Two 19th Century Silver Rectangular Vinaigrettes, one miniature by John Lawrence, Birmingham, date letter indistinct, engraved with vacant cartouche and wrigglework, .75ins x .5ins x .25ins, weight .12ozs, the other by T.S. Birmingham 1834, the lid with floral mounts, engraved with vacant cartouche and floral and leaf scroll ornament, 1.25ins x .75ins x .375ins, weight .53ozsOne miniature by John Lawrence, Birmingham, possibly 1836 - light surface scratches commensurate with age. Hallmarks struck on inside of lid - king's head, makers mark, lion passant and inside of base -anchor, makers mark, date letter, and inside the grille. Maker's mark slightly rubbed, date letter thought to be 1836. One by T.S. Birmingham 1834 - light surface scratches commensurate with age, and light rubbing to highlights. Inner grille a little stiff. Sponge present but worn. Hallmarks well struck inside lid - anchor, makers mark, lion passant and inside base - anchor maker's mark and date letter, and inside the grille. Some minor dents to edges, and a possible repair to front right corner edge and a small patch along the right side. Pinhead size dent to the base.
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XIX Century Patchbox, oval in enamel, 'A Trifle From Scarborough', white glass faceted scent bottle, small pocket knife, mother of pearl carved panels, miniature etc.Patch box with mirror to inside but it has a crack along the entire height in the middle, all over cracks and hairlines. Scent bottle with scratching all over. Mother of Pearl with chips to edges. Small penknife with some rust. Others wear commensurate with age. Miniature red glass bottle missing stopper, no cracks or chips to body, would benefit from a clean.
Featured is an Everlast red boxing glove, hand-signed by legendary heavyweight champion Mike Tyson. This professional-style glove is constructed from high-quality synthetic leather and showcases black laces, reinforced stitching, and the iconic Everlast logo patch on the wrist area. The bold black autograph is prominently displayed on the striking surface, making this an exceptional piece for collectors and boxing enthusiasts. An official Fiterman Sports authentication hologram is affixed to the glove, verifying the authenticity of Tyson’s signature. As one of the most dominant and electrifying figures in boxing history, Tyson’s memorabilia remains highly sought after, making this autographed glove a prime addition to any sports collection.Issued: 21st centuryDimensions: 12"L x 7"WCountry of Origin: United statesCondition: Age related wear.
An Italian made black powder smooth bore percussion Kentucky musket .50 CAL. Brass 'V' sights, brass patch box in stock, octagonal barrel, s/n. 43036. SECTION-2 LICENSE IS REQUIRED TO PURCHASE THIS LOT. Condition Report: As listed on our website, unfortunately we are unable to offer a postage service for any firearms.
A Single barrel percussion shotgun. No makers name 16 gauge bore in reasonable condition light pitting brass patch box in stock, s/n. 1549. SECTION-58 NO LICENSE REQUIRED TO PURCHASE THIS LOT. Condition Report: As listed on our website, unfortunately we are unable to offer a postage service for any firearms.
A Jager 'Italy' Kentucky .45 black powder muzzle loader. Smooth bore, open sight, percussion, s/n. 24169, loading rod and brass patch box in stock. SECTION-2 LICENSE IS REQUIRED TO PURCHASE THIS LOT. Condition Report: As listed on our website, unfortunately we are unable to offer a postage service for any firearms.
Sporting.- Cuming (E. D.) British Sport Past and Present, one of 500 copies signed by the artist, tipped-in colour frontispiece and 30 plates by G. Denholm Armour, captioned tissue guards, bookseller's ticket to foot of pastedown, light browning to title, endpapers and fore-edge, scattered foxing, mainly near start, the occasional small stain or patch of light soiling, original pictorial brown pigskin, gilt, t.e.g., others uncut, spine lightly faded and with very short tear to head, few small stains or marks, rubbed, mainly to extremities, Hodder and Stoughton, 1909 § Paget (Guy) The History of the Althorp and Pytchley Hunt 1634-1920, one of 600 copies, plates, some colour, list of subscribers, one text f. and plate little frayed at edges, light browning to title, endpapers and slightly to text margins, foxing to endpapers and occasionally lightly elsewhere, gutter cracked at points but holding firm, upper hinge cracked, original vellum-backed cloth, spine little darkened and with short tear to head, lightly rubbed, London & New York, 1938; and others, sporting, 4to & 8vo (17)
O'Neill (Terry) Bond and Beyond, one of 1000 copies signed by Terry O'Neill, additionally signed by Honor Blackman on limitation f., black and white photographic illustrations by O'Neill, small patch of light soiling to head of title, original boards, upper cover with inset digital screen, some bumping and slight rubbing to extremities, mainly to head of spine and upper cover, folio (binding 422 x 340mm.), Ransom Publishing, 2015. *** Originally set under a glass panel inside a bespoke coffee table, created to coincide with the world premiere of the Bond film Spectre. The digital screen is fully functioning, the book accompanied by a charging cable.
A GEORGE III SILVER HALF PINT MUG MAKER'S MARK ...K, LONDON 1780 The slightly tapering body with an acanthus lea capped double scroll handle 9.5cm high 218g (7 oz) Provenance: Private Collection, Lancashire Estate Condition Report: Maker's mark partially obscured, rest lightly rubbed Knock to the foot rim Thin patch to the body where engraving has been removed Stands well Light scratches and wear commensurate with age and use Condition Report Disclaimer
JPR WILLIAMS | ST MARY’S HOSPITAL MEDICAL SCHOOL | 1968-1973Jersey match-worn by JPR Williams, navy blue with white collar, embroidered fleur-de-lys to circular navy-blue patch sewn to chest, white canvas number 15 to reverse, Bukta label to inside collar. In Catholic symbology, the lily represents the Virgin Mary. The three petals in the fleur-de-lys point to Mary’s radiance, royalty and purity.JPR (family notes, 2023):“Looking back, being accepted by St Mary’s Hospital Medical School in ‘67 was pivotal for me. If I had not been a student in London, I would never have joined London Welsh, nor played with such brilliant players around me. After all, seven people were selected for the ‘71 Lions tour, of which five played in the Tests.I was pleased to be accepted for1st MB to re-take Physics as I didn’t really want to stay on at school another year. St Mary’s had a good rugby reputation which went back years. I managed a few games for the 1st’s that term when other players were unavailable. It was quite an experience playing in the company of older players, some of whom were six or seven years older than me and seemed “real men of the world”. It happened as the medical training was so long and some went on to work in the hospital afterwards. But during the student vacations and some weekends I had a few games for Bridgend, sometimes travelling down by train on Saturday mornings. I found it difficult to juggle until, after being picked to tour Argentina with Wales in ‘68, I was asked to play for London Welsh. After much deliberation, I accepted in Oct ‘68 and I never looked back, as their attacking style of rugby matched my own. I still played for St Mary’s in the Hospital Cup matches for another 5-6 years. And we won the Cup quite a few times - great occasions! I needed special permission from the Dean to take three months off in ‘71 for the Lions tour to New Zealand. So I joined the next set and I had to delay my clinical placements and my final exams. But I wouldn’t have missed the Lions for the world! My fellow medics told me how they got up at 2am to watch the Test matches … just think, some of the matches were in black and white!After qualifying I was offered a Surgical House job at St Mary’s and luckily it finished just in time to go to South Africa with the ‘74 Lions tour. Again, it effectively set me back six months, but how lucky was I to fit it in!I couldn’t seem to leave Mary’s (or London) as I really wanted to become a surgeon, and needed to pass some very stiff exams. So, I became an Anatomy Demonstrator (teacher) at the Medical School. It was strange being on the other side of the table, but much easier for me to fit in all the squad training and playing without on-call duties. By the end of the year, I managed to pass Part 1 FRCS and in ‘76 we moved to Wales so I could take up a surgical rotation job for 3 yrs. That wasn’t the end of my St Mary’s connection as in 1982 I was offered a three-year Senior Registrar job there. It took me to Royal National Orthopaedic Hospital in Stanmore, Royal Berkshire Hospital in Reading as well St Mary’s - a great orthopaedic experience. I was privileged to be connected to St Mary’s for almost 10 years, not only did I get good medical teaching, I made great friends, and played exciting rugby for the hospital, London Welsh, Middlesex and London Counties. I even managed to get my London University Purple playing tennis for a few summers. The Medical school was amalgamated with Imperial College in the 1990’s, along with Charing Cross and Westminster Medical Schools. They no longer play in the navy jersey nor the Fleur-de-Lys - so this is a special jersey.”
JPR WILLIAMS | BRIDGEND | c.1980sJPR’s match-worn Bridgend RFC jersey in blue with narrow white stripe, white collar, embroidered crest and embroidered Umbro diamonds to chest, black number 15 to white square, Umbro International label to collar. To accompany, blazer patch pocket with Bridgend RFC braided crest.During his years at London Welsh JPR had felt that he was sheltered from the criticism and pressures that were felt by a Welsh player playing for local clubs. He was able to mature at London Welsh, which put him in good stead to return to Wales and accept the new challenge of playing in front of more critical eyes.JPR (family notes, 2023):"It was by no means a foregone conclusion that I would be moving out of London in ‘76 to take up a 3-year rotating surgical post in Cardiff. I needed to pass part 1 FRCS first then I was in my way to a career in surgery. I joined the squad at Bridgend in the September and played underMeredydd James, a stalwart of the club for a few years. The big differences with London Welsh were the muddy pitches and mid -week evening matches: it gets very cold by 8.45 pm!I was Captain for the ‘78-9 year of Bridgend’s Centenary and we had plenty of extra fixtures, sometimes playing three times a week. But the big event was to be the visit of the All Blacks on their’78 tour in the December. As Captain of Wales, I was still smarting at the injustice of losing the Wales match against them three weeks earlier. Their line out tricks fooled the referee and won the game for them at the end.But I wasn’t prepared for the vicious play against us; three of us at least received bad lacerations, but mine was the most severe. Much has been written about my returning to the field (against the advice of my father and three brothers: all medics) but I simply felt I couldn’t let the team down as Captain. The photo with Graham Mourie shows his concern as the trainer led me off and he made apologies at a later date. Not so the prop who stamped a second time when he realised who I was.This jersey is the replacement Bridgend one as my original playing jersey was washed as best as possible but there were still blood stains."The incident was the lead to writer Ed Smith’s story in GQ Magazine, entitled ‘Who Dares Wins’. Smith opening with "When does courage become madness? Perhaps we should ask JPR Williams…"Additional playing days images courtesy of Colorsport (Copyright)
JPR WILLIAMS | WALES UNDER 25 | 1970Red jersey with white collar, Umbro International Sportswear manufacturing label, printed Umbro motif to back, felt patch number 15 stitched to rear with felt patch rampant dragon and embroidered 'FIJI' over.JPR played full-back wearing the number 15 jersey for Wales (Under 25) XV v Fiji at National Ground Cardiff on 21st November 1970. The Wales (Under 25) XV won 8-6. Please see Welsh Brewers Annual 1971/72 page 20 photo of Welsh players in the match wearing this jersey.The Wales line-up was an impressive one, with full-cap players included such as John Bevan, Derek Quinnell, Terry Cobner and was captained by Phil Bennett. The senior Welsh side had earlier in the year shared the Five Nations Championship with France. The match against Fiji would have formed preparation for the 1971 Championship, with the opportunity for selectors to observe a number of ‘possibles’ whilst playing with more experienced ‘probables’ such as JPR. Four months later Wales would win their 6th Grand Slam.
JPR WILLIAMS | BARBARIANS | 1973Jersey match-worn by JPR in the famous Barbarians RFC v New Zealand All Blacks ‘match of the century', played in Cardiff on 27th January 1973. Jersey in traditional black and white hoops bearing Barbarians cypher embroidered on to patch, printed number 15 to white square stitched to reverse, Umbro ‘two globes’ label to interior. In excellent complete condition. To accompany:Barbarians FC dinner card in honour of the New Zealand Rugby Touring Team 1972-73, in good condition.Match programme.Black and white reproduced photo with signatures over the tops in black ink of JPR Williams, Phil Bennett, Gareth Edwards, Tommy David, and John Dawes.Booklet with match-by-match reports and pictures of New Zealand’s rugby tour of the British Isles 1972-73 entitled ‘All Blacks in the Lion’s Den’, colour cover and with colour photographs, 72 pages.The Barbarians vs New Zealand match was played at Cardiff Arms Park to a capacity crowd. It remains one of the most famous rugby matches of all time, in which certainly the most famous try of all time was scored. ‘That try’—commonly described as ‘the greatest try’—was scored by Sir Gareth Edwards, but started off by Phil Bennett, who then passed to JPR Williams, who shrugged off a high tackle from Bryan Williams—one of several high tackles JPR endured over the course of the match."We really had no right to beat them, we hadn’t played together for eighteen months, and they were right at the end of a tour". JPR in ‘Slammed’ (BBC Wales)View full descriptionAdditional playing days images courtesy of Colorsport (Copyright)
Two Chinese bamboo carved vessels, late 19th to early 20th century, Including a tall brush pot carved with a depiction of the "Seven Sages of the Bamboo Forest”, and an intricately reticulated circular covered box, decorated with various figural scenes. Heights: 32cm and 16cm. 晚清至20世紀初 竹雕器皿(一組兩件)The brush pot has a couple of cracks but not extend through. The covered box has a small patch of wood loss and a crack on the cover. 品相良好,筆筒有幾條裂紋但未延展,圓盒有小處缺損及蓋上有一處裂紋。
A Chinese painted enamel ‘ladies’ snuff bottle, Qianlong mark. Finely decorated in Western oil painting technique with European ladies amidst richly ornamented flowers and foliage, the base bearing a four-character Qianlong mark. Height: 6.4cm.乾隆款 畫琺瑯西洋仕女鼻煙壺Provenance: from a private English collection來源:英國私人收藏 In good overall condition, with a small patch on the foot rim in a different colour, possibly refilled, and lacking the spoon.底足一處呈異色可能小補,無勺。
A Victorian Scottish silver card case, engraved with stylised scrolling foliage and strapwork, by William Crouch, Edinburgh 1869, 9.5cm highBoth sides are a bit depressed, with some shallow dents and dings. There is a small grey patch/solder repair? to the edge of the cartouche on one side. Minor knocks and scratches throughout.
A HERIZ CARPET With a central medallion on a brick red ground within similar borders approximately 362cm x 288cm Condition Report: Carpet with significant wear overall as illustrated. Wear reveals underlying weft and warp in areas throughout. Various old stitched repairs, including a old repaired tear through one side border - see images. A patch repair to central field approximately 20 x 10cm. Longest edges have some sections re-bound in varying colours of thread but are untidy. They have various losses, wear, fraying and loose threads. Some undulation to the edges of the carpet - it is not completely square in shape. The fringed ends have moved into the pile and a guard stripe has been lost at both ends. Both ends with wear, fraying, loose threads and losses. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A Derby Mansion House dwarf, 6 1/2" highCondition:We believe the figure to be 18th century.The foliage on his head has been restored.His cane has been restored.We believe his right index finger has also been restored.The patch of flowers by his left foot have been restored.Gilding all over is rubbed.
Parker Field & Sons percussion smooth bore muzzle loading gun, (probably 10 bore) with 29" damascus barrel, the lock marked Parker Field & Son and with foliate engraving, fitted with a 14" lop stock with ornate silver coloured engraved patch box, trigger guard and ramrod holders. Serial No. 9581. Sold as section 58 obsolete calibre.
Collection of approximately two hundred and fifty embroidered / woven badges to include souvenir travel (countries and counties), music, Scouting, sport etc, patch for XV Tornado Ground Crew, Boys Brigade, Duxford RAF Station, R.N.L.I., Metropolitan Rugby Union, Princess Louise’s Argyll & Sutherland Highlanders, Mid Atlantic Columbus Day Tournament, Old Ironsides, 614th TFS Lucy Devils, 53rd (Welsh) Infantry Division, Whitbread, AD/DC, Iron Maiden, Kylie & Jason, visit of Chief Scout Hampshire 1980, Sundowners, numerous badges from Australia and Tasmania, Fort Albany Police, Nike Oregon, together with several medal ribbons, small album and loose
[Transport] Vintage embroidered Jaguar Drivers Club cloth patch together with over eighty metal and enamel badges, stick pins etc to including Ferrari, Honda, Bedford Drivers Club, Triumph, Kawasaki, Mercedes, Ford, Land Rover, Ford Motor Contractor Aero Engines, R.M.S. Queen Mary, London & South Western Railway, British Railways, Talyllyn Railway, Pullman, Whitewater Valley Rail Road, Heathrow, Boeing 777 and shaped badges of cars and planes
ROYAL DOULTON; a collection of 101 Dalmations figures comprising 'Cruella de Vil', DM1, 'Penny', DM2, 'Penny and Freckles', DM3, 'Rolly', DM4, 'Patch, Rolly and Freckles', DM5, 'Pongo', DM6, 'Perdita', DM7, 'Lucky', DM8, 'Patch in Basket', DM9, 'Lucky and Freckles on Ice', DM10, 'Pups in the Armchair', DM11, also Beatrix Potter and Winnie the Pooh ceramic figures, with boxes (qty).Condition Report: Light surface ware and minor nibbles throughout.
A quantity of regimental sweetheart brooches, to include the Argyll & Sutherland Highlanders, Cheshire Regiment, Royal Artillery, Suffolk Regiment, Scottish Horse, King's Royal Rifle Corps, Army Cyclist Corps etc.; together with two Gordon Highlanders miniature kilt novelty examples, a Royal Lancers matchbox holder, Durham Light Infantry cap badges and cloth patch, a Maria Theresa 1780 thaler etc.Note: Durham Light Infantry, Royal Army Medical Corps and Suffolk Regiment rifle-form brooches are hallmarked silver. Condition Report:Available upon request
Wolverine No. 1 - first issue featuring the 1st appearance of Wolverine as Patch - High-Grade condition (Marvel Comics, 1988).Key Marvel 1st issue.This lot features:Wolverine (1st ongoing series) No. 1Creators: Story by Chris Clairemont. Interior and Cover art by John Buscema.1st print, US Cents edition.Issue complete without cut coupons, missing value stamps or missing pages.Lot also includes:Origin (1st series) No. 1Bagged and boarded in new polypropylene bag and comic board.~(2)Condition Report: Wolverine No. 1 - High Grade condition.Origin No. 1 - Mid-Grade condition.
A 19th century South Staffordshire oval enamel patch box Ad Nelson, width 5.5cm together with an American Civil War era brass tobacco box PATD Jan 24 1860 C. Parker decorated with the Tomb of Washington and two horse riders, a tortoise shell circular snuff box with miniature portrait of a young Napoleon II after Marcke and a 19th century horn snuff box with contents. (4) Ivory exemption 1W8BY1GJ Condition report, patch box with extensive cracking and losses, American box with remnants of silver plate and lid hinge repaired.
George III (1760-1820), Pre-1816 issues, Restrike Proof Twopence, 1797, in copper, draped bust right, wreath of 10 leaves and 4 berries, the last one small, k : · on lowest fold of drapery which has several lapped areas, brooch of 6 jewels, blocked stops partially drilled out, die flaw extending from hair to edge, rev. Britannia seated left on rock above three rows of waves, small patch of sea behind, olive branch with 11 leaves, soho · and incuse triangle of dots on rock at right, edge plain, 56.45g/6h (BMC 1079 [R 48]; S 3776). Toned with some original colour, good extremely fine, very rare £300-£400
Seven John Rogers & Sons blue printed earthenware plates, c1840, printed in the Zebra or Elephant pattern, 25cm diam and smaller, impressed mark Zebra pattern - larger with patch of flaking glaze, smaller with glued rim Elephant pattern - one with hairline cracks to rim, another with chip to rim, the rest in good condition
A pre WW1 Royal Artillery officer's dark blue full dress greatcoat, with gilt KC buttons, Captain's bullion pips and grenade collar badges, named label of "Capt. Hayes Sadler RA" and medal ribbons for pre 1902 India General Service Medal and Africa General Service Medal 1902. GC, patch of moth behind right shoulder. £60-80
A STUDIO POTTERY CHARGER AND SQUARE DISH, the charger with painted sgraffito decoration depicting a woman in a stormy lakeside scene, unsigned, diameter 33cm, the square dish with blue, brown and cream dripped glazes on a red clay body, measures approximately 34.5-35cm square (2) (Condition Report: charger has flaking glaze and areas of glaze loss on the rim, a hairline and a loss to the foot rim - around one of the holes for hanging, light crazing dish has light crazing and a slightly rough patch on one corner, otherwise pieces appear ok)
TWO CAPODIMONTE SCULPTURES OF BLACKSMITHS, each depicting a blacksmith at his forge, the larger piece including a grey horse, each signed M. Lory with blue Capodimonte mark, together with two certificates, largest piece measures approximately: height 25cm x width 30cm x depth 26cm (2 + 2 certificates) (Condition Report: generally ok, the larger sculpture having a repair to the horse's ear, glue residue on the apron, a possible loss at the base of the anvil, small chips on the forge and flames, and possible tiny chips/rubs to relief areas including fence, the smaller sculpture also has glue residue on the apron, is missing one finger, and possible loss/rough patch on the hair, each ae a little dusty, certificates creased)
Two dresses, a 2006 BIBA reboot long summer dress in lightweight cotton with blue and green Moroccan sketch pattern, crochet waist ribbon, shish mirror embroidery details at the bust, size XS. A batwing dress in terracotta and beige Terry towelling cloth, heaveyweight with split sides, zip fasten to the rear, size XS. Along with a vintage mannequin bust, wood base with man-made bodice painted black, measures 36' bust, 25' waist, 35' at hase/hip, signs of age include rough surface with chips and scuffs. CONDITION REPORT: Both dresses are in lovely vintage condition, without moth holes. The BIBA dress has some darkening at the neckline trim, very likely to be dust build up over time and washable. The towelling dress has a small patch, not larger than 1x4 inches, of wear to the area right of the rear zip. Not instantly noticeable as the speckled natyure of the we blends in with the texture of the fabric, though small sections of the beige shade have been worn down to reveal the brown/orange beneath.
Albert Dunington (British 1860-1928) "Near Pont-y-Pair, Betws-y-Coed" Signed and dated '90, titled on verso, oil on canvas.60 x 90.5cm (framed 90 x 120cm)The painting is in good, restored condition. The painting has been re-lined and there is a repair patch visible on verso with corresponding overpainting. There are one or two small flecks of paint loss across the canvas. The painting is ornately framed but not glazed. The frame has some knocks and losses.

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