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Click here to subscribeTOM KEATING (1917-1984) British, After VINCENT VAN GOGH (1853-1890) Dutch (AR)Self Portrait as an Old ManOil on canvas, inscribed to verso, unframed. 76 x 107 cm. CONDITION REPORTS: Generally good, with expected wear, old patch repair and associated overpainting, could do with a clean, canvas a little loose, tear and associated paint loss.
A collection of WWI and WWII badges and dog tags including British War medal and Victory medal both inscribed to rims '2 Lieut R. J. Bunning RAF' along with four leather WWI dog tags for the same, RFC and RAF patch badges, miniatures of WWI and WWII medals, Womens Land Army and WVS Civil Defence metal enamel badges, a Free Mason badge commemorating the Installation of H.R.H. The Prince Of Wales as Most Worshipful Grand Master of the United Grand Lodge of Ancient Free and Accepted Masons of England 28th April 1875, a red plastic WWII Salvage Steward badge, a George V Royal Engineers brass badge and a collection of brass buttons, both military and other. (1 bag)
A WWII medal group belonging to Inspector William R Wardle, comprising the 1939-1945 Star, the Italy Star, the Defence Medal, the 1939 - 1945 War Medal and Exemplary Police Service Medal, mounted and framed, together with a WWII US Army SHAEF Supreme Headquarters Allied Expeditionary Force shoulder patch badge, mounted on card and from Major General Ray W Barker, inscription to back of card dated 1944.
A SELECTION OF SILVER ITEMS comprising; a late Victorian silver gilt sugar sifting spoon, with scallop bowl and cast handle, London 1887, together with a pair of silver sugar tongs of scissor form, one other pair of sugar nips, a decorative silver pu rse, silver ring box and an oval silver patch box with mirror inset cover (6 items)
Blade 2 (2002) Three patches made for use in movie starring Wesley Snipes, Kris Kristofferson & Ron Perlman. The patches were made for use on the security guards at Caliban Industries the lair for vampire overlord Eli Damaskinos, the patch is embroidered in red, black & gold and features the ‘House Damaskinos’ vampire glyph in the middle. 10 x 9 cm each (3).
Jaws (1975) - ‘Amity Police’ Uniform Patch.Triangular cotton costume patch, bearing ‘Amity Police’ embroidered centrally, & exhibiting signs of minor wear. The patch would have been attached to the upper sleeve of the Amity Police uniforms; a fictional department lead by Chief of Police Martin Brody (played by Roy Scheider). Provenance: With Certificate of Authenticity from Screenused. According to Screenused this piece was sourced directly from a member of the Production Crew.
[Langhorne (John)] Solyman and Almena. An Oriental Tale, first Dublin edition, woodcut head-pieces, initials and decorations, contemporary calf, small patch of damp-staining to head of spine, large 12mo, Dublin, by W. Smith, Sen. and J. Potts, Booksellers, in Dame-Street, 1762.⁂ Rare, we can trace no copy of this or the first edition at auction since 1979. Solyman and Almena was one of the most popular of the numerous One Thousand and One Night inspired works that appeared in the 18th century.
Burgess (Anthony) A Clockwork Orange, first edition, original boards, fine, first issue dust-jacket with wide flaps and priced at 16s., very light fading to spine, light chipping and rubbing to head of spine and corners, very short closed tears to head of joints, small patch of soiling to foot of upper panel, still an excellent example overall, 8vo, 1962.⁂ A bright and sharp copy of Burgess' masterpiece, a cornerstone of 20th century British fiction.
Conrad (Joseph) Youth: a Narrative and Two Other Stories, first edition, very occasional scattered spotting, 32pp. advertisements dated 11/02, original cloth, light browning to spine, spine ends a little bumped and frayed, small patch of discolouration to upper cover, but a sharp and excellent example overall, 8vo, 1902.⁂ An excellent example of Conrad's most important short story collection, including Heart of Darkness, one of the novellas of the 20th century.
Rolling Stones Steel Wheels Crew Tour Jacket (1989). Heavy tan leather outer with aircraft inner motif, Colourful embroidered Rolling Stones lip/tongue logo over the left pocket and Steel Wheels tour patch sewn to the upper right arm. These were only given to senior members of the tour.Provenance: The original vendor was given this by Marlon Richards (Keith Richards Son) as a present.
An 18th Century French Enamel Pill/Patch Box. The hexagonal box painted with a girl and Cupid in a garden setting, marked Lille 1767, approx 6 x 5.3 cms together with an English enamel pill/patch box painted with clasping hands and hearts 'Be Happy', approx 5 x 4 cms and a circular porcelain pill box and cover hand painted with floral spray and an antique Meissen miniature porcelain jar and cover, with applied flowers and painted with insects, approx 5 cms h. (4)
A Good Mixed Lot Of Collectables Comprising - An Oriental Tea Set, Collection Of Ringling Bros And Barnum And Bailey Circus Programmes, Oriental Cloisonne Vase, Some Poole Pottery Miniature Vases, Happy Birthday Bunnykins Plate, The Ultimate Bourne Collection DVD Box Set, Marionette Puppet In The Form Of A Clown, Cabbage Patch Clown Girl, A Batman vs Superman Boxed Flying Batman Plus More Etc. Please See Accompanying Image Too See Full Quantity.
A WWII Second World War interest REME cap badge / patch display. To include cap badge for REME ( Royal Electrical & Mechanical Engineers ), 101 Logistic Brigade patch and The Royal Logistic Corps cap badge. All mounted with in formation. Professionally framed and glazed. Total size: 43cm x 53cm.
A Derby allegorical figure group emblematic of Spring and Winter. Coloured in enamels and modelled as a hunter with a gun and his companion holding a basket of flowers. Stood before a tree over a naturalistic base. Patch marks and incised N 68 c.1775, 21.5cm. Cf. John Twitchett, Derby Porcelain, p.120, no. 129.
A Derby allegorical figure representing Autumn. Modelled as a sportsman stood before a bocage of fruiting vines. Raised on a Rococo scroll base edged in puce, turquoise and gilt. Patch marks c.1765-75, 17.25cm.Condition report intended as a guide only.Right arm restored at the shoulder. Slight loss to the applied work.
Victorian majolica jardinere and stand, decorated in blue green and pink enamels. 123cm high The jardiniere comes with a column stand. They are in a good conditionoverall. The top of the stand has surface abrasions and a 2cm chip to the paint caused by the jardiniere sitting on it. The jardiniere has an approximately 2.5cm chip at its base and a small unglazed patch at the very top. There appears to be no other damages or restorations. Crazing on both. Jardiniere stamped Royal to base.
Heuer Autavia chronograph stainless steel gentleman's wristwatch, ref. 3646, circa late 1960s, serial no. 842xx, circular black dial marked 'T Swiss' with baton markers, outer second divisions, silvered subsidiary dials at three and nine for constant seconds and minute recording, white chronograph centre seconds, bi-directional calibrated bezel, cal. 92 17 jewel unadjusted movement signed Heuer Leonidas SA, signed screw case, Stelux stainless steel bracelet, 39mm, with pouch - Condition Report: - Movement - currently functioning and chronograph setting back to 12.. Dial - numerous small marks, light marks to the baton markers, small patch of wear to the twelve baton marker. Glass - surface scratch marks. Hands - original, light marks, small chip to the hour hand infill, hole to the minute hand infill, some discolouration to the minute hand infill. Case - bezel badly worn and marked, visible surface scratches to the front case back - see all images as guidance. Crown - marked 'Heuer' and adjusting correctly, push buttons start/stop and reset correctly. Bracelet - later Stelux bracelet, surface marks, mild swelling to the links, clasp at fault and requires a replacement pin. - Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Saleroom notice: Please note a stock image has been used for this lot, therefore please refer to the condition report below:Change of Guard:Soft handling creases to the sheet, two or three harder creases.A 3 x 2cm patch of skinning to the lower right corner, extending into the image area.A further 10 x 1 cm patch of skinning to the upper sheet verso, not apparent recto.A 10cm vertical crease to the upper left sheet corner and margins.A further 3cm crease to the lower right corner in margin.Very pale, scattered pinhead sized fox spots, predominantly in margins and verso.Very light undulation to the right sheet edge.The image area generally good.Musicians:A few handling creases to the sheet.Undulation along the upper and lower sheet edges.Very pale, scattered pinhead sized fox spots, predominantly in margins and verso.1cm crease to the lower left corner.The image area generally good.NO RESERVE Julio Etchart (b.1950)Last Change of Guard under Military Dictatorship, Brasilia, Brazil, 1985; Musicians at the Diablada Festival, Oruro, Bolivia, 1991-1992Two gelatin silver prints, printed 1991-1992, each signed, one on the reverse, on gloss photographic paper, each sheet 406 x 305mm (16 x 12in) (unframed) (2)
A collection of WWII medalsTo include 1939-45 star, Africa star, Atlantic star, France and Germany star, Burma star, 1939-45 medal, Pakistan 1956 Republican Military award, Women's Voluntary Service medal, Royal Canadian Regiment embroidered shoulder patch, 7/XI Hussar's Canada shoulder patch
A Tudor oak Aumbry, mid 16th Century, with associated carved panels, the moulded cornice above a pair of pierced carved doors with scrolling floral design above two blind fretwork carved short drawers, the lower section with conforming door flanked by a panel with portrait profile heads of a man and woman, 144cm high x 134cm wide/see illustration CONDITION REPORT: Very good overall condition. Typical wear and tear commensurate with age, shrinkage and historic worm damage visible in places, but this does not detract. The top planks are old but may not be original to the cupboard. The front edge of the top has lost some definition and there is shrinkage in the planks. There is a small patch (26cm x 12cm) on the top, but barely visible. Inside, the bottom board is partially replaced as are the bottom side rails, with accompanying strengthening bars. The drawers and the fixed panels (top centre and bottom portrait panels) appear to be original, as do the upper doors, but the lower door is a replacement. The carving on the lower door is not such good quality.. On the back of the door are small nails around the edge where cloth would have been attached. The doors have probably been trimmed as there is a neat gap between the lock edge and the frame. The strap hinges appear to be original. The lock plates on the upper doors appear original but not on the lower door. Each side has two small and two large linenfold panels which are original. The back boards and stiles are original. The depth is 61cm.
A Marx Eugene Clauss Paris porcelain trinket box of square form, the gilt brass mounted hinged lid with figural outdoor scene and raised gold highlights, the ribbed sides with raised gold foliate scroll, bearing underglaze crossed swords and initial mark, 1 7/8in. (4.8cm.) square, together with enamel circular patch box 'Thou givft me Pleafure' (a/f) and a pair of faux tortoiseshell lornettes. (3)
An early 19th century enamel trinket box probably Continental, rectangular with slightly domed cover with gilt metal mount, decorated with floral sprays on a pale pink ground with white foliate meanders, 2 7/8 x 2in. (7.3 x 5.1cm.). *Condition:Small patch of restoration to inside front of lid. Semi-circular hairline to front of box and another to front of lid. Hairline to interior back right corner and base.
Circa 1890 American Amish Quilt, comprising a backing cloth of sage green, split by a trellis design of small nine patch squares on point, circular embroidered quilting to the middle of each square showing traditional quilting patterns, within a red frame and black border with red trim, quilted overall, brown cotton to the reverse, embroidered 'FZ FEK 1890', made in Lancaster County Pennsylvania, 232cm by 200cm The Amish are a religious off shoot of the Anabaptists, a radical Protestant sect that rose in the 16th century in rebellion against the 'impure' 'worldly' Roman Catholic Church in Europe. They settled near Zurich becoming known as Swiss Brethren, others travelled to the Netherlands and were known as Menonites after their Pastor Menno Simons. The Amish were a group that split from the original Swiss Brethren led by Jackob Ammann, 1737 was the date of the first migration to Pennsylvania, America by the Amish. The Amish live by the rubric of the Ordnung, which is an oral tradition of religious rules governing their social customs. The quilts adhere to a strict repertoire of patterns, traditionally using plain fabrics, strong graphics, geometric designs and hand quilting delicately stitched in black thread. The first known quilt is dated 1849, and the following dated 1860.. Slight fading to the front, black border faded, water stain to the front, red trim frayed, numerous splits to the reverse near to the red trim, and slight wear overall.
Circa 1920s Day Dresses, comprising a geometric print red and cream cotton dress, with upturned 3/4 length sleeves and contrasting collar with ties; an ivory silk sleeveless dress, with single patch pocket and minimalists pleats to skirt; a cream silk sleeveless dress, embroidered with Chinese dragons to the chest, skirt and reverse; and a peach and blue floral silk chiffon sleeveless dress, printed with large blue flowerheads (4)
Circa 1920s and Later Velvet and Silk Jackets, Coats, comprising a black velvet three quarter length jacket with long sleeves, ribbed collar and sleeves, smocking to the back, three large button fastenings; black astrakhan style reversible jacket with Nehru collar, lined with pink floral velvet, patch pockets, toggle fastenings; black silk brocaded evening jacket woven with pink silk roses, peach crepe silk lining, two button fastening; purple and cream textured velvet sleeveless top with velvet ties to the neck and banded waistband; and a black velvet jacket with smocked collar and paste set clip fastening (5). Black velvet jacket - seam to the back where the collar is attached has been repaired, side seam open. slight wear under the arm and faux buttons with press studs behind. Astracan jacket - slight wear overall. Black silk brocade jacket - some stitching marks above the left cuff, otherwise slight wear. Purple and cream velvet top - some slight discolouration and wear. Black jacket - slight wear.
Assorted Circa 1920s and Later Costume, including a white cotton wedding dress with drop waist and fine embroidery, and a wax floral head piece; green silk dress with long sleeves, zip front, drawn thread work detailing to the collar and decorative patch pockets; green floral day dress with short sleeves featuring smocked detailing, fabric belt; pink crepe dress with three quarter length sleeves and flared skirt; C P Defty pink crepe cocktail dress with pink sequin bust and spaghetti straps; pink lace cocktail dress with belt, scalloped neckline set with diamante, A-line skirt; black cotton day dress with white modesty panels, belt and flared skirt; Linda Leigh black short sleeve dress, wrap style bodice, attached belt, woven gold squares (size 42); Royal Lynn Model cream circular crochet style shell top with short sleeves, and buttons to the back (size 38); Accessories, including a pair of black 1920s cotton heeled shoes, pair of metallic Stargazers evening heels, Hi Style brown lace effect heels, black velvet shoulder cape with pink bow, three bead and sequin evening bags, navy blue leather bag with chrome mounts, pair of shoe trees (box and rail)
Circa 1920s/30s Velvet Evening Jackets comprising a black grosgrain long sleeved top with a wrap collar, embroidered to the front and faux buttons; Benham & Thomas black velvet evening jacket with patch pockets to the front and multi ribbed collar (size 42); another similar with ribbed collar, one button fastening, decorative 'splodges' of gold paint, stylish smocked lower sleeves; another with stand up smocked collar; another similar with padded and smocked collar, paste set buckle fastening, frilled cuffs; white velvet 'gathered' capelet with neck ties and crepe lining (6). Black grosgrain type jacket - slight wear. Benham & Thomas velvet jacket - slight wear. Jacket with gold decoration - staining and wear to the lining and to the velvet. jacket with stand up collar - slight wear. Jacket padded collar - lining stained, some wear to the velvet. White capelet - ok condition.
Assorted Circa 1940s and Later Jackets and Blouses, comprising a gold velvet long sleeve jacket with collar and three large buttons to the front; John Collier tailored black wool jacket; navy blue textured blazer; J Lubliner Ltd London black long sleeved jacket, with round neck and grosgrain trim; The Aristocrat Wenga black jacket with pleated detail to the front pockets; Asta of London jacket with patch and breast pockets, peplum detail to the back; Slimfit Model nude coloured jacket in a textured weave with fur trimmed collar; Bickler black and white checked jacket with a grey collar; Comar Tailor Made brown herringbone double breasted wool jacket, with velvet mounted collar; Thorntons Edinburgh plum coloured jumbo cord jacket; and ten sleeveless/long sleeve/short sleeve tops or shirts in silk, cotton etc (20). Gold velvet jacket - slight wear to the velvet and lining. John Collier jacket - slight wear and fading to the lining. Blue textured blazer - fading to the shoulders, wear to the lining. J Lubliner jacket - slight wear. The Aristocrat Wenga jacket - dirt to the back of one of the sleeves, slight wear. Asta of London jacket - slight wear. Slimfit jacket - wear to the lining, slight wear to the outside of the jacket, especially the fur. Bickler jacket - slight wear and to the lining as well. Comar jacket - slight wear. Thorntons Edinburgh cord jacket - slight wear. Tops and shirts show slight wear.
Circa 1950s Ladies Cotton Dresses and Aprons/Housecoats, comprising a pink cotton long sleeve checked housecoat; California Cottons white sleeveless dress printed with black circles, no belt (size 38); Victor Joselyn striped and floral cotton printed sleeveless dress with V neck and back, bows to the shoulders, and belt (size 38); black ground floral A-line skirt; large blue floral printed cotton dress with capped sleeves, pleated bust, no belt; blue cotton dress with three quarter sleeves and shawl collar, velvet trim, belt and pleated skirt; another with stripes of red and green with flower heads, sleeveless tab buttons to the shoulders, belt and patch pockets; another similar in yellow and blues, no belt; a P.E.T.Frock blue sleeveless paisley printed dress; Carnegie blue and lime green printed cotton dress, capped sleeves, bow and button detail to the hip; and 10 cotton printed aprons/housecoats in bright colours (some unused) (20)
Circa 1970s Christian Dior London Costume, comprising a dark teal coloured chiffon suit with long sleeved bodice, round collar to the neck, woven with silver diamond/trellis design, plain teal pleated skirt, similar coloured velvet coat quilted with matching woven silver diamonds/trellis, single breasted with large patch pocket and matching turban hat, labelled Christian Dior Licence Chapeaux; a cream silk short sleeved long dress, with pleated hem, drawn thread work style detailing the bodice, matching short sleeve jacket woven with geometric shapes; a white long sleeved wedding dress, round collar to neck, trim to bust, train and trimmed hem, cummerbund and a Christian Dior Licence Chapeaux white silk head band appliquéd with floral paste stones, pearls, embroidered and net veil (3)
Assorted Circa 1940s and Later Ladies Costume and Accessories, comprising a Chamonix faux fur animal print coat with 'bound' collar and cuffs; astrakhan cropped jacket with mink collar; Madame C grey faux fur coat; black soft fur short jacket with patch pockets; navy and white checked swing jacket; Andre Peters fitted black velvet coat; plum wool crepe tailored jacket with velvet quilted collar and scalloped hem to the front; three satin tops in cream, black and peach; Gor-Ray black flared skirt and a similar style skirt in green/mustard colour; and a black and white striped card hat box enclosing a 9ct gold pendant, silver brooch, paste and costume jewellery, atomiser, evening gloves, black cut velvet devoré evening jacket and snakeskin and black leather large clutch bag (rail and box)
Late 19th century silk crazy patchwork night wear case, each patch edged in coloured silk embroidery, with lace trims, pink cotton lining, 47cm by 33cm; later foundation pieced folded log cabin cot quilt, incorporating orange, pink, purple, plum fabrics, unfinished, 60cm by 80cm; late 19th century unfinished velvet and silk coverlet, paper pieced, with attached note, ''Mrs John Priswall 760 pieces', 90cm by 119cm; late 19th century patchwork silk coverlet, foundation pieced with patches joined by feather stitch embroidery in yellow and cream silk, 140cm by 156cm (4)
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