We found 24353 price guide item(s) matching your search

Two Royal Worcester blush ivory cups, and a saucer, miniature tea pot, patch box and cover and slender vase, all in as found condition Condition Report: Two cups in good order, miniature tea pot cover restored, cover not original to the patch box. 

Disney Interest. Royal Doulton Disney's ' 101 Dalmatians ' Figures ( 8 ) Items In Total. Comprises 1/ Pups In the Armchair DM11, 4 Inches High. 2/ Patch In Basket, DM9, 3 BY 2.5 Inches. 3/ Rolly DM6, 3 by 3 Inches. 4/ Pongo DM6, 5 Inches High. 5/ Lucky DM8, 3.5 Inches High, 6/ Perdita DM7, 3 by 4 Inches. 7/ Penny DM2, 3 Inches High. 8/ Penny and Freckles, DM3, 2.5 by 3 Inches. All In Excellent Condition ( Unboxed )

Trevor Haddon RBA (1864-1941) Venetian Fruit and Vegetable Seller oil on canvas, 56 x 76cm signed lower left, indistinct label verso, giltwood frame with J Trevor Haddon to title mount Further details: patch to reverse canvas, retouching to patch under centre of the boat, behind the shoes of lady to the fore and two spots in the top left sky 

Victorian School (19th Century) Morning In The Highlands oil on canvas. approx 58 x 89cm  signed indistinctly W Hullyer? lower left, signed and titled verso, gilt framed  Further details: small retouch patch to back of rear beast lying down, in modern gilt frame 

TWO SILVER VESTA CASES, ALONG WITH FURTHER ITEMS comprising a plated vesta, a silver patch box, a white metal sconce marked for S.S. ROYAL FUSILIER CRUISE 30TH JUNE 1925 -along with a print out of information on the ship, a continental silver napkin ring, and a silver holder

VINTAGE SASHA DOLL, C.1970 with brown hair and moveable joints, with dress and shoes, along with a vintage Cabbage Patch doll and various clothingthe Sasha doll 41cm long

Thiele, Johann Alexander (1685 Erfurt - 1752 Dresden)"Prospect von dem Königl. LustSchloss Pillnitz an der Elbe und umliegenden Gegend wie sich solches gegen Mittag Presentiret" (Blick auf Schloss Pillnitz bei Dresden aus südlicher Richtung). Kupferstich/Radierung, 1726. Unten mittig in Platte signiert "JA Thiele", Stechersignatur und Datierung auf Textplatte unten rechts. Ebenda ausführlich zweisprachig in Deutsch und Französisch betitelt und mit Widmung an den Kurfürsten von Sachsen und König von Polen versehen. Im Passepartout. 36,5 x 56 cm (Pl. ges.), 37,5 x 57 cm (Bl), 48 x 67,5 cm (PP). Etwas angebräunt, rückseitig eine Hinterlegung am unteren Rand. Kleinster Eckabriß unten links. Schöner breiter Rand. View of the castle of Pillnitz from the southern direction. Copperplate engraving / etching, 1726. Signed in the plate lower margin middle. Engraver's signature and date below motiv right. Titled and dedicated in French and German. Mounted in passepartout. A bit tanned brownish, backside with one small patch. Loss of a tiny piece of the lower left corner.

A lead figure of a child kneeling at prayer, 20th century, on a separate 'cushion' base, 70cm highProvenance: Property from the estate of the late David Cornwell, best known as the author John le Carré.Condition Report: There are visible construction seams throughout, particularly to the top of the head and shoulders. It is weathered with wear consistent with exposure to the elements over a long period of time and there is surface degradation to areas overall, including a particularly heavy red/brown coloured patch on the right arm. The figure is removable from the cushion base. The associated stone base is weathered and with chips and knocks to edges and corners. 

A Louis Vuitton cabin trunk, 1920s, covered in monogram canvas and painted with owner's monogram HM for Millie Harjes, lacking carrying handles, with Louis Vuitton label and stamped 174792, the interior of the lid with ribbon lace, 34cm high. 91cm wide, 54cm deepProvenance: by descent from the present owner.Condition Report: This trunk has wear and condition issues consistent with use and age, described as follows: the handles to each side are missing, the strap which should run round the middle of the trunk is lacking and the leather brackets beneath the lock and at the same position on the back edge are worn/split.  There are two small vacant slots on the bottom edge beneath these brackets where the strap would have been held and further spaces to the underside.  Splits to the monogrammed canvas present to the top, sides and underside.  The exterior canvas with areas of heavy scratches and further dents and abrasions to the leather trims.  The wood frames with heavy wear.  The metalwork is tarnished and dull in appearance.  The interior with staining, marks, and areas of mould growth to the linen lining concentrated in one corner and one patch beneath the central lock, the hinges and clasps still functional. Additional images are available - click here. 

A mixed lot to include Charlie Chaplin 8mm movie film reel and others, with a vintage Cabbage Patch doll, a mantel clock and two works of art, framed and glazed of deconstructed watch partsLocation:

A Second World War RAF Ensign, of stitched linen panels showing the Union Jack in the canton, the sky blue field with the RAF roundel, the hoist stencilled 4X2 4D REF. 120 1121 LIVERPOOL, the rope with original brass clips, 59cm by 121cmSoiled condition with a 2cm square patch missing at one corner.

A 19th Century East India Company Baker Model 1819 Type Composite Flintlock Musket, .625 calibre, the 81cm round steel barrel with bayonet bar to the right side of the muzzle, and with ex-Jaipur Armouries mark JPR/EXR/401, the rounded lock plate with East India Company rampant lion, walnut full stock with brass fore-end tip, ramrod pipes, trigger guard, butt plate and side plate, with two steel sling swivels and ramrod, 121cm (possibly made from associated parts)Action works, holds at full and half cock. Black patching and fine pitting to barrel and lock plate. Bruising to stock, with small chips around the lock plate and behind the barrel tang, with a fine split to the left fore-end above the ramrod tail pipe, and small rectangular patch to the left side of the butt. Possibly made up from various parts.

An English Civil War Period Pikeman's Pot, the two piece rounded skull with low rolled over comb set with a plume holder, the base with rounded liner rivets, the down-turned rim with rolled edge and further rivets, lacks liner and ear lames, the whole with blackened finish, 23cm high.Dent to one side of the skull. There is a repaired patch where a piece of metal is missing at the brim below the plume holder, with dents to the edges and a crease to the opposing end.

A Second World War British Airborne Troop's Smock, first version, in camouflaged cotton drill with half zip and knitted cuffs, four patch pockets to the front with a snap-fastened wide crotch strap, original label is faded; a Second World War Brodie Helmet to the National Fire Service, the liner stamped VERO 1939, with elasticated chin strap; a Book - The British at War, The Army from 1941-1942, by Major E W Sheppard (3)Smock with some acid damage to the crotch panel at the front and the right lower pocket, with soiling and fraying to the knitted cuffs.

A 19th Century Continental Percussion Sporting Gun, .50 calibre, with 81cm octagonal steel barrel, scroll engraved lock plate, walnut half stock with chequered semi-pistol grip, the right side of the butt set with a hinged patch box, the left side with raised cheekpiece and stamped 1480 with steel trigger guard, butt plate, two sling swivels and a ramrod, 121.5cmAction not working. Bruising and revarnishing to the stock.

A MID 19TH SHELL CAMEO OF APOLLO WITH LATER BROOCH FITTING The oval shell cameo carved with the profile of Apollo, his hair in the same style as the marble Apollo Belvedere, within a gold surround, with later gold coloured frame and brooch fitting Size/dimensions: 3.2cm long Gross weight: 8.2 grams Condition Report: The cameo has rubbing to the high relief from use. The gold coloured back has a vacant clasp fitting, there is a patch of solder to the supporting reverse bracket, later brooch fitting and clasp Condition Report Disclaimer

A mixed Quantityof Lotus related Ephemera to include 13 x metal pin badges, a selection of "Gold Leaf" items including sew on patch; a rare 7" Vinyl single - "Lotus Sings"; a selection of Lanyards; "John Player Special" stickers; posters, plus others - generally Excellent. Qty

A George II escutcheon-shaped silver wine label. John Harvey I, c.1750. The plain label engraved MADEIRA, to a belcher link metal chain, the label 5.2cm wide; together with a George IV label, London, 1827, William Knight, of rectangular form with canted corners and engraved RUM, 3.8cm wide; and an Edwardian example, Sheffield, 1909, William Hutton & Sons, of rectangular form with canted corners, engraved D.O.M., 5.2cm wide (3)Condition Report: Good overall condition commensurate with age. Some minor surface scratching and nicking to all. Madeira label: a patch noted (visible from both sides). This label appears to be on a metal chain. Further images available to download via this link: https://we.tl/t-83aGcXcxys 

A George III silver toast rack. London, 1789. Maker's mark indistinct. The navette-shaped base raised on four columnar feet and designed with raised ends, with eight divisions and a loop handle, 21.5cm long, 11.5cm high (inc. handle), approx. weight 6.1oztCondition Report: The toast rack is in good overall condition commensurate with age. Some general scratching and nicking noted. Heavy tarnish in places. Some repairs and solder visible eg. at base of some bars and at ends of central base bar. Steady on feet. Hallmarks generally clear although maker's mark obscured with a patch of solder. Some solder noted beneath loop handle. All bars are firmly fixed. Some are bent slightly out of shape. Further images available to download via this link: https://we.tl/t-y1B5Y8jrmS 

A Georgian silver six division toast rack. Crispin Fuller, London, 1820. The seven bars to a shaped base with gadrooned border, raised on four foliate bracket feet, with engraved initial to oval handle, 17.3cm long, 10cm high (inc. handle), approx. weight 7ozt Provenance: Property from the estate of the late David Cornwell, best known as the author John le Carré.Condition Report: The toast rack is in good overall condition commensurate with age. Some repairs/solder noted to the central bar at base/frame. Some solder also noted in places where vertical bars meet frame. General surface scratching, nicking and minor pitting commensurate with age and use. Steady on feet. Some bars a little bent. Some splitting to the silver noted under magnification in one corner of frame. A patch of solder noted to gadrooned border on one side. Handle firm. Overall a nice toast rack in good, usable condition albeit with some repairs and wear commensurate with age. Further images available to download via this link: https://we.tl/t-bMK7O61ojW 

An early George I silver punch bowl. Robert Timbrell & Joseph Bell I, London, 1714. Designed with two rows of fluted bands to the circular body and raised on a fluted, circular foot, the cartouches with chased scale borders within scroll frames, one engraved with arms, possibly a variant of Enys impaling Nicholas (of Lazy Hill, Dublin), the other vacant, the underside scratch engraved with the initials E over IE, 1732 and the scratch weight 34=12, 25.2cm dia., 15cm high, approx. weight 34.1oztFootnotes:  Arms: on a fess embattled 3 cinquefoils between and within 3 birds all within a bordure IMPALING on a chevron a crescent between and within 3 cross crosslets fitchy.  Families: possibly a variant of Enys (with a bordure) IMPALING Nicholas (of Lazy Hill, Dublin). (With thanks to Pursuivant Research)cf: For a similar example by the same maker (albeit with Monteith rim) see Christie's New York, lot 587, French Furniture, 30th March 2011: https://www.sothebys.com/en/auctions/ecatalogue/2011/french-furniture-n08743/lot.587.html?locale=en Condition Report: The bowl is in good condition commensurate with age. Some general surface scratching, nicking and minor pitting noted. Heavier nicking and scratching to base inside the bowl.  A ding to the lobed lower section of the body. Some other small dings and bruising noted to body and foot. Some dark marks and tarnish noted. Foot pushing in slightly and a small split beginning to form in one area where it has pushed in. Both cartouches look to have been applied with a layer/patch of silver over the original cartouches - some solder visible at edges. Possible erasure to the vacant cartouche. Engraved coat of arms to other cartouche is crisp (later). Some solder above the engraved cartouche which obscures some of the decoration. Hallmarks to underside of foot are clear. Wobbles slightly on foot. Some wear to decoration commensurate with age. Rim very slightly out of round. Overall an attractive punch bowl in good condition commensurate with age. Further images available to download via this link: https://we.tl/t-OGOjPrCZyR 

A George II silver salver. George Hindmarsh, London, 1748. The base later flat chased with scrolls, foliage and flowers and raised on three pad feet to a shell and scroll rim, 23.6cm dia., approx. weight 13.3oztCondition Report: Some damage and repairs noted. General scratching, nicking and minor pitting. A large patch to the centre and solder visible to underside in this area. Feet pushing through a little. Border bent in places. Repairs noted to border and around feet. Some splits and holes to border. Base raised and buckled at centre due to patching. 

A George III silver wine label. John Reily, London, 1809. Of oblong form with canted corners and reeded border, the nameplate engraved 'CALCAVELLA', 2.4 x 4.4cm. together with a George IV example by John Reily, designed with a Bacchanalian fruiting vine border to pierced nameplate reading BOURGONE, 4.1x 6.4cm, total weight approx. 1.2ozt (2)  Condition Report: The labels are in good overall condition. Some minor surface scratching and nicking noted. A small patch to the Calcavella label. One jump ring misaligned. Chains unmarked, metal.  Further images available to download via this link: https://we.tl/t-6T01Qrdd5C 

A pair of Georgian Old Sheffield Plate barrel-shaped wine coolers. c.1810. Designed with reeded banding to cylindrical bodies and reeded twin handles, both engraved with lion crest and complete with lead liners and Old Sheffield Plate collars, stamped to undersides with possible marks for S.Turley, Birmingham, and I.I. Waterhouse, Sheffield, 22.4cm high (inc. handles), 20cm dia. (2) Condition Report: The coolers are in good overall condition but do show some wear commensurate with age. The silver plate has worn through to expose the copper metal beneath in several places, particularly on the reeded bands to bodies and the handles. General scratching and nicking to the bodies, liners and collars. Bruising and some dings also noted. The handles to one cooler appear to have been reinforced/repaired with copper. Crests appear to be later added patches (rectangular patch visible to both). Each cooler is complete with a removable liner and a removable collar. Collars sit very slightly loose and raised. Some marking and wear to the silver plate (copper visible) along solder lines running vertically from top to bottom of each cooler. Some dings to liners. Further images are available to download via this link: https://we.tl/t-6jIgxgaz1d 

A small George III Irish silver cup. John Lloyd,  Dublin, c.1770. Of short, cylindrical form with gilded interior and reeded handle, 5.7cm high (inc. handle), 6cm dia., approx. weight 2.5oztCondition Report: Some general surface scratching, nicking and minor pitting noted. Light bruising to the body and some small dings around base. Gilding to interior bright. Moderate tarnish in places. Hallmarks to underside are a little rubbed. A possible small circular patch (or possibly simply marking from a sticker but does not appear to come off with a light polish) noted to side of body and a patch and small split to rim opposite handle. Some tape residue near handle which might require soaking or a more vigorous polishing to remove and may have marked the silver. A small split and repair near handle. Some solder around handle joins. Further images available to download via this link: 

A Japanese silver and mixed metal Aesthetic Movement bowl. Import marks for Cornelius Brabrook Pare, Birmingham, 1878. Of shaped, circular form, the textured foliate sides applied with mixed metal animals including butterflies and a crab, the interior lightly gilded, some gilding to exterior also, 5.5cm high, 11.9cm wide, gross weight approx. 6.2ozt Footnotes: Christopher Dresser was a leading figure in the Japonisme movement in the West, and his efforts to promote Japanese art and design led him to set sail for Japan in 1876-1877. This was the first visit to Japan by a European Designer, and Dresser was commissioned to form two collections of 'reliable tutorial value': one for the London based importer of Japanese wares, Londos & Co., and the other for Tiffany & Co. of New York. Charles and Louis Tiffany commissioned him to bring back some 8000 objects from Japan, from which their own craftsmen could take inspiration and obtain technical knowledge. These were delivered by Dresser on his return journey from Japan in 1877.Dresser is known to have worked as an advisor to the firm of Londos and Co. (a partnership between Cornelius Brabrook Pare (whose sponsor’s mark is on this bowl), Peter Charles and John Reynolds). The partnership was dissolved in 1879. The hallmarks on this bowl (Birmingham, 1878, Cornelius Brabrook Pare) suggest that it was one of the items brought back by Dresser for Londos & Co. in 1877.Based on the design of an interesting Tiffany & Co. chocolate pot made in New York in 1979, it seems reasonable to conclude that a similar bowl may have included in the collection that Dresser amassed for Tiffany. The chocolate pot features similar applied mixed metal animals including a crab (see pg. Fig. 8.13, pg. 262 In Pursuit of Beauty. Americans and the Aesthetic Movement, The Metropolitan Museum of Art, New York, 1987, and https://www.metmuseum.org/art/collection/search/20121).The book describes this chocolate pot in the following words: The dramatic and difficult combination of copper and silver is seen in a graceful Tiffany & Company chocolate pot made in 1879. The form of this piece is Western, yet it is covered with a reddish patina and decorated with sea-life motifs, suggesting Japanese print sources. Crabs and lobsters cast in silver are affixed to the copper surface, which has been soldered and hammered to the silver body of the pot. (Pg. 262) In providing Tiffany with such a wealth of examples, David Hanks asserts that Dresser ‘acted as a catalyst for the influence of Japanese art on American manufacturers and designers (Gorham and Tiffany, for example, both produced items of silverware applied with mixed metals). Dresser marvelled at the way in which Japanese craftsmen combined beauty and utility in the goods they made for everyday use, and he incorporated a number of Japanese themes into his own creations, including butterflies, frogs, cherry, reeds and insects. His motto ‘In Pursuit of Beauty’ became virtually synonymous with Japonisme.Dresser devoted several pages of his book Japan: Its Architecture, Art, and Art Manufactures to descriptions of the virtues of Japanese metalwork, of which a few are included below.Our first acquaintance with Japanese (metal) manufacturers revealed their skill in the casting of metals...The great peculiarity which I noticed in the Japanese method consisted in a fresh model being made for every work produced...It will be seen that this process, although laborious, gives variety and interest to the works produced ; and while all such methods must seem to us to involve an unnecessary expenditure of labour, I yet think that the Japanese gain as much as they lose by their processes. The Japanese method of casting gives a certain amount of variety in the work produced, for no two objects are precisely alike (pp. 417-420)Pg 428 The Japanese have more nearly achieved the production of colour harmony in metals than any other people; and in many of their works we see gold, silver, copper, zinc, black-metal, tea-urn bronze, green bronze, and other metals and alloys brought together; and not only brought together, but so arranged that their colours are brightened by reflected lights, and brought into harmony by skilful juxtaposition.Pg 429: One other point connected with Japanese metalwork is worthy of most careful consideration, namely, the various textures given to metals. We are too fond of bright surfaces, and not unfrequently prefer glitter to repose; but to the Japanese, glitter is vulgar.References: Christopher Dresser and Japan, (Catalogue Committee, 2002); Christopher Dresser and the Arts of Japan, Harry Lyons & Chris Morley (RSA Journal, Vol. 148, No. 5496 (2001), pp. 90-91); Japan: Its Architecture, Art, and Art Manufactures, Christopher Dresser, London, 1882; Old Bailey Record “t18841020-998”,1884; In Pursuit of Beauty. Americans and the Aesthetic Movement, The Metropolitan Museum of Art, New York, 1987; The Metropolitan Museum of Art: https://www.metmuseum.org/art/collection/search/20121, New York).Condition Report: Some minor surface scratching, pitting and nicking commensurate with age. Some small holes noted around the rim which look as though they may have occurred during the manufacturing process. A very small split noted under 10x magnification where one of these holes meets the rim. A small patch of solder nearby. Some remains of gilding to exterior and faded gilding to interior. In our opinion, it looks as though some of the applied motifs (possibly foliage) may have been removed as there are raised areas visible to the interior where these may have been and dark impressions in these same places visible to the exterior. Some wear to the decoration and applied metal motifs commensurate with age and some small splits/bruising noted to the body of the crab under 10x magnification. Hallmarks to underside clear. Overall an attractive and characterful bowl. Further images available to download via this link: https://we.tl/t-GVzYYzzmNA 

A 19th century oak cricket table, the circular plank top upon three chamfered supports, united by a triangular under tier, 69cm H x 75cm DCondition reportRepairs to both sides of the table top, along with a small patch repair, ring marks, general light gouges and wear, please see additional images.Later braces and blocks added to the underside of the table top, the under tier also appears to be later.Little or no movement in the table joints which appears to be structurally sound. 

A cold painted pottery figure of a pug, late 19th/early 20th century, modelled seated, with orange collar and glass eyes, 29cm high CONDITION REPORT:The piece shows wear to the painted finish throughout, particularly to the highpoints around the ears and paws, but no obvious chips, cracks, crazing or restoration.  The surface shows the odd patch of white residue and other dirt, and would benefit from cleaning.  The model does not sit perfectly flat, and wobbles slightly on a flat surface. 

An Isfahan rug, circa 1950, the central pale indigo medallion on a rust-coloured field and wide indigo border195 x 144cmPlease note: this item is incorrectlynumbered as 448 in the printed and page-turner catalogueEven pile with good even colour and little apparent staining. One or two missing stitches, a small patch of possible moth in the centre around 1cm diameter. See further images for condition.

A contemporary milk glass vase, in The Patch Pattern by Mike Hunter of Twists Glass Studio Selkirk. +/- 18 cm high (see illustration).

A 19th century mahogany George III style sideboard, fitted with a series of cupboards and drawer with shaped apron and raised on tapered legs terminating in bracket feet. Height 91 cm, width 138 cm, depth 55.5 cm. CONDITION REPORT: The sideboard is structurally sound and in generally good condition. The top is free from any splits. It does have a patch of polish that is missing and the odd water mark and ring marks but no real problems with the top surface. The centre drawer runs smoothly. The right and left-hand cupboards have stress fractures to the veneers, these would be visible on our image. The legs are all in good condition as are the feet. The top edge has an ebonised moulding which is partially missing on the left-hand return. There are stress fractures to the sides of the piece but no movement.

A LARGE PERCUSSION PEPPER BOX PISTOL by W. A. Beckwith, London, with 4 3/4" five barrel section, fine scroll engraved action with maker's name to one side and "IMPROVED REVOLVING PISTOL" to the other, slide safety, chequered wood grip and metal butt cap with patch box, 11 1/4" long (Est. plus 24% premium inc. VAT)Condition Report: Generally good, the action does need attention, if the hammer does not raise high enough the the action does not reset after it has fired. When manually pulled to the top and lowered down to the nipple, the pistol will fire correctly. Aesthetically in good order.

A VICTORIAN WALNUT TWO STAGE BOOKCASE, the moulded cornice over two arched glazed doors enclosing adjustable shelving, protruding serpentine base with frieze drawer flanked by scroll and flower carved brackets, two mirror panelled doors below, on plinth, 40 1/4" x 16" x 94 1/2" (Est. plus 24% premium inc. VAT)Condition Report: Cornice altered, veneer patch to right side of upper section, otherwise good and of pleasant colour.

A SMALL COLELCTION OF WWII AND LATER CLOTH INSIGNIA, this lot includes a rare original British Airborne Glider Troops sleeve badge, a printed pegasus patch, a machine pegasus patch, shoulder titles to Worcestershires Royal Armoured corps and Airborne, a red diamond formation patch and sargeants cloth patch, all are in good condition apart from the sewn pegasus patch and that has some minor damage to the edges, Customers must satisfy themselves prior to sale in regards to conditions and authenticity, viewing is advised, condition reports are available on request

Two charm bracelets, an Albertine watch chain, rings and patch box, a fancy link charm bracelet with twenty-four silver and white metal charms, to include Scottie dog, ballerina, stork, motorcycle, pixie, beagle, unmarked bolt fastener; another charm bracelet with four charms, comprising two short silver Albert watch chains soldered together with every link marked, padlock fastener hallmarked Birmingham 1964, with white metal and red velvet slipper, silver and yellow metal shield fob, ewer and hot air balloon; a metal fancy link Albertine watch chain, fitted with a swivel fastener, T bar and engraved sphere; two gemset rings; and an unmarked white metal patch box.Qty: 6

Omega - a gentleman's 200M Banana Automatic Seamaster wristwatch, 29mm circular dial with yellow centre, cream baton markers, inlaid white hands and white centre seconds hand, 40mm stainless steel tonneau case with red and black bezel, engraved back to case with Seamaster and hippocampus, Tested 200M, generic steel bracelet with deployment clasp fitted, no box or paperwork, watch is running at present time although no guarantee is given.Condition report:There are scratches to the glass, scratches to the bezel, a damaged patch to the bezel, and scratches and small indentations to various areas on the case front and back and strap. The strap would benefit from a good clean. Please see additional uploaded images of the front, back and crown of this watch.

CHARLES LESLIE; oil on canvas, mountainous river landscape, signed and dated 1868 verso, 37 x 67cm, framed, and another Charles Lesley, oil on canvas, rural mountain scene, 29 x 59cm, gilt framed (2).Condition Report: The gilt framed image has been rekindled, but wi5 no obvious signs or damage or repair, the other image also appears to be in good condition with one small patch of possible over painting.pleaee see additional images.

The remaining personal effects of Sir Samuel Benfield Steele (Medonet, Canada 1848- London 1919): 17th Duke of Yorks Royal Canadian Hussars buttons, eight large, eight medium, rest various sizes, a five bar patch and a West Cavalry 5th patch, (64).

The remaining personal effects of Harwood Steele (1897-1978): a Royal Flying Corp patch, a tin of medal ribbons, a Military Cross case, and a card box, (4). He served with the Canadian and British services in both world wars,Captain Canadian Infantry, 2nd Division; Enlistment: May 5, 1915, Winnipeg, Manitoba. He was awarded the M.C. and twice mentioned in despatches. He served with distinction on the battlefields of Flanders, rising to the rank of Major, ultimately becoming Lieut-Colonel.

A WWII Second World War Royal Marines training beret. Red ' tomb stone ' patch with Royal Marines King Crown cap badge. Dated 1945 with Kangol makers.

A WWII Second World War Third Reich Nazi German Afrika Korps M41 field cap. Khaki with stitched Eagle Swastika patch and rounal. Size small. Due to the nature of these items, we politely remind buyers of the need to satisfy themselves as to the condition / originality of all lots prior to bidding irrespective of any description.

A WWII Second World War Third Reich Nazi German Luftwaffe Officers M43 ski cap. Field grey / blue wool with a front Luftwaffe eagle swastika patch and a tricolour roundel. The front buttons allowing the earflaps to be folded down. Due to the nature of these items, we politely remind buyers of the need to satisfy themselves as to the condition / originality of all lots prior to bidding irrespective of any description.

A WWII Second World War Third Reich Nazi German Enlisted Mans / NCO's Heer Panzer / Tank side cap. Navy fabric with front applied Eagle Swastika patch and tricolour roundel. Pink piped trim and yellow piping bordering the roundel. Due to the nature of these items, we politely remind buyers of the need to satisfy themselves as to the condition / originality of all lots prior to bidding irrespective of any description.

A collection of WWI First World War RFC Royal Flying Corps / RAF uniform cloth patches comprising x2 RFC wings, a 1918 RAF NCO Cap Badge and a French pilots wing patch.

A WWII Second World War Third Reich Nazi German RAD Labour Corps Enlisted Mans NCO M42 cap. Field grey wool construction with patch depicting the spade and wheat emblem.  Due to the nature of these items, we politely remind buyers of the need to satisfy themselves as to the condition / originality of all lots prior to bidding irrespective of any description.

A WWII Second World War Third Reich Nazi German Kriegsmarine Flotilla Side Cap. Blue wool construction with front cockade roundel, Eagle Swastika patch and Flotilla badge to the left side. Twill lined with faint German marks to the inside. Due to the nature of these items, we politely remind buyers of the need to satisfy themselves as to the condition / originality of all lots prior to bidding irrespective of any description.

A WWII Second World War Third Reich Nazi German Army soldiers M43 overseas side cap with marksman badge. Embroidered roundel and Eagle Swastika patch sewn to the front. Due to the nature of these items, we politely remind buyers of the need to satisfy themselves as to the condition / originality of all lots prior to bidding irrespective of any description.

A WWII Second World War Third Reich Nazi German Afrika Korps field cap. Tan / desert fabric front applied Eagle Swastika patch and tricolour roundel. Orange piped trim and yellow piping bordering the roundel. Due to the nature of these items, we politely remind buyers of the need to satisfy themselves as to the condition / originality of all lots prior to bidding irrespective of any description.

A WWII Second World War Third Reich Nazi German Luftwaffe Afrika Korps field cap. Tan / desert fabric with fold down back and sides and front applied patch with Eagle Swastika patch with tricolour roundal. Due to the nature of these items, we politely remind buyers of the need to satisfy themselves as to the condition / originality of all lots prior to bidding irrespective of any description.

WWII Second World War - a believed original WW2 period SAS Special Air Service uniform cloth beret patch. Featuring the 'Who Dares Wins' motto and winged dagger motif to the centre. Embroidered in blue, with white bayonet and red lining. Provenance unknown, although appears of some good age - sold strictly 'as is'. 

An original US United States Armed Forces Vietnam War Service medal along with a US Army Corporal patch and US Army Infantry Centre ring with a red glass stone.

Good Old Sheffield plated oval soup tureen with scallop and foliate bands, on paw feet, c. 1820, 41cm.CONDITION REPORT: There is prominent staining to the exterior, cover, frieze and underside.  Has a square patch to the frieze at both sides.  Probably originally crested.  There are minor repairs towards the border and to the interior.  Further age-related wear and surface scratches.  The interior is fixed and has no lift-out insert.  The cover sits flush to the base. 

A small miscellaneous lot:- a silver stamp envelope by Crisford and Norris Birmingham 1912; an Edwardian silver napkin clip; a small silver padlock, a silver boar pendant, a George III silver patch box, circular with engraving by Samuel Pemberton, Birmingham 1794; an engraved silver scent bottle by Sampson Mordan & Co London 1890 (lacking stopper); and a Victorian silver mounted green glass smelling salts bottle, the latter 4cm high. (7)

A Pair of Porcelain Studies of Spaniels Modelled Standing in the Liver Patch Colourway, 8cm high

Seven Schafer & Vater (Germany) novelty bisque match-pots/ashtrays - 'A Pig=Uliar= Friend' , 'Scratch Your Match on my Patch', 'Hidden Fire!', 'The Beach Nut', 'It's All Up Now' and 'They Will Blame Me for This' (7 - latter 2 a/f)

Two Sindy dolls with blond bobbed hair, to/w two Patch dolls and one Paul, with accessories Sindy missing hair plugs in forehead region, back of necklineDigits missing from both hands of doll in striped top

SQUIRE HOWARD (EXH 1882-1895). OIL ON CANVAS. “PORTRAIT OF A BAY HUNTER”. SIGNED.MEASURES 31CM X 48CM.CONDITION REPORT: VERY GOOD CONDITION. ONE PATCH REPAIR. 

A pair of late 18th century Chinese export serving plates, 36cm Both generally good; minor nicks only around rims; one with small glaze-free patch, see final image.

A Globe Wernicke style oak five section open bookcase, width 89cm, depth 28cm, height 181cm One of the sections has had a section cut out of the back - has had a poor patch repair attempted. General wear from usage.

19th century 'may the Labourer be rewarded according to his merit' enamel patch box and another (2)