all chairs, see images.
A FERAGHAN RUNNER, PERSIANThe indigo field with an allover herate design; an ivory bold vine and single flower border, 352 x 90cm, circa 1920sProvenance: The selected contents of Coltmans House, BerkshireCondition: Good, sides and ends need attention, a repaired patch on left hand side, needs a clean
Texas Instruments - MB - Burbank - Matchbox - Others - An assortment of boxed and unboxed items to include #LL100 live & learn Play boot, Speak & Spell, Speak & Maths #6178 Fashions by Me set, a hair dressing dolls head, a 1982 Cabbage patch kid and others. Item appear to be in overall very good condition with some use. Boxes appear very good; some wear. Item not checked fro completeness. (This does not constitute a guarantee) RG
A GUCCI SLEEVELESS TAILORED SUIT JACKET AND MATCHING FLARED TROUSERS Including a black sleeveless double-breasted jacket with wide lapels and patch pocket detailing, adorned with Gucci embroidery patch; and matching black flared trousers also featuring Gucci embroidery patch at the hem From 2020, Spring/Summer collection Size 36 (jacket), 38 (pants) Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A PRADA SLEEVELESS LEATHER TOP Circa 1990's, perforated leather construction with a solid leather collar and placket, silver-tone snap buttons, and a chest patch pocket Size 40 Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A JUNYA WATANABE X BROOKS BROTHERS SUIT JACKET Navy blue structured jacket with black tweed overlay featuring sequins and international distressing throughout, four front patch pockets with gold-tone buttons, gold-tone button cuffs Size XL Condition: Condition Report In excellent condition and is presumed unworn. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A CHANEL BLACK RAW HEM JACKET With notched lapels, raw-edge detailing, front patch pockets, and three-button cuffs. From 2009, Spring/Summer collection The shirt in the picture is not included Size 36 Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A BERLUTI DARK GREY STRETCH TRAVEL JACKET Unstructured with two front patch pockets, a chest pocket, 'GIACCA CAMICIA' labeled to the inside Size 56 Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A CHANEL LEATHER BIKER JACKET Black calfskin exterior, stand collar, gold-tone hardware, patch pockets and button closure EU 42 Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A LOUIS VUITTON GRAY WOOL ZIP-UP HOODED SWEATER Featuring a two-way zip closure with ring pull, ribbed cuffs and hem, and velvet patch pocket Size S Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A GUCCI FLORAL PRINT WALLET ON CHAIN 'GG' monogram coated canvas in blue, with a floral pattern overlay, features a flap that opens to a red matte leather interior with a zipper compartment, card slots, and patch pockets, accompanied by a removable gold shoulder chain, dustbag and box 19cm length Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A LOUIS VUITTON DARK NAVY SUIT JACKET Featuring a two-button closure, two front patch pockets, and a chest pocket with distinctive V-shaped stitching Size 56 Condition: Condition Report Some sun fading to section of the jacket This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A BERLUTI GREY STRETCH TRAVEL JACKET Unstructured with two front patch pockets, a chest pocket, 'GIACCA CAMICIA' labeled to the inside Size 54 Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A LOUIS VUITTON NAVY SUIT JACKET Textured jacket with contrasting collar, two front patch pockets, a chest pocket, and a two-button closure Size 56 Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A LOUIS VUITTON BLACK STRETCH TRAVEL JACKET Unstructured with two front patch pockets, a chest pocket, button accents on sleeves for rolling up, and a notch lapel. Size 56 Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A William III Walnut and Tracery-Strung Straight-Front Chest of Drawers, circa 1700, the moulded, crossbanded and quarter-veneered top with tracery-stringing above two short and two oak-lined long drawers, on substantial turned bun feet82cm by 58cm by 81cmVarious old decay to the underside and the bulbous legs. Rear legs also spliced. Top section with various splits (as photographed). The left-hand panel with some decay (see images). Fine split/joint gap. The top section to the nailed backboards has some small patch repairs (see images). Drawers run freely and are open but no key. Please see additional images online.
A Late George III Satinwood, Tulipwood, Purpleheart and Ebony-Crossbanded Hanging Corner Cupboard, early 19th century, the moulded pediment above a moulded cupboard door with oval panel and fan patera enclosing three serpentine fixed shelves, all between canted stiles78.5cm by 43cm by 111cmCondition generally good, however, the top left-hand section of the cupboard door is damaged (as photographed). Some small patch repairs to the veneers (as photographed), otherwise, good. Traces of old paint on the top and the edges. Some very fine small natural? splits on the oval panel and cupboard doors (as photographed). With key. Dimensions are 78.5cm by 43cm by 111cm.
A George III-Style Satinwood, Mahogany-Crossbanded, Yewwood-Crossbanded and Marquetry-Inlaid Pembroke Table, circa 1900, the top richly inlaid with urns, swags and trailing foliage around an oval panel, with mahogany-lined bowfront drawer, on square tapering legs decorared with flowerbells and on block feet with pointed toes99.5cm extended by 72cm by 75cmThe timber is rather dry. With some small splits and some areas of marquetry which are starting to lift in places (see images). Some general scuffs and scratches to the top. With a patch repair to one of the drop leaves (as photographed). The drawer is mahogany-lined. Small sections of veneer missing throughout, including to the legs and some sections of the moulding. The table is structurally sound. Oval panel with ink stain and small repair? (see images). Please see further images online.
Alfred de Breanski Snr. RBA (1852-1928)"Nr. Arrochar""Inversnaid"Each signed, oil on canvas, 29cm by 39cm (2)a) Nr ArrocharLined, one key missing, good tension if a little stiff. Possibly some very slight pressing of the impasto. Stable and not elevated brittle age craquelure in a few areas e.g. penninsular in loch, and rock in foreground. A patch of tiny scattered retouched losses in the water to the right of the signature, and an incised scratch through signature. Two retoched losses in the middle of the mountain. Scattered tiny further retouchings in the sky and a patch of retouching down the right edge of the sky. Fairly large area of reinforcing in the water in the bottom right quadrant and around the signature, possibly to minor abrasion (see uv images). A little ingrained dirt and old yellowed varnish. Even surface gloss, a few very tiny dark marks in sky. b) InversnaidLined, one key missing, good tension if a little stiff. Possibly some very slight pressing of the impasto. A few minor areas of stable, flat brittle age craquelure including at the stretcher bars in places and in the bottom right corner around the signature. Minor rubbing and retouching along the bottom edge and bottom of left edge. One small matt patch in the sky. Possibly some abrasion/rubbing in the sky, the bright blue areas are mottled and this appears to have been suppressed by retouching (see uv images). Some old ingrained dirt and yellowed varnish, a few minor dark spots and slightly uneven surface gloss.
Samuel Drummond ARA (1765-1844) Portrait of John Watson (1780-1814) Oil on board, together with a portrait of his wife, Mary Watson, 43.5cm by 35cm (2) MARY: Minor old knocks and damages to the back of the canvas board at the edges and corners. Board flat and even. Finescale brittle age craquelure throughout, flat and stable. A little abrasion apparent in delicate half tones and glazes. Scattered minor retouchings to small losses and a few open cracks, including a patch to the right of the neck. Further small retouched losses to a scratch and a circular loss in the purple drapery. A little futher strenghtening overpaint including to the right of the chest, drapery bottom left, on the neck and a larger brushstroke down the nose.Degraded old yellowed patchy lower varnish, partially removed in the face, chest and drapery but left as ingrained dark material in the troughs of paint and canvas weave in these areas. Upper varnish layer with a patchy surface gloss. A few wipemarks and white mould growth in cracks. Rubs to varnish at edges in a few places. A layer of surface dirt and accretions including a few fly spots. JOHN: Edges and corners of the millboard knocked and distorted, visible at the face as slightly bent back corners and knocks at the edges with associated minor loss of paint and ground, and a larger crack to the right of the bottom edge and a small area of stable but raised cracks to the top right of this. A very lumpy surface, slightly gritty possibly due to there being a gritty, coarse ground. Apart from the cracks associated with the board, the paint layers are stable. There are a few patches of drying cracks in the background and black drapery lower right quadrant. Thick brown touches of overpaint to scattered minor losses, drying cracks and marks in the background. A little abrasion in delicate browns and half tones of the face. A campaign of brushy touches of overpaint to the hair and face (see uv images), likely to suppress abrasion and some of the old ingrained dirt and varnish. A thick old varnish layer, yellowed, partialoly removed in the lighter passages but visible in these areas as ingrained dirt and varnish in the troughs of the paint. Upper varnish layer has a sligthly uneven surface gloss, a little yellowed with a few milky/matt patches/splashes. Surface dirt and scattered surface accretions.
Thomas Sidney Cooper RA (1803-1902)Cattle and sheep at rest and grazing in an extensive landscapeSigned and indistinctly dated, pencil and watercolour, 18cm by 31.5cmPaper flat and even. One slightly raised line down left edge - looks like original feature of paper rather than damage. One inch drip of shiny material in sky to top right of sheep. Tiny nick to paper below the left sheep's nose in foreground, and feint white mark above this. A few tiny white dots in darker passages. Tiny patch of micro-flaking on left hand cow in shiny dark passages. Further tiny nick below top rail of fence, and a few feint foxing spots top left. Slight oxidisation/timestaining to paper where in contact with the mount. Possibly a little muting of colours.

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