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Click here to subscribeSIX ROYAL DOULTON LADIES, comprising 'Celeste' HN2237, (patch of restoration to underside skirt frill), a Millennium 'Top O' The Hill' HN1834, 'Alexandra' HN3286, a Millennium / Breast Cancer Charities 'Charity' HN4243, 'Alice' HN3368, 'Sweet Poetry' HN4113 (6) (Condition report: specific damage mentioned within the description, otherwise appear to be in good condition)
FIFTY SIX LILLIPUT LANE SCULPTURES FROM COLLECTORS CLUB, ANNIVERSARY AND SYMBOL OF MEMBERSHIP COLLECTIONS, mostly boxed and with deeds, comprising five Collectors Club, Woodmans Retreat 1994/95 (no box or deeds), Porlock Down 1995/96 (signed to base, no deeds), Meadowsweet Cottage 1996/97 (no box or deeds, slight rubbing to base), The Pottery 1998/99 (no deeds, chipped tree) and Sowing the Seeds 2004 - 18th Anniversary (fixed to wooden plinth, n0 box or deeds), Sweets & Treats 2000 Anniversary cottage (no box or deeds, rubbed and dirty) and fifty from Symbol of Membership Cosy Corner 1990/1, two Pussy Willow 1992/3 (no deeds with one), two The Spinney 1993/4 (no deeds with one), three Petticoat Cottage 1994/5, two Thimble Cottage 1995/6 (no deeds with one), three Wash Day 1996/7 (no deeds with one), two Hampton Moat 1997/8, four Kiln Cottage 1998/9 (two chipped /broken chimneys, no deeds with two), four Fresh Today 1999/00 (no deeds with one), three Little Bee 2001/02 (chips to one, no deeds with two), four Gold Top 2002/03 (no box with one, and no deeds with two, one very dirty), The Chocolate Box 2003/04 (no box or deeds, chips), The Toy Box 2004/05, Cabbage Patch Corner 2005/06 (no box or deeds), three Sugar Mouse 2006/07, four Afternoon Tea 2007/08 (no deeds with one), Fruits of the Sea 2009/10 (no deeds), The Pigsty 2010/11, Arithmetic At The Old School House, Walney 2011/12, three Parsley Cottage 2012/13 (no deeds with two), Alfresco Afternoons 2014/15 (no box with one, no deeds with two) and Out To Sea 2016/17 (56) (Condition report: some rubbing, chips and obvious damage as mentioned)
FORTY ONE LILLIPUT LANE SCULPTURES FROM VARIOUS COLLECTIONS, mostly boxed and with deeds, comprising twenty five from Symbol of Membership Pack Horse Bridge 1986/87 (no box or deeds), The Little Lost Dog 1987/88 (no box or deeds), Wishing Well 1988/89 (no box or deeds), The Dovecote 1989/90 (no box or deeds), Cosy Corner 1990/91 (no box or deeds), Puddlebrook 1991/92 (deeds only), Pussy Willow 1992/93, The Spinney 1993/94, Petticoat Cottage 1994/95, Thimble Cottage 1995/96, Wash Day 1996/97, Hampton Moat 1997/98, Fresh Today 1999/2000, Little Bee 2000/01, Little Scrumpy 2001/02, Gold Top 2002/03, The Chocolate Box 2003/04 (with pin badge), The Toy Box 2004/05 (with pin badge), Cabbage Patch Corner 2005/06, Sugar Mouse 2006/07 (with pin badge), Afternoon Tea 2007/08 (with pin badge), Nutkin Cottage 2008/09 (with pin badge), Fruits of the Sea 2009/10 (with pin badge), The Pigsty 2010/11 (with pin badge) and Arithmetic at the Old School House 2011/12 (with pin badge), four Collectors Club Specials Lavender Cottage 1989/1991 (deeds only), Bridle Way 1990/91 (deeds only), Beekeepers Cottage 2000/2001 (chipped chimney) and Happy 21st Birthday 2003 (with pin badge), together with The Rest House - 21st Birthday Party Special (with pin badge), Winter's Wonder (A Year in an English Garden), The Crooked Spire - Chesterfield (Britain's Heritage), Penny Sweets (Village Shops), two Special Edition Events Comfort Cottage and Butterfly Cottage (no deeds), Rainbows End (1999 Sales Promotion), Nursery Cottage (Much Valued Customer), two from Snow Place Like Home, Ice To Meet You and Winter Warmer and two Christmas Collection, Cranberry Cottage and Ring O Bells (no deeds) (41) (Condition report: some wear and rubbing, dirt and some touch ups, damage where mentioned)
A Collection of Circa 1930s and Later Bed Linen Some Bearing the 'EM' Monogram for Edwina Mountbatten, comprising a pale peach cotton pillowcase with belgian needle lace trims to each end, bears 'EM' monogram, drawn thread work and button fastening; two pale peach cotton pillowcases with cream silk applique border, insertions to leaf designs, 75cm by 78cm, matching sheet 240cm by 300cm; pale peach cotton sheet, 230cm by 250cm; pale pink cotton pillowcase, inserted 'EM' monogram, drawn thread work decoration, 85cm by 60cm; two pale pink silk pillowcases, embroidered with stylised 'EM' monogram and appliqued flower heads, 80cm by 65cm; pale pink pillowcase with leaf appliques to the border, 75cm by 75cm; other bed linens including cotton pillowcases and sheets printed with purple floral sprigs, with a scalloped border and drawn thread work, 83cm square; cream cotton sheet with drawn thread work triangular designs to the top, 245cm by 340cm, woven nametape to one corner 'Mountbatten'; two French pale green cotton pillowcases printed with a stylised 'M' and decorative laurel within a scalloped border, 80cm sq, two matching sheets 240cm by 300cm; matching cotton bed linen printed in blue on a cream ground including three sheets one with straight sides 180cm by 290cm, another with scalloped edges 180cm by 300cm, printed to the selvedge 'Tissus Exclusifs D-Porthault'; two pink silk bedcovers adorned with ostrich feathers, silk reverse 220cm by 280cm, and two similar pillowcases with down feathers, 100cm by 80cm; another pink bed cover with pink down feather centre, gilt trim to the reverse, 180cm by 180cm, similar pink pillowcase (two boxes)Edwina Mountbatten, Countess Mountbatten of BurmaProvenance: 1st Earl Mountbatten of Burma and thence by family descent Pale peach pillowcase - trim split at one end, couple of tiny brown spots. Two pale peach pillowcases with silk surround - silk split to the 60% of the edges, some small areas of discolouration.- small hole to silk border and same wear. Matching sheet - some fading down the fold, darned areas, small holes and brown spotting. Pale peach sheet - darned hole and couple of tiny brown spots. Two pale pink pillowcases - slight wear. Two pale pink pillowcases embroidered flower heads - 1 -a stitched repair and couple of small areas of wear. 2- several tiny holes to the front and back. Leaf appliqued pillowcase - slight wear. Purple floral sprigged pillowcase - large patch to the centre of the case with a darned area. Cream cotton sheet - several darned areas overall. Pale green M pillowcases - both very worn, faded, darned and numerous holes. Matching sheet- splits, large patched repairs, darned areas. Blue printed sheets - some discolouration and slight brown spotting overall to both. Pink silk bedcover with feathers and pillowcase - couple of splits to the top to be stitched amongst the feathers, feather losses, and needs stitches to repair the reverse, slight discolouring and wear to the silk, case slight wear. Pink down bed cover and pillow cases - stains and discolouration, feather losses to both.
Early 20th Century Costume, comprising a white cotton lawn embroidered Edwardian long sleeved dress with round neck, similar white full length tiered skirt with floral embroidery, and a childs similar dress with elbow length sleeves, broderie anglais insertions to the waist with later under dress, white and pink cotton trimmed bamboo parasol; black lace stole and mourning veil; black silk apron with floral silk embroidery and lace trim; another with decorative bead applique trim and detail to the patch pocket; circa 1930s brown crepe and lace long sleeved evening dress with scooped neck (9)Parasol - some brown spotting marks to the white cotton mount. Floral embroidered white dress - alterations to the waist, light brown stain near the waist and many loose threads, very slight discolouration under one arm, slight wear overall. Childs dress - brown staining to the collar, lower bodice and near hem, later under dress included, slight wear overall. Tiered white skirt - some of the seams have pulled/re-stitched, seams for the tiers have pulled and some repairs, and some wear to the lower hem. Black floral lace square - faded and several small holes overall. Black lace shawl, several holes mainly near to the edges. Black silk apron with floral embroidery - lace trim faded in places. Beadwork apron - some slight bead loss. Brown dress - lace split around each sleeve hole, under the arms and to the back of the sleeves, to the shoulders and neckline, small areas of wear/damages to the lace in other areas.
Circa 1920-30s Costume, comprising a green evening dress with a draped and weighted neckline, bead and sequin stylised decoration to the bodice, zig zag seam to the hips, wide flared long sleeves open on the top seam with button detailing; black lace long dress with v-neckline and long sleeves, with later attached black velvet shoulder cape; three quarter length black velvet evening coat with draped collar, single button fastening, smocked detailing to the wide gathered sleeves, lined; black velvet evening jacket with long sleeves, patch pockets to the front; silk velvet devore long sleeved evening top on black chiffon, with neck tie and press stud fastening decorated with light brown flower heads (5)Green dress - black mark with tiny holes to the reverse, some miniature buttons missing to the sleeves, slight wear overall. Black lace dress - a couple of holes under both arms, some small holes and thread pulls overall. Velvet three quarter length coat - some wear overall. black velvet evening jacket - lining split inside, and wear to the velvet. Silk velvet devore top - slight wear,
Circa 1920-1950s Ladies Costume, comprising a black silk chiffon sleeveless drop waist dress with a black lace tiered skirt and beaded waist; Sir Kay blue silk full length dressing robe, with three quarter length sleeves, collar and cuffs with gathered ruffled trims, waist tie and patch pocket; pink floral sleeveless dress with gathered detail to the bust and skirt; Leanne Model pale blue and floral silk short sleeve dress with scoop neckline, gathered drape to the bust and similar style belt; Rembrandt Original dark cream short sleeved dress woven with flying birds overall, with v-neckline and belt (size 14); grey and cream fine checked dress with scoop neck, bows and collar to the neck, short sleeves, peplums to each hip, a-line skirt; pale pink lace dress with collar, three quarter length sleeves and belt and similar pink slip (7)Black bead dress - 36" bust, some bead loss, couple of small holes to the lace skirt and slight wear. Dressing robe - couple of brown marks, stitched repair to the waist, seam under one arm loose, and slight wear/fading, 36" bust. Pink floral dress - slight wear and some discolouration under the arms, 34" bust. Leanne Model dress - some discolouration to the sleeves and back, slight wear, 34" bust. Rembrandt dress - 36" bust, couple of brown spots to the reverse, belt discoloured and worn, dress slight wear. Grey checked dress, 34" bust and slight wear and discolouration. Pink lace dress - some discolouration and wear, some thread pulls, 34" bust, zip badly replaced.
Assorted Circa 1940s Ladies Day and Evening Dresses, comprising Disco Dresses blue gingham checked short sleeve dress with buttons to the bodice; a Wyndale Gown cream dress with faux wrap bodice and printed with brown motifs; Lady Charming black short sleeve dress with gathered skirt; Carnegie Model cream short sleeve dress with buttons to the bodice and patch pockets; Peggy Page London blue dress with three quarter length sleeves and black floral flocked decoration; sleeveless dress with floral design; Marie Moore light brown short sleeved dress with a-line skirt, button and tab detail (size 16); Davisella Model blue grosgrain dress with embroidered detail and multi buttons to the bodice, patch pockets; similar style dress in red; blue wool long sleeved dress with stitched detail and cream silk tie; Gem-Broi pink grosgrain dress with wigglework and embroidery; black dress with three quarter length sleeves and full skirt (12)
Assorted Circa 1950s Printed Cotton Dresses, comprising Regina Model blue and white linen short sleeve dress; Michael Dress with drop waist in blue stripes; Red Girl pale green cotton sleeveless dress with patch pockets; St Michael Cotton white sleeveless dress with teal blue rose and swag print, and tie to the bodice; Banner Fashion brown spot and mustard flower head short sleeve dress; and ten others in assorted printed cottons (15)
Circa 1920-40s Ladies Costume, comprising a floral printed velvet long sleeve open jacket; black velvet evening jacket with lapels, single button fastening and flared long sleeves and pink corsage; black silk long sleeve dress with jewelled neckline, net mounted skirt with silk cummerband; grey wool tailored coat with lapels, single breasted with three buttons, side pockets with stylised pocket fronts; Diego Model black wool fitted jacket, with patch pockets, single button fastening and long sleeves; black silk long sleeve top, and three other shirts; black grosgrain straight wrap skirt with button fastening, two others (12)Velvet jackets - both have rubbing and wear to the velvet. Black dress - net added later and has wear and small holes, cummerband needs re-stitching, slight wear. Grey coat - slight fading and wear, hole to one pocket and lining faded. Black jacket - slight wear. Shirts - black one has a couple of small holes and wear, others slight discolouration. Grosgrain skirt - ok, others one has broken zip and other tear down seam and slight wear.
20th Century Costume, comprising a cream silk Japanese kimono embroidered with decorative flowers over a self woven trellis design; black kimono style jacket woven with squares overall, three quarter length sleeves and patch pockets; Chinese blue silk embroidered robe; black assuit panel and short sleeved v-neck top; loose pages of early 20th century woven silk samples; and a Jean Muir pink crepe straight skirt and three quarter length coat with waterfall collarChinese blue robe - some wear and missing belt.
Circa 1970s and Later Knitwear and Coats, comprising a pink check mohair/wool mix long straight skirt (size 16) and matching shawl with wool fringing; black mohair long sleeve jacket with round neck and button fastening (size 12); Reiss blue and black mohair/wool mix tunic top with funnel neck, front pocket (size L); similar style wool striped tunic top by Mona Larsen, Handwoven, Caithness with two patch pockets (size M); pair of Ronit Zilkha Harris Tweed brown checked trousers, with side pockets and turquoise lining (size 10); The Academy Collection by Betty Davies black Harris Tweed three quarter length coat with round neck, button fastening, front pockets (size 12); Ingrid Haute Couture Scotland yellow wool coat with button fastening, side pockets and hood (8)Pink check mohair/wool check skirt and shawl - some rubbing and wear. Black mohair jacket - slight wear and rubbing. Reiss tunic top - rubbing and wear to the wool. Mona Larsen tunic top - some slight wear and rubbing. Ronit Zilkha trousers - slight wear. The Academy Collection black coat - slight rubbing and wear. Ingrid yellow coat - slight wear.
Circa 1970s Morton Myles for Malcolm Charles Faux Animal Print Coat, on a velvet type ground, notched collar, patch pockets, lined; Circa 2000s Etro 'Tapestry' Style Coat, woven in pink, black, yellow and cream, notched collar, single button fastening, split double vent to the reverse, vent and sleeveholes trimmed with black ribbon woven with roses, lined, (size EU46) (2) Morton Myles (1929-2001) was an American fashion designer who flourished throughout the 1960-80s, he embraced the Op Art design ethics creating geometric shapes for his chic dresses under the label Jeunesse initially. His name was 'made' when Jackie Kennedy was photographed wearing one of his dresses on Good Friday in Palm Beach, FloridaMorton Myles - belt missing, stitched repairs and wear to the lining, some of hook and eye fastenings missing, rubbing under the arms and to the front edges of the coat, some wear overall, 42" bust.Etro coat - some thread pulls, rubbing to the button hole and front edges, and slight wear overall.
Three Escada Ladies Jackets comprising a cream boucle jacket, with collar and patch pockets, hook and bar fastenings (size EU 38); a blazer in cream, yellow, red and green, decorative buttons to the cuffs and two button fastening to the front (size EU 36); a cropped 'boxy' style jacket with long wide sleeves, large lapels, patch pockets, pleats to the back and covered buttons (size EU 42) (3) Cream boucle jacket - slight staining under the arms to the lining. Slight wear.Coloured blazer - ?Cropped jacket - ?
Circa 2000s Issey Miyake Black Leather Asymetric Hem Coat, notched collar, lapels, patch pockets, button fastening that allows the wearer to change the shape of the coat, long sleeves, panelled back, black woven label on silver (size M)Chest 36" chest, very soft, shows some wear. Button missing to the right side above the pocket.
Assorted Modern Costume, comprising a Christian Dior Boutique red silk double breasted jacket with patch pockets and flared cuffs; a Valentino Boutique long sequin leopard print wrap skirt (size 12); a pair of early Gucci soft brown leather trousers with brown suede trims and pleated details; Giorgio Armani brown checked textured fitted jacket with a multi pleated mount to the collar and cuffs, three button fastening (size 50), another in black and cream wool chevron stripes with button fastening (size 50); Caroline Charles brown wool two-piece suit with fitted jacket; Yves St Laurent Rive Gauche black a line skirt with inserted side pockets (7) Red CD jacket - white mark to the chest, couple of thread pulls. Valentino skirt - some bead losses and slight wear. Gucci trousers - very soft, suede worn, one of the belt tags broken, tiny blemish under one knee. Brown checked Armani jacket - ok, slight wear. Chevron Armani jacket - mark to the lining and slight wear. Caroline Charles suit - skirt centre seam to the reverse open under the zip, slight wear overall. YSL skirt - some rubbing and wear, some 'dust'? marks.
Giorgio Armani Black Chequered Kimono Style Long Sleeve Jacket with cream printed demi sun-rays overall, a wide round collar backed with black velvet, velvet tie to the front (size 50); and a Giorgio Armani Pewter and Grey Chevron Striped Long Sleeve Jacket with fold down collar, decorative buttons to the front and patch pockets size 50 (2)
Sevres style French porcelain patch or trinket box, the lid with vignette depicting girl kissing a statue of an angel before a lake, the body adored with gilt trumpet motifs having gilt metal mounts, blue painted mark to base with the date letter T (1772), 8cm wide. Some rubbing to the gilding but generally well
A Soumak rug, 297 x 200cmFading to the colour throughout commensurate with age and use. Some areas of discolouration and staining - see images. One patch of yellow staining. Collection of dirt and dust. Fringes have some residue substance on one edge that would need cleaning and other parts of fringe has been stained. - please see images
A velvet cocktail dress by Frank Usher size 12 in black low dropped waist detail, which is edged in purple pointed trim a black swathed sash and purple chiffon, hemline early 1980’s.A Laura Ashley multi striped, in red blue white yellow and green, dress line waistline with belt in cotton capped sleeves.early 1980’s.A Laura Ashley tunic style dress in Cerise cotton, size 10 buttoned down to the long waistline, early 1980’s.A dusky pink silk Kaften style robe, decided in gold thread detail the sleeves are edged in gold tulle frills, half belt some wear in places 1970’s.A cream Chinese style dressing robe, clotted cream decorated in green and pink foliage on long fluted sleeves large size. 1960/70’s.A white cotton shirt waister dress, the shoulders are pin tucked, short sleeves, patch pockets button down the front, size 10/12. (6 items)
A long black evening dress with self pleating detail on the skirt with a tabard overdress in chiffon decorated silver sequins, by Jean Varon, 1970’s.A 1960’s evening dress with a black and white chiffon applicade bodice with a peplum and the waistline has a velvet sash and bow detail, the skirt is in Black taffeta with a frilled hemline, by Jean Varon,A black evening dress in figuered crepe, the evening dress has a lace effect Modesty front shirt sleeves edged in Velvet, the frilled hemline has a pale pink underlay. Size 12. by Jean Varon 1960’s.A cobalt blue cocktail dress by Nina Ricci of Paris, self spotted in black in a blue background, black sequinned collar and front detail and also edged on cuffs of sleeves, size 10 padded shoulders, early 1980’s.A Chloe designer dress from France, Dark Brown calf length figuered crepe dress with patch pockets and covered buttons down the front size 12/14 early 1980’s.A blue and white low sheared waisted dress one side is sleeves and the other is tied up in a loop detail made by Emilio Pucci size 12. Late 1970’s(6 items)
A quantity of miscellaneous textiles, to include: Top Shop red floral cotton skirt, hipster style, size 12, late 1970s; Dorville skirt by Michael Geary, size 10, midi length, floral in autumnal shades with deep frill around the hem; Turquoise seersucker button-through skirt by Impressions, size 10, large patch pockets 1960s/70s; Wallis Shop tweed check skirt in tobacco and grey/gold check, long maxi, length, size 10; Black crimplene flair-bottom trousers, size 16, 1970s; A large Victorian underslip in white cotton broderie anglaise trim; A white and navy nylon casual jacket, size 16/18 by Primrose navy trim; A cream and patterned silk kaftan-type large dress, 1920/30s; A shell suit from the Anneka Rice era, early 1980s, by French Connection with original label, unworn, large size, numerous zip detail; Cream and brown tan striped jeans with metal zip, 10/12, flair bottoms (1970s); A lace bra dress in lilac lace over turquoise, lilac satin ribbon, shoestring straps by Pineapple, late 1970s/early 1980s. A Hermes dark brown wool, large size, sleeveless top in a wool mix; A bronze and black multi wrap over evening skirt, full length; A white cotton dirndl skirt by Honey, button down front. (14)
Retz (Jean Francois Paul de Gondi de) Memoirs of the Cardinal de Retz, containing all the Great Events during the Minority of Lewis XIV, bookplate to pastedown, contemporary panelled calf, rebacked, joints split but holding firm, worn, for J. Brotherton et al., 1723 § Gouge de Cessieres (Francois-Etienne) L'Art d'Aimer. Poeme Heroique en quatre Chants, contemporary light notes to title, one or two spots, contemporary calf, portion of leather worm-eaten to lower cover, light rubbing to joints and spine head, 1745 § Hall (Liet. Francis) Travels in France, in 1818, light staining patch to first few pp., contemporary half calf, rubbed, joints cracked, 1819; and 5 others, antiquarian leather-bound works, 8vo (8)
A COLLECTION OF 1960'S AND 1970'S DOLLS, to include two Pedigree Sindy dolls (one earlier version with painted lashes and stamped 'Made in Hong Kong', the other with lashes, marked 033050X to back of neck and stamped 'Made in Hong Kong'), two Pedigree Patch dolls both marked 'Made in England', one body marked 047001, a Mattel Barbie doll (dated 1966 'Made in Hong Kong', wearing Tressy dress), two Mattel Skipper dolls one stamped 'Made in Hong Kong', the other 'Made in Taiwan'), a Mattel Francie doll (straight leg, painted lashes, stamped 1965 'Made in Japan'), a Palitoy Tressy doll, with metal key for hair, Modern Toys Daisy by Mary Quant doll, Kenner Jaime Sommers The Six Million Dollar Woman doll with original nylon Jump Suit and shoes but missing purse/handbag, Hong Kong made Penny Brite doll, marked A-9 to back of neck, wearing an original Patch dress, all appear largely complete but in playworn condition, clothing is all contemporary with the dolls and includes some original labelled items, all with marking and wear commensurate with age (12)
A 1960'S PEDIGREE PATCH DOLL, CLOTHING AND ACCESSORIES, marked 'Made in Hong Kong' dressed in School uniform with a quantity of other outfits (list available on request), doll and outfits all appear largely complete but in playworn condition with minor marking and wear commensurate with age, outfits and accessories not checked for completeness
William Moorcroft for Liberty & Co, a twin-handled vase, circa 1905, 'Florian Poppy' pattern, signed in green and with 'Made for Liberty & Co' mark, 8cm.Condition report:No chips, hairlines, or restoration. Fine crazing throughout as you often see with pieces from this period. There is a dark glaze line to the inner neck (see images). There is a very small patch of surface glaze bubbles/ pitting to the swollen shoulder to one side (again see close-up image).
Helmuth Andreas Volkwein,Still life of flowers in a vase,oil on canvas, signed,59x49cm.Condition report:There is a slight compression to the back of the canvas, fairly central, which just stands pronounced in amongst the flower heads. There are some random white flecks of oil amongst the flowers, particularly standing out against the crimson flower. There is a distinct patch of more cream coloured acrylic on the body of the vase.
A WWII Airborne Division Denison Smock by John Gordon & Co, size 3, dated 1944: green and brown camouflage half zipped front with four pockets, wool cuffs and crotch strap, Airborne Division patch to right shoulder, label to interior as per title and manuscript inscription to label 'Capt, Hutchinson'.
A 19th century mahogany bow fronted chest of two short and three long drawers with octagonal plated ring handles, oak drawer linings and splaying bracket feet, 106cm wide x 50cm deep x 99.5cm highMinor marks, dents and scratches overall due to age and use, some splits to the veneer particularly to the left hand side of the top, further repairs to the veneer particularly a patch poorly repaired to the right hand side, discolouration to the apron of the front lower edge of the chest of drawers, in need of some repolishing and restoration overall. Locks present and back original
A group of two Mother-Of-Pearl mounted and silver bladed fruit knives, sold together with a silver mounted Sheffield steel bladed pocket knife. Some bending to blades, knock to point of smaller silver blades knife with crack to MOP mount and patch of wear/natural flaw. Some staining. Pitting to steel bladed knife with some losses.
CHRISTIAN DIOR LINGERIE VINTAGE Morgenmantel, Gr. 42, Koll.: 70er Jahre. Herstellergröße 44. RARITÄT. SAMMLERSTÜCK. Pinkfarbenes Modell mit Knopfverschluss, großen Aufgesetzten Taschen und Volants am Ärmelsaum. Tragespuren vorhanden, auf Grund des Alters. | CHRISTIAN DIOR VINTAGE dressing gown, size 42, coll.: 70s. Manufacturer's size 44. RARE. COLLECTOR'S PIECE. Pink model with button closure, large patch pockets and flounces on the sleeve hem. Traces of wear present due to age.
A Victorian walnut sewing box. The octagonal top revealing a fitted interior with shaped compartments and silk covers, on faceted pedestal and scroll carved tripod support and scroll feet, 42.5cm wide x H71cm Condition Report: This dates to the mid to late 19th century. The top with some slight splitting and raising to veneers small circular patch of water damage to top with small patch of veneer restuck, some slight chipping to venners to the underside of the hinged top, the top does not sit flush as the lock and out of alignment, the fitted interior with some typical wear and fading. Some minor wear to legs and base.
Thirteen boxed Royal Doulton '101 Dalmatians' figures and one limited edition (237 of 2,000) 'Snowman' figure. Models to include: 'Lucky & Freckles on ice', 'Cruella de Vil', 'Pups in the armchair', 'Patch/Rolly/Freckles', 'Penny Yawning', 'Pongo', 'Rolly' and 'Perdita' Condition Report: All in very good condition. They were bought boxed and stored throughout.
GEORGE WRIGHT (1860-1942) FOXHOUNDS AT REST SignedOil on canvas33cm x 49cmPrivate collection, North of EnglandGeorge Wright's works are highly prized both in the UK and USA. One of the foremost equestrian artists of his time, Wright's pictures capture the excitement of the hunt and the calm of the foxhounds at rest.Wright was born in Leeds, one of seven children, of which five became professional artists. From 1925 Wright was under commission from Ackermanns Gallery in the UK and Grand Central Galleries in New York. He exhibited six times at the Walker Gallery and thirty-three times at the RA.In very good condition, small patch repair and associated retouching to dogs head at front.
♦6 x Victoria, Silver Coins comprising: ‘Gothic’ florin 1883 very minor contact marks/faint hairlines, good edge VF to GVF, 2 x shillings: 1883 4th Young Head, GVF/AEF & 1886 4th Young Head, golden tone in legends, lustrous GVF/EF, 2 x sixpences: 1882 3rd Young Head, very minor contact marks GVF & 1900 Old Head, obv. very faint patch of toning to right of bust & in field o/wise lustrous prooflike GEF & threehalfpence 1838 (for colonial use) VF/GVF
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