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Van Persie Holland 2006 World Cup Match Worn Football Shirt: Orange short sleeve home shirt worn at the World Cup on 16 6 2006 v Ivory Coast. Germany 2006 World Cup sleeve patch. Number 17 V Persie to rear. Swapped with Kolo Toure after match v the Netherlands.

Fabregas Barcelona Match Worn Football Shirt: Home short sleeve shirt with LFP arm patch. Number 4 Fabregas to rear. Obtained by his old team mate Kolo Toure.

Liverpool 2004 - 2005 Garcia Match Worn Football Shirt: Red short sleeve Reebok Carlsberg sponsored. Rear has number 10 Louis Garcia with Champions League patch to sleeve. Signed to front by Garcia. Obtained by Paul Merson. Liverpool were Champions League winners this season and Garcia scored some important goals along the way. We do not know which game this was from.

After Charles Frederick Tunnicliffe (1901-1979, British), wood-engraving, 'No.5 Barn Owl', signed to the lower right, limited edition 5/60, framed, mounted, and under glass, measuring 19cm x 35cm, & 43cm x 59cm overall the previously mentioned damp patch was actually a smear on the glass, the image appears fine and free from any moisture damage.

Special edition, glazed, hand painted. Horatio Nelson is in his black and gold royal navy uniform, black eye patch. The handle is the HMS Victory. Royal Doulton backstamp. Certificate of Authenticity included. Artist: Stanley J. TaylorIssued: 1993Dimensions: 7.5"L x 4"W x 6.75"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

18th century Bilston enamel patch box, of circular form with pierced hinged cover decorated in polychrome enamel with a crown amongst floral sprigs, possibly made for the 1760 Coronation, D4.3cm

George III South Staffordshire enamel oval patch box, the slightly domed hinged cover painted with an oval portrait of a young girl and dove and inscribed 'The Gift of a Friend', within gilt and white beaded borders, raised upon a blue base, L5cm x H2.5cm

Mid 18th Century Joined Oak Dresser Base Rectangular two plank top with a moulded edge, over an arrangement of four frieze drawers all cock-beaded and fitted with later brass bail handles, the central bank of two drawers flanked by two raised and fielded panel cupboard doors on wrought iron butterfly hinges, raised on stile supports.149cm wide, 47.5cm deep, 80.5cm highWear commensurate with age, later fittings, some missing sections of cock-beading and a patch repair to the top edge. See all images.

An 18th Century Bilston enamel patch box, the lid with inscription 'I Love Too Well to Kiss and Tell'.

WILLIAM FREDERICK HULK. BRITISH 1852-1922.Returning to the Farm. Signed. Oil on canvas 24" x 36". Small canvas patch, area of flaking paint and small canvas tear.

A PAIR OF LATE 19TH CENTURY BOHEMIAN GARNET EARRINGS The articulated trefoil pediments above pear shaped drop panels pavé set throughout with rose cut bohemian garnets, unmarked Size/dimensions: 5.2cm long Gross weight: 8.8 grams Condition Report: The settings are base metal but the hooks are testing as gold. One garnet is missing from one of the drops, there is some old glue visible behind some garnets, the pediment of the other earring has got some glue visible . A patch of Verdigris to the reverse of one drop, some general wear commensurate with age and use Condition Report Disclaimer

A PAIR OF DIAMOND AND EMERALD EARRINGS, AND A FURTHER PAIR OF EARRINGS The scrolled earrings with a central row of four brilliant cut diamonds suspending a pear shaped emerald drop, with stud and clip fittings, stamped 14KT with CEI maker's mark; together with a pair of gilt metal floral earrings with simulated pearl drops, stud fittings Size/dimensions: first earrings 2.6cm long Gross weight: 12.3 grams Condition Report: The emerald and diamond earrings 7.2 grams, there is some light wear commensurate with age and use, the diamonds are all present and correct, bright and lively. The stud and clip fittings are in good working order. The second pair have some light wear, there is a very small patch to the reverse where the earrings have been scraped and acid tested. Condition Report Disclaimer

Large collection of military cap badges, buttons, pins, and patches including an RAF Middle Eastern Air Force patch, a Royal Regiment of Canadian Artillery patch, Royal Army Ordinance Corps Apprentice College patch, Royal Dutch Navy pin, Police cap badges, a House of Toye Arnhem commemorative medal etc.

Large collection of military cap badges, buttons, pins, and patches. Including an assortment of naval patches such as the H.M.S. Ganges, remembrance poppy patches and pins, a Queen Alexandra's Royal Army Nursing Corps patch etc.

Large collection of military cap badges, buttons, pins, and patches. Including a Royal Army Service Corps patch, The Queen's Own Hussars, various naval patches, 1914-2014 WWI remembrance pins etc.

A large Royal Worcester twin handled vase and cover - shape no. 2225, printed factory mark with date code for 1903, of urn form with gilt swagged, foliate scroll handles, gilt foliate borders, gilt waisted neck with shell ornament and gilt flared pedestal base with husk swags and lappet and beaded border, the foliate cover with bud finial, 38.5cm high, cover restored, retouches to gilt to borders and patch of retouching to base.

A 19th century Sèvres-style porcelain and gilt-metal box - rectangular with domed hinged lid, with painted with floral sprigs and gilt on a celeste blue lattice ground, blue painted interlaced L mark, 5.5 cm long; together with a small English enamel circular patch box, the lid with the motto 'Virtue prize and Vice Despise', 2.7 cm diameter, cracks to enamel. (2)

Ten 19th century English porcelain tea cups and coffee cans in the Imari palette - each with its matching saucer, including examples by Spode, Derby and Derby, Stevenson & Hancock, plus a single Spode 1409 pattern Bute coffee can.* The Spode 2693 coffee cup has a tiny rim chip. The small Derby, Stevenson & Hancock teacup has a glued break to the rim, with a small piece missing. The Derby coffee can and saucer has glaze crazing throughout, with a consequent patch of glaze discolouration to the underside of the saucer. The other pieces in good condition, with no chips or cracks, a little gilt wear.

A George V silver toast rack, of four divisions and domed arched shape, hallmarked by S. Blanckensee & Sons Ltd, Birmingham, 1930, approx. 9cm high, together with a Victorian silver cream jug, of classical style with bow and banner repousse design, ribbed neck and scrolled handle, on a circular footed base, hallmarked by Nathan & Hayes, Birmingham, 1893, approx. 13.2cm high. (2) Weight approx. 172.3 grams (5.5ozt) Further details: patch to body of cream jug of oxidisation / green Verdigris, small dents to body, dings and marks to areas; general wear; toast rack tarnished; some scratches and wear. 

Truly vintage tins from a time when life was simpler. Lot includes Helme Navy Sweet Scotch Snuff 4.5"H, Helme Society Sweet Scotch Snuff 4.5"H and Camel Vulcanizing Patch 3.25"H. Backstamps as noted. Largest piece 4.5"H x 2.5" dia. Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear.

A colorful pirate in purple and white attire, sporting an eye patch, peg leg, and red bandana, relaxes on his treasure alongside his feathered companion. Shorter and Son backstamp. Marked England. Dimensions: 4"L x 3"W x 5.5"HManufacturer: Shorter and SonCountry of Origin: EnglandCondition: Age related wear.

WILLIAM FRASER GARDEN (BRITISH, 1856-1921)St Neot's Bridge, St Ives, near Cambridge signed and dated 'W. F. GARDEN 1900' (lower right) watercolour 32.5 x 50cm Provenance Chris Beetles, Ryder Street, London; Private collection, UKCondition reportA few very small spots and marks in places.A small white mottled effect patch lower left corner.Pale blue spot lower right, as if a something small has dripped on it.Otherwise overall appears generally good and presentable.Under glass and not examined out of frame.Not examined under uv light.

FREDERICK WILLIAM JACKSON (BRITISH, 1859-1918)Approaching the city, Tangier signed 'F.W. JACKSON' (lower left), inscribed with title (verso) oil on board 38 x 45cm Provenance Private collection, UKCondition reportFine craquelure, including to man and camel and to centre left near tree trunk where there is also a very little paint separation.Diagonal scratch lower centre but this appears to have original paint in/over it so this could well be original to the board/work.Build up of thicker paint to a small patch in centre of trees, could be a little retouching or could be deliberate and original to work.Surface and ingrained dirt.Some frame abrasions to extreme edges.Inspection under uv light reveals the small central spot in trees (mentioned above) fluorescing.

LISA STILLMAN (AMERICAN, 1865-1946)Portrait of a young lady signed and dated 'Lisa Stillman 1892' (upper left) coloured chalks 34 x 29cm Provenance Private collection, UKFootnoteLisa Stillman was the child of William J. Stillman and his first wife, LauraMack. After her mother's death, Lisa was raised by William Stillman's secondwife, the Pre-Raphaelite artist Marie Spartali. She enrolled at the SladeSchool of Fine Art for a year, and was also tutored by George Frederick Watts.When the family moved to Rome in 1886, she studied with Ernest Hebert at theFrench Academy in that city. Through Hebert she came to know the landscapepainter Giovanni Costa, the leader of a group of Italian and British landscapepainters who have since come to be known as the Etruscans. From this group asecond society of painters was formed, who exhibited primarily in Italy, knownas In Arte Libertas.Lisa Stillman was active in artistic circles socially in both London and theUnited States(https://emuseum.delart.org/people/1875/lisa-stillman)Condition reportThe sheet has been laid down on card; pinholes to the corners and borders; scuffing to the sheet with a small patch of paint loss to the upper and lower right corners; spots of foxing, particularly lower right but some further spots elsewhere.  Framed and under glass. 

ENGLISH SCHOOL, 19TH CENTURYPortrait of a lady reading oil on canvas 61 x 51cm Provenance Private collection, UKCondition reportThe canvas is lined.Extensive craquelure.A few small abrasions in places, including one lower left and another few small abrasions lower centre/lower right.Old stretcher mark visible across top.Surface dirt.Small grey patch to centre right of lady, part of which appears to be covering a small bit of paint loss.A little bloom in places including to upper centre.Inspection under uv light reveals a few flecks of retouching, including a couple of small ones to her hair and some to the background. An opaque varnish prevents further reading and partially masks some of the retouching.

WILLIAM CALCOTT KNELL (BRITISH, 1830-1880)A collier brig off Sheerness signed 'W C Knell' (lower left), inscribed 'Collier brig in stays beating to windward off Sheerness looking from Southend/ W C Knell' (on the artist's label attached to the stretcher) oil on canvas 76 x 127.5cm Provenance Private collection, UKCondition reportCraquelure throughout.Various small patches of retouching and restoration, including a small area centre right, which has a patch on the back of the canvas.Other very small dark spots and marks in places.General dirt and varnish discoloured.A few small spots of paint loss lower left corner.Stretcher marks visible, particularly across the top and down the middle.Inspection under uv light reveals various flecks of retouching, mostly in the sky.

MANNER OF GEORGE MORLANDFigures gathering shellfish on the beach with fisherman unloading the catch beyond oil on canvas 92 x 127cm Provenance Private collection, UKCondition reportCanvas is lined.Abrasion and associated patch of paint loss lower left.Further very small spots of paint loss elsewhere including lower left corner.Craquelure.Small spots and marks in places.Dirt.Discoloured varnish.Nothing fluorescing under uv light, this could possibly be due to an opaque varnish.

LUDWIG HANS FISCHER (AUSTRIAN, 1848-1915)The Courtyard signed and dated 'Ludwig Hans Fischer 1879' (lower left) oil on canvas 86 x 107cm Provenance Private collection, UKCondition ReportThe canvas has been relined.  The paint surface is clean and sound.  Some overpainting in the sky, upper right; a small patch to the wall, upper left; two flecks above the central arch; to the tiles to the left of the fountain - all have been sparingly and professionally executed.  Held in a later, ornate plaster gilt frame in fair condition.

JAMES WEBB (BRITISH, 1825-1895)Bamborough Castle signed 'James Webb' (lower left) oil on canvas 31 x 51cm Provenance Sale, Christie's, London, 31st January 1989, lot 75; Sale, Sotheby's, 15th December 1998; Private collection, UKCondition reportCanvas is lined.Varnish appears discoloured.Yellow patches visible upper left.Two white patches upper left and another centre right.Some dirt.Small spot of paint loss centre middle.Inspection under uv light reveals the white patches noted above fluorescing. Also a small patch fluorescing lower left, on lower mound above fisherman carrying net.Frame has various small knocks, marks and scratches and some old repairs.Small loss behind upper left corner.Overall general appearance is perfectly presentable.

CIRCLE OF JOHN CROMEWoodland scene with cottage oil on canvas 52 x 42cm Provenance Thomas Agnew & Sons, Old Bond Street, London; Private collection, UKCondition reportCanvas is lined.Discoloured varnish.Surface and ingrained dirt.Paint lifting in a horizontal line along extreme upper edge, just below frame recess, this could be part of the original canvas lifting off the lining.Small brown spot upper left in cloud.Other small spots and marks visible.Craquelure visible in places, including to centre right, where there appears to also be an abrasion.Inspection under uv light reveals a small patch of infilling to paint separation to centre right and flecks of retouching lower left quarter.An opaque varnish prevents further reading.

FIVE ASSORTED ENGLISH ENAMEL PILL AND PATCH BOXES MID 18TH CENTURY Variously decorated and each with hinged cover Condition Report: Some damageCondition Report Disclaimer

Y&nbspA PAIR OF FRENCH LATE 18TH CENTURY CLASP SLIDES WITH MINIATURES OF COURTING COUPLES The slides each with an oval miniature of a couple in a pastoral scene, one with a with a dog at their feet, painted on ivory, beneath a glazed panel within a gold surround with etches decoration, to a silver setting, stamped with French Paris 1774-1780 poinçon Size/dimensions: 4.5cm high Gross weight: 20.5 gramsPlease note: Dreweatts have applied for a de minimis exemption for this lot. Ref: ZLBB5TAW, XDLNQFL7 Condition Report: The glass has been replaced in the slide without the dog in attendance, it is flat glazing rather than domed, the frame has been pressed down in places. The miniature painting of the couple with the dog has flaking to the paint and a patch where it appears that paint has been restored, just in front of the dog on the left hand side of the miniature. Both clasps have some general overall wear commensurate with age and use. The clasps in good working order. Condition Report Disclaimer

A GEORGE III MAHOGANY BREAKFRONT SERVING TABLE CIRCA 1780 Of D-shaped outline, the top banded and line-inlaid, formerly with a brass gallery, the fluted frieze with two mahogany-lined drawers between oval sunflower paterae, on fluted square tapering legs with block feet 86cm high, 230cm wide, 91cm Provenance: Claude. J. YorkeIllustrated: The Connoisseur, May 1965, p.3Literature: The Connoisseur, May 1965, p.4 Condition Report: Good, structurally secure with dents marks and scratches and shrinkage cracks due to age and use. The catalogue illustration is accurate. There are repairs to back edge of the top where the brass gallery was fitted. There is a 6.5 x 4cm patch to back right of top. Edge chips to the top, notably to front left of the break front. The drawers lined with green baize. Chips and minor repairs to the edges of legs, the block feet replaced.Condition Report Disclaimer

TWO PAIRS OF CRESTED SILVER-PLATED MEAT COVERS Each of oval domed form, scrolling foliate grape and vine handles, engraved armorial for Walter Matthews Paul (1797-1861) and Elizabeth Hawker The larger 27cm high, 46cm wide, smaller 19cm high, 36.5cm We believe that Walter Matthews PAUL (1797-1861) and Elizabeth HAWKER (1802-1881) were the owners of the arms and that they would have likely been used in the period from 1819 (their marriage date) to 1881 (the death of Elizabeth as a widow).  The quartered arms in dexter indicate that the owner of these arms is a descendant of John PAUL (1772-1828) of Highgrove Gloucestershire and Mary MATTHEWS (1770-1843) who was born at Clapham Surrey. They were married at Battersea in 1793. John PAUL was the son and heir of John PAUL (1772-1828) by Mary CLARK (1754-1814). The family name was originally TIPPETTS.   Condition Report: 36cm long - Engraving crisp, handle tight to the body, one end of handle slightly upturned, wear to the plating, bruised patch at one end, stands well37cm long - Engraving crisp, handle tight to the body, heavy dent approx. 4cm long, wear to the plating, stands well46.5cm long - Engraving crisp, handle tight to the body, several minor dents, wear to the plating, stands well46cm long - Engraving crisp, handle tight to the body, several minor dents, heavier crease approx. 4cm long, wear to the plating, wobblesAll with light to heavy scratches and wear commensurate with age and useCondition Report Disclaimer

A GEORGE III MAHOGANY HALL TABLE LATE 18TH CENTURY The moulded rectangular top above plain frieze and cluster column legs 76cm high, 183cm wide, 79cm deepFor a design of 'Sideboard Table' by Thomas Chippendale incorporating a related cluster column leg, see Thomas Chippendale's, The Gentleman and Cabinet Maker's Director, The Third Edition (1762), printed John Tiranti ltd, London, 1939, pl. NoLX. The collection from Trethill House, Cornwall Condition Report: Good, structurally secure with wear and tear consistent with age and use. There are the inevitable minor dents marks and scratches and shrinkage racks, the top with a patch of dark staining to back left corner and a small shrinkage split in the same area. Otherwise the colour on the top and friezes is very good. Legs and particularly thge feet with scuffing, some old repairs to the feet. Small loss to the ovolo moulding to the middle block of back left leg (see images). The underside of the top with multiple old glue blocks ( a few replaced) but looks generally undisturbed.Condition Report Disclaimer

A 19th century Russian Icon of St Nicholas the Wonderworkertempera on gesso on wood paneldepicted full length holding a gospel book in his right hand with a silver gilt halo from which is suspended a foliated tsata, silver gilt foliate repousse decorated basma 32 x 27cm.Condition:Commensurate with age. Rubbing to gilt of basma. Losses and old patch repairs to basma. One splint absent

A Louis Vuitton brown vintage monogram Ellipse PM top handle bagMI0928, 1998, canvas monogram body with vachetta leather handles and gold tone hardware, with interior patch pocket and shoulder strapthe widest part 42cmCondition:The bag has been used and the handles are a little worn but generally in good condition

19TH CENTURY CHINESE SCHOOL "Woman and child in an interior, she smoking a pipe, a garden unfolding in the background", oil on canvas, signed middle upper left, 60 cm x 45.5 cm CONDITION REPORTS Has been re-lined, clearly been cleaned etc. See images under UV. Otherwise some crazing throughout. There is a slightly strange patch to the varnish on the child's arm holding the feather and another area of damage to the varnish above her outstretched hand. Otherwise general wear and tear conducive with age and use. See images for more details

A collection of nine Limoges patch boxes.

A Norman Grant flower pendant the silver pendant with full hallmarks for Edinburgh 1973-74, further stamped NG. It has a flower design enamelled in colours, with three silver drops. It has a 56cm, long white base metal chain, with a barrel clasp. Diameter of the flower element 2.8cm, length of pendant 8.3cm. Condition Report:Enamel in general good condition one very minor 2mm dull patch over the yellow dot. Overall light tarnish.

A continental black enamel patch box, probably Limoges, 19th century, of waisted form, the hinged cover finely enamelled with a lady’s portrait on a gilt fleur de lys ground among scrolling floral motifs, opening to a polished copper and mirrored interior, the base with a red ribboned classical portrait, 3cm high, 4.5cm diameter CONDITION REPORT:The enamel shows age-related fine surface wear throughout (including some fine scratching to the underside), and tarnishing to the metal mounts, but no obvious chips, cracks or losses to the enamel.

An enamel patch or pill box, 19th century, the hinged cover with a river scene titled ‘Barton Bridge / A Trifle From Manchester’, 4.5cm wide (at fault); with two Halycon Days enamel boxes, a Halcyon Days enamel bonbonniere, and a selection of silver and silver coloured items to include a vesta, a button hook and a flask (11)

A small collection of curios/collectables to include miniature porcelain hand painted panel of a lady, pair of mother of pearl cufflinks, pieces of agates, carved glass cameo of shaking hands, crest seal, agate link necklace, enamel patch box, agate cufflinks, carved glass/stone cameo of a lady etc. (5)

DRESDEN: a porcelain lidded tankard decorated in enamels with courting couple, height 15cm; a pair of scale blue ground inkwells and 2 other pieces Condition report:The tankard is in good condition, a minor horizontal patch of wear to gilt noted in the top band.WE TAKE GREAT CARE in the accuracy of our condition reports and may record damage and restoration if obvious. The information is provided in good faith along with detailed photographs where requested and is for guidance only. However, this does not imply that there may not be further condition issues associated with the lot and we DO NOT provide any guarantee to the buyer.WE STRONGLY ADVISE BIDDERS TO EXAMINE PERSONALLY ANY LOT THEY ARE INTERESTED IN BEFORE THE AUCTION.

A collection of obsolete USA Police cloth patch badges (approx. 60).

A PATCH BOX, 19th century, chip carved decoration, various items of Mauchline ware, 2 seals etc.

A George III white metal and fishskin etui case, circa 1800; the interior with two tortoiseshell cased blades (two others missing), 6.5cm high; a George III tortoiseshell patch box, with later white porcelain ball feet; and a turned boxwood box of capstan form, 19th century

Beatles collectables to inc: first edition hard cover copies of 'A Spaniard In The Works' and 'In His Own Write', 1960s portrait brooch, Sgt. Peppers circular sew on patch, a Paul McCartney Rosebud doll (no guitar), a pair of buttons with handwritten tag 'BUTTONS FROM J.LENONS (SIC) LEATHER COUCH'.

THE BEATLES - WHITE ALBUM - ORIGINAL UK STEREO NUMBER 0000029. An incredibly low numbered original UK stereo White Album to add to your serious Beatles collection! Please note that whilst this is a lovely clean example, a professional restoration has been applied to the sleeve which has at some point been split with additionally a small patch of the chipboard grafted onto the top front side where it was originally missing (less than ¼ square inch in size) . The repair was completed with great care, so the sleeve is now made whole and fully intact. The effect of the repair is noted on the spine where minor glue residue can be seen. The laminate is in clean order and the other parts of the sleeve (front, left and right inner section of the gatefold and reverse) are also in neat order with a couple of light scuffs. The embossed number "No. 0000029' is in lovely clean order with 'The Beatles' embossed lettering also lovely and clean. Complete with the original UK stereo LPs (with 'Sold In UK' text and without 'EMI Recording', -1/-1/-1/-1 matrix endings) - record 1 is in G+ condition showing some surface marks and a couple of light but feelable scratches, record 2 is in glossy VG+ condition with only a few light and minor surface marks. Complete with the four original photos and poster in clean order, the black inners are reproduction.

A Gucci black shoulder bag. Having an adjustable fabric strap with cream leather trim and plastic fastenings, the front pocket printed 'Gucci made in Italy' and secured by a magnetic clasp, the zip locked interior having a single patch pocket and a zippered pocket. L35cm Condition Report: Overall in good-very good condition. The zip and strap move smoothly. The leather tab to the end of the zip shows some minor rubbing, the back of the bag and fabric strap have some small spots of residue which should clean off. No apparent tears, repairs of discolouration. Some minor rubbing to the edge of the fabric strap. The interior of the bag has no apparent staining or damage.

A Coach pebble grain black leather cross body handbag. Style 58874, constructed in April 2018. Having a removeable black leather strap and a pair of handles, gilt metalwork and a zip pocket to the front with an applied emblem. The zip locked interior lined with black printed fabric and containing a zippered pocket with the leather creed patch attached. L35cm x H20cm, in the original dust bag Condition Report: Overall in very good condition. Some rubbing to the gilt metalwork but otherwise no obvious wear (appears unused). No apparent scratches, stains or tears to the interior and exterior. Colours strong.

A Burberry 'Brickfield' shoulder bag. The satchel has a removable shoulder strap and constructed of green suede and green pebble grain leather with a smooth black leather trim. The front flap secures with a gilt switchlock and opens to a green fabric lined interior with a small zippered pocket and two patch pockets. L24cm Condition Report: Overall in good-very good condition. Some rubbing, light scratches and tarnishing to the gilt lock and some minor light scratches to the leather (mainly to the underside. No apparent cracks, tears or staining to the exterior. The interior canvas flap has some light scratches, the fabric lining has no obvious stains or tears however there are a couple of loose threads. Colours are strong with no fading or repairs. The fabric strap has some light wear around one of the buckle holes consistent with usage.

A Givenchy Mini GV3 Shoulder Bag in Fig Pink and Cherry Red. Crafted of burgundy grained and patent leather with red suede leather, featuring a silvered chain link strap handle, the magnetic clasp opening to reveal a microfibre interior with a single patch pocket, the inside of the pocket stamped '23 A 0148', L12.5cm. In the original canvas pouch with the original care instructions and tags contained in an envelope Condition Report: The bag is overall in very good condition. The metalwork shows some tarnishing. The fabric has no apparent tears, loose threads, stains or cracking. Zip smooth. Appears to have had minimal usage. The dust bag has some spots of discolouration, the drawstrings function, the envelope containing the paperwork is creased and a little discolourated.

A Coach Sutton Hobo coated canvas tan shoulder bag. Style 38580, constructed in July 2018. Having an adjustable and removable brown leather shoulder strap and handle, each side featuring the signature print, tan colourblock panels and saddle brown leather trim, the zip closure with a ring-style puller with leather tassels. The interior lined with brown printed fabric, two open pockets and zippered pocket with the leather creed patch attached. L31cm x H26.5cm Condition Report: Overall in very good condition. Some minor rubbing to the metalware and however it otherwise appears unused. No obvious tears, loose threads or stains.

A Studiomaster Mixdown Gold 16:8:16 mixing desk with phantom power and MIDI, in original packing box with instruction manual and cables. Purchased from new by the vendor in 1993.Together with a Sound Lab PB 16x2 16 channel patch bay with cables, and a wall mounting studio/stage box with XLR and jack inputs.

A late Queen Anne Britannia standard silver tankard, maker R?, with banded girdle, hinged domed cover and scroll thumbpiece, London, 1712, height 17.7cm, 22.8oz (patch left by removed spout). Patch has been later hallmarked for London, 1955. Marks on body rubbed.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

19th / 20th Century Scottish School oil on canvas, landscape with young lady carrying wood, 60 x 40cmOverall in good condition. No holes, not relined, does have a repair via a patch on back (see Photo). Could do with a clean.

Collection of toys, including diecast cars, Timpo, Lego, Patch, etc (3 shelves)

A good collection of mostly Russian military patches along with a canvas satchel. Patch examples include Chevrons of the Northern Fleet, US Marine Corps, Russian 810th Naval Infantry BDE of the Black Sea Fleet, Kola Flotilla, etc.

An India General Service Medal with Burma 1887-89 clasp Indian recipient, naming indistinct and another with Burma 1885-87 clasp to 15 Pte Mahomed Khan Milty Police both worn, the latter with discolouration patch to the the centre.