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World War Two (WW2) - German WH Army enlisted man M34 Heer field cap with Soutasche and patch badges - NOTE: Please read 'Important Information' contained in LOT 76 before bidding on this lot

World War Two (WW2) - a German Army peaked cap with patch badges to the side and fore, marked within SS-BW 60 - NOTE: Please read 'Important Information' contained in LOT 76 before bidding on this lot

Uniform - a German WWII M44 enlisted soldiers woolen field tunic, four button front, with tunic patch and breast eagle patch, pebbled/grained tunic buttons, four button front, stamped inside "A.C.B. 1945 88". approximately 75 cm length. Estimate £200 - £300

1970s Saga Grey Mink Jacket, of ribbed design with blonde mink trim to cuffs, hem, collar, front and back, with two slit pockets and a gathered internal patch pocket embroidered 'K M S' 34'' bust, 28'' shoulder to hem, 16'' underarm to cuff

Early 1970s Laura Ashley Light Brown and Blue Floral Cotton Dress, labelled 'Laura Ashley, Dyers and Printers, Made in Wales', with cream crochet trim to the neckline, short gathered sleeves, tie back ribbons under the bust and the hem with tiered ruffles, zip fastening to reverse (size 14); together with a 1980s Laura Ashley White Cotton Dress, with square neckline, simple tiered design to bust and hem, slit pockets to each side of skirt, zip fastening to reverse, (size 14); a 1980s Laura Ashley Red and Purple Floral Cotton Dress, with front button detail leading to a gathered waistline with piped detail, zip fastening to reverse (size 14); a 1980s Laura Ashley Green and Berry Floral Cotton Velvet Dress, gathered sleeves and pleats at the waist, zip fastening to reverse (size 16); a Laura Ashley Girls Yellow and Pink Floral Cotton Dress, with white embroidered and crochet edged collar, two gathered patch pockets to skirt, zip fastening to reverse (age 6); and another Girls Pink Cotton Dress of similar size (unlabelled) (6)

Patron Original Christian Dior Paris Navy Blue Wool Coat, numbered '00200', double breasted with long sleeves, patch pockets to the front and small pocket to the left armSlight bobbling and wear - missing belt

Group Of Moschino 'Cheap And Chic' Ladies Clothing, comprising a grey two piece A-line skirt and jacket with spherical matt metal buttons upon multiple patch pockets (size 10); a purple sleeveless shift dress with asymmetric frilled hem (size 10); a boldly printed purple and green floral summer dress with halter tie to back (size 10); a black short thin cardigan with frilled neckline and cuffs and decorative floral buttons; together with Marc By Marc Jacobs Self Patterned Black Polka Dot Evening Dress, with velvet waistband (6)

SAMUEL JOHN LAMORNA BIRCH (1869-1955) "The coast", waves crashing against a rocky shoreline, oil on canvas, signed lower left, 43 cm x 51.5 cm (ARR) CONDITION REPORTS The whole picture is very dirty and would benefit from a good clean. Very yellowed and browned. There is a slightly clearer looking patch to the sky in the right hand side which comes up slightly darker in UV light. There is a tear to the canvas to the left hand sky in the left hand corner. Various scratches and scuffs and marks. Frame with various losses, cracks, chips, etc, throughout. In need of replacing. All over various considerable signs of wear and tear. In need of restoration and work. The back of the canvas is very browned, stained, marked, etc.

A late 18th / early 19th Century patch box, the lid with mirror inscribed "O mortal man in every act beware since one wrong step may marr an age of care Ever thy credit keep tis' quickly done The gain'd by many actions lost by one", 4 cm x 2.5 cm, another decorated with Continental lake mountain scene with chalet in foreground, 4 cm x 2.25 cm and another with fan medallion and flowers to the lid, 3.5 cm x 2.25 cm (3)

THOMAS HAZELHURST (1740-1821) "Young lady in white dress with matching hairband", oil on ivory, oval, miniature portrait study, half length, initialled lower left, in gold coloured mount as a brooch, housed in a red leather carrying case inscribed with ownership initials "G J Rooke", 7 cm x 6 cm CONDITION REPORTS A small greyer patch round the bottom of the lady's throat which looks pitted from soem angles. Some light scratches to the paint including two deeper longer ones on the lady's white blouse running down to her blue belt. Some scratches to the glass. The pin on the back of the brooch will need attention, some dents to the frame. Various scratches to the frame to the box. Variousd general signs of waer and tear, locking mechanism broken, hooks worn, leather very worn and variosu impressed marks, scratches, scuffs etc. Interior dirty and all over various general signs of wear and tear through age and use throughout

19TH CENTURY ENGLISH SCHOOL "Long grey-haired gentleman in brown coat looking back over his shoulder", miniature oil on ivory panel, oval, unsigned, 9cm x 7.5cm CONDITION REPORTS A lighter coloured patch on the shoulder - under UV light this looks to have been re-painted. White scratches throughout, some slight damage to the edges. Frame has various chips, .osses and scratches and scuffs. Remnants of paper label verso "July 21st 1806" and one other small remnant. Various general signs of wear and tear throughout

formation badges include 2 x printed 17th Indian Div ... Printed 19th Indian Div ... Printed 4th Indian Div over Infantry bar and tartan patch khaki slip on ... Black triangle ... Bevo weave 7th Armoured Div ... Bullion embroidery parachute wings ... 2 x embroidery Gurkha mess dress parachute wings ... Various embroidery rank badges ... Black and green Gurkha lanyard. 21 items.

consisting khaki, fine woollen example. Front tartan patch. Silk lining ... Brown woollen example with top pom-pom. Cotton lining .... Tan woollen example with green top pom-pom. Black silk rear tails. Silk lining with tailor’s label. Some service wear. 3 items.

khaki woollen, single breasted tunic. High stand and fall collar. Single pleat under collar. Patch chest pockets and lower hidden pockets, all with buttoned flaps. Brass General Service buttons (some loose). Internal issue label faint. Shoulder titles absent. Some service wear and minor damage.

consisting scarlet single breasted, high collar tunic. The collar with dark blue collar tabs. Dark blue pointed cuffs. Pleated chest pockets and hidden lower pockets, all with buttoned flaps. Anodised General List buttons ... Similar example with dark blue high collar and pointed cuffs. Patch chest and lower pockets. Anodised buttons. Both with shoulder straps removed. 2 items.

green denim battle dress jacket and trousers converted into a one piece suit. Top with plain patch pockets with buttoned flaps. Trousers with large left leg front pocket with buttoned flap. Right hip first aid pocket. Labels absent. Bottoms of leg with some fraying. Buttons absent.

khaki single breasted, stand and fall collar tunic. The collar with brown collar tabs with silvered embroidery edging. Patch chest and lower pockets, all with buttoned flaps. Bullion embroidery shoulder rank stars. Brass Polish eagle buttons. Breast badges absent. Polish medal ribbons. Some service wear.

A very Rare Great War Burberry 'Tielocken' Gabardine Flying Jacket bearing a silk 'Burberrys Paris' maker's label dated '18' (1918) A2 in style, the jacket with two flapped patch pockets and elasticated waist and cuffs, with later front closure zip and repairs. NB. Burberrys Paris Store, 8 Boulevard Malesherbes, opened its doors in 1909

A 1970s Hardy Amies patterned jacket and matching dress; a black lace cocktail dress; an emerald green taffeta skirt with chunky metal buckle, a silk devore skirt and matching belt, a 1970s brown satin jacket with shell buttons and patch pockets, a Jean Paul black wool jacket, a textured animal print top, a black skirt with sparkle butterfly design within the pleats, a plush animal print shift dress, a plain black wool jacket, a black velvet evening skirt and a green patterned wraparound dress. UK size range 10/12 approx

Medals, WW2, 'Lushai Scouts', V-Force Burma 'Behind Enemy Lines' Posthumous Immediate Military Cross (recommended Colonel Ord Wingate), group of five, Captain J.G. Woods, Royal Scots Fusiliers, attd. Lushai Scouts 'V' Force, kia December 24th, 1944, MC, GVIR, 1945, original case of issue; 1939-1945 Star, Burma Star, Defence Medakm 1939-1945 War Medal - late issue box, named allocation slip, original carbon citation slip for MC, Royal Scots Fusilier's officer's two-piece brass cap badge, Lushai Brigade 'V' Force Commando cloth patch, extensive copied research including war diaries of 7 'V' Ops. unit under the command of Lt. Col. Ord Windgate of Chindit fame (later brigadier, and killed in an air accident), their plans, directives, selection and training, and the BBC WW2 People's War articleL/G 28th June 1945 Citation: From 19th to 24th May (1944), Captain Woods led a patrol of two sections behind enemy lines to a depth of 35 miles, successfully ambushing a Japanese car within 300 yards of a large enemy lorry, and then getting his party back without a casualty and bringing with him three enemy native intelligence men as prisoner'.Date & Place of Action: 21st May, 1944 on Tiddim-Imphal Road'This officer has on several occasion shows a high standard of courage and initiative'.Recommended: Lt. Col. W.A. ORD (Wingate), Commdg. 5 'V' Ops. Area, Brigadier P.C. Marindin, MC (later DSO), Commdg. Lushai Bgde., 25th Oct. 1944ApprovedL Lieut. General W.J. (Bill) Slim, G.O.C.-in-Chief Fourteenth Army, 30th Nov. 1944James Gerard Woods was born in Glasgow, Scotland on June 14th 1917, the son of John Woods, a restaurateur. After graduating from Glasgow University with an MA in 1940, he enlisted in the British Army and was commissioned as a wartime infantry officer with the Royal Scots Fusiliers (L/G May 30th, 1941). He served in India and Burma, having volunteered and been selected in March 1944 for the Lushai Scouts 'V' Force (attached to the 7th/14th Punjab Regiment), a commando force operating in Japanese occupied territory. The unit consisted of six British officer led by Major Jack Longbottom under Lt. Col. Ord Wingate, anf a force essentially of native soldiers locally recruited by Longbottom from the Lushai Hills in north-east India near the Burmese border tasked with halting the Japanese advance. Woods was awarded the MC for his actions on May 21st, 1944 on the Tiddim-Imphal Road, posthumously recorded in the L/G of June 28th 1945, when his ultimate superior Brigadier Marindin was awarded the DSO. After a further seven months of guerilla action, Woods was killed in action in Burma on December 24th 1944, aged 27, the only British office casualty of the Lushai Scouts, which was disbanded after only eighteen months in August 1945 at the end of hostilities. He is buried in the Rangoon Memorial cemetery.

A Derby Patch Mark figure, Garland Shepherdess, she standing wearing a yellow bodice and floral dress, with a sheep wearing a floral garland, before bocage, scroll moulded base, 20cm high, incised N.60, c.1770

A Derby Patch Mark figure, of a Flower Girl, she stands holding a posy, wearing a feathered headdress, pink bodice, blue skirt, before bocage, scroll base applied with flowerheads, 21.5cm high, c.1770

A Derby Patch Mark figure, of Mars as a centurion, he stands wearing a feathered helmet, chain mail uniform and sandals, his shield at his side, before encrusted column, shaped scroll base applied with flowers, 22cm high, c.1770

1922 (Feb-July) Dollard overprint, 2s6d to 10s dull grey-blue (SG 17/21), odd short perf and 5s tone patch, large part o.g., cat £300

Stamp Booklet: 1946-47 2s black/buff, edition 30-47 (SG SB7), a small patch of gum lose on stamp 6 of the first pane otherwise complete and very fine, cat (from) £750

1841-51 2d blue plate 4, FJ with four good to large margins and fresh, gum a little disturbed with patch of glazing, cat £6,250

Victorian rosewood folding top card table standing on cabriole legs, 3' wide In very good condition, more photos added. One darker patch on table top which may be ? where a vase stood? but top not faded.

An oval enamel patch box of Bilston type, 18th century, painted with hunting scenes of horses, riders and stags, 6.3cm wide (cover detached) and an enamel teacup and saucer painted in polychrome, with metal handle and rim (3)

A selection of objects of virtu and works of art to include three brass stacking wool weights, a cast iron paperweight with crowned lion, a cannonball, a micro mosaic of flowers, 7.5cm, a pair of Edwardian opera glasses, a spinning top, a guinea scale, staybusk, a vernacular ladle, 51cm, a brass slip top spoon, 17cm, a fossilized ammonite, 9cm, a bronze needle, 11cm, two watch keys, three enamel patch boxes, one marked 'a pinch of this deserves a kiss', one marked 'within you'll see what's dear to me', a tortoiseshell penknife and a mother of pearl penknife, two desk seals, a white metal S decanter label, a carved bone scoop and a cased cigarette holder and a circular brass paperweight and silver pepperette, also a 'Fairy Ball', three small Victorian coins cast together, dated 1855 showing Britannia and motto 'Victoria Regina' (Qty)

A Bilston enamel circular box, late 18th Century, the hinged cover and sides decorated flowers on a white ground, 5.5cm diameter, and a similarly decorated patch box, 4cm diameter

18th century enamel circular patch box decorated with urn 'Sucecfs attend you', 2cm and oval enamel snuff box decorated with romantic scene, 5.6cm (2)

Joseph Thors (act. 1863 - 1900), oil on canvas - The Sluicegate, possibly Dedham, signed, in gilt frame, 60cm x 90cm CONDITION REPORT Overall very good condition. A small patch repair but in very good ready to hang condition

ENGLISH SCHOOL (19th century)Cattle Herder Crossing a Ford Before a Couple on a Bridge in a Rural River LandscapeOil on canvas47.5 x 36 cm, framed CONDITION REPORTS: Generally good condition, expected wear, some surface crazing, old patch repairs and associated over painting.

Circle of IVAN KONSTANTINOVICH AIVAZOVSKY (1817-1900) RussianShipwrecked by MoonlightOil on canvas 43 x 34 cm, framed CONDITION REPORTS: Generally in good condition, expected wear, two patch repairs with some possible associated over painting, slight crazing.

HENRI JOSEPH PAUWELS (1903-1983) Belgian (AR) Floral Still Life Oil on canvas Signed 63.5 x 73.5 cm, framed CONDITION REPORTS: Generally good condition, expected wear, small patch repairs and associated over painting.

A 19th century treen burrwood snuff boxOf hinged rectangular form. 8.5 cm wide. CONDITION REPORTS: Some general wear, small patch to lid, general wear.

BRIAN COOLE (born 1939) Anglo-American (AR) Wounded Nelson Being Taken Below, Trafalgar 1805 Oil on canvas Signed 82 x 56 cm, framed CONDITION REPORTS: Generally good condition, expected wear, small patch repair and associated over painting, losses to frame.

E GROVES (20th century) BritishPortrait of a Young Girl KnittingOil on canvasSigned and dated 192529.5 x 44 cm, framed CONDITION REPORTS: Generally good condition, expected wear, small patch repair with some associated over painting, tear in to signature and associated over painting, slight losses to frame.

QUEEN - BOX OF TRICKS AND GREATEST HITS II - Two box sets here to include the Star Direct issued Box of Tricks which includes CD, video, book (some signs of damp), poster, t-shirt, badge and patch. Also Greatest Hits II with CD, VHS and photo book.

A striped and floral brocaded pink silk robe à la Française, 1770s, with trained sack-back, wide pannier skirt shapings, graduated front robings with ruched zig-zag patterns which widen towards the hem edged in silk fly braid, double engageants; with a quilted pink silk petticoat (2) CONDITION REPORT: Robe: bodice side seams have been altered, a horizontal pleat has been added at the rear waist to slightly shorten? Innner silk panels have been added to make the bodice more closed-front, Sleeves have been slightly shortened and reset - presumably to remove staining. They have also been let out to widen. There are very faint perspiration stains and a few small pinhead holes in this area. 3cm split just above the centre-back hem - minor. Two small holes in bodice left front panel. Patch repair in near-matching silk to bodice front right closure edge. The sack- back pleats match well. The fabric is generally fresh and clean in appearance, good colours;The pettiocoat - with faint stains and splits in the silk generally

A rare painted silk robe à la polonaise, English, 1770s, the ivory silk painted to shape in imitation of Chinese silk, with closed front bodice, the edges and front openings painted with foliate swags with delicate meandering buds and wild flowers over the ground, with cord polonaise ties and loops within the overskirt the petticoat painted to match and lined in wool (2) CONDITION REPORT: ·Bodice: darts added to front closure panels, baleen boning removed from bodice back, and the waistline has been raised. The original pointed waist is extant within the dress, a small panel of silk is missing from this area, possibly used to make a patch elsewhere. This waistline alteration could be reversed to put the dress back to the original shape. Sleeves have been narrowed, reset and the cuffs have been moved higher up. Perspiration stains and repairs at underarms. The skirt with a few fine splits in places on front opening edges. 4cm horizontal split concealed within pleat at top of left skirt panel near front opening. 2 small holes in front right skirt panel. Occasional fain scattered stains, occasional pinhead holes but nothing too obvious or serious. 2 vertical spits within 2 painted leaves centre back, the larger approx. 2cm. Silk hem lining has wear but painted silk is generally good. ·The petticoat with later added cotton waistband, the pocket slits are in place and there appears to be no loss of fabric. However, three stained areas across the skirt approx 10cm diam and the silk has perished within them. Another faint brown stained area approx 10cm diam but without perishing. 3cm hole in the hem edge and a faint brown stain to one side of it with a peppering of pinhead holes. The wool blanket lining has slight moth damage.

A fine beige beaver plush stove pipe hat, circa 1840, with trade label 'T.H. Satchell, Hatter of London, 48 Lord Street, Liverpool, by Special Appointment to HRH Prince Albert, Best Quality', with grosgrain silk band and buckle, 20.5cm, 8in tallThe partnership between London based hatter Thomas Henry Satchell and his Liverpool associate Richard Frederick Bickerton was dissolved July 1846, so this hat must pre-date the end of the collaboration. CONDITION REPORT: Good condition. Slight matting and moth damage to underside of brim. Small bald patch on crown. Grosgrain ribbon faintly discoloured at the rear seam. There are traces of silk edging ribbon which would have edged the brim, which is largely missing. The beaver plush is generally good, long and flossy.

A Mariano Fortuny stencilled green velvet jacket, circa 1920, with circular label 'Mariano Fortuny Venise', stencilled in gold Persian inspired palmette repeats and borders of meandering vines and ogivals, lined in peach silk, chest approx 117cm, 46inThe Metropolitan Museum of Art holds an example of the same design in a different colour, accession no. 2009.300.468. CONDITION REPORT: Good condition. Patch of smudging to velvet from cleaning at front right and small white soil mark at right shoulder. A couple of small light brown stains to lining, minor. Very fresh overall.

A pair of Schiaparelli couture shorts, possibly for tennis, circa 1937, labelled 'Schiaparelli London', no 1238, slubbed silk-linen mix, with slanted patch pockets, metal lighting zip, waist 71cm, 28in; together with a leaf-printed crêpe blouse, probably Schiaparelli, with tie to neck, bust 102cm, 40in (2)Provenance: Mrs Carol Dugdale (neé Timmis), a stylish British socialite. CONDITION REPORT: Shorts: occasional brown stains, mainly over the back and crotch area. Blouse: faint perspiration stains at centre back, left underarm, soiling to neck tie. Left cuff has small frayed area.

A fine Balenciaga couture checked wool coat, Spring-Summer, 1966, Paris labelled and numbered 95470, the broad navy window-pane checks on a tan ground, the sleeves cut in one with the back panel with loose rear buttoned belt, chest 112cm, 44in See 'Balenciaga' by Jacqueline Demornex, Thames & Hudson, for a full page photograph of an identical coat, from the Balenciaga Archive. CONDITION REPORT: Two small pinhead sized holes to rear panel, another at top of left sleeve. Generally good condition. Exterior is clean and fresh with the occasional tiny moth hole. Slight soiling on front right skirt area, wool returns on cuffs are soiled. The construction is superb - especially the matching up of the patch pockets. Lining is good condition, slight soiling inside neck edge, underarms and hem edge which would probably clean out (minor). Small spot stain inside right front panel.

A Thea Porter abaya/kaftan dress, mid 1970s, couture labelled, of ikat silk, the hem inset with a patchwork of pink velvet, lamé and black cotton embellished with gold sequins, trimmed with gold braid CONDITION REPORT: Brown stains to pink velvet patches on hem, soiling line on front hem where it has been at one time raised and then re-lowered, also small hole. 13x6cm L-shaped tear to rear hem, centre left, and a couple of small holes here also. The back is generally clean and good but 24cm vertical tear and repair at rear right hem, another 12cm long on left hem side and 17cm vertical split and repair far left side. 4cm hole at front right hem. Brown stain to front right skirt pink velvet patch. Soiling/staining to front neck opening. 1cm hole at right underarm. Some loses to sequinned panels but minor. Fair condition, needs cleaning and conservation, mainly at hem.

A Chanel couture evening ensemble, 1972, labelled and numbered 45170, the shift dress of cream organza over ivory silk entirely covered in embroidered and beaded roundels, with floret centres formed from heart-shaped sequins, the matching jacket with chain weighted hem, dress bust 81-86cm, 32-34in (2) CONDITION REPORT: Jacket: re-lined in beige silk but very well done, exterior is good, no obvious embroidery losses apart from a small bare patch under left armhole. Dress: lined in ivory crepe de chine which is soiled around neck edge and shoulder straps, hem has been let down on dress.

Princess Diana's Arabella Pollen silk ensemble, worn for an Official Royal visit to Adelaide, 5th April, 1983, labelled, 'Pollen London', in caramel, white and primrose stripes, comprising: loose jacket with self-covered buttons, horizontally striped patch pockets, pleated silk skirt and cummerbund tie sash, chest approx 97cm, 38in, waist 74cm, 29in; together with a letter of provenance (4)Provenance: The dress was given to the vendor who worked as a nanny for a well-connected family from Northamptonshire who were good friends of 'Fergie' as she was affectionately known - Sarah, Duchess of York. She was a regular visitor and on one occasion also brought with her to dinner HRH the Prince and Princess of Wales. Princess Diana and the Duchess of York each donated two dresses to the vendor's employer to sell for charity. But on Christmas morning 1987, to the vendor's delight she was given this striped silk ensemble as a surprise present as she was such a huge fan of the Princess. It has remained in her possession ever since.Princess Diana wore this ensemble on the first day the Royal tour of South Australia, worn with a straw boater and a blouse with ruff collar which had become synonymous with the 'Lady Di' style.The Royal couple were taken to the Adelaide Town Hall where they were treated to a State Reception followed by a trip to the Community Centre to watch a keep fit class amongst other pursuits, which were recorded on newsreels of the day.Princess Diana seemed smiling and self-assured, but later admitted that she found the first few days of the Australian tour traumatic. Although she disguised it well, the Princess was feeling unwell, believed she looked 'too thin' and found it difficult to cope with the sweltering temperatures. She also keenly felt the separation from young Prince William to whom Australian Prime Minister, Malcolm Fraser, had thoughtfully extended the invitation. However massive crowds and 95 degree temperatures made it unsuitable. Still at the crawling stage, Prince William was safely ensconced with his nanny at Woomargama, a 4000 acre sheep station in New South Wales which Prince Charles and Princess Diana visited as often as they could amid their hectic schedule but at least Diana knew he was under the same sky. With a population of 17 million, over a 1 million Australians turned up in person to greet the couple on their four-week tour. But everywhere they went, the crowds clamoured for the Princess and complained when Prince Charles went over to their side of the street on a walkabout, much to his obvious displeasure.However, the success of this gruelling tour marked a turning point in Diana's Royal life. Andrew Morton, in 'Diana Her True Story - In Her Own Words', p142, wrote:'She went out a girl, she returned home a woman...(the Australian trip) signalled the slow resurrection of her inner spirit'The international press complained that Diana was often dressed more like a dowager than a young Princess. US fashion critic Mr Blackwell, put the Princess at the top of his Worst Dressed List, stating she had gone from 'a very young, independent, fresh look' to a 'tacky, dowdy' style. However, the loose flowing lines of this ensemble made it cool, practical and drew attention away from her slender form. CONDITION REPORT: Waistline on the skirt has been widened, otherwise good condition.

An enamelled silver patch box, a brass tobacco box, various tampers and other brass novelties and a cloisonne jar and cover (Q)

An enamel pill box and a South Staffordshire patch box

Three pairs of Staffordshire style Dalmatians and a Royal Doulton Disney's 101 Dalmatians Patch, Rolly and Freckles

A Georgian Bilston-type enamel patch box (a/f)

Two Border Fine Arts figurines including Patch and Surrogate Mother Brown

An 18th century South Staffordshire enamel patch box, of hinged oval shape, inscribed 'Remember me when this you see', 4cm

A selection of enamelled wares, to include; two enamelled patch pots, both with hinged and mirrored interiors, with stylised floral detailing, a cauldron shaped, enamelled salt, probably Bilston with floral reserves, 7cm diameter and a gilt metal oval casket, 3.7cm high (at fault) (4)

A 20th century reproduction WWII Second World War Nazi German Third Reich ' Narvik 1940 ' metal plaque / patch. Laid onto fabric.  NOTE: From a private collection of German militaria comprising of both genuine and replica items. Where possible we have stated ‘original’ or ‘replica’ but buyers are strictly reminded to satisfy themselves prior to bidding as to authenticity / condition irrespective of the description.

A 20th century Nazi German ' Nurnberg Parteitag 1929 ' metal plaque / patch. Laid onto fabric.  NOTE: From a private collection of German militaria comprising of both genuine and replica items. Where possible we have stated ‘original’ or ‘replica’ but buyers are strictly reminded to satisfy themselves prior to bidding as to authenticity / condition irrespective of the description.

A 20th century Nazi German Third Reich ' Kuban 1943 ' metal plaque / patch. Laid onto fabric.  NOTE: From a private collection of German militaria comprising of both genuine and replica items. Where possible we have stated ‘original’ or ‘replica’ but buyers are strictly reminded to satisfy themselves prior to bidding as to authenticity / condition irrespective of the description.

An original post WWII Second World War Russian issue military uniform great coat. Cloth patch to arm, and makers label inside (in Russian). Original buttons present. 

A 20th century German issue ' Bergwacht Hilfspolizei ' Mountain Police metal plaque / patch.  NOTE: From a private collection of German militaria comprising of both genuine and replica items. Where possible we have stated ‘original’ or ‘replica’ but buyers are strictly reminded to satisfy themselves prior to bidding as to authenticity / condition irrespective of the description.