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Click here to subscribeROLAND SPD-SX ELECTRONIC DRUM SAMPLING PAD & BOX OF PATCH LEADS, JACK PLUGS & BEHRINGER ULTRA DI BOX. Box filled with patch leads and jack plugs used when with New Order plus a Roland Sampling Pad (Serial#:F6H9006) and Behringer Ultra-DI 100 Inject Box.Here we go again…..So much stuff so little time.
NEW ORDER AUDIO EQUIPMENT IN RACK WITHIN FLIGHT CASE. To include GLYPH GOT4-GHS9RS Serial#: GBH100169, MOTU 828 Firewire/clock Serial#: 112948 and Wigwam Designed C-Form GPO Jack Patch bayMore bits... Oh my god! Even I don’t know what half of these bloody things were for. I know the patchbay was an easy way of changing the routing between all the keyboard gear we had. It was no wonder the roadies were all off their bleeding heads. This is torture. I am not kidding... this stuff must have cost a fortune... It’s a wonder we made any money at all.
SEVEN DIECAST MODEL CARAVANS comprising a Dinky No.117, Four Berth Caravan, cream and blue, good to fair condition (upper door hinge repaired), boxed, the box generally good but with a green colour dot; Matchbox 1-75 series No.57, Trailer Caravan, cream with an orange roof and green interior, near mint (one side sticker detached), boxed, the box fair (scarred patch to one end flap); and five others, variable condition, one repainted, all unboxed.
A 19TH CENTURY FRENCH IVORY ROSE GILT PATCH OR KEEPSAKE BOX The lid inlaid with rose gilt and a central glassed feature containing hair coils and seed pearls on a dark blue enamel base, inside fitted with a mirror and velvet, the spear headed shaped box measuring approximately 8cm long and 3.3cm at widest point Condition Report : one seed pearl missing Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Four English enamel patch boxes c.1760-90, one of navette shape and painted with lovebirds surmounted a heart within flowers, another oval with an inscription flanked by birds, one circular and printed with a landscape panel, the last with a silver-coloured metal base, and an enamel model of a hat painted with flowers, some faults, 5.8cm max. (5)
A South Staffordshire enamel commemorative patch box c.1802, painted with Britannia standing on the shore and pointing at a ship out to see, titled 'Peace with France', raised on a moulded blue base, a little chipping and cracking, 4.4cm. This box was probably made to celebrate the 1802 Treaty of Amiens which marked the end of the French Revolutionary Wars. Sadly, peace was short-lived and the actions of Napoleon caused the British to declare war on France in May 1803.
Six English enamel patch boxes and three pill boxes c.1760-80, variously painted with a dog watching a rabbit, with birds in nests and by vases, and with inscriptions including 'Remember the Giver', 'Love the Giver' and 'A Friend's Gift', on base colours including blue, yellow, pink and white, some damages, 4.7cm max. (9)
Eight English enamel patch boxes c.1760-80, of oval and circular form, variously painted and printed with inscriptions including 'Sacred to Friendship', 'A Trifle from Bungay', 'Love Constitutes the Value' and 'A Small Token of Friendship', one bases coloured pink, green and blue, five with internal mirrors, damages, 4.7cm max. (8)
Four English enamel patch boxes c.1780-1800, the largest painted with a sheep and inscribed 'A Trifle from Dover', one with a dove of peace inscribed for Friendship, another with doves by a fountain and titled 'Remember the Giver', the last with a grotto within a beaded border, on blue and green ground, some faults, 5.5cm max. (4)
Six English enamel geographical patch boxes c.1760-1800, the oval forms variously inscribed 'A Trifle from Brighton', 'A Trifle from Upton', 'A Trifle from Hull', and with views of Carlton House in London, Prior Park in Bath, and the Abbey Church of St Albans, raised on blue, green and pink bases, some damages, 5.4cm max. (6)
Three South Staffordshire enamel patch or snuff boxes c.1760-90, one decorated with a Classical maiden seated beside a bird in a case, another painted with two girls with ringlets and inscribed 'We three Loggerheads be', the last with an optical illusion portrait inscribed 'A Fortune Hunter' and 'A Bucksome Widow', some cracking, 5.5cm max. (3)
A rare South Staffordshire enamel commemorative patch box c.1815, painted with a large bull chained to a post titled 'Loans' and 'Subsidies', beside two armed soldiers beneath fingerposts inscribed 'Amsterdam' and 'Berlin', above the bull titled 'John Bull', raised on a moulded lilac base, restored, 4.2cm across.
A GEORGE I FIGURED WALNUT EIGHT-DAY LONGCASE CLOCKJohn Sebire, London, circa 1720The five pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with subsidiary seconds dial and calendar aperture to the finely matted centre within an applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers, Arabic five minutes to outer track and S/N strike/silent switch at twelve o'clock, with scroll pierced steel hands and applied mask and scroll cast spandrels to angles beneath arch with silvered boss signed John Sebire, LONDON flanked by dolphin cast mounts, in a case with domed caddy surmount and moulded cornice over break-arch hinged glazed dial aperture applied with three-quarter columns to angles with cast gilt brass caps and bases, the sides with rectangular windows and quarter columns set against bargeboards at the rear, the trunk with concave throat moulding over break-arch door with finely figured veneers edged with crossbanding and complex mouldings, the base with concave top mouldings over slightly reduced crossbanded front and later tall skirt.236cm (93ins) high excluding finials, 53cm (21ins) wide, 26cm (10.25ins) deep. Provenance: The Selwyn Demmy Collection. John Sebire is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as working in the parish of St. Annes Blackfriars. London, from around 1715 until September 1745.Condition Report: Movement is in relatively clean working condition. The trains appear all-original with the possible exception of the escapement pallets which are probably 19th century service replacements. The fifth movement pillar has been removed (often occurred during the 19th century as a means to acquire brass!). The dial is in good clean condition and appears to retain its original hands. The movement is fitted with an old oak seatboard which rests on slips applied to the upper surfaces of the trunk uprights (cheeks); the presence of these slips would suggest that the movement and dial are probably not original to the case.The case is generally in good presentable condition. The hood would have originally been fitted with blind frets to the quadrants either side of the arch and the left hand window has an old lead repair to the pane. The right hand throat moulding is currently loose however re-attachment should be very straightforward. The trunk is otherwise in very good condition with fine quality veneers to the door and fine colour. The door is a little tight on its closing (due to slight movement/shrinkage) this could probably be remedied through adjustment of the door hinges if deemed a problem. The trunk door lock has been braced with a small iron strap applied over the lock to the inside. The base of the case has lost a small amount (probably around an inch) from the 'box' and is applied with a later taller skirt. Whether the original veneers beneath the skirt are intact is unknown. Faults to the case are otherwise limited to relatively minor age related bumps, scuffs shrinkage, a few small historic localised veneer patch repairs and other blemishes commensurate with age and use.Clock has pendulum, two weights, case key (an ill-fitting replacement) but no winder. Condition Report Disclaimer
Y A FINE REGENCY MAHOGANY FLAT-TO-THE-WALL BOWFRONTED MERCURY STICK BAROMETERA. and H. Fraser, London, early 19th centuryWith swan neck pediment and cavetto cornice over rectangular bow-glazed silvered Vernier scale calibrated in barometric inches with the usual observations beneath signature A. & H. Fraser, LONDON, the ebony line-edged trunk of the same bowed profile incorporating Vernier setting squares to throat over inset bow-glazed mercury tube Fahrenheit and Reaumur scale thermometer within moulded ebony surround, the base with turned half vase cistern cover flanked by ebony vertical line strung canted angles over cavetto moulded underside incorporating level adjustment screw at the base of the cistern vase.99cm (39ins) high. A. And H. Fraser are recorded in Clifton, Gloria Directory of British Scientific Instrument Makers 1550-1851 as working from 3 New Bond Street, London, in 1816.Condition Report: The tube is filled with mercury but there is an airlock in the column. The scales have a patch of discolouration towards the left hand margin otherwise are in good condition. The case is missing a 'button' to one of the swan neck pediment scrolls and a small section of ebony moulding to the left hand side of the base (beneath the cistern) otherwise instrument is in fine condition with other faults very much limited to slight age related bumps and scuffs. Condition Report Disclaimer
A QUEEN ANNE INLAID WALNUT EIGHT-DAY LONGCASE CLOCKJosiah Thompson, Whitehaven, early 18th centuryThe five finned pillar inside countwheel bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch square brass dial with star decorated subsidiary seconds dial, herringbone border engraved calendar aperture and ringed winding holes to the matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers, Arabic five minutes to outer track and signed Josiah Thompson, White, Haven to lower margin, with scroll pierced steel hands and twin cherub and crown cast spandrels to angles within wheatear engraved border, the case with ogee moulded cornice and fine scroll pierced fret to frieze above hinged glazed dial aperture inlaid with wreath border to frame and applied with ebonised solomonic twist three-quarter columns to front angles, the sides with rectangular windows and conforming quarter columns applied to bargeboards at the rear, the trunk with convex throat moulding over 40 inch rectangular door centred with a glazed lenticle and veneered with a series interlacing circles within wreath banded border and cross grain half-round edge moulding, the the base with stepped ogee top moulding and conforming line decorated veneered panel within further wreath banded border over moulded skirt.108cm (85.75ins) high, 52cm (20.5ins) wide, 29cm (11.5ins) deep. Josiah Thompson does not appear to be recorded in the usual sources however several clocks are known by him. It is most probable that he is closely related (perhaps father) to William Thompson who is noted in Penfold, John Clockmakers as Cumberland as working up until his death in 1777.Condition Report: The movement has no visible evidence of alteration, the escape wheel and pallets are 19th century 'service' replacements otherwise the mechanism id free from visible replacements. The mechanism is in relatively clean working condition having been relatively recently serviced; the plates show some evidence of re-bushing/closing of the pivots by punch stamping. The dial has been cleaned at some point hence no longer retains lacquer or gilt finishes to the plate however engraving and matted finishes are in good condition. The chapter and seconds rings have been re-silvered and the hands are replacements. The movement rests on a replacement seatboard but at the correct level in the case. Due to the seatboard being a replacement we cannot not offer any categorical assurances that the movement and dial are original to the case however as the case is clearly a 'regional' example coupled with the fact that they are such a good match we are of the opinion that the case is more likely than not original to the movement and dial. The case has been restored with the top panel of the hood, frieze fret and the skirt applied to the base being replacements. The base has a vertical shrinkage crack to the front, the trunk door has a slight warp as well as a small historic veneer patch repair towards the upper edge. The sides of the trunk are also slightly bowed. Case otherwise is in good presentable condition with faults limited to relatively minor bumps, scuffs, shrinkage and other age related blemishes.Clock has pendulum, two brass-cased weights, a case key but no winder. Condition Report Disclaimer
A FRENCH CHARLES X ORMOLU MOUNTED MAHOGANY MINIATURE PORTICO MANTEL TIMEPIECEUnsigned, probably Paris, circa 1830The circular eight-day with anchor escapement regulated by decorative pierced rosette bob pendulum incorporating Brocot type regulation to suspension, the backplate stamped with numbers 4 3 over 4046 the circular silvered Roman numeral dial with engine-turned rosette centre and blued steel moon handset within a anthemion and leaf cast gilt bezel, the case with tablet upstand to the entablature with ogee cornice and gilt rosettes to lintel over dial and visible pendulum set between four Roman Doric columns with engine-turned gilt caps and bases, the plinth base with lyre-centred foliate scroll pierced gilt mount over canted mounding to skirt and compressed bun feet.28.5cm (11.25ins) high, 15cm (6ins) wide, 9cm (3.5ins) deep. Provenance: The Selwyn Demmy Collection.Condition Report: Movement appears complete and is in working condition but is dirty/neglected hence a clean/service is required before putting into service. Spare holes in the backplate would suggest that the suspension has been changed from silk suspension to Brocot type. Dial has some patchy discolouration to the silvering and light wear around the winding hole otherwise is in good condition. The case is generally presentable but has been cosmetically restored to address some lifting and cracking to the veneers to the sides of both the entablature and base; the front lower edge of the skirt has a triangular veneer patch repair and the rear right hand corner has a small veneer chip. Faults to the case are otherwise generally limited to minor bumps, scuffs and other age related blemishes.Clock has pendulum but no winding key. Condition Report Disclaimer
Y A WILLIAM IV INLAID MAHOGANY QUARTER CHIMING BRACKET CLOCKUnsigned, circa 1840The six pillar triple chain fusee movement with anchor escapement regulated by lenticular bob pendulum, chiming the quarters on a graduated nest of eight bells and sounding the hours on a further larger bell, the 8 inch circular cream painted convex Roman numeral dial with strike/silent switch at twelve o'clock and pierced blued steel hands behind hinged cast brass convex glazed bezel, the break-arch case with shaped concave-sided upstand over ebony line scroll and panel inlaid front incorporating carved corbels to shoulders, the sides slightly flaring at the base with brass ring handles over brass fretwork inset lancet-shaped sound frets, the rear with rectangular glazed door, on mounded skirt base with brass ball feet; with a 20th century wall bracket incorporating panel inlaid table over curved supportThe clock 61cm (24ins) high, 34cm (13.5ins) wide, 18cm (7ins) deep; the wall bracket 21cm (8.25ins) high. Provenance: Bolesworth Castle, Cheshire.Condition Report: The movement is in relatively clean working condition with no visible evidence of alteration of significant replacements. The strike/silent switch jams on silent hence requires adjustment; the hour strike does work when the switch is in strike mode (pushed to the right) the quarter chiming train will run through regardless of whether the strike/silent switch is on or off hence has a lever positioned below the bell hammers which when pushed shunts the quarter barrel along it pivot hence brings the pins out of alignment with the hammers to silence the quarter strike mechanism. This feature may well be a later modification. The dial finish appears original and has overall light to moderate crazing a small chip near the VI numeral and another to the centre; there also a couple of scratches and some wear/losses to the edge (behind the bezel so can't be seen). The cased is good original condition with faults limited to relatively minor age related bumps, scuffs, shrinkage and wear as well as a few small historic veneer patch repairs. The wall bracket has some slight veneer shrinkage cracking to underside otherwise is in good condition.Clock has a winder but no case key. Condition Report Disclaimer
A GEORGE III BRASS MOUNTED MAHOGANY TABLE CLOCKHenry Raworth, Plymouth, late 18th centuryThe five pillar twin fusee bell striking movement with verge escapement regulated by short bob pendulum, trip hour repeat and signed Henry Raworth, PLYMOUTH to the symmetrical foliate scroll engraved backplate, the 6.75 inch brass break-arch dial with calendar aperture and repeat signature Henry Raworth, PLYMOUTH to centre within applied silvered Roman numeral chapter ring with Arabic five minutes to outer track, with pierced blued steel hands and foliate scroll cast spandrels to angles beneath arch centred with a silvered Strike/Silent selection ring flanked by conforming mounts, the break-arch case with hinged brass carrying handle over complex top mouldings and brass fillet bordered glazed dial aperture to the front door incorporating brass-edged front angles, the sides with arched brass fish scale sound frets and the rear with break-arch glazed door set within the frame of the case, on cavetto moulded skirt with brass bracket feet.39cm (15.25ins) high excluding handle, 27.5cm (10.75ins) wide, 18cm (7ins) deep. Henry Raworth in recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as married in 1761 and working in Plymouth up until 1795.Condition Report: The movement is in clean working condition and appears original with no visible evidence of alteration or significant replacements although the pendulum rod and bob are probably fairly recent. The dial is in good clean condition with faults very much limited to very slight scratching/wear around the winding holes. The movement and dial are original to the case and the case is in good condition having only very slight shrinkage cracking t the curved arch top. The mask around the dial (behind front door) has some patch repairs to the veneer overlap. The rear door has a small veneer chip to the right hand curve of the arch. Faults to the case are otherwise very much limited to very minor shrinkage and a few very slight bruises/blemishes.Clock is complete with case key and winder. Condition Report Disclaimer
A GEORGE III FIGURED MAHOGANY TRIPLE PAD-TOP TABLE CLOCKAlexander Wilson, London, circa 1775The five pillar twin fusee bell striking movement with anchor escapement regulated by lenticular bob pendulum incorporating rise/fall regulation to suspension, the backplate engraved with symmetrical foliate strapwork around a central basket motif, the 7 inch brass break-arch dial with curved false bob and calendar apertures to the finely matted centre within applied silvered Roman numeral chapter ring incorporating Arabic five minutes to outer track, with scroll-pierced steel hands and rococo scroll cast spandrels to angles, arch with twin subsidiary regulation and Strike/Silent dials beneath applied silvered signature plate engraved Alex.r Wilson, London and with foliate engraved infill to lower margins, the break-arch case with hinged brass carrying handle and three raised caddy moulded panels to the top surface over double cavetto top mouldings and break-arch glazed front door applied with raised mouldings around the dial aperture and with caddy moulded front angles, the sides with arched brass fish scale sound frets and the rear matching the front, on cavetto moulded skirt base with brass bracket feet.40cm (15.75ins) high excluding handle, 29cm (11.5ins) wide, 19.5cm (7.75ins) deep. Provenance: Purchased from Dando Brothers, Bath in 1944 for £48. Alexander Wilson is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working from Drury Lane, London before 1772 and was a freeman of the Clockmakers Company 1781-94.Condition Report: Movement is in clean working condition; the escapement has been converted from verge to anchor albeit with minimal intervention to the plates (ie. has only a very small slot cut to the centre of the top plate to allow for the pallet arbor). The rise/fall regulation beam has been retained the backcock however appears to be a replacement. The base of the case has been cut with a slot to allow for the current longer pendulum and a thin panel applied to the underside to close the hole. The backplate has an unused treaded hole and adjacent steady-pin hole for a pendulum hold fast which is no longer present. Movement otherwise is in good original condition with no other obvious alterations or significant replacements.The dial is in sound original condition with nice detailing such as the engraved infill around the subsidiaries in the arch. The hands appear original, the matted surfaces appear a little dull on colour compared with the rest of the plate and the silvering has some patchy tarnishing to the finish, the false bob pendulum has been retained despite the conversion of the escapement from verge to anchor.The case is in generally good original condition. The top exhibits some very slight shrinkage cracking and movement but this is minimal; the left hand pad has small but noticeable scuff/bruise to the centre of the panel. The mask around the dial (behind the front door) has had a small section of veneer re-attached at the base of the arch to the left otherwise is in fine condition. The door retains its lock and hinges and the raised mouldings around the glazed aperture appear complete with no obvious replacements although some shrinkage cracking is evident; the key hole has a small adjacent veneer chip to a historic veneer patch repair evident due to an area of darker colouring. Both sides have very slight chips to the veneer ovelaps bordering the brass sound frets otherwise are in good condition. The rear door has a 2 inch section of moulding to the arch replaced (not the best quality repair) otherwise is in good original condition retaining lock and hinges. The case has old French polish and wax finish which has mellowed and there are minor historic bumps, scuffs and other minor blemishes commensurate with age.Clock has a pendulum and winder but no case key. Condition Report Disclaimer
A WILLIAM III WALNUT AND FLORAL MARQUETRY EIGHT-DAY LONGCASE CLOCKUnsigned, circa 1695The five finned pillar bell inside countwheel bell striking movement with anchor escapement regulated by seconds period pendulum, 11 inch square brass dial with ringed decoration to the subsidiary seconds dial, winding holes, and the foliate scroll border engraved calendar aperture to the rosette decorated matted centre within applied silvered Roman numeral chapter ring with stylised sword hilt half hour markers and Arabic five minutes to the narrow outer track, with pierced sculpted steel hands and mask and scroll cast spandrels to angles with scroll engraved infill to the margins between, in a case with moulded cornice and plain frieze to lintel over leafy trail inlaid fixed dial surround and rectangular windows to the sides of the hood, the trunk with convex walnut veneered throat moulding over 41.5 inch rectangular door centred with an oval lenticle and with three shaped marquetry panels decorated with bird inhabited floral sprays and scrolling foliage on an ebonised ground within a figured walnut field, the sides veneered with twin panels within crossbanded borders, the base with stepped ogee top moulding and conforming rectangular marquetry panel over later moulded ebonised skirt.208cm (82ins) high, 42cm (16.5ins) wide, 23cm (9ins) deep.Condition Report: Movement is in clean working condition and appears all original with no evidence of alteration or significant replacements. The dial is in clean condition with only a few very light spots of discolouration to the silvering of the chapter ring; the hands appear original although both have historic repairs. The movement rests on a replacement seatboard directly onto the side uprights of the trunk (cheeks). The seatboard has been thinned at each end to align the dial down slightly in the hood aperture; the presence of this detail (and the fact that the seatboard is a replacement) means that we can offer no firm assurances that the movement and dial are original to the case although they would seem to go together extremely well.The case is generally in sound original condition. The hood was originally made to rise but has since been converted to slide forward however fortunately the front has not been adapted to incorporate an opening door. The slip that borders the rear top edge is a replacement otherwise appears all original. The front glass is lacking and the angles would have originally been fitted with twist columns together with quarter columns against bargeboards to each side at the rear. The trunk is in good condition, the door retains its original hinges but the lock is a replacement. The door has some slight shrinkage cracking to the veneers towards both the top and lower edges from where the door panel has moved slightly against the horizontal clamps applied to the upper and lower edges of the panel. This detail is typical/expected on marquetry cases and is not problematic as forms part of the overall sense of age/patina. The marquetry is in good condition although areas of green have been touched-in by hand. There is slight old worm damage to the border inlay and a small veneer patch repair to the upper edge of the surround. Both sides of the trunk are in good condition. The marquetry to the base appears original as does the structure behind. There is a slight horizontal shrinkage crack across the marquetry panel and the crossbanded border has a few small historic veneer patch repairs. The side veneers are in good condition although the right hand side shows some movement/shrinkage in the panel. The backboard and sides of the trunk do not continue all the way down into the base (as would be expected in a case of this type) but terminate around four inches short of the lower edge of the box of the base. However it would appear that the case was originally made with this detail rather than being indicative of the structure being cut/reduced at some point. Faults to the case are otherwise limited to relatively minor bumps, scuffs, shrinkage, small amount of historic worm holes and other blemishes commensurate with age.Generally a good honest example that would potentially respond very well to a relatively small amount of work to the case. Clock has pendulum, two cast iron weights, case key and a crank winder. Condition Report Disclaimer
A group of Coalport batwing tea and coffee waresearly 20th centurycomprising a rare lilac trio of a teacup, saucer and side plate; together with cobalt batwing comprising ten large teacups, six saucers, 14cm diameter, five saucers, 14.5cm diameter; a small teacup and saucer, a coffee cup and four saucers and side sideplates(qty)Condition report: 1 teacup badly cracked, crazed. 1 teacup with patch of staining to interior. 1 teacup with hairline, heavy crazing and some staining. 5 further teacups with varying degrees of crazing.Saucers- eight crazed, one stained and crazed. Two with some rubbing to the gilded centre roundel. The smaller teacup is cracked and crazed and its saucer is also crazed. Coffee cup and saucer- saucer crazed to underside of foot rim, teacup crazed to interior and foot rim.Sideplates - 1 with small hairline to centre.Lilac trio - teacup with some crazing around handle. Saucer and plate both crazed all over. The plate also has some brown spots.No further signs of damages or repairs. Generally, some light signs of use throughout.
An Edward J D Bodley composite tea/coffee servicecirca 1880of fluted form, the pale yellow grounds decorated with white flowers and foliage, the service comprising ten coffee cups, eleven saucers, teapot and cover, slop bowl, four medium plates and one large plate,painted pattern number 6983, impressed marks (some damage)Condition report: Four coffee cups are cracked (one of which has heavy yellowing to interior). One coffee cup has a small rim chip. Two further coffee cups are heavily stained to the interior, the others lightly so. Several have some crazing most visible to the bases.Saucers - two with cracks to rims, one of which has an associated chip. Another has a hairline crack extending right around approx 1/4 of the saucer, near the rim.Slop basin - badly cracked.One of the plates is heavily scratched.The cakeplates has rubbing and wear to the yellow ground, most noticeably to the raised sections of the moulded fluting.The teapot has staining to handle, base and a patch main body. There is crack to the underside of the base. Further staining to interior and crazed all over.
John Cyril Harrison (British 1895-1985) Grouse in Flight, signed lower right, watercolour, measurements 10.5 x 12.5 cm, frame 33.5 x 25.5 cmProvenance: consigned from a significant private collection of wildlife artCondition report: The painting is a watercolour, framed under glazing- not examined external to the frame. The sheet appears in good condition no obvious signs of any rips, folds or creasing. There is some ageing (browning) of the sheet down the left and right edges against the mount. There is some staining- red brown in colour above the back of the neck of the grouse on the left and a smaller fainter patch beneath centre. The frame is in good condition. The painting has been consigned from a significant private collection of wildlife art which included artists such as Charles Tunnicliffe, Eric Ennion, George and Eileen Soper, Terence Lambert, Ralston Gudgeon etc.
A 17th century and later oak wainscot chair, the foliate carved cresting rail above a later carved cruciform panel, above pierced, scrolling arms, raised on turned and block legs Loss of colour, particularly back, alterations and restorations Condition report: Alterations/restorations, including 14cm x 4.5cm patch on back right of cresting rail, later seat and back right stile. Chips, dents and scratches consistent with age and use. Loss of colour – particularly back
Together with a small presentation trowel; two silver patch boxes with regimental button onlay; three vesta cases; a capstan inkwell; a cigar case; two salts; small tot cup; two matchbox frames; a Georgian caddy spoon; a small silver-mounted aide memoir; stamp and a pin cushion/ jewellery box (quantity)Lengths: 30cm and 31cm
A reproduction circular inlaid burr walnut occasional table with central rectangular panel to the top, raised on three turned supports to outswept scrolling feet, 70 x 53cm (af). CONDITION REPORT The central rectangular panel looks to be a later replacement, crazing to the polish, patch repairs visible, central section at top of the foot appears to be missing a small urn, one of the feet has been crudely repaired with visible screws, may previously been a chess table
A reproduction mahogany quarter veneered and floral inlaid fold-over games table, interior with chess board within a swag and ribbon decoration with floral border, raised on reeded tapering supports to cross-stretcher terminating in brass tulip feet, 76 x 73 x 43cm. CONDITION REPORT There is some fading to the top surface with a small patch to the front left where the veneer has come away, there is residue across the central part of the table and scratches to the right hand side with a small chip to the veneer around the front turn, light surface wear to the cross stretcher and interior
A quantity of various collectibles to include ceramics and glassware, a miniature green glass vase and a miniature amethyst glass vase in the style of Mary Gregory, a quantity of Derby Posies to include a rectangular pin dish, an oval dish on footed stand, mustard pot, a miniature cup and saucer, a 19th century miniature cabinet cup and saucer with raised applied floral decoration and hand painted insets, with blue cross marks to base (saucer af), a Staffordshire figure of a poodle, a small leather and white metal case containing a white metal thimble, figurine of a lady in Georgian dress with impressed crown mark to base, no.FX846, a Graefenthil figurine of young girl with ducks, Royal Copenhagen figure of a pair of penguins, two 19th century trinket pots, one enamelled example, a 19th century ivory dance card, and a late 18th century carved wooden and metal rush light, three yellow metal propelling pencils, a late 18th century patch pot, blue enamel with white enamelled top inscribed 'I love too well to kiss and tell' etc.
OMEGA SPEEDMASTER PROFESSIONAL; an empty Omega Speedmaster wooden box inset with Speedmaster Moon Landing metal medallion, guarantee booklet, operating manual, a 'First Lunar Landing of Mankind' cloth patch and a 'First Lunar Landing of Mankind' Omega booklet with certificate no.686 to inside back, also the official white Omega outer box. CONDITION REPORT Box only, this lot does not include a watch. Some age-related staining and wear to the outside of the white box. The wood box is in reasonably good condition, there is nothing obvious to detract from its appearance, inside there is a little wear to the white inner.
* Mortteer a percussion muzzle loading double barrelled shotgun, with 31 1/2" barrels, marked to the rib in silver "London Twist", the breech end with gold lines, the hammers in the form dogs heads, the locks with foliate engraving marked Mortteer and having a 14" straight hand stock with shell shaped silver coloured patch box inlaid to the right hand side.
19th century chest of four long graduated drawers, on splayed bracket feet, H93 x W93 x D45cm Condition Report: General wear consistent with age and use. With extensive marking and chipping to top surface, and some cracks to corners. General chipping and wear to corners of chest. Repair patch to top and fading and discolouration to top. Warping and cracks to veneer to corners and edges of top. Chips to back edge of top. Some damage to sides with pitting and scratches.
19th century mahogany 30 hour longcase clock, with arched brass dial with Roman and Arabic numerals signed Edward Box, Chichester, the arched case with twin columns with brass caps, having slender trunk on plinth base, h198cm, with pendulum and weights Condition Report: Cannot guarantee in working orderScratches and wear to brass dialShrinkage cracks to base , no evidence of wood worm, possible crack to hinged door, and patch repair to hoodTrunk locked , key missing
A Derby bocage figure of a girl and a similar figure of Mars: the girl holding a posy in her left hand with another in the folds of her shirt, a lamb at her side, on scrollwork base, patch marks, circa 1770, 22cm [minor damage and losses]: the figure of Mars dressed as a Roman centurion, on scrollwork base, patch marks, circa 1770, 22cm [nozzle lacking, some losses].
*Jean-Franck Baudoin (French, 1870-1961)Breaking wavesoil on canvas46.2 x 65.5cm*Artist's Resale Right may apply to this lot.Condition report: Tightly stretched and previously professionally cleaned and restored. When seen under uv light, small areas of retouching can be seen across the entire sky. Small patch lower left. Some dispersed retouching lower right. Slighty dirty with light craquelure. Please see additional condition images on website.
AN EARLY 20TH CENTURY/MEIJI PERIOD CASED SET OF TWELVE JAPANESE SATSUMA POTTERY COFFEE CUPS AND SAUCERS, each piece with polychrome enamel and gilt floral decoration and butterflies, the interior of the cups similarly decorated, bears marks to bases and some with remnants of paper labels, the fitted case lined with purple silk (Condition:- one saucer has a small patch of staining that is visible back and front, some variations to the decoration, most saucers have three main butterflies painted to the centre, a few have many butterflies painted to the centre, one saucer is lighter than the others, but overall good condition)
A cut glass dressing table pot having inner hinged silver gilt lid and hinged domed outer silver lid and a matching tubular cut glass bottle with screw on silver domed lid, both having applique monograms, London 1876, Wright & Davies, retailed by Thornhill 144 Bond St London, a cut glass scent bottle having HM silver collar and glass stopper and a tiny circular patch box stamped 925 having engraved scroll decoration to lid
An Early 20th Century Silver Gilt and Enamel Circular Box, with import mark for London Chain Bag Co. Ltd. London 1923, the lid decorated with a basket of forget-me-nots hanging from a pink ribbon within pale yellow guilloche enamel border and sides, the base inscribed with four line verse, 2ins diameter x .5ins high, gross weight 1.4ozsCondition - Small area of enamel missing just above the hinge, measuring approximately 5mm x 1mm. The lid does not close correctly, creating a gap which at its widest at front in area of patch measures approximately 6mm. Catch does not engage. Hinge has lateral play. Underside of base inscribed with four line verse and interior of lid inscribed 'Eve Aug. 1924'.
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