We found 24353 price guide item(s) matching your search
There are 24353 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
24353 item(s)/page
Lot 89
24-Bore Percussion Rifle Fitted with a Bolted Purdey Lock Numbered 6898, signed scroll engraved lock plate, detented action, set trigger (requires attention), round barrel with flat top Birmingham proved, open sights, twin inlaid gold breech lines, silver safety plug, Purdey engraved sprung patch box and chequered buttcap with CHARGE 3 ½ DMS No6 POWDER, half stock with chequered small, horn fore-cap and brass tipped wooden ramrod. Overall 47”, barrel 30.25”. Good condition, the stock, barrel and trigger guard by another hand.
Lot 28
SCOTTISH PROVINCIAL SILVER TEASPOON,maker John & Patrick Riach, active Forres 1817-1859, Fiddle pattern, engraved 'RMM' to terminal, approx. 279g, 16cm longSeveral visible nicks to bowl rim with some very slight misshaping, a rough patch and pitting to bowl reverse, further general scratches and nicks throughout
Lot 16
JOAQUIM MIR TRINXET (Barcelona, 1873 - 1940)."Sunset".Oil on canvas.Relined.Signed in the lower right corner.Attached certificate of Dr. Joan Campana Tubon.It presents a patch in the left inferior zone.Measurements: 75 x 87 cm; 93 x 105 cm (frame).In this painting by Joaquim Mir, the wide sky takes centre stage, opening up in the bluish vault a deep crimson caesura. Likewise, the light at twilight falls on the landscape with its small chapel, unfolding a daring symphony of emerald greens and bright yellows between shady hollows. Joaquim Mir reduces nature to its basic elements through an excellent handling of light and colour, but at the same time he avoids abstraction, always suggesting the pulse that beats beneath the forms.Joaquim Mir studied at the San Jordi School of Fine Arts in Barcelona and in the studio of the painter Luis Graner. He soon felt uncomfortable with the official teaching, which was anchored in a conception of realist painting, and so in 1893 he founded the "Colla del Safrà" (Safrà Group) with other colleagues to explore together the pictorial initiatives of the end of the century. In 1896 they even participated as a group in the 3rd Exhibition of Fine Arts and Artistic Industries, to which Mir submitted two works: "La huerta del rector" ("The Rector's Vegetable Garden") and "El vendedor de naranjas" ("The Orange Seller"). From 1897 he also frequented the artistic environment of "Els Quatre Gats", which helped him to mature in the compositional study of landscapes with figures in different planes of depth. During these years he took part in the Fine Arts Exhibitions in Barcelona in 1894, 1896 and 1898. Winner of a second medal at the Madrid Exhibition of 1899, that same year he moved to the capital with the aim of applying for a scholarship in Rome. When he was unsuccessful, he went with Santiago Rusiñol to Mallorca, a trip that was to be a definitive turning point in his career. Mir was dazzled by the Mallorcan landscape, which was an inexhaustible source of inspiration for him. From then on, the artist deployed a whole combination of impossible colours, the result of his personal interpretation of the island's majestic nature. The brushstrokes grew longer and became stains that almost made objects and spatial references disappear. In 1901 he exhibited the fruit of this first Mallorcan period in a solo exhibition at the Sala Parés in Barcelona, and again won a second medal at the National Exhibition. In 1907 he won the first medal at the International Exhibition of Fine Arts in Barcelona. From then on, settled in Camp de Tarragona, he did not move away from the landscape genre, but now it was the surrounding villages that were the protagonists of his painting. He gained definitive national recognition in 1917, when he was awarded the National Prize for Fine Arts. In 1929 he won the first medal at the International Exhibition in Barcelona. The following year he won the medal of honour at the National Exhibition in Madrid, a prize he had been pursuing since 1922. Although he was mainly a native painter, he held solo and group exhibitions in Washington, Paris, Pittsburgh, New York, Philadelphia, Amsterdam, Buenos Aires and Venice. Mir is today considered the foremost representative of Spanish Post-Impressionist landscape painting. His work can be found in the Museo Nacional de Arte de Cataluña, the Museo del Prado, the Museo Thyssen-Bornemisza and the Museo Reina Sofía in Madrid, among many others.
Lot 54
LAUREANO BARRAU BUÑOL (Barcelona, 1864 - Santa Eulària des Riu, Ibiza, 1957)."Landscape".Oil on canvas.Signed in the lower right-hand corner.It has a patch on the back.Measurements: 90 x 63 cm; 100 x 73 cm (frame).Laureano Barrau was born in the bosom of a bourgeois family, son of an industrial engineer and businessman. He began his training at the School of Fine Arts in Barcelona, where he was a pupil of Antonio Caba. Shortly afterwards he travelled to Madrid to broaden his training by studying the great masters of the Prado Museum. In 1884 the Barcelona City Council granted him the Fortuny Pension to extend his studies in Rome for three years. However, with the money from the travel grant Barrau moved to Paris, where he entered the Academy of Fine Arts, with Jean-Léon Gérôme as his tutor. In 1885, already in Rome, he studied the Italian masters and began to send to Barcelona the works that corresponded to him as a boarder. From 1887 he exhibited regularly at the Sala Parés in Barcelona, one of the most important Spanish galleries of the time, and the most prominent in Catalonia. That year his painting "The Surrender of Gerona" was a great success with critics and the public, as it represented a totally personal treatment of the genre of history painting, more vibrant and emotive. At the same time, Barrau frequently took part in official exhibitions both nationally and internationally. In 1888 he was awarded a second medal at the International Exhibition in Barcelona and a second prize at the Universal Exhibition in Brussels. Three years later, in 1891, he was awarded the title of member of the Salon de la Société Nationale des Beaux-Arts in Paris, and the following year he was awarded a third medal at the National Exhibition of Fine Arts in Madrid for his work "Escardadora". In 1904 he won a second medal at the same exhibition for "Taponeras del Ampurdán". Barrau also held numerous individual exhibitions and took part in group exhibitions in Paris, Barcelona, Madrid, New York and Rome. In 1909 he settled in Buenos Aires, where his work enjoyed the same success and recognition as it had in Spain and Europe, and after returning he settled permanently in Ibiza in 1911. From there he continued to show his work both in Spain and abroad, and in 1929 he was appointed "Societarie" of the Paris Salons. Barrau's work is based on an initial language linked to his neoclassical training, and evolves to reach a new concept characterised by luminosity and chromatic transparencies. To this day, the work he produced in Santa Eulària des Riu (Ibiza) at the end of his life is considered to be the best of his output. Laureano Barrau is currently represented in the Prado Museum, the Getty Museum in California, the Museums of Contemporary Art in Madrid and Barcelona, his house-museum in Santa Eulària des Riu and in various museums in Paris, Buenos Aires, Montevideo and Rio de Janeiro, as well as in important national and international private collections.
Lot 31
19th century school, following 17th century Flemish models."City View".Oil on canvas.The canvas has perforations and dirt. With patch on the back.Measurements: 46 x 55,5 cm.Although the dating of this canvas is fixed in the 19th century, the artist is clearly inspired by Flemish models of the 17th century. In it he gives priority to the landscape view of the last planes, in which the skyline of a typically Flemish city can be discerned. Like other genres that became very popular during the 17th and 18th centuries in Flanders, landscape painting has its roots in the Dutch pictorial tradition of the 15th century. The background landscapes in the religious works of Van Eyck, de Bouts and van der Goes occupy a much more important place as an artistic element in these works than landscape painting in Italian painting of the same period. With regard to the representation of the narrative, the landscape of the Flemish Primitives plays an essential role, not only as a natural setting for the characters but also to separate and set the various episodes of the story narrated in the work. With regard to the imitation of nature, 15th-century Flemish painters sought to depict the countryside and towns of their native country in their religious landscapes, detailing their flora with botanical precision and even giving an idea of the time of day and the season of the year in which the scene takes place. This special interest in depicting the landscape increased as the 16th century progressed, when a new type of landscape was developed and popularised for sacred scenes: the panoramic view. Very soon, however, it was the representation of the landscape itself that was to receive the attention of painters and, of course, of the public.
Lot 140
Davies (John, Sir) The Original, Nature, and Immortality of the Soul. A Poem, first Foulis edition, half-title with contemporary ink ownership inscription of David Blare, also doodling in a contemporary hand, some light spotting and soiling, B1 with closed tear to inner margin, affecting a few words, [Gaskell 128], Glasgow, R. & A. Foulis, 1749 § Jurieu (Pierre) Seasonable Advice to all Protestants in Europe of what persuasion soever. For Uniting and Defending themselves against Popish Tryranny...Done out of French, the odd spot, [Wing J1213], for R. Baldwin, 1679 § Whitehead (William) Ann Boleyn to Henry the Eighth. An Epistle, title with woodcut vignette, slight browning, the odd spot or patch of soiling, disbound and loose, [Foxon W434], for R. Dodsley, 1743, all but last with later marbled boards, very lightly rubbed; with 3 others, 17th century Latin, v.s. (6)
Lot 10
A cased silver novelty commode,by Holme Rayson, London 1979, floral engraved, with two pull-out drawers, 5.5cm wide5cm hightogether with a silver novelty sewing machine,possible Dutch, marked 925, with London import mark, 4cm widea Victorian silver patch box,Birmingham 1897, with scroll embossed lid,2.5cm diameterand a cased silver propelling pencil,by Sampson Mordan & Co., London 1927, 10cm longweighable 3.7ozt (4)Condition ReportResidue polish marks to the commode, sewing machine and patch box. Surface scratches throughout. The case for the pencil is stained and worn.
Lot 11
A silver mounted and cut glass hip flask,by Goldsmiths & Silversmiths Co, London 1898, the silver lid and cover engraved with a double-headed eagle crest,16cm highCondition ReportDents to the silver. A darker patch to the silver cover indicates a historic engraving, now erased. No obvious chips or nibbles to the glass.
Lot 221
A collection of English and French porcelain tea wares,mid to late 18th century, comprising a Bristol moulded teacup, decorated with green flowers, 6.5cm high, another similar polychrome example, 6cm high a Spode teacup, decorated with red flowers, 6cm high, a gilt Minton teacup, with painted marks, 6.5cm high, a Liverpool Pennington tea bowl, decorated with Chinoiserie style figures, 8cm diameter, a Sevres teacup, with gilt and polychrome floral decoration, painted marks, 6cm high, a Welsh Nantgarw teacup, depicting two views, with painted marks, 7.5cm high, and a Newhall moulded tea bowl, 7.5cm diameter (8)Condition ReportGreen Bristol teacup) No obvious chips or nibbles.Polychrome Bristol teacup) Wear to the painted decoration around the rim.Spode) Chip to the body caused during the manufacturing process.Minton) Area of restoration near the handle.Liverpool) Minor chips to the rim.Sevres) Wear to the gilt decoration around the rim. Chip to the rim.Welsh Nantgraw) Originally twin-handled, now missing a handle with a large patch of restoration. Painted marks to the base are worn.Newhall) Wear around the rim.
Lot 16
CIRCLE OF CHARLES JERVAS (IRISH C.1675-1739) YOUNG GIRL HOLDING BERRIES WITH A SPANIEL Oil on canvas 90 x 70cm (35¼ x 27½ in.) Condition Report: Canvas has been relined. A small patch repair on the back of the canvas in which a small tear restoration is now visible to the front. Numerous tears that have been restored which is now visible to the naked eye. The largest tear being an L-shape to the centre right of the canvas. Various scuffs and small areas of paint loss, particularly to the central left edge and the upper right corner. Inspection under UV reveals a green masking varnish and areas of restoration throughout the work. Condition Report Disclaimer
Lot 8
FOLLOWER OF HENRY BERNARD CHALON SPANIEL, SEATED IN A WOODED LANDSCAPE Oil on canvas 32 x 45cm (12½ x 17½ in.) Sold by order of a member of the de Rothschild Family Condition Report: The canvas is unlined and on it's original stretcher. There is a small patch on the reverse which corresponds with a small repaired tear and area of retouching on the dogs left eye. There are several very small spots of paint loss. Fine surface cracking and stretcher marks are visible. It has a think layer of discoloured varnish and some surface dirt. The are minor chips to the gilded slip of the frame. Condition Report Disclaimer
Lot 2058
18th century Italian School, oil on canvas, figures in extensive coastal landscape, unsigned, 16" x 23", framedOne small old patch repair not visible from the front, no sign of damage or restoration, general light craquelure particularly in the sky but paint is all stable, period carved painted and gilded wood frame with minor chipping around the edges, no labels or inscriptions verso
Lot 258
A small George II Cuban mahogany bachelor's chest of two short over three long drawers, the top with moulded re-entrant top above a brushing slide; on shaped bracket feet. 77 cm wide x 41 cm deep x 82 cm overall height.Private estateThe chest is basically right but has had some rather crude repairs, I will list them below:The brushing slide had warped and was eased by planing the highspots down and then the original blocks stop replaced with glued plywood blocksThe drawers have had some replacement locks and the second drawer from the bottom has been forced and has split out the housing this has had an old block repair with a crude patch to the drawer dividerThe handles seem to be original but have had a succession of nuts applied over the yearsThe backboards have been off and re-fixed at some point probably from being pushed off by a drawer riding over a drawer stopThe drawer runners will need some work, and the wear pattern on the dividers corresponds with the running of the drawer bottoms/sidesThere is a section of timber missing from the interior side I think this has been like this since it was constructed.
Lot 328
Winchester model 71 .348 WCF lever action rifle LICENCE REQUIRED Winchester model 71 .348 WCF lever action rifle, 24 inch tapered round barrel fitted with iron sights and half length magazine, chequered deluxe fancy grain stock fitted with contemporary Pachmayr recoil pad, serial number 33721 for 1951. Together with an RCBS two die set and 100 brand new Hornaday .348 cases.UK FIREARMS LICENCE WITH CORRECT .348 RIFLE VARIATION OR RFD REQUIRED. 109cm long The rifle is in excellent overall condition. The bore is good with virtually no wear. The bluing is all in good order with just tiny spots of wear. The action works correctly. The stock has a small patch where the varnish has bubbled (see image 14 online) there are a few small dents which have been illustrated in image 15-17. There are no splits or repairs to the stock.
Lot 353
Browning .22-250 lever action rifle LICENCE REQUIRED Browning .22-250 lever action rifle, 20 inch barrel screw cut for a moderator, serial number 20154MR341.UK FIREARMS LICENCE WITH .22 (NOT .22LR) or 22-250 RIFLE VARIATION OR RFD REQUIRED99cm long The rifle is in average condition. The bore is dirty and has some wear but a good rifling pattern remains. The barrel has small vacant holes where the iron sights have been removed, there is a white sticky patch that looks like residue from someone gluing a rear sight in place. The action works smoothly. The stock highly varnished stock has some chips and dents throughout.
Lot 362
Carl Gustav Swedish 6.5x55 bolt action rifle LICENCE REQUIRED Carl Gustav Swedish 6.5x55 bolt action rifle, 29inch barrel fitted with tangent rear sight, the receiver with 1917 date, serial number 423219.UK RFD OR FIREARMS LICENCE WITH CORRECT VARIATION REQUIRED.125cm long All serial numbers match, there is no number to the cleaning rod or magazine floor plate, and screw heads do not have numbers in the same way German Mausers have. Some parts have been renumbered (numbers stamped over the top of existing serial numbers) probably in an arsenal overhaul. The renumbered parts are those such as barrel bands, butt plate, magazine plate, bolt release. The three numbers on the bolt and that on the receiver look to be original. The bluing is in good order and as is the polish to the bolt. The stock has numerous knocks and marks but no splits or repairs. There is a rough patch to the finish where you would place your cheek when firing the rifle, with a little attention this could be improved. The mark in photo 9 is a dent to the wood and not a split, it is probably from a bayonet lug of another rifle when these guns have been stacked in a pile. There is some corrosion to the butt plate. The action works correctly. The bore shows wear from use but there is a strong rifling pattern remaining and no obvious faults or pitting. The crown is in a good state.
Lot 373
Lee Enfield 7.62mm bolt action rifle, LICENCE REQUIRED Lee Enfield 7.62mm bolt action rifle, converted from a No.4 Mk 1 receiver dated 1943 to wrist joint, 26inch heavy barrel, fitted with Alfred J Parker 7.62 target sight and front tunnel sight with spare elements.UK FIREARMS LICENCE WITH 7.62mm VARIATION OR RFD REQUIRED115cm long The rifle is in good general condition throughout. The metal finish has very little wear with only the odd scuff or mark, there is a small fresh patch of corrosion to the bow of the trigger guard which would clean up with ease. The stock has small minor marks but no repairs or serious damage. There are some shakes (small wood splits) around the pistol grip in the end grain. These have been filled and are stable. The bore has seen a fair amount of rounds through it and the edges of the lands and grooves are softer / not as sharply defined especially around the throat area.
Lot 375
Remington Model 700 .308 bolt action rifle LICENCE REQUIRED Remington Model 700 .308 bolt action rifle, 26.5inch heavy barrel, detachable box magazine, black synthetic stock, serial number D6263585, fitted with Phrobis 10x42 scope. UK FIREARMS LICENCE WITH CORRECT .308 VARIATION OR RFD REQUIRED13.5" LOP The rifle is in good general condition. The bore has a good strong rifling pattern showing only small wear around the throat area. The crown has one tiny dent to the corner between the land a the chamfer of the face of the muzzle, in the image uploaded online the fault is around 10 - 11 o'clock. There is a patch of corrosion to the edge of the muzzle and two other superficial dents here too. The action works correctly with a good positive feel and a light trigger. There are some very minor signs of wear to the metal finish, especially on the bolt. The stock to has the odd mark but nothing defacing. there is a lightly stained patch to the comb as if it has had a sticker or tape on it to raise the cheek weld. The scope adjusts correctly and has a clear picture. There is wear to the finish in places but no damages. The lenses are free of scratches.
Lot 40
Innes flintlock volunteer .650 Baker Rifle Innes flintlock volunteer .650 Baker Rifle, 30inch barrel with Birmingham proof stamps, stamped B&S, fitted with bayonet bar and fixed sight, the stock carved with cheek rest and fitted with take down split and standard brass furniture including scrolling trigger guard and patch box, the lock with single line border engraving and maker's name, (sear spring needs replacing). With leather sling.Section 58 (2) Antique / obsolete calibre, can be owned without a licence. Buyer must be over the age of 18, age verification will be required if the lot is to be posted out. 117cm long The metalwork has overall light pitting and some more recent corrosion. The stock is speckled with a sticky substance which should clean up fairly easily , there are the usual knocks and marks or a military gun but nothing defacing. It is a split stock example designed to be taken down for ease of transportation. The action does not function correctly as the sear spring is broken. The bore has some pitting marks throughout in the grooves but nothing that breaks the lands.
Lot 400
Beretta 687 Silver Pigeon V 12 bore over and under LICENCE REQUIRED Beretta 687 Silver Pigeon V 12 bore over and under shotgun, 28inch barrels with 3/4 and 1/2 chokes, the action with game birds in gold detail within a colour case hardened ground, serial number U26351B. UK SHOTGUN LICENCE OR RFD REQUIRED. 14.25" LOPThe gun has seen a fair amount of use and shows signs of this. The blacking of the barrels is worn around the muzzles where there is also some light speckling and there are scuff marks in other areas. More images have been uploaded online showing this. The bores are generally bright and shiny however there is a small patch of what looks like frosting in the lower barrel towards the muzzle. This cannot be picked up with the cameras that we have at the saleroom otherwise we would upload an image showing this. There is a small patch of corrosion between the rib and the the upper barrel (see image added recently). Wear can be seen from the finish on the trigger guard, around the action and also to the gold washed trigger. The barrels are tight on the action with the forend removed. The action works correctly with snap caps. The stock has some dents and scratches, the worst being to the butt (see image added recently).
Lot 41
BSA sporterised Snider rifle BSA sporterised .577 Snider rifle, 30 inch barrel with five groove rifling, the lock dated 1868, MkII breech stamped with Snider's Patents.Section 58(2) antique / obsolete calibre, can be owned without a licence. Buyer must be over the age of 18, age verification ID will be required if the lot it to be posted out. 123cm longThe rifle is in average condition. The bore has a strong rifling pattern however there are quite a few patches of light pitting within the broad grooves, in very small occasional areas this pitting breaks through onto the lands. Whist the bore will improve with cleaning/lapping or polishing it will never be a mint bore. The exterior of the rifle has light surface pitting to all the metal parts. The action works correctly with a strong mainspring. The stock has some recent dents around the butt plate area, there is also a patch of dents around the breech block which look like the block has jammed shut and someone has been trying to knock it open. The rest of the stock has the usual dents and marks of a military gun.
Lot 416
Anson and Co. 12 bore side by side ejector shotgun LICENCE REQUIRED Anson and Co. 12 bore side by side boxlock ejector shotgun, 28inch sleeved barrels with half and quarter chokes, serial number 15027.UK SHOTGUN LICENCE OR RFD REQUIRED14.5" LOP The gun is in average condition and could do with some small stock repairs to look its best. The sleeved barrels have some wear and scuffing to the blacking, there is a small patch of corrosion around the forend locking lugs. The right barrel has a small dent around the midpoint, this can be seen rather than felt. The left bore has a patch of heavy pitting within the last six inches, this is probably too deep to clean out altogether. There is a small pitting mark around the midway point of the right bore. The barrels are tight on the action face. The action works correctly with snap caps. The stock has some damage and loss to the border of the decorative chequering just behind the action. There is a small but deep dent in the forend. The engraving to the trigger guard, forend catch, and underneath of the action is almost worn away. Some of the screws in the action are working replacements but look poor and could do with replacing.
Lot 60
G E Lewis 8 bore single barrel rotary underlever hammer gun G E Lewis 8 bore single barrel rotary underlever hammer gun, 53.5 inch Damascus Birmingham nitro proofed barrel engraved G.E. Lewis 32 &33 Lower Loveday St. Birmingham No.7088, the action and receiver engraved with gun dog and game birds, figured chequered stock, the trigger guard engraved No.70.Section 58 (2) Antique / obsolete calibre, can be owned without a licence. Buyer must be over the age of 18, age verification will be required if the lot is to be posted out.182.5cm long The bore is generally bright and polished, there is light pitting around the muzzle area and a small patch of deeper pits around mid bore. Unfortunately our barrel gauge does not extend enough to measure the inside of the bore or the choke. The barrel is free from dents. The barrel to action fit locks up tightly with no wobble when closed. The action cocks correctly with a strong mainspring. There is light overall surface pitting to the metalwork and deeper pitting and more recent corrosion to the trigger guard and butt plate. The barrel has been rebrowned and while the engraving is readable it is getting quite light. The foreend has a replaced Rosewood endcap which has been chipped. The stock has some dents and marks but no splits of repairs.
Lot 75
Percussion single barrel shotgun by Read Percussion single barrel shotgun by Read, 15 bore 30 inch Spanish form Damascus barrel, with gold and platinum breech lines, converted from flintlock, scroll engraved action, pineapple finial trigger guard and finely chequered stock.Section 58(2) antique / obsolete calibre, can be owned without a licence. Buyer must be over the age of 18, age verification ID will be required if the lot it to be posted out.120cm overallThe shotgun is generally in nice pleasing condition. The metal work has some light pitting and slight brown staining to the barrel as well as a small corrosion patch which would clean off fairly easily. The inside of the bore looks to have some light surface corrosion but would probably polish up well. The forward ramrod pipe has been resoldered back in place. The action works correctly with a strong mainspring and good trigger. The stock has a chip to the forend where the thinnest part of the wood meets the barrel just behind where the barrel key is located. There is a short split in the typical place above the side nail (screw) which holds the lock in place. The stock has numerous scratches, small dents, and marks but nothing is defacing.
Lot 391
A Crummles hand painted enamel bonbonniere, HRH Queen Elizabeth II Golden Jubilee, limited edition 132/250, certificate, boxed; other Crummles British Royal Family commemorative patch pots, bonbonnieres, jubilees, anniversaries, marriages, birthdays, etc, all boxed; similar Staffordshire Enamels, boxed; Royal Worcester, Wedgwood, Alastor; qty
Lot 393
A Halcyon Days Enamels bonbonniere, The 90th Birthday of HRH Queen Elizabeth II, boxed; others, Queen Victoria 1881 Great Exhibition, certificate, boxed; assorted Halcyon Days British Royal Family commemorative patch pots, bonbonnieres, flower vases, jubilees, anniversaries, marriages, birthdays, etc, all boxed; qty
Lot 394
A Royal Worcester National Maritime Museum Nelson Collection bonbonniere, boxed, another, a similar commemorative mug, boxed; William Edwards commemorative porcelain patch and trinket pots, including Titanic, Capability Brown, World war I, all boxed; British Royal Family interest, commemorative mugs and trinket pots; others, assorted Limoges etc; qty
Lot 166
Space Exploration - Edgar Mitchell (1930-2016) - Apollo 14 Moonwalker - autographed 8x10" colour photograph, signed neatly in black ink to a lighter area of the image. Professionally mounted atop a replica Apollo 14 NASA cloth patch and framed. Obtained personally by the vendor at an Autographica event. Total display size; 54cm x 43cm.
Lot 196
Space Exploration - Charles Duke - Apollo 16 Moonwalker - autographed 8x10" colour photograph, signed neatly in silver ink to a dark area of the image. Professionally mounted atop a replica Apollo 16 NASA cloth patch, and framed. Obtained personally by the vendor at an Autographica event. Total display size; 55cm x 43cm.
Lot 200
Apollo 11 Moon Landing - Neil Armstrong (1930-2012), Edwin ' Buzz ' Aldrin and Michael Collins (1930-2021) - a scarce original autograph montage of all three Apollo 11 astronauts, comprising of three individually signed 8x10" photographs. Armstrong signed on an official NASA portrait and dedicated, slightly faded but perfectly visible, Aldrin signed on a colour 8x10" and has added ' Apollo XI ' to his signature, undedicated, and Collins signed on an official NASA photograph in black ink, also undedicated. All professionally mounted alongside a replica Apollo 11 cloth patch. Professionally framed and glazed to a total size of 58cm x 94cm.
Lot 3
Space Exploration - Buzz Aldrin - Apollo 11 Second Man On The Moon - autographed 8x10" colour photograph taken from an official NASA image. Signed neatly in silver ink to a dark area. The picture showing Aldrin at the foot of the Lunar Module. Professionally matted atop an Apollo 11 replica cloth patch, and professionally framed and glazed. Signed by Aldrin at an Autographica event. Total display size; 54cm x 43cm.
Lot 487
A Fujita Kalimar Reflex Model SL Roll Film SLR Camera, serial no 593273, 6 x 6cm format on 120 film, body F, viewing hood loose, some corrosion to chrome parts, focal plane shutter not working, F.C. Kaligar 80mm f/3.5 lens F-G, fungus patch on rear element, together with maker's ERC and a P.C. Kaligar 150mm f/4 lens P-F
Lot 378
A STUART CRYSTAL SHAFTSBURY PATTERN SHIP'S DECANTER AND SIX TUMBLERS, bear etched marks to the bases (7) (Condition report: stopper has a few flea bites to the bottom edge, decanter has some bloom inside, one tumbler has a small patch of imperfections/ bubbles to the interior otherwise in good condition)
Loading...-
24353 item(s)/page