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A group of tobacco advertising items, 19th/20th century, comprising:a 'Tiger Chewing Tobacco' tin, 29.5cm high,a 'Central Union Cut Plug' tin, by the American Can Co., 17.5cm wide, 13.5cm high,a 'Dan Patch Cut Plug' tin, 16cm wide, 8cm high,a 'Sailor's Pride Cut Plug' bag, 13cm long,a 'Chew Century Fine Cut' token, 3.8cm diameter,a 'Black Cat' tin, 8cm diameter,a 'Yankee Girl Scrap' box, 13 x 9cm,a printed wooden display, printed with a bulldog in a sailor's cap, 22cm high,a 'Magpie Flake & Shag' card display, 23cm high, anda 'Black Cat' card easel display, 33.5cm high (qty.)Provenance: Collected in the USA and London, 1960s and 1970s.Condition ReportAll tins with wear, rust, knocks and losses. Card items with losses, tears, wear and creases.

A winter Alpine stick, 20th century, Basque Country, with a horn pommel and braided leather handle, the white-metal mounts engraved 'Nere Bidekari Laguna William John Sheptycki 24.08.1929', the ferrule engraved 'Ainciart Bergara Lavessore 1993',95cm long, anda fox-hunting stick,the top resin set in the form of a coiled fox, with a silver-plated collar engraved with hunting scenes,overall 92cm long (2)These are traditional Basque Country shepherd's sticks, called 'makilas' or 'makhilas', and made since the 1780s from the medlar tree.Condition ReportAlpine stick) Square patch to the horn of differing colour, possibly from a previous sticker. Minor knocks and wear. Some rust to the spike. Point beneath handle in good order.Fox) Wear and rubbing to the coiled fox. Wear to the plated mounts.

A silver salt spoon, silver butter knife, oval hinged patch pot, unmarked and a circular brass pill pot (4)

A collection of Halcyon Days and other modern enamel patch boxes and an egg.

A small late 18th century Bilston enamel patch box, the lid inscribed 'A Friends Gift', diameter 2.2cm.

An 18th century Bilston enamel oval patch box, the lid inscribed 'Alafs loves Darts Gone thro my Heart', width 4.3cm, together with another similar box, inscribed 'A Pledge of Love'.

A Regency tortoiseshell and gold mounted snuff box, width 4cm, together with a 19th century silver mounted nut vesta case, an 18th century Bilston enamel patch box and a silver vesta case in the form of a backpack, width 3.4cm.

David Bowie Concert Ticket and Patch, 24.06.78 Bingley Hall, Stafford.

Vinyl - 20 limited edition Experimental / Abstract / Electronic albums and one 10" to include: Philip Perkins – Drive Time (2013 BD4), Erik Satie, Alan Marks – Vexations (2019 clear vinyl, TWI 1245), Henk Badings – Evolutions (2013 10” 4CACK-A), Emerald Web / S. McLoughlin & A. Cooper – Garden Of Mirrors / Supernatural Lancashire Volume 2 (2013, DiM 6), Monoton – Monotonprodukt 07 30Y++ (2012 double album, dsr 034lp), Mort Garson – Music From Patch Cord Productions (2020, purple vinyl, SBR 3032), F.C. Judd – Electronics Without Tears (2012, PUBINF 003), Ursula Bogner – Recordings 1969-1988 (2018, FAITICHE 01LP), Richard Youngs – Advent (2006 JAG 62), Human Skab – Thunder Hips And Saddle Bags (2010, FV 27), Experimental Audio Research – Worn To A Shadow (2005 pic sure disc album, LUMB001LP), Chris Cutler, Fred Frith, Thomas Dimuzio – Golden State (2010 Orange vinyl, ReR 196.96655), Craig Leon – Nommos (2013, SV 017), Pierre Schaeffer – Le Trièdre Fertile (2012, REGRM 001), Alwin Nikolais – Choreosonic Music Of The New Dance Theatre Of Alwin Nikolais (2013, 10 CACKLP), Beak> – Beak>> (2012 double album, INV 107LP). Marletta – Percussioni Ed Effetti (2019, INTERVALL 013), Don Preston – Filters, Oscillators & Envelopes 1967-75 (2012 white marbled vinyl, SRV 334), Don Harper – Cold Worlds (2014, DUAL 007LP), Ron Geesin – Electrosound (2008 blue vinyl, GLO-SPOT 1102), Robert Turman – Flux (2012 double album, SP 010). Condition at least EX overall

Memorabilia - Collection of ticket stubs to include Rolling Stones, Fleetwood Mac, Dire Straits, Neil Young, Jethro Tull, Elton John, Crosby Stills & Nash, Jackson Browne, Bob Seger, Steppenwolf, Daryl Hall & John Oates, Leon Russell, Eric Clapton, Chris Rea, Ry Cooder and more. Also a Rolling Stones patch.

Disney Interest. Royal Doulton Disney's ' 101 Dalmatians ' Figures ( 8 ) Items In Total. Comprises 1/ Pups In the Armchair DM11, 4 Inches High. 2/ Patch In Basket, DM9, 3 BY 2.5 Inches. 3/ Rolly DM6, 3 by 3 Inches. 4/ Pongo DM6, 5 Inches High. 5/ Lucky DM8, 3.5 Inches High, 6/ Perdita DM7, 3 by 4 Inches. 7/ Penny DM2, 3 Inches High. 8/ Penny and Freckles, DM3, 2.5 by 3 Inches. All In Excellent Condition ( Unboxed )

A Clarice Cliff 'Tulip' octagonal bowl - c.1931, painted with red tulips and blue harebells above blue, orange and brown bands above the foot, the interior in bands of orange, yellow and brown, black printed Fantasque Bizarre mark, 24.5 cm diameter, 11.2 cm high.* Condition: No chips, cracks or restoration. The paint is  good overall with a few small nicks and scratches to the exterior, mainly to the corners of the lower orange band. There are two small black paint marks to the left side of one of the tulips, which is a painting flaw from manufacture. The interior has a few small nicks and scratches, plus a small patch of tiny scratches to the upper orange band.

A suite of vintage Gucci Guccissima leather and web monogram canvas luggage - 1980s, comprising a large suitcase, approx. 70 x 50 cm; a smaller overnight case, approx. 50 x 37.5 cm; and a suit carrier with shoulder strap; together with a vintage 1980s 'Gucci  Accessory Collection' web monogram and brown leather shoulder bag, with central red and green canvas stripe, gold toned hardware, zipped exterior compartment and shoulder strap, the interior with single zipped side compartment, approx. 26 x 20cm., with dust bag. (4)* Condition: - Large case: Has been regularly used, with quite extensive wear and scuffs to the leather trim. Gilt clasp heavily worn. Canvas is heavily worn around the corners with some of the surface missing and lifting, some scuffs and small stains/marks across the exterior. Interior good overall, with a few light stain marks to the cloth. - Overnight case: Evidence of light to moderate use - a little wear and some small scuffs to leather trim, scratches and wear to plating to clasp. A few small patches of rust coloured staining to the canvas around the edges of the leather trim around the lock. Some wear to corners of the plasticised canvas to the corners. Interior in fair to good condition with some water marks and small spot stains. With keys. - Suit Carrier: Evidence of moderate use - some wear and scuffs to leather trim, scratches and wear to plating to clasp. Wear to corners of the plasticised canvas to the corners, which has worn through to the piping beneath. A patch of nicks to the surface of the canvas to the front. Interior in good condition. No key. - Shoulder Bag: Good condition - the exterior very good, with only light wear to monogram printing to edges, and a few minor marks. Some wear to surface of the lining material. 

An early 18th century joined oak single-drawer side table - the boarded, moulded top over a single drawer with original drop handles (originally with applied mitre mouldings, now missing), raised on slender turned supports with peripheral stretchers and turned feet. (LWH 76.5 x 50 x 72 cm)* Condition: Very original overall but does have some faults. The top has various ring marks and spirits stains, a patch of dark staining to the colour to the right side and a chip to the back left corner. There is also a deep gouge towards that corner on the back plank. The mouldings are missing from the drawer front and the colour of the drawer is faded - there is also an old chip from the lower left corner. The lining has some old worm damage, as does the corner bracket at the top of the left front support. Original handles. There are chipped losses to all four turned rings at the top of the supports.

Louis Vuitton- A Robusto briefcase in dark green taiga leather, Serial Number MI 0994, 16" wide x 12" high, the hardware in brushed gold tone metal, a large patch pocket at the back, green lining, two internal compartments with 3 slip pockets, having a branded cloth dust bag, one key. Location:BWRCondition: Wear and Tear, key toggle broken-see additional photos for condition report. Dust bag not original to briefcase.

ENOCH SEEMAN (BRITISH CIRCA 1694-1744) SELF PORTRAIT AGED EIGHTEEN Signed and inscribed 'AETATIS.18.' (lower right) Oil on canvas 53.3 x 43.1cm (20 x 16¾ in.) Provenance: Denis Cowell Collection, Lewes, Sussex The self-portraits of Enoch Seeman ''in the finical manner of [Balthasar] Denner'' [1] that he painted in the early 1700s are impressive statements of the artist's virtuosity. The combination of elegance of execution, personal beauty and exceptional talent is no doubt intended to recall the early self-portraits of Van Dyck in the previous century, whilst alluding further to the intellectual inner life of the Rembrandt School. This painting, which, with the ambitious Colonel Andrew Bisset and his family, appears to be the painter's earliest datable work in this country is a striking demonstration of excellence in such a young painter. Indeed the prominence of the inscription suggests that this painting may well have acted as an advertisement for the painter as he began to build a portrait practice in London. The exceptional precocity of these self-portraits was recognised by no less a connoisseur than the Earl of Burlington. George Vertue [2] records that Seeman ''did his own picture in that finished manner extremely well, when he was about 19 years old this picture was much admired. & Sig Ricci when he was here advised Lord Burlington to give him 100 guineas for it but understanding he had a mind to make another therefore bought it not. Since that Lord bought it and is in his pose?.'' This entry of 1723 refers to events a decade previously, as Sebastiano Ricci was working for Burlington in 1713 - 1714. As a comparison with the price suggested by Ricci it is worth noting that at the same date Sir Godfrey Kneller, the most fashionable of portraitists, was charging around sixty guineas for a privately commissioned full-length.That Seeman was particularly taken with painting himself at this date is confirmed by the number of self-portraits that exist from the period. A contemporary example (Historical Portraits, exhibited Southampton City Art Gallery 2001) is of similar composition and dimensions, and the untraced three-quarter-length self-portrait engraved by J. Faber (example National Portrait Gallery) must likewise be close in date, and is a dynamic suggestion of the artist in the very moment of inspiration. The most conceptually daring of these self-portraits is the artist's placing of himself in the background of Colonel Andrew Bisset and his family. Behind the Colonel and his wife and daughters there is a further shadowy figure, which was long believed to be a posthumous depiction of Bisset's son. Comparison with this Self Portrait suggests that it is a further image of Seeman himself. In confirmation of this, the figure gestures towards a pedestal on which is inscribed Enoch Seeman. Pinx. AE. 18? 1708.The continental manner that Seeman employs in these self-portraits would, nonetheless, seem not to have been congenial to his clients for their own images. He sufficiently impressed Society to be able to pursue a career into the 1740s - in 1723 Vertue remarks that ''Enoch. for portrait painting. is in the greatest vogue'' [3] - and his aristocratic and royal patronage makes him a rival to Charles Jervas, but his portraits are painted in a solid version of the prevailing London manner, plainly more to the public taste. 1. Horace Walpole Anecdotes of Painting ed. Dallaway 1876 vol II p2942. Notebooks III p 15 - 163. ibid. Condition Report: The canvas has been relined, and presents a thin craquelure across the whole surface. UV light reveals various retouches on the background area, most visible on the bottom left, where a thin horizontal line of resonation crosses part of the shoulder; such thin retouching is of about 8 cm long. Similar thin and long retouches are also present across the upper left border, and upper border. A few dotted retouches are also visible on the background area on the right of the sitter, and at the centre of the bottom border. Also visible are retouches on the pupils of the sitter, and a patch of retouching of about 2 cm wide next to the right eye. To conclude, very thin and slight retouches are present on the nostrils and near the mouth, and a single retouch on the hair at the height of the eye. Condition Report Disclaimer

FOLLOWER OF MARY BEALE PORTRAIT OF A LADY Oil on canvas, feigned oval 74 x 62.5cm (29 x 24½ in.) Condition Report: The canvas is relined and presents a thick yellowing vanish across the whole surface. UV light reveals a few dotted retouches below the chin, and a patch of about 7 cm of length and 4 of width on the right shoulder. The thick vanish on the hair might mask some further retouches. Condition Report Disclaimer

PIERRE FRANCOIS BOUCHARD (FRENCH 1831-1889) YOUNG WOMAN WITH BUTTER CHURN Oil on canvas Signed (lower right) 107 x 61.5cm (42 x 24 in.) Provenance: Sale, Grogan & Company, American & European Paintings, Drawings, Sculpture, Prints, Boston, 7th April 1995, lot 95, for 13.800 USD Haynes Fine Art Broadway, Broadway, Worcestershire, England Condition Report: The canvas is relined and presents a subtle craquelure. UV light reveals a thick varnish applied unevenly, a few very small, dotted retouches in the background area, and a 3 cm patch retouch on the upper right corner. Condition Report Disclaimer

JOHN BOULTBEE (BRITISH 1753-1812) A SADDLED HUNTER IN A LANDSCAPE Oil on canvas 90 x 116.5cm (35¼ x 45¾ in.) Condition Report: The canvas is relined and presents paint loss at the borders, most likely caused by the relining and abrasion of the frame. UV light reveals large retouches on the bottom left corner, with restorations up to 4 cm wide. There are also few retouches in the background area, such as in the sky, and greenery, but the thick varnish might mask further extensive retouches. A few retouches are also present on the horse's head; such retouches are small but around six brushstrokes; other can be seen on the saddle, with a patch of about 3cm wide, and along the forward left leg. Condition Report Disclaimer

CIRCLE OF PAUL BRIL (FLEMISH 1554-1626) THE RAPE OF EUROPA Oil on panel 26 x 38cm (10 x 14¾ in.) Condition Report: The panel presents a 7 cm long crack on the bottom left corner. UV light reveals a thick vanish across the whole surface and various retouches. Evident restorations are visible on the greenery in the bottom left corer, on the tree trunk, and in the branches. Furthermore, Europa has received extensive retouches, and few retouches are present on the crying women on the land, as well as on the cow in the bottom right; such restorations are small brushstrokes, expect for the ones on Europa which cover most of the figure. In the sky background, and on the sea, a wash of restoration has been added. Furthermore, on the upper right border, is present a long patch of restoration of about 6 cm. Condition Report Disclaimer

λ&nbspSIR FRANK BRANGWYN (BRITISH 1867-1956) STEAMER IN A PORT Oil on board, unframed Signed (lower left) 55.5 x 37cm (21¾ x 14½ in.) Please note this lot is unframed Literature: The present work will be included in the forthcoming catalogue raisonné being prepared by Dr. Elizabeth Horner, Frank Brangwyn, catalogue raisonné, cat. no. 5355. We are grateful to Dr Horner for her assistance with preparing this catalogue entry. Condition Report: Please note this work is unframed. Surface dirt and a dirty varnish throughout. Rubbing and abrasions to the framing edges. There is a large surface scratch with some associated loss running parallel to the upper edge (approx. 15cm). Fine craquelure and paint separation throughout; this is most concentrated to the darker pigments used in the figures at the centre of the work. Inspection under UV reveals a small patch of flaring to a black pigment in the lower right quadrant, however it is not obvious whether this is original to the work or added later.Condition Report Disclaimer

CIRCLE OF SIR ANTHONY VAN DYCK PORTRAIT OF KING CHARLES I (1600-1649) Oil on canvas 60 x 48cm (23½ x 18¾ in.) Provenance: Phillip Mould Ltd, 29 Dover Street, London An accomplished version of one of Van Dyck's finest full length portraits of Charles I. Condition Report: The canvas is relined and presents a subtle craquelure across. UV light reveals various retouches, most evidently a patch of restoration of about 5 cm wide on the lock of hair on the sitter's left shoulder, and a similar one of about the same size on the lock of hair on the left o the sitter's right ear. Various, but minor retouches, are present on the right shoulder, and in the background area. There are also small retouches on the sitter's nose and above the right eyebrow: such retouches are of about 1cm, and there are a few. To conclude, the canvas presents an uneven varnish across the whole surface. Condition Report Disclaimer

FLEMISH SCHOOL (CIRCA 1700) A HUNTING STILL LIFE Oil on canvas 88 x 117cm (34½ x 46 in.) Condition Report: The canvas is relined and presents a subtle craquelure, mostly visible on the upper right corner. UV light reveals an uneven varnish scattered across and various retouches. Most evidently, long patches of paint have been added near the borders of the canvas, such as a 8 cm long restoration on the left border; further retouches are scattered cross the background area, such as above the dead stag, where most of the black area has been restored. Further brushstrokes of restoration are visible on the head, around the ear, and on the legs, while a big patch of retouching of about 8 cm wide is present on the animal's stomach: a similar patch on near the back, close to the right back leg. Furthermore restorations are present on the birds, on the gun, and on the horn in the upper left corner. Condition Report Disclaimer

JEAN BAPTISTE GREUZE (FRENCH 1725-1805) PORTRAIT OF A CHILD IN A BLACK AND WHITE DRESS Oil on panel 38 x 30cm (14¾ x 11¾ in.) We are grateful to Dr. Yuriko Jackall for her assistance with preparing the catalogue entry Condition Report: The panel presents a thick uneven varnish. UV light reveals various retouches across the whole panel, such as on the black cloth of the child's right arm; such retouches are of about 2cm long and cover most of the black cloth. Retouches are also present on the right white sleeve, with one of about 5 cm long. A similar size retouch is also present on the right of the sitter's shoulder, above which, always in the background area, are two spherical retouches of about 2cm diameter. There have been extensive restorations on the chin, nose, and mouth of the sitter; some of the retouches are of about 3 cm wide. Extensive retouching is also present on the eyebrows and eyes, and on the area of flesh between the eyes. There are also various retouches on the hair, especially on the left, near the curls, and near the crown of the head, where there is a large patch of restoration of about 5cm wide. In the background area above the head, there is also a large patch of retouching of about 4 cm diameter. To conclude, the panel presents a thin crack which crosses the whole panel, and passes just next to the right eye. Such crack has been covered with a thin layer of paint. Condition Report Disclaimer

A Derby Patch Mark Rococo style pedestal vase, painted in polychrome with fanciful birds, encrusted with colourful flowers and leafy scrolls, pierced rim, frill waist, 21cm high, c.1760

A Derby Patch Mark frill vase, pierced flared neck, small scroll handles, painted with fanciful bird and scattered insects, the verso with fruit, encrusted throughout with flowers, the frill picked out in turquoise, 21cm high, c.1770

Two South Staffordshire patch boxes, c.1770, of circular form, one painted with flowers, the other with a couple threshing corn, the base with flower sprays, some faults, 5.5cm max. (2)Provenance: the Roger and Patricia Daniels Collection.

A Limoges enamel patch box, probably 19th century, decorated with a haloed saint kneeling and resting one hand on a stone tablet beneath a tree, a church visible in the background, the dark blue sides with gilt scroll decoration, 4cm across.

WW2 Officer's Royal Irish Hussars Service Dress Tunic khaki, single breasted, open collar tunic.  Patch chest and hidden lower pockets all with buttoned flaps.  KC, darkened collar badges.  Gilt Captain's rank studs with brass VIIIH titles.  Brass, KC 8th Hussars buttons.  WW2 medal ribbons.  Brown cotton lining with tailor's label named and dated 5/5/45.  Clean condition.    

Two Pairs of British WW2 Camouflaged Snow Suit Over Trousers  white cotton over trousers.  Left leg with large patch pockets with buttoned flaps.  Waist tightening cord (absent to one).  One pair with faint issue label.  Minor service wear.  2 items.

WW2 American Lease Lend 1940 Pattern Battle Dress Jacket khaki green, woollen, single breasted, closed collar, short jacket.  Lower extended belt.  Patch chest pockets with exposed button flaps.  Internal double issue labels dated 1943.  Clean condition.  

Scarce Home Guard Woollen Cape khaki woollen, sleeveless cape.  Large fold over collar.  The front fastened by five composite buttons.  Two internal, open top patch pockets.  Khaki drill securing straps.  Issue label "Cape, Serge Home Guard" dated "Dec 1940".  Clean condition.  

WW2 American Lease Lend Field Pattern Battledress Trousers khaki, fine woollen, wide leg trousers.  Right hip with pleated first aid pocket.  Left front leg with large patch pocket with exposed button flap.  Internal label absent.

Modern Army Air Corps Service Dress And Mess Dress consisting khaki, Officer's service dress tunic.  Patch chest pockets with buttoned flaps.  Lower hidden pockets with plain flaps.  Bullion embroidery Major's rank.  Plated AAC collars.  Anodised buttons.  Left chest with medal ribbons including MBE ... Matching trousers ... Black mess jacket with light blue, high collar.  Gilt piping.  Black twisted shoulder cords with Major's rank ... Light blue mess waistcoat with gilt piping ... Dark blue overall trousers with red side lines.  5 items.

Royal Engineers 1937/40 Pattern Battle Dress Jacket And Trousers khaki woollen, single breasted, closed collar, short jacket.  Lower extended belt.  Pleated chest pockets with buttoned flaps.  Both arms with embroidery "Royal Engineer" titles over Arm Of Service bars.  Lower, left cuff with single Good Conduct chevron.  Internal issue label dated 1942.  Buttons replaced with larger period examples ... Khaki woollen, wide leg trousers.  Right hip with patch first aid pocket.  Left front leg with large patch pocket.  The flap with exposed button.  Label absent.  Complete with period braces.  Minor moth nips to both items.

WW2 NFS Civil Defence Battle Dress Jacket dark blue/black woollen, single breasted, closed collar, short jacket.  Patch chest pockets with exposed button flaps.  Black composite NFS buttons.  Internal issue label "Jacket Single Breasted Patrol NFS 29A" dated 1944.  Together with a pair of dark blue, Civil Defence battle dress trousers.  Right hip with first aid pocket.  Left front leg with large patch pocket and hidden button flap.  Issue label dated 1952.  Minor moth nips.  2 items.

American USMC Herringbone Camouflaged Jacket And Helmet Cover green cotton jacket with brown, green and tan camouflage. Buttoned front.  Right chest open top pocket.  Lower patch pockets with buttoned flaps.  Together with its helmet cover with netting face veil.  2 items.

Pair Of 1937 Pattern Battle Dress Trousers khaki woollen, wide leg trousers.  Right hip with pleated first aid pockets.  Left front leg with large patch pocket with hidden button flap.  Waist with four belt loops.  Ankle with tightening straps.  Brass disc buttons.  Label absent.  Clean condition.

WW2 ARP/CD Tunic And Slacks consisting dark blue/black, single breasted tunic.  Patch chest pockets with buttoned flaps.  Lower hidden pockets with plain flaps.  Both arms with embroidery "Ambulance Driver" titles.  Lower right cuff with 5 red chevrons.  Left breast with embroidery KC "CD" patch.  White metal ARP buttons.  Internal label dated 1941 ... Matching dark blue/black, wide leg slacks. Side waist button fastening.  Some moth damage.  2 items.

WW2 Dated Khaki Tan Windproof Over Trousers  light khaki cotton, wide leg, windproof over trousers.  Front left leg with large patch pocket and exposed buttoned flap.  Waist with tightening cord.  Issue label dated 1942.  Clean condition. 

WW2 Utility Pattern ATS Service Dress Tunic khaki, single breasted, open collar tunic.  Patch chest pockets with buttoned flaps.  Lower hidden pockets with plain flaps.  Bronzed KC ATS collar badges.  Brass KC General List buttons.  Together with a 1941 pattern, WRAC khaki skirt.  Issue label dated 1949.  Clean condition.  

Tray of vintage children's books to include some first editions; Spyri, Joanna; 'Heidi' 1959, 'Heidi's Children' 1963 and 'Heidi Grows Up' 1964, all published by Collins, Seaby, W. Alan; 'Sons of Skewbald' 1937, Parsons, Nell: 'Sunshine's Garden' published by Epworth press, Forster, William. I; 'The Alphabet's Quarrel and other stories' 1895, Carrol, Lewis; 'Alice's Adventures in Wonderland and Through the Looking Glass' Book Club Associates edition 1976 and Charlton, Moyra; 'Patch', 3rd 1934 edition etc. (B.P. 21% + VAT)

Tray of oddments to include: Playboy magazine March 1966, Penthouse magazine 1967, Lone Star Scout cap gun, Italian made cap gun, jewellery, Grand Canyon Helicopter's patch etc. (B.P. 21% + VAT)

Collection of jewellery and other items to include: Stratton pen set and refill box, coins, enamel fish, box of dress rings, Air Squadron patch etc.(B.P. 21% + VAT)

BILDNISMALER ERSTE HÄLFTE 20. JAHRHUNDERT, Sitzender weiblicher AktÖl auf Leinwand. Undeutlich signiert. 70 x 60 cm. Gerahmt : 82 x 73 cm. Sentimentale Darstellung der jungen attraktiven Frau mit gesenktem Haupt und wohlproportioniertem Körper. Profilierter Rahmen. Rückseitig ein Flicken. * Partnerauktion Bergmann. Aufrufzeit 24. | Feb 2024 | voraussichtlich 14:29 Uhr (CET) PICTURE PAINTING FIRST HALF OF THE 20th CENTURY, Sitting female nudeOil on canvas. Indistinctly signed. 70 x 60 cm. Framed : 82 x 73 cm. Sentimental depiction of the young, attractive woman with bowed head and well-proportioned body. Profiled frame. A patch on the reverse. * Partner auction Bergmann. Call time 24 | Feb 2024 | probably 14:29 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

HISTORIENMALER ENDE 19. JAHRHUNDERT, Trinität - Gottvater, Sohn und Heiliger GeistÖl auf Leinwand. Unsigniert. 107 x 87 cm. Gott und Christus thronen unter einem Nimbus mit dezent angedeuteten Engelsköpfen auf Wolken, der Sohn sitzt zur Rechten des Vaters, zwischen ihnen liegt die Weltkugel mit aufgesetztem vierarmigen-symmetrischen Kreuz, Symbol der Heiligen Weltherrschaft, der Heilige Geist wird durch die Taube mit ausgebreiteten Flügeln symbolisiert. Auf dem Keilrahmen kyrillische, zum Teil unkenntlich gemachte Klebezettel, ohne Rahmen. Rückseitig drei mittlere, ein kleiner Flicken, frontal am unteren Eck geklebte Inventar-Nr., Nimbus mit Craquelé. Im Kirchenjahr ist Trinitatis, der erste Sonntag nach Pfingsten, dem Gedenken der Dreieinigkeit Gottes gewidmet * Partnerauktion Bergmann. Aufrufzeit 24. | Feb 2024 | voraussichtlich 12:11 Uhr (CET) HISTORICAL PAINTING END OF THE 19th CENTURY, Trinity - God the Father, Son and Holy SpiritOil on canvas. Unsigned. 107 x 87 cm. God and Christ are enthroned under a nimbus with subtly suggested angels' heads on clouds, the Son is seated at the right of the Father, between them lies the globe with a four-armed symmetrical cross, symbol of the Holy World, the Holy Spirit is symbolized by the dove with outstretched wings. On the stretcher Cyrillic, partially illegible adhesive labels, without frame. Three medium patches on the reverse, one small patch, inventory no. pasted to the front at the lower corner, nimbus with craquelure. In the church year, Trinity Sunday, the first Sunday after Pentecost, is dedicated to the commemoration of the Trinity of God * Partner auction Bergmann. Call time 24 | Feb 2024 | probably 12:11 pm (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

LANDSCHAFTSMALER MITTE 19. JAHRHUNDERT, Weidevieh vor Stadt-PanoramaÖl auf Leinwand. Monogrammiert: WF. Datiert: 1856. 63 x 92 cm. Gerahmt : 74 x 102 cm. Fein und detailreich gemalte Gesamtansicht. Originaler Keilrahmen, originaler Waschgoldrahmen. Rückseitig ein kleiner Flicken. Das Monogramm wird im Battenberg-Katalog: Malermonogramme von 1700 bis 1870 (2010) Seite 272 dem Maler Carl Ernest Ludwig Friedrich Wagner (1796 Rossdorf - 1867 Meiningen) zugeordnet * Partnerauktion Bergmann. Aufrufzeit 24. | Feb 2024 | voraussichtlich 19:40 Uhr (CET) LANDSCAPE PAINTER IN THE MID-19TH CENTURY, Pasture cattle in front of a city panoramaOil on canvas. Monogrammed: WF. Dated: 1856. 63 x 92 cm. Framed : 74 x 102 cm. Finely and richly detailed painted overall view. Original stretcher, original wash gold frame. Small patch on the reverse. The monogram is described in the Battenberg catalog: Malermonogramme von 1700 bis 1870 (2010) page 272 attributed to the painter Carl Ernest Ludwig Friedrich Wagner (1796 Rossdorf - 1867 Meiningen) * Partner auction Bergmann. Aufrufzeit 24. | Feb 2024 | probably 19:40 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Style One, Variation One, desert rat patch on canteen. Army steel helmet with netting; khaki tunic.Series: The Armed Forces. Royal Doulton backstamp. Artist: William K. HarperIssued: 1991 - 1996Dimensions: 4.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

A group of German Third Reich Kriegsmarine rate sleeve badges, comprising Seaman 1st Class Sick Berth, Seaman Second Class Aircraft Spotting, Seaman Second Class Clerical and Seaman Second Class Carpentry; Enlisted Personnel (Boatmen); Enlisted Administrative, Medical Personnel Proficiency Arm Patch and an Anti-Aircraft specialist trade badge; six Luftwaffe cloth trade and qualification badges comprising Ordnance, Qualified Telephone Operator, Admin NCO, Small Arms Ordnance and Gefreiter rank chevron, sold together with an Oberschutz rank pip and a United States Navy Bandsman patch (15)

A group of German Third Reich insignia comprising a Der Stahlhelm 1930 screw-type membership badge (no pin plate); a Kriegsmarine eagle and two visor cap wreaths, Kriegsmarine gunner's qualification patch (torn), a 1942 Police donation lapel pin; two NSKOV donation lapel pins; NSDAP Party Member enamel badge, marked M/101 for Gustav Brehmer, Marknehausen; DRA sports badge in bronze by Lauer Nürnberg (first style, without swastika); Reichsparteitag Nurnberg 1933 Day Badge; a Deutschesfrauenwerk badge (enamel at fault); and a wound badge in black.Sold together with an Austrian enamel badge, eagle enamel badge, modern German-style helmet badge, and post-war copies of German insignia including a U-boat badge marked 'Schwerin Berlin', Iron Cross 1st class (no pin), helmet decal, two police badges (lacking rear fittings), Heer army visor cap wreath, a suspicious or very worn German wound badge, and post-war copies of insignia, comprising a compising a Technische Nothlife [TeNo - Zivilabzeicen] stick pin, red pebbled translucent and black enamel, marked 'Ges Gesch', numbered 236 and a fantasy badge in the style of People's League of German in Hungary; a 1939 Spange and a Kriegsmarine eagle and one army style cap eagle; other small badges etc (mixed lot, sold as seen)Provenance:n

A mixed group comprising a First World War Medal Pair of Victory Medal and British War Medal to "48346 PTE. L. DRAKE HAMPS. R."; a mismatched pair of 1914-15 Star to "W.Z. 1433 D.R. MORGAN SIG., R.N.V.R" and Victory Medal to "239267 SPR. T.E. WEBBER R.E." mounted onto a bar; an Ancient Order of Forester's badge; dog tag for Cpl McGuire RAF, Royal Scots WW2 shoulder title; a WW2 Prisoner of War group attributed to 2658691 Pte. Victor Summers, Coldstream Guards, comprising 1939/45 Star, Africa Star with North Africa 1942-43 Clasp, Defence Medal and 1939-45 War Medal [imprisoned at Stalag 8C, Sagan, Poland] and a part group attributed to Gnr W. Richardson, Royal Artillery, comprising France and Germany Star, Italy Star, Africa Star, 1939-45 War Medal and Defence Medal, with some ribbons on a bar, together with a small black and white group photo of Richardson; sold together with a pierced 1939-45 War Medal, a King Edward VII Daily Dispatch Club medal, 1880 Raikes Centenary Sunday School medallion and small amount of cloth insignia including 7th Armoured Division formation patch and a Royal Logistic Corps Formation patch (qty)

England: A Bukta England, match worn white, v-neck home shirt. Worn by Sir Bobby Charlton in an unknown England fixture between 1960 and 1964. Patch England badge stitched to the front, red Number 11 stitched to the reverse. Bukta label inside collar. Sadly condition is fair as the vendor has had the shirt stored in a frame for many years. The item has been carefully removed from the frame, however there are some patches / stains where the tape was originally attached to the shirt. Please assess photographs. Additional Information: Sir Bobby Charlton (1937-2023) was an English great. 106 appearances and 49 goals between 1958 and 1970, in a glittering international career which saw him part of the famous 1966 World Cup winning squad. Born in Ashington, Northumberland, Sir Bobby spent most of his professional career at Manchester United, playing over 600 times for the club. Although we do not know the exact match this shirt was worn in, it has been narrowed down to one of twenty (20) possibilities. Provenance: The vendor won the shirt at a football event organised by the PFA in the late 1970s. Sir Bobby was present at this event and informed the vendor to not wash the shirt and instead have it framed. At the time the vendor won the shirt, he was a solictior with a law firm who acted for the PFA.

John Wadsworth (1879-1955) and Leon Solon (1872-1957) for Mintons Limited Near pair of blue Secessionist vases shape 3509, circa 1905  Glazed earthenware  One with green printed stamp, impressed marks and number 3509, the other without printed stamp  Each 31cm highCondition Report: Vase 1: Crazing, small patch (2-4mm) of wear to the glaze which appears white, no other damage or restoration found.Vase 2: Crazing, small (approx 6mm) firing crack to the rim, the crazing has resulted in a small (1mm) chip to the glaze (see image), no other damage or restoration found.Please ask for additional images

A large Art Deco style Mantel Clock by Dimra in a rosewood case. Small patch on case where veneer has come away - see pictures. Clock untested. Length 34cm.

An unusual percussion cap spring loaded dispenser;  a brass and copper bosun`s whistle;  a musket ball mould;  a musket patch cutter;  musket balls

Hampden Watch Co. 'Railway Special' gold plated lever set pocket watch, circa 1910, signed 21 jewel movement adjusted to five positions, no. 2667455, with double roller, safety pinion, compensated balance and regulator, signed dial with Arabic numerals, minute markers with sixty minute numerals and red five minute divisions, subsidiary seconds, blued steel hands, within an engine turned Philadelphia screw case with engraved cartouche, 55mm-Movement - currently functioning.Dial - faint hairline at the two position, small surface chips to the subsidiary hole.Glass - light surface marks.Hands - surface corrosion present.Case - some mild rubbing to the engine turning, worn patch to the bezel - see images.Crown - section of plating missing, adjusting correctly.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained 

REZA SAMIMI (PERSIAN, 1919-1991)Still life of flowers signed 'R Samimi' (lower right) oil on canvas 60 x 74cm Provenance E. Stacy-Marks Ltd., Folkington, East SussexCondition reportSmall white marks in places, including a patch below purple flowers, other areas on the left side of picture and to upper edge.Otherwise appears overall generally ok.

A LATE VICTORIAN PINK GLASS TRUMPET VASE CENTREPIECE OR EPERGNELate 19th Century The central vase surrounded by six others, on a gilt-brass scrolling base, 67cm highCondition Report:One hairline crack approx 3 in long on the side of one medium sized flute, one with rough patch to the rim but no apparent significant damage. Some variation in the colour from the firing process. 

Collection of four house robe patches used in the later films of thee Harry Potter Franchise. Harry Potter is a film series based on the eponymous novels by British author J. K. Rowling. The series is produced and distributed by Warner Bros. Pictures and consists of eight fantasy films, beginning with Harry Potter and the Philosopher's Stone and culminating with Harry Potter and the Deathly Hallows – Part 2. This set features four patches, each representing the different houses of Hogwarts. Included is a Gryffindor, Slytherin, Ravenclaw, and Hufflepuff patch, each of which is embroidered in full color. Each patch was attached to house robes used in the series, which were later removed after filming. This set shows minor wear from use in the films but remains in excellent, production-used condition. This lot is accompanied by a Certificate of Authenticity from Studio Auctions.

A signed hat and jacket from The 1980’s television show The Fall Guy. Hollywood stuntman Colt Seavers picks up some extra pocket money by using his rough-and-tumble skills to track and capture bail jumpers, `helped' by his green younger cousin, Howie, and Jody, a beautiful stunt colleague. This lot features a blue hat with an embroidered patch of a brown eagle on a blue background with “Fall Guy Stunt Assoc.” across the middle of the logo. The underside of the brim features Lee Majors’ signature in silver with “Colt” underneath his name. In addition, this lot features a blue satin jacket that features “Lee Majors Productions” embroidered on the upper left chest and the hat’s logo on the backside of the jacket. These items remain in excellent condition and are accompanied by a Certificate of Authenticity from Studio Auctions.