We found 24353 price guide item(s) matching your search

A mirrored powder compact stamped 925, all over pink guilloche with a marcasite flaming torch motif to centre, a mauve guilloche patch pot and a silver blue guilloche scent bottle holder, with bottle makers marks rubbed, stamped 925 (3)

Thirteen Lilliput Lane Collectors Club Cottages, 'The Chocolate Factory' No L2586, Sugar Mouse No L2932, Afternoon Tea No L2992, The Pig Sty No l 3255, Alfresco Afternoons No L3655, Fruits Of The Sea No L3174, The Toy Box No L2684, The Nutkin Cottage No L3081, Parsley Cottage No L3406, Cabbage Patch Corner L2831,The Chocolate Box (2) No L2585 and Arithmetic At The Old School House Walney together with Lilliput Lane Collectors Club Badges, Battersea Dogs home Lepel pin and two thimbles - All boxed

[ Doll ] Three boxed Cabbage Patch Kids Babies, comprising Anna Aleah, Tara Tina and Saige Serena

A box of twenty assorted PenDelfin figures to include The Raft (LE 250), Sunny blue, Jim-Lad turo, Angelo blue, Sandie turo, Cousin Beau, Digit, Morris red, Snuggles Awake, Drifter, Pete turo, Sandie red, Pirate Patch blue, Bliss red, Drifter, Sandie, Cousin Beau, Victor, Bosun, Blunder, all with boxes.

Quantity of Western/Country related clothing includes boots x 2 pairs (1 pair is size 42 (UK 8) other pair size is unknown), Levi Strauss & Co. denim jacket (size unknown, has confederate flag sew on patch to back), H Bar C California Ranch Wear 3 piece brown suit (size unknown), Country Boy shirt (size unknown), waist coats x 4 (1 is size L others are unknown), leather saddle style hand bag, set of saddle bags, neck ties, bandana, shirts, hats x 8 including Woodrow 46 Piccadilly London made expressly for John Smith & Son, Renegade headwear (size medium), Western Express Inc. (6 7/8 USA size) and others, all generally Fair to Good with signed of wear. (qty)

A SMALL COLLECTION OF GERMAN UNIFORM RELATED ITEMS, to include breast eagles, shoulder boards, collar patches, and a cap badge, the breast eagles are silver coloured thread on a black background, one collar patch has the SS symbol and the other has four pins, the pair of shoulder boards are cream coloured and the cap badge is a white metal skull and has two lugs on the reverse of it, 7 items in total, Customers must satisfy themselves prior to sale in regards to conditions and authenticity, viewing is advised, condition reports are available on request

A Chinese export porcelain large circular plate Qianlong period C17440/50 decorated En Grisaille with two gaur bulls in a rocky landscape with trees, measures 38.5 cm diameter and 4.5cm high.Condition: 7 to 10 small chips on the rim as well as a 4cm long continuous conjoined small chips patch on the rim

Featuring woman with red lipstick sitting on green patch of land with her left leg submerged into body of water. Background indicates time is later in the day right before nightfall. Blue toned custom border and thinner white border are layered around image. Frame is navy blue toned. Frame size measures 20.75"H x 16.75"W. Sight size measures 14.5"H x 10.25"W. Artist: Rolf Armstrong (1889-1960)Country of Origin: United StatesCondition: Age related wear.

Style One, Variation One, desert rat patch on canteen. Army steel helmet with netting; khaki tunic.Series: The Armed Forces. Royal Doulton backstamp. Artist: William K. HarperIssued: 1991 - 1996Dimensions: 4.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Good

Two football caps WAFC 1923/24 both named F A Reynolds together with a cloth patch 1922/23 believed to be Wrexham football club.It is possible that those two caps and the badge were from Wrexham Association Football Club. The dates coincide with the Wels

AN ART NOUVEAU 'LOETZ' STYLE IRIDESCENT GREEN GLASS INKWELL - of cylindrical form, pierced metal mounts and hinged brass cover, 8cms H, Halcyon Days limited edition (78/100) Bilston enamel patch box celebrating 50th Anniversary of the Conquest of Everest 1953, in presentation box and a white metal ring with pierced Celtic design pattern, marked '925'

A late 18th century English enamel pink-ground oval patch box inscribed “The Gift of A Friend” on monument to the hinged lid, with gilt-metal mounts, white interior, & semi-fluted body, 1½” wide.

A late 18th century oak tripod table with oval tilt-top, inlaid with a light-oak lozenge patch-repair & stamped with initials “T.W”, on turned centre column with cabriole legs & pad feet, 24¾” x 23¼” x 27½” high (41” high when tilted up).

A collection of eleven enamel patch and snuff boxes 18th century and later, to include a blue enamel heart-shaped box decorated with silver repousse figures, two boxes decorated with galleons, and eight decorated with mottos,the largest 6cm diameter 3cm high (11)Condition Reportall with damages consistent with age and use, small chips, cracks and loses, 'Further apart the tighter the knot' box with lid detached, all other boxes with elements of play in the hinges, scratches and losses commonplace.

A North West Persian rug,early to mid 20th century, possibly Heriz, with spaced foliate motifs to a red field, and navy borders,385 x 272cmCondition ReportPatch repairs. Extensive wear and surface marks. Fading throughout. Country house condition. Would benefit from attention.

A Farnell Alpha toy rabbit,c.1930s, with a fabric label,22cm highCondition ReportLost an eye, which has a large repair patch. Threadbare in places. Repaired patch to the back of his head. The back has been resewn.

Gents Early 20th Century Dressing Gowns and Smoking Jackets, comprising a Harry Lee Hong Kong black silk jacket woven with silver roundels, quilted lapels (size 46),black and brown wool striped jacket with patch pockets, belt and yellow rope style trim,Kendal Milne men's black jacket printed with silver and gold motifs, pockets, belt, silver and gold rope style trim,Lloyd Clarence Wrap men's green wool and red polka dot printed smokers jacket with red rope style trim,Chinese green brocade dressing robe with green cotton quilted collar and cuffs,a burgundy Courtauld fabric paisley pattern robe with belt,Tootal blue and red patterned robe with belt,G&W King Edinburgh patterned robe,green woven chequer board design robe with patch pockets and belt tie,another in blue multi pattern design,(10)Harry Lee Jacket - belt missing, one sleeve seam slightly open, slight wear.Striped wool jacket - 50" chest, slight wear.Kendal Milne jacket - 46" chest, couple of areas where small holes, slight wear.Lloyd Clarence jacket - 42" chest, some rubbing and wear.Chinese green brocade robe - 48" chest, sleeve seam open, some small areas of discolouration overall, belt missing.Courtauld robe - slight discolouration and wear, 42" chest.Tootal robe - 40" chest, slight wear.Green checked robe - 42" chest, slight discolouration and wear overall.G&W King robe - 44" chest, some fading and wear.Blue patterned robe - 38" chest, some wear.

Early 20th Century Nightdresses and Undergarments in silk and other fabrics, comprising nine assorted silk night dresses, Queen of the Night 'The Pre-Eminent Slumber Wear' pink floral short sleeve nightdress, four pale blue sleeveless and short sleeve silk night gowns with lace trims and embroidery,cream silk night dress with short sleeves, v-neck line appliquéd with flowers,Elizabeth Hayes London pale peach silk night dress, and two other examples,nine assorted chemises, slips, bed jacket in yellow, pale pink, blue, white, silk and other fabrics, some with embroidered and other detailing,(18)Green silk night dress - sleeveless with lace trim 38" bust, 38" waist, slight wear.Pale blue sleeveless with purple trims - 36" bust, 34" waist, slight wear.Pale blue with ribbon embroidery - slight wear to the bodice, 32" bust, 34" waist, slight wear.Pale blue short sleeve night dress - 42" bust, 38" waist, couple of small brown spots waist ties restitched.Pale blue short sleeve with collar - 42" bust, 38" waist, couple of small brown spots.Cream v-neck night dress - 52" bust 48" waist couple of thread pulls and slight wear Queen of the Night floral night dress - 40" bust, 40"waist, slight discolouration to the back of the neck.Sleeveless floral dress - 48" bust, 44" waist, some discolouration to the bust, slight wear.Elizabeth Hayes peach embroidered dress - 36" bust, 34" waist, some discolouration to the bodice front and back.Pink woven chemise - 34" bust, 32" waist, slight wear overall.Yellow chemise - 36" bust, 32" waist, slight wear.Pale pink slip dress - 36" bust, 34" waist, wear to the hem and shows general wear overall.Another pale pink slip - 28" bust, 24" waist, slight wear.Pale blue silk slip - 36" bust, 34" waist, slight wear.Cream satin slip - 32" bust, 28" waist, couple of light stains overall.Cream silk slip with floral embroidary - 48" bust, 42" waist, loose stitched to the waistline several small brown spots towarss the hem and strap split.Cream silk sleeveless chemise with v-neck line - belt missing 40" bust, slight wear.Pink silk bed jacket with single patch pocket - 42" bust, slight wear.

Assorted Circa 1950s and Later Printed Cotton Dresses, comprising a Dorothy Jane Frocks green and cream printed capped sleeve dress with green mounted collar, side pockets and gathered detail and buttons to the bodice,Ruth Reid 5th Avenue yellow sleeveless cotton lawn dress with belt, white contrast collar and embroidery,red linen type housecoat or shirt dress printed with white tulips, long sleeves, collar, two patch pockets,floral printed housecoat or shirt dress with long sleeves and collar, smocked and elasticated to the waist, one patch pocket,a linen short sleeve shirt dress printed with red berries and leaves, with collar, single patch pocket,a similar style dress printed with stripes of blue rural landscapes and red stripes, buttons to the bodice,blue linen type dress printed with white daisy heads, short sleeves, panelled bust and skirt, side pockets,a blue striped sleeveless sun dress with scooped neckline and elasticated waist,a Liberty style floral printed dress with short sleeves, v-neck and wide collar,a green linen type duster coat, with three quarter length sleeves, single button fastening at the neck and two large patch pockets,(10)Dororthy Jane Frocks dress - 38" bust, v slight discolouration overall, couple of tiny rust spots to the reverse, belt missing.Ruth Reid yellow dress - slight wear, 36" bust, 32" waist, two of the buttons are brokenRed printed housecoat - slight fading, 36" bust, 32" waist, slight wear, couple of small marks - see images.Floral house coat - slight wear overall, 36" bust.Berry and leaves dress - 42" bust, 36" waist, belt missing, seam open under one armRed and blue striped dress - 34" bust, 26/28" waist, belt missing and slight fading.Blue and white floral dress - 38" bust, 32" waist, couple of small areas of repairs under the arms, waist, slight wear overall.Blue striped dress - 40" bust and elasticated waist, slight wear.Liberty style print - 38" bust, 34" waist, slight wear.Duster coat - 42" bust, some slight fading to the collar, shoulders and sleeves.

A Circa 2000 Chanel Boutique Wool Mix Pink Dress Suit, comprising a sleeveless dress with matching straps (size 40), and a matching jacket with long sleeves, round neck, pink and gilt chanel button fastening to the front and lower sleeves, three patch pockets, lined in pale pink silk woven with chanel logo,Philip Treacy Pink Occasion Hat, with a wide brim and high crown, decorated with pale pink silk flowers and feather to the front, in a Harrods card hat box,(2)Size - 35" bust, 34 collar to hem. See images for fabric composition label. Some rubbing in areas. No stains. The real colour is shown in the first images.

In the manner of Cecil ALDIN, Patch - a Sealyham Terrier, Chalk on paper, Titled lower mid, Framed and glazed, Picture size 17 x 23cm, Overall size 28 x 32cm

Various cloth insignia to include Kings Own Scottish Borderers patch, musician epaulettes, shoulder boards and similar.

19th century oil on canvas, extensive sunset mountain landscape with goat herd playing pipes, unsigned, 45cm x 59cm, framed1 very small patch repair not visible from the front, very light paint crazing but paint all stable, good condition and frame also good

Arthur Gordon, pair of views on the Thames near Kew Bridge, oil on canvas, signed and dated 1884, framedSunset scene has a tear in the canvas on the water, the other canvas has a small patch repair just above the bridge, not visible from the front, no other damage or restoration, modern frames also in good condition

Paul Ellis (active 1882 - 1908), a moored barge, oil on canvas, 20cm x 30cm, framed1 small patch repair to the canvas not visible from the front, otherwise very good condition

20th century oil on canvas, Christ Church Streatham, oil on canvas, unsigned, 70cm x 90cm, framed1 small patch repair not visible from the front, otherwise very good condition

Sir Frank Brangwyn (1867 - 1956), The Bridge of Empire, ink/charcoal on paper, 37cm x 64cm, framedThe central patch of white near the top edge is possibly covering a repaired tear, general slight even paper discolouration

Lenin (Vladimir Ilyich) Materializm i Empiriokritisizm, first edition, later ink marginalia to foot of final f., the odd patch of light soiling, later cloth with leather spine label, spine rubbed, 8vo, Moscow, Zveno, 1909.⁂ Rare first edition of Lenin's seminal work of dialectical materialism, which was a set text for students of higher education in the Soviet Union as part of the Marxist-Leninist Philosophy curriculum.

Lewis (C.S.) [The Chronicles of Narnia], 7 vol., first editions, comprising The Lion, the Witch and the Wardrobe, light foxing to endpapers, cloth rather soiled and discoloured, ring stain to upper cover, spine ends frayed, 1950; Prince Caspian, cloth with very light surface soiling to upper cover, spine lightly toned, 1951; The Voyage of the Dawn Treader, ink ownership name to endpapers, cloth spine darkened, 1952; The Silver Chair, light browning to endpapers, ink ownership inscription to half-title, 1953; The Horse and his Boy, light browning to endpapers, ownership inscription to front free endpaper verso, cloth with light surface soiling and small patch of staining to upper cover, 1954; The Magician's Nephew, signed presentation inscription from the illustrator to title, 1955; The Last Battle, small ink ownership name to endpapers, cloth lightly marked, spine toned, 1956, all signed or with signed presentation inscription from the illustrator to titles, plates, illustrations and maps by Baynes, including colour where called for, original boards, facsimile dust-jackets, 8vo.

Christie (Agatha) Sparkling Cyanide, bookplate to front free endpaper, jacket creased and frayed at edges and corners, lightly rubbed along joints, patch of rubbing to upper panel, small hole to spine, 1945; A Murder is Announced, 1950; A Pocket Full of Rye, ink gift inscription to front free endpaper, 1953, first editions, original cloth, spine ends faded, dust-jackets, chipping and fraying to edges, 8vo (3)

A COLLECTION OF SMALL SILVER ITEMSIncluding three silver cased scent bottles by Samson Mordan, a Mordan combined snuff box and pen knife, a cigar piercer, a sovereign case, an unmarked ovoid scent bottle case, a small egg-shaped Danish silver box, a patch box and a base metal vesta. (10)For further information on this lot please visit Bonhams.com

Coins: a Elizabeth I 1562 hammered silver threepence, with rose and date; together with a Victoria 1859 silver threepence; two George V silver coins and a red patch box. (5)

A pair of Staffordshire pottery spaniels, late 19th century, with separately moulded front legs and copper patch details, height 25.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Griselda Hill Wemyss Pottery, a goose pattern model of a pig, signed to the underside, 16cm long, also a Galle style cat with black and white patch design, 17.5cm. (2)

18th century Bilston enamel patch box, with royal blue base and hinged lid, 2.5cm.

An early Victorian walnut folding card table, the inlaid chamfored top over two frieze drawers with turned and gadrooned end supports, united by a turned stretcher and raised on scroll carved legs with pottery castors, 34½ x 17½in. (87.6 x 44.4cm.) folded, 28¼in. (71.7cm.) high, 34½ x 35in. (87.6 x 88.9cm.) open. * Condition: Patch replacement to top veneer as well as bubbling

A Chinese patinated bronze figure of Kapaladhara Hevajra, 20th century, the deity depicted with two sets of sixteen arms holding various objects and eight heads, each with a third eye, his principal arms crossed around his consort, Nairatmya, he standing upon nine prostrate maras, on a lotus pedestal, 13¾in. (35cm.) high. * Condition: Good condition overall, with no losses. Heavy layer of dirt and dust, and a patch of oxidised tarnish to Nairatmya's back. Scratching to patination to top of base.

A pair of Chinese Canton famille rose vases, early 19th century, of shouldered, baluster form, with two gilt lion's head and ring handles and scalloped, turnover rim, painted with various reserves with noble figures in interiors and on terraces, the large reserves with gilt keywork borders, on a white ground decorated with flowers, butterflies and auspicious objects, 14 7/8in. (37.8cm.) high. (2) * Condition: Some gilt wear, with a large patch of rubbing to the keywork border on one reserve. One with two tiny glaze frits to rim. The other with an underglaze chip to the footrim from manufacture.

Three pieces of Chinese blue and white porcelain, probably 20th century, comprising a 'double happiness' ginger jar and cover, painted with lotus scrolls and shou characters, 5¾in. (14.6cm.) high, glaze chips to cover; a rectangular box and cover, on shallow L-shaped feet, painted with flowers and diaper spandrels, the interior incised with calligraphy, 4¼in. (10.8cm.) long; and a small ovoid jar and cover, painted with flowers and vines, 4¼in. (19.8cm.) high. (3) * Condition: - Ginger jar: A few small chips, mainly to the glaze, to edge of cover. Patch of glaze flaws & kiln dust to body.- Box: Good condition, no faults.- Small jar: Good condition with no damage. Firing crack just below neck rim.

A Chinese lacquer box and cover, probably early 20th century, circular, the cover applied with mother of pearl, hardstone and stained bone, depicting a nobleman and horse, the interior in red and gold flecked lacquer, 5¾in. (14.6cm.) diameter. * Condition: Small patch of flaking to lacquer to lower edge of box and small indent to lacquer to opposite side. Crack to lacquer to joint seam to inside of the box. Tiny chip to edge of lid and lacquer dulled to lid. No losses to inlays.

A Chinese inlaid black lacquer brush pot, probably late 19th or early 20th century, inlaid and applied around exterior with various hardstones and mother-of-pearl, depicting a hunting scene amongst pine trees and rocky outcrops, Chinese characters below the rim, red four character seal mark to base, 6 1/8in. (15.6cm.) diameter, 6½in. (16.5cm.) high. * Condition: Small chip to base rim and surface wear to underside. Surface of lacquer dulled and with light scratches. Small patch of possible old glue residue just below rim. No losses or restorations visible to inlays. Good overall.

Masonic interest to include Channel Islands - A large quantity of regalia / jewels / bibs etc, to include two crown caps; various neck ties, one with emblem of the Channel Islands and 'Provincial Grand Lodge of M.M.M.'; various sashes, mostly with elaborate decoration; Guernsey & Alderney patch; bibs of varying styles; various jewels / medals, to include Hansard Lodge no.3515, O.S.M Supreme Rulers Conclave No. 123, etc; leather case; sword; belt; various tassels; robe / gown, etc etc. (large quantity)* viewing recommended.

A Leica R5 camera outfit, black, serial no. 1716257, with original box and strap; together with a Leitz Summicron-R f/2 50mm lens; Elmarit-R f/2.8 28mm lens; Vario-Elmar-R f/4.5 80-200mm lens; boxed R4 14282 Motor Winder; boxed Leicaflex Elpro 2 16542 close-up lens attachment; 13358 filter; and Leitz lens shade; together with a leather cased Zeiss Ikon folding camera. (qty) * Condition: Generally in good, used condition. Some dust throughout so will require careful cleaning. No mould spots visible to lenses. f/2 50mm lens has some wear to black finish from use. The Zeiss Ikon has an old repair patch to the bellows and some paint loss. The viewfinder glass is cracked.

A Nepal (Upper Mustang) carved wood milk jug, probably early 20th century, the stylised handle with rope carved decoration, the body with three carved decorative bands, 9in. (22.8cm.) high; together with an iron bound wooden measure, probably 17th / 18th century, 4 7/8in. (12.3cm.) high. (2) * Condition: - Milk jug: Very old filled vertical split down the full height of the jug, to the left of the plaited 'seam' opposite the handle. A few small, old chips to lower edge of jug.- Measure: Hole to one side of the measure, with a very old rivetted iron repair patch. Lovely patina overall.

Philip John Ouless (Jersey, 1817-1885), The Jersey cutter "Freedom" off the Casquettes, flying the house flag of Le Couteur Bisson. oil on canvas, signed with the artist's monogram and dated 1859 lower right, modern reproduction framed, 20½ x 26in. (52 x 66cm.).*The Jersey cutter "Freedom" was built in 1847 by Vardon and Le Hucquet at the rear of Mont Orgueil Castle and was owned by Le Couteur and Bisson until 1851 when she was sold to Gallichan & Co. Later in life a masted was added and she was converted to a schooner. * Condition: Paint surface stabilised by impregnating the back of the canvas with wax. A small hole in the sky top right filled and retouched and a small patch applied. Original stretcher. Some losses to the frame.

Alfred Pollentine (British, 1836-1890), The Ducal Palace, Venice; The Grande Canal, Venice, a pair, oil on canvas, signed and dated 84, further signed and inscribed to canvas verso, reproduction pierced, swept frames15½ x 23in. (39.5 x 58.5cm.). (2) * Condition: - Ducal Palace: Damage to frame with losses lower edge. Indent to canvas and patch of paint missing from surface (thumbnail size) to lower left. Otherwise clean and in good condition. Scattered retouches and minor strengthening visible under UV.- Grand Canal: Hole to canvas upper left. Otherwise clean and in good condition, with just a few minor retouches visible under UV.

Follower of Jean-Baptiste-Camille Corot (French, 1796 - 1875), A cattle drover in a wooded landscape, oil on canvas, signed indistinctly lower right, plain arched gilt frame, 23½ x 35½in. (59.7 x 90.2cm.). * Condition: Not lined. Several deep scratches which have partially split the canvas, two to the centre and two smaller to the left side. Canvas is loose and baggy and there is a split at the centre left margin at the edge of the stretcher. Surface dirt throughout and craquelure visible to the sky. Was cleaned and re-varnished at some stage many years ago, with scattered retouching visible under UV and a larger patch to the lower left corner and heavier additions to the branches top centre.

James Macdonald Barnsley (Canadian, 1861-1929), Dieppe Barges off a Belgian Port, oil on canvas, laid onto board, signed and dated 1887 lower right, reproduction carved frame, 17½ x 30in. (44.5 x 76.2cm.).* Provenance: Christie's South Kensington, 'Maritime', May 13th 1999, Lot 540. * Condition: Good, restored condition. Canvas has been laid down onto fibreboard. Professionally cleaned and restored at some stage. Some repainting visible to the sky under UV (notably to upper right and around the uppermost sail) and scattered strengthening visible to the water and upper sail, plus minor strengthening to detail elsewhere. Patch of later retouching (which is visible to the naked eye) to a scratch, to the left of the distant boat at the left of the canvas. A few minor knocks to frame.

Henry Bowser Wimbush (British, 1861-1943), "The headmaster's house & chapel......Harrow", watercolour, signed lower right, inscribed verso, original gilt dentil frame with gilt slip, 9¼ x 12in. (23.5 x 30.5cm.); together with another related watercolour by the same hand, "At the top of West St., Harrow", signed and dated (18)93 lower left, 6¾ x 8 5/8in. (17.1 x 21.9cm.), similarly framed. (2) * Condition: Both in original frames and apparently undisturbed. In good condition overall - the smaller has light toning and a patch of mottled darker toning to the lower centre sky. Both have thunderbugs between the slip and glass.

Henry Moore, R.A., R.W.S. (British, 1831-1895), "Calming down", oil on canvas, signed and dated 1879 lower right, further signed, numbered '2' and titled to artist's label to reverse of stretcher, in original gilt foliate frame, 35 x 53½in. (89 x 136cm.).* Provenance: Exhibited London, Royal Academy, 1879, no.116. Christie's South Kensington, 'Maritime', 5th Nov. 1998, Lot 565** Literature: Art Journal, 1881, "Henry and Albert Moore", p.162 * Condition: Not lined. Original frame. Surface dirt throughout. Large patch of heavy craquelure and paint is lifting to the centre top margin. Tiny paint chip centre right and stretcher lies are showing.

John Thomas Richardson (British, 1860-1942), Harvest field at Godden Bank, Falmouth, oil on canvas, laid onto board, signed and dated 1907 lower right, inscribed lower left, reproduction swept frame, 15 x 22 7/8in. (38 x 58cm.). * Condition: Surface dirt and some yellowing to varnish across the surface. Retouching to craquelure lines visible in the sky and margins to top half of the canvas - these show lighter than the surrounding paint. Would benefit from cleaning. Probable crease to canvas at top right corner with some small paint flakes from the crease. A small patch of paint flakes from lower left corner at margin.

French School (second quarter 20th century), Street scenes with figures, Istanbul, Turkey, a pair, watercolour, signed and inscribed indistinctly to lower margin, one inscribed 'Istanbul Mai 1929' verso, later frames, 17 x 11in. (43.2 x 28cm.). (2) * Condition: Neither examined out of the frame. One in good condition, with single fox mark top left. The other slightly faded, with toning to sheet, a few fox marks and several light spots to the sheet around the top margin and one large patch lower in the sky, from earlier restoration.

After Adrien van der Werff (Dutch, 1659-1722), The banishment of Hagar and Ishmael, oil on canvas, relined, in a 19th century foliate gilt and composition frame, 33½ x 27in. (85 x 68.5cm.). * Condition: Has been relined - stretcher appears to be 19th century. Two restored splits to canvas, one through Abraham's head and the other above and to the left of Hagar's head. Some craquelure visible across the surface, although it is more noticeable to the lower half of the canvas. Abrasion to paint at top right corner and another vertical line of abrasion through paint to Hagar's lower leg. Several areas of paint loss to margins. Patch of repainting visible (to the naked eye and under UV) above Abraham's shoulder. The remainder of the surface is beneath a blocking varnish used during restoration, so other retouches & repainting not visible, apart from to the restored splits around Abraham's head.

The Putney: A Rare EMS VCS3 Mk1 Analogue Modular Synthesizer, 1970/71, serial no. 3905, marked VCS3a, in hardwood cabinet with two panels providing controls for: three voltage-controlled oscillators (VCOs), noise generator, input level, ring modulator, filter/oscillator, envelope shaper, reverberation, output filter, 16x16 patch board matrix with six resistive connecting pins (two incomplete or for testing purposes), joystick providing X/Y modulation control; reverse with power connector, stereo headphones output, scope, right/left signal outputs, two control outputs, keyboard output, two Hi. level inputs, and two Mic. outputs (600Ω), together with plug, 17 1/2in x 17in x 16in (44.5cm x 43cm x 40.5cm) overall Footnotes: Provenance: Acquired by the current owner who worked for Peter Zinovieff (1933–2021) at Electronic Music Studios from 1970-1972. Zinovieff was co-founder of EMS and was instrumental in the development of the VCS3 Synthesizer. Electronic Music Studios Ltd. (EMS) was formed in 1969 by Peter Zinovieff, Tristram Cary, and David Cockerell, partly to fund Zinovieff's experimental music studio. The VCS3 was nicknamed 'The Putney' after the location of Zinovieff's London home and was their first commercial product. When contemporary alternatives from early synthesizer companies such as Moog and Buchla would take up entire walls, EMS provided a comparatively compact version of the electronic studio, hence the name 'Voltage Controlled Studio' (VCS). The VCS3 was modular but made use of a 16x16 patch matrix which minimised the need for patch cables to connect separate modules. The synthesizer soon found its way on to the soundtracks of popular TV programmes like 'Doctor Who' and on numerous popular albums. The VCS3 was prominently featured on tracks by Pink Floyd (such as Dark Side of the Moon's 'On the Run'); The Who (the 'Won't Get Fooled Again' intro includes Lowrey organ processed through a VCS3); Roxy Music (where it was played by original member Brian Eno who went on to use it on his solo albums); Led Zeppelin (played by John Paul Jones on 'Four Sticks'); Hawkwind, King Crimson, Jean Michel Jarre, and Tangerine Dream, among others. For further information on this lot please visit Bonhams.com

Vivienne Westwood & Malcolm McLaren: An Original Long-Sleeved 'Two Cowboys' Shirt From Seditionaries, 1976/77, white cotton version, printed with Two Cowboys imagery in grey, with black label reading Malcolm McLaren, Vivienne Westwood, Seditionaries stitched to the shoulder, with elbow patch on right sleeve, accompanied by a letter of provenance, No Size, Footnotes: Provenance: Purchased from Vivienne Westwood by the vendor at Seditionaries on the King's Road, London in late 1976/early 1977. Featuring one of the most notorious and popular of the provocative designs produced by McLaren & Westwood during the punk era. Not only was it worn by members of the Sex Pistols, their coterie and fans during the group and the movement's emergence but it made the front page of The Guardian in 1975 when a customer was arrested for obscene display for flaunting one of the first sold from the shop in public in Piccadilly and was also the subject of an MP's appeal to the Home Secretary. For further information on this lot please visit Bonhams.com

Vintage Lady Penelope, Sindy, Patch, Tressy, Toots and Paul dolls, 1960s, Lady Penelope in original clothes with red shawl and white boots, Sindy with additional dress and swim suit, Patch with School and Brownies outfits, Tressy with two additional dresses and coat, Toots in Ski outfit and with two additional dresses, Paul, Amanda Jane and a further selection of outfits and a Harvey the Rabbit puppet.

Vintage Hong Kong Patch, Poppet and Betsey dolls and clothes, Patch wearing dungarees, additional clothes include winter coat, hat and scarf, nightdress and dressing gown, Mam’selle dress with cake, Poppet wearing tartan skirt and jacket, together with eight Tressy dresses, selection of clothes for Toots, selection of clothes for Faerie Glen and an undressed vintage doll, (lot).

A Steiff brown mohair Teddy bear, circa 1950, the straw filled bear with red glass eyes, stitched nose and mouth, swivel head and jointed at shoulders and hips, stitched claws, felt paw pads, button to left ear, 13” (33cm) tall, (condition: generally good, small bald patch to head, few sparse areas to stomach), together with a small Steiff Zotty bear with button, 8 ½” (22cm) tall, (condition: good), (2 items).

A charming golden mohair Teddy bear, English 1930s, kapok filled bears with glass eyes, clipped muzzle and brown stitched nose and mouth, swivel head and jointed at shoulders and hips and cotton pads, 14” (35.5cm) tall, (condition: very good, bald patch to rear of head).

A .650 (18-Bore) Flintlock Volunteer Rifle Of Baker Pattern By Staudenmayer, London, No. 141, Early 19th Century With rebrowned leaf-sighted barrel signed along the tapering top flat at the breech, rifled with seven spiral grooves, and with a bayonet lug beneath the recessed muzzle, the rear of the breech engraved with a line of feathering, border engraved tang en suite and decorated with foliage, signed detented flat bevelled lock engraved with a starburst behind the pan and with ring-neck cock and roller, figured three-quarter stock (minor old repairs) with check-piece, brass mounts of regulation pattern comprising hinged rectangular patch-box cover with sprung button release-catch above, butt-plate, spur trigger-guard, fore-end cap and ramrod-pipes, brass barrel-bolt escutcheons, sling loops, and original steel ramrod with characteristic swelling towards the pierced tip, London proof marks 76.8 cm. barrel Footnotes: Samuel Henry Staudenmeyer, former workman of John Manton, was gunmaker to the Prince of Wales and the Duke of York. He is noted as a maker of rifles and repeating air weapons Cf. a very similar example in the E.J. & R. Burton Collection and sold in these Rooms, Antique Arms and Armour..., 26 November 2014, lot 439 For further information on this lot please visit Bonhams.com