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A Derby patch mark figure of a gentlemen, circa 1770 in salmon and turquoise jacket and floral frock jacket, holding hat in left hand, bocage back with gilt turquoise scroll base, incised No 317, 22 cms h approx and a Derby patch mark figure of a seated lady playing a lute, lamb to her right side, pierced rocaille base, 18.5 cm h approx (2)
A Derby patch mark figure of a lady, circa 1770, in yellow and pink crinoline dress, on gilt turquoise rocaille base, patch marks and numbered N 317 12 cms h approx; together with an early Derby figure of a flower gatherer, patch mark, circa 1770, with sash of flowers and basket in left hand 18 cm h approx (2)
AN ENGLISH OR FLEMISH CLOSE HELMET, CIRCA 1550 with one-piece skull rising to a low boldly roped medial comb pierced at its apex with two large holes, the foremost at one time retaining a later funerary crest, and visor, upper bevor and bevor attached to it by common pivots (the shank of the right replaced and threaded to receive a nut), the visor with stepped centrally divided vision fitted at its right side with a lifting-peg (replaced) that also serves as a pull to release the spring-catch securing it to the upper bevor, the latter of prow-shaped form pieced in a raised rib across the mouth with nine circular ventilation-holes and at its right side with five smaller ventilation-holes in dice-formation, the upper bevor and bevor each secured at their right sides by spring-catches with push-button releases (the button of the catch for the bevor replaced and the hole to receive its catch reinforced with a patch), and two gorget-plates front and rear (the lowest in each case restored), the main edges of the helmet formed with roped inward turns accompanied by recessed borders, and the skull decorated to either side of its comb with a pair of similar recessed bands of which the outer ones diverge just above the nape (pitted and worn overall) 28 cm; 11 in Provenance Athelhampton Hall, Dorset (probably originally from Puddletown Church, Dorset) Christie`s 8 December 1946, lot 146 The helmet owes its survival to having been suspended over an English tomb as part of an heraldic funerary achievement. Similar helmets can be seem in the churches of Whaddon, Buckinghamshire, Netherbury, Dorsetshire, Pembury, Kent, and Lydiard Tregoze, Wiltshire (Francis Henry Cripps-Day, `On Armour Preserved in English Churches, in Guy Francis Laking, European Armour and Arms, Vol. V, 1922, pp. 164-5, 174, 199-200,263 & 266, figs 1597, 1608, 1661 & 1792).
AN ENGLISH OR FLEMISH BURGONET, EARLY 17TH CENTURY with a rounded skull formed in two pieces joined by a turn along the crest of a low medial comb, projecting forward to an obtusely pointed integral peak (later brazed at its centre) backwards to a rounded integral neck-guard (later shortened and with riveted internal patch at its centre), and fitted at each side with a hinged cheek-piece (restored) shaped to fit over the rear of the peak and pierced at its centre with nine small holes in rosette formation, and decorated on the skull with borders and radiating patterns of triple incised lines (pitted and worn overall) 25.5cm; 10in Provenance Christie`s 14 April 1971, lot 35 The helmet can be comparable with one forming part of a three-quarter armour in the Metropolitan Museum of Art, New York, Acc. No. 55.185.1 (Helmut Nickel, `English Armour in the Metropolitan Museum`, The Connoisseur, November b1969, p. 203, fig. 16), and another sold by Sotheby`s, Summers Place, 8 December 1997, lot 50. Elements of similarly decorated armour can be recorded in former armouries of Farleigh Hungerford, Somerset, now in the guardianship of the Royal Armouries Museum, Leeds, and the Tollemache family at Helmingham Hall, Suffolk.
**A .58 CALIBRE U.S. REMINGTON MODEL 1863 PERCUSSION RIFLE with blued sighted barrel rifled with seven grooves, stamped with the date, Ordnance marks and retained by two brass barrel bands, case-hardened lock with standard markings, retaining nipple protector, regulation full stock, brass mounts including patch box with hinged cover, steel ramrod, retaining its muzzle tampion, worm, screw and an additional nipple, and in characteristic good to fine condition throughout 84cm; 33in barrel
A George III silver teapot, by Rebecca Emes and Edward Barnard, London 1811, of compressed circular form, decorated with central foliate girdle, engraved with the coat of arms of the Stratton family, 10.5cm high, 15oz CONDITION REPORT: Handle and finial cracked and discoloured. Handle possibly replaced - doesn't fit neatly. Let in patch around crest - solder join visible. Area of rubbing to decoration band, beneath handle. Surface scratching. Please see additional images (available upon request).
An early Victorian carved coral bracelet, brooch and unmounted cameo, the bracelet with carved links and beads, all joined by pairs of chased belcher style links, with a clasped hand box clasp, together with a carved coral brooch of a putto riding a dolphin, broken, and an unmounted carved coral cameo CONDITION REPORT: Bracelet tested as approximately 9ct gold. Very dirty. The brooch is broken, has an historic patch repair, and is covered in dirt and glue. The cameo has a chip to the edge.
Four Jade `Grape` Carvings, The first carved from a translucent white stone featuring a squirrel on a bunch of grapes; the second is a semi-translucent white stone with russet inclusions featuring two squirrels next to a fruit-bearing grape vine; the third is a semi-translucent pale celadon stone with a patch of russet inclusions featuring two squirrels amidst leafy grapes; the fourth depicts a single bunch of grapes resting on an elongated leaf. Longest: 3 inches (7.6 cm) [Chips, minor losses. This condition report states major condition issues only] Starting Price: $1500
Pjotr Stajanow (19th Century- Russian) ``The Wedding``, appears unsigned, oil on canvas, 24`` H x 39.5`` W, est: $800/1200 Provenance: Private Collection, Long Beach, CA. Condition: Visual: Craquelure and surface dirt throughout. Blacklight: A 10`` x 6`` area of touch-up in the upper center with a corresponding verso patch. Uneven varnish. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL
Percy Van Eman Ivory (1883-1960 New York, NY) ``Striking Oil``, signed lower right: P-V-E- Ivory - 1910, titled and with printer notations verso, oil on canvas, 36`` H x 24`` W, est: $1200/1800 Provenance: Private Collection, Canyon Country, CA. Condition: Visual: A.5`` hole with paint loss right center. A small hole upper right. A repair to canvas upper left with corresponding verso patch. Craquelure upper right. Minor surface scratch right center. Surface dirt. Blacklight: A 2.5`` x 1`` spot of touch-up in the center of the painting. Scattered spots of touch-up throughout the right side. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL
19th CENTURY WHITE METAL AND TORTOISESHELL OVAL MAGNIFYING GLASS the hinged glass retained in open sided tortoiseshell cover, 2 1/2" (6.4cm) wide together with a FLORAL PATTERN BILSTON ENAMEL CIRCULAR PATCH BOX (damaged) brass cased HALF MINUTE EGG TIMER, a George V 1935 silver crown coin and a SMALL SILVER BLADED SPATULA OR LETTER OPENER with pencil handle (5)
(lot of 5) Vintage embroidered appliques and pillow consisting of three appliques in the shapes of knights and coats of arms with gold thread and couching, together with a square patch having silk floral embroidery on silk centering a starburst motif with gold thread and couching; and a red velvet pillow with applied applique of similar formStarting Price: $50
Pedigree Sindy 44542 Camping Buggy with Foldaway Tent, appears VG in VG box. Together with a selection of dolls, including Pedigree Patch, blonde, in blue and yellow outfit with necklace, marked `Made in England` to back of head (G+), and damaged doll with Sindy head, loose limbs, Sindy necklace to hair. (6)
A collection of Limoges porcelain boxes modelled as fruit and vegetables, to include asparagus, peas in a pod, a bunch of beans, half a pear, strawberries, plum, bunch of cherries, convolvulus flower, together with various other patch boxes / enamelled boxes to include Halcyon Days, a Russian style egg shaped ornament, etc
A REGENCY MAHOGANY AND LINE INLAID BRACKET CLOCKsigned on the painted dial BENTLEY & BECK ROYAL EXCHANGE LONDON, with blued steel hands, twin fusee movement, the signature repeated on the backplate and numbered 762, bell, pendulum and pull/repeat in arched case with brass side frets and feet, 39cm hCase with old let in veneer patch above the brass door release button and with some old veneer cracks on the front, the dial slightly discoloured but not repainted. The movement apparently complete and in going order
A Continental porcelain Staffordshire style model of a tulip, 20th Century, raised on a gilt lined oval base, together with a group of decorative ceramics, including two Continental recumbent horses, a Russian bird and a Royal Worcester patch box and cover printed with chinoiserie figures (some faults).
An English porcelain model of a greyhound, circa 1830, with black patch detail, recumbent on a green glazed rectangular base with gilt tasselled corners, unmarked, length approx 11.5cm, together with a similar pair of dogs with gilt ears on green mound and rectangular bases, unmarked, length approx 5cm.
A small Meissen porcelain model of a dog, early 20th Century, with brown patch detail, raised on a naturalistic rectangular base, crossed swords mark in underglaze blue to base and incised numerals `2614` (missing tail) together with a Meissen style model of a dog seated on a scroll moulded base, indistinct underglaze blue mark to base (restored).
John Martin Tracy Landscape oil on canvas John Martin Tracy (American, 1843-1893) "Landscape," c. 1890, oil on canvas, 15" x 22", signed lower right, framed retouch in upper left corner and lower right quadrant corresponding with patch on verso; localized areas of cracking to paint Starting Price: $400
James Stuart Blackton Beach Scene oil on canvas James Stuart Blackton (American, 1875-1941) "Beach Scene," c. 1940, oil on canvas, 19.5" x 23.5", signed lower left, framed fist-sized area of retouch in center of sky area with corresponding patch on verso; pattern of craquelure throughout Starting Price: $300
Art Deco Limoges Enamel Stick Neck Vase. The copper ovoid form with a long cylindrical neck, the foil under an iridescent glaze shading from a rich indigo to a paler sky blue with splashes of yellow, the shoulder with wide band of smooth translucent raised globules of enamel fashioned as water droplets, spreading to a gilt lip rim, signed in gilt above the foot rim "C. FaurŽ _Limoges_" Camille FaurŽ (1874-1956) First Quarter 20th Century Height 12 3/4 inches (32.3 cm) (one spot with chip and a repair patch.) Starting Price: $300
Antique white metal coffee pot, the hinged domed cover with baluster finial, walnut scroll handle, the underside with presentation inscription ‘The gift of Mr James Rastall to his daughter Mary Rowland’, Britannia Standard hallmarks for London 1707, 24.5cm high, 25.5oz approx gross 1cm dent to dome of cover, a 6mm patch just above base of spout, surface has one minor dent and is a little scratched in places. Hinge pin is missing and the base of the handle has been re-attached with a later screw - ** General condition consistent wit

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24353 item(s)/page