A 1964 original British quad poster of the film entitled 'Zulu' - 30x40", foldedCONDITION REPORTfolded - two very slight tears to left border, very small hole to left hand border, slight tear to bottom right corner, and very slight discolouration to border and creases, two small holes to central left hand side, damp marks on lower right hand border at corner and upper left hand border at corner, damp patch to centre of back, shows through to front between 'U' and 'L', some diagonal creases to poster
We found 24353 price guide item(s) matching your search
There are 24353 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
24353 item(s)/page
Two boxes of various 20th Century dolls, together with a collection of various Barbie, Sindy, Patch and Pippa clothing CONDITION REPORTS Small doll with painted white socks appears to have spaces between her joints and some paintwork is damaged. There is some black stuff to her head. Larger doll with cream plaits has some blackening to her fingers. Wooden doll has some cracking to her face and the painted arms and legs are worn. Some of the more modern dolls - the Sindys, etc have discolouration to the plastic. Larger black Pedigree doll in blue trouser suit is missing a thumb. It would appear there is some damage to the speaker box area on the back. Earrings are missing or at least there are holes below the ears. There seems to be some damage to the hair. Black Pedigree doll in red dress has had some repairs to one side of the face. Unknown if either are working. Smaller white, blue and white jumpsuit dressed baby has holes in his hands. All have general wear and tear, missing eyelashes, some are in need of TLC with their hair, etc. Please see images for further details.
A 19th century ivory patch box of navette form, the hinged lid set with a later watercolour of an eye, enclosing a mirrored interior with yellow metal trim, length 8.7cm. CONDITION REPORT: Splits and repairs and losses to the ivory, the watercolour eye is a late replacement, mirror interior is cracked and is also tarnished to the edges, heavy wear to the velvet lining.
A CENTRAL EUROPEAN ZISCHÄGGE, FIRST HALF OF THE 17TH CENTURY with one-piece hemispherical crown divided into eight panels by incised lines radiating from a transversely-pierced finial with circular washer decorated around its scalloped edge with punched dots, fitted at the brow with a flat peak having a cusped rear edge and truncated ogival front edge, at its nape with a slightly flaring neck-guard of three upward overlapping lames each having a multi-cusped upper edge, except for the last (associated) which has a single cusp at both its upper and lower edges, the peak pieced at its centre rear with a transverse slot to accommodate a sliding nasal-bar terminating at its upper end in a leaf-shaped finial (corroded at its lateral edges), and retained by a staple and winged-headed locking-screw, the main edges of the helmet formed with file-roped inward turns and it surfaces retaining a black-from-the-hammer finish (refreshed with paint; the left rear of the skull repaired with a riveted internal patch) 24.0 cm; 9½ in
A GERMAN MORION IN THE SPANISH FASHION, CIRCA 1600 with one-piece crown of rounded almond shape and narrow flat integral brim projecting to an obtuse point front and rear, its edge formed with a plain inward turn and the base of the crown encircled by ten lining-rivets of which two at each side also serve to attach a narrow, slightly tapering, round-ended cheek-piece (the right missing), and the whole retaining its original black-from-the-hammer finish (lightly corroded in parts; the front of the crown repaired with an internal patch at its lower end and bruised at its upper end; and the front of the brim cracked and its rear point and sides each pierced with later suspension-holes) 29.0 cm; 11? in (with cheek-piece)
A CENTRAL EUROPEAN ZISCHÄGGE, FIRST HALF OF THE 17TH CENTURY with one-piece hemispherical crown boxed in eight panels radiating from a transversely-pierced finial with circular washer decorated around its scalloped edge with punched dots, fitted at the brow with a flat peak having a cusped rear edge and truncated ogival front edge (chipped at its point), at its nape with a slightly flaring neck-guard of four upward overlapping lames each having a multi-cusped upper edge and the last having a truncated ogival lower edge matching the front edge of the peak, and at each side with a broad cheek-piece now formed only of a single long lame (originally extended downwards by at least one more lame) and pieced at its centre with eight auditory-holes within an almond-shaped boss, the peak pierced at its centre rear with a transverse slot to accommodate a sliding nasal-bar terminating at its upper end in a stepped leaf-shaped finial, and retained by a staple and winged-headed locking-screw, the main edges of the helmet formed with file-roped inward turns and it surfaces retaining a black-from-the-hammer finish (refreshed with paint; the rear of the skull with a patch of delamination secured by two rivets) 27.0 cm; 10? in
A GERMAN MORION IN THE SPANISH FASHION, CIRCA 1600 with one-piece crown of rounded almond shape and narrow flat integral brim projecting to an obtuse point front and rear, its edge formed with a plain inward turn and the base of the crown encircled by twelve lining-rivets of which two at each side also served to attach now missing cheek-pieces, and fitted at the rear with two similar rivets securing a later plume-holder of copper, and the whole retaining its original black-from-the-hammer finish (a section of the lower left side of the morion replaced by a riveted internal patch, the left of the brim bent upwards, and its front and rear points pierced with later suspension-holes) 21.5 cm; 8½ in
A late 18th early 19th century Bilston enamel patch box with inset mirror to the hinged cover, inscribed 'I'll love you long as life gives breath and living hold that love till death', a Limoges gilt and painted ceramic patch box, a further ceramic painted and gilt patch box, a Continental enamel patch box (for restoration) and a three-piece 20th century cloisonné cruet set.
Motor Racing Ephemera To include a results chalk board, reputedly used at the Bahamas speed week events of the 1950-60s, a gentleman's 'Pierre Cardin' blue blazer with 'Bahamas Racing Driver Club' patch stitched to breast pocket (by repute allowing access to the Hilton club bar, Downtown Nassau), a limited edition black/white signed photograph depicting Roy Salvadori qualifying the BRM P25 at Monaco (11/25), together with a boxed glass BRDC paperweight. Varied condition. (4)
Collection of World War I Ephemera, c. 1914-1918, incl. small U.S. service flag with crossed cannons pin, l. 15 in.; felt shoulder patch; small brown leather snap pouch; Austrian uniform brass belt buckle; canvas red cross arm band, stamped "92982"; pair of canvas goggles with yellow lenses; U.S. Army uniform cap; U.S. Army officer's peaked cap; German uniform cap; aluminum mess cup; tin mess cup stamped "U.S." on handle; U.S. Army identification tag marked "Joachim Cusachs Lt. Batt. B. 53rd D.F.A."; German identification tag marked "Max Kasper, Helfenberb. b. Dresden". Provenance: Gaspar Cusachs, entrepreneur, historian and collector, (1855-1929), collected by his son, Joachim Cusachs (1893-1918), while serving in Europe during WWI; The Gaspar Cusachs Collection, loaned to the Louisiana State Museum, New Orleans, LA (c. 1918-2016).
*Peru, Battle of Iquique, May 21 1879, presentation silver medal by R. Britten for the ladies of Lima in honour of Captain Miguel Grau of the Huascar, 35mm (Milford Haven II, 807; Medina 639), some edge bumps, tiny patch of orange wax (?) in reverse margin, otherwise almost extremely fine and toned
Wyndham Lloyd (b. 1909), oil painting on canvas, "Crummock Water". 46 cm x 60 cm, framed, signed. CONDITION REPORT: To the left of the left hand hill (Rannerdale) there is a split in the canvas. This should be visible on our image. There is a patch to the rear of the painting covering this. Other than this the picture is in good generally condition with no evidence of any further damage or restoration. The frame is modern and in generally good order.
B Bland, oil on canvas, topographical view of The River Kent Estuary. 40 cm x 64 cm. CONDITION REPORT: The painting has one patched repair to the rear of the canvas. This is approximately 6 inches in from the top left hand corner. the patch is repairing a 2 inch tear in the canvas. There has been a small amount of overpainting here. The remainder of the picture is in good condition with no significant issues other than minor cracquelere to the oil paint particularly in the foreground.
A Copeland cherub figure, holding aloft a torch, blue, white and gilt. Height 37.5 cm. CONDITION REPORT: This item is in generally very good condition. There is no evidence of any damage, repairs or restoration. The only minor fault is that there are some small areas that are discoloured. There is one small brown patch on the arm and two underneath the facing wrist. There are three small brown patches on the face and one to the inside of the vase top. These are all like foxing marks on a picture.
Sharp's New Model 1863 Patent breech-loading percussion carbine, with rifled barrel, marked - 'New Model 1863 Sharp's Rifle Manufg. Co. Hartford Conn.', folding rear sight, marked - 'R. S. Lawrence Patented Feb 15 1859', walnut half stock, steel furniture with slide bar and ring and patch box, frame marked - 'Sharp's Patent Oct 5th 1852', 'R. S. Lawrence Pat April 12th 1859' and 'Sharp's Patent Sept 12th 1848'. Serial no. 77264, 100cm overall length
Great War American 88th Infantry Division Tunic & Greatcoat, four pocket khaki wool service tunic with American eagle bronze buttons and collar discs. Embroidered divisional patch to arm and overseas service stripe. Double breasted wool greatcoat with lower slashed pockets, two rows to bronze American eagle buttons, partially lined interior. Some moth damage to both tunic and greatcoat, otherwise good condition. Accompanied by a Great War period American Artillery four pocket light weight tunic with insignia. (3 items)
German Army Camouflaged Reversible Winter Anorak, splinter pattern camouflaged anorak which can be reversed to white. Complete with hood and two lower pockets. Constructed from spare zeltbahn’s with various patch sections. Original buttons to the front of the anorak. Original owners name label to one cuff. Shows evidence of wear and has some repairs etc.
Great War French Artillery Officers Tunic, interesting ex-museum display, framed and glazed horizon blue tunic with miss-matched ball type buttons to front, turn back cuffs with three lines of rank lace, red collar patches with metal numeral 9 (only to one patch). Mounted alongside the tunic is a kepi type cap, pair of spurs, white leather gloves , oil can and vesta case, label to the centre inked ‘FRENCH OFFICER VERDUN AREA 1917-18’. Frame measures 68cm x 81cm and 7cm deep.
Central European School (18th Century) Portrait of a Cleric inscribed "Anno Salutis MDCCXLIII (1743) / Aetatis suae XLIII (aged 43)" oil on canvas 90 x 67cm (35 x 26in) Lined with a wax coating on the reverse and a large patch. The canvas has poor tension and severe undulations. There is extensive retouching across the surface of the painting, especially in the background. There are areas of loss and abrasion to the surface.
Anglo-Dutch School (late 17th Century) An extensive landscape with a stag hunt, with a milkmaid on a donkey in the foreground to the left beneath a tree, a village beyond oil on canvas 97 x 133cm (38 x 52in) Provenance: Monks Hall, Syleham, Suffolk Unlined canvas. Large patch at centre of painting which is reparing old damage. Two other small old repaired tears. Corner drawers visible. Old tear at lower left which has been mended and repainted. Paint layer has raised edges of craquelure. Large areas of retouching on damages and in sky. Varnish is even. Frame has damages and losses.
TWO GEORGIAN IVORY MOURNING PENDANTS, one oval painted in sepia tones with a widow and child beside a tomb "Not Lost But Gone Before", 1 3/4" x 1 1/2", the other circular painted in sombre colours with a lady beside an obelisk, 1 1/2" diameter, both in gold plated mounts backed with hair panels, together with an English enamel on copper oval patch box painted with doves and "Tho' Absent Not Forgotten", 1 1/2" wide (3)
An early Victorian mahogany three door bookcase, the upper part with moulded cornice, fitted six adjustable shelves, closed by three astragal glazed doors, flanked by moulded columns with scroll terminals, the doors labelled with brass letters "B.C.C.", the base enclosed by three panelled doors, flanked by conforming columns, and on plinth base, 86ins wide x 22ins deep x 99ins high, (with a patch repair to the left hand side)
AN ENAMEL PATCH BOX, 18th century, probably Bilston, the hinged lid painted with a rural landscape, the body with scattered flowers. 7.5cm wide; together with another similar box and a French agate and gilt metal mounted casket, late 19th century, of rectangular form, with hinged lid and raised on agate ball feet. 14 x 8cm.
BASIC BARBIE DOLL FASHION MODEL SET BY MATTEL, Stock No. 850 # 6 Imported From Japan, Brunette, Ponytail, original box plus original booklet, 1962 - 1964, Red Jersey Swimsuit + Red Open Toe Heels with original metal stand together with + THAT RASCAL PATCH Sindy's Little Sister, Pedigree Dolls Limited, Ref. 9GPS BRUNETTE also in original box.

-
24353 item(s)/page