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A burr oak and cross-banded side table with four short drawers labelled "Sugar", "Ginger", "Parsley" and "Bay Leaves", raised on square sectioned chamfered legs CONDITION REPORTS Approx 89 cm in length x 9.5 cm in depth x 60 cm. Has general wear and tear to include a patch of sticky glue-like substance on the top - see images for more details
An early 18th century walnut chest of two over three drawers, the quarter veneered crossbanded top over crossbanded drawers on later bracket feet. h. 96 cm, w. 101 cm, d. 55 cm CONDITION REPORT: Later handles. Later bracket feet. Splits to side Some veneer missing and some replaced cross banding on top. Patch to top. Condition commensurate to age
Miscellaneous English Silver Coins comprising: 2 x halfcrowns: 1911 & 1937, 2 x florins: 1893 & 1911, 5 x shillings: 1821, 1879 no die number Fair/VG, 1911, 1926 & 1937E, together with George III penny 1806 obv. verdigris patch in obv. field & part of bust o/wise AEF, shilling 1953E & 4 x tokens: Stockton silver shilling 1812 'CHRISTOPHER AND JENNETT,' 2 x 19th century ferry tokens (Sunderland & Middlesbrough) & a late 18th century copper halfpenny token (no date) from Skidmore's series 'London Churches & Gates' obv view of Newgate Prison by Benjamin Jacobs, rev. 'DEDICATED TO COLLECTORS OF MEDALS & COINS' around PSCo cypher, edge plain, lustre traces; generally Fine or+ unless o/wise graded (majority VF or+)
A Small Collection of 'Britannia' Coins comprising: 4 x £2 (1oz silver): 2002, 2009 proof with cert, in CofI, FDC, 2010 & 2014 (bullion type) slabbed with cert, cased, toning patch on obv; £1 (half oz silver) 2011, encapsulated BU; 50p (quarter oz silver) 2014 struck from silver salvaged from the SS Gairsoppa, a British merchant ship sunk by a U-Boat in 1941 off the west coast of Ireland & a gold proof 50p (1/40 oz .999 gold) 2014, 0.8g, 8mm, encapsulated & sealed in a presentation card FDC
Whetenhall (Thomas). A Discourse of the Abuses now in Question in the Churches of Christ, of their Creeping in, Growing up, and flowrishing in the Babilonish Church of Rome, how they are spoken against not only by the scriptures, but also by the ancient Fathers as long as there remayned any face of a true Church maintained by publique authority, and likewise by the lights of the Gospell, and blessed martyrs of late in the middest of the Antichristian darknes, [England]: Imprinted [at William Jones's secret press], 1606, [8],143,142-192,[2]pp., modern half calf gilt, slim 4to, (STC 25332), together with Dugdale (William), Monasticon anglicanum, or, The history of the ancient abbies, and other monasteries, hospitals, cathedral and collegiate churches, in England and Wales. With divers French, Irish, and Scotch monasteries formerly relating to England. Collected, and published in Latin..., and now Epitomized in English..., 1693, title in red & black (torn to outer blank margins & lined to verso), fifteen engraved plates, some staining & fraying to margins, endpapers renewed, contemporary calf, rebacked preserving original spine, corners repaired, folio, with, Quarles (Francis), Job Militant: with Meditations Divine and Morall, London: Printed by Felix Kyngston for George Winder, 1624, lacking initial blank (A1), close-trimmed throughout with some cropping mostly to printed marginal notes, modern calf, slim 4to, with Balzac (Jean-Louis Guez de), The Choyce Letters of Monsieur de Balzac. Written to severall Grand and Eminent Persons in France..., Never before in English, 1658, engraved portrait frontispiece, bound with Balzac's Remaines, or, his last Letters. Written to severall Grand and Eminent Persons in France. Whereunto are annexed the Familiar Letters of Monsieur de Balzac to his Friend Monsieur Chapelain. Never before in English, 1658, title in red & black, toning & occasional spotting throughout, recent endpapers, 18th century calf, rebacked, 8vo, plus [Freind, John], An Account of the Earl of Peterborow's Conduct in Spain, Chiefly since the raising the Siege of Barcelona, 1706. To which is added the Capagne of Valencia with Original Papers, 1st edtion, 1707, half-title with contemporary signature, contemporary panelled calf, rebacked, patch repair to lower board at head, corners repaired, extremities rubbed, 8vo, plus eight other 17th-19th century antiquarian, including defective & odd volumes (16)
Europe. Onwhyn (Tom), Treaty Map, published Rock Brothers & Payne, April 20th, 1856, etched allegorical map with contemporary hand colouring, old folds, two small marginal closed tears, retaining pictorial paper wrappers with description key to verso of upper cover, upper cover detached, covers a little soiled and frayed, 485 x 620 mm Rare anamorphic map celebrating the Treaty of Paris which was signed on 30th March 1856 and which formally ended the Crimean War. The Russian Bear lifts its paw (which is streaming with blood) away from the Crimean peninsula. The bear's body is covered with the words 'tyrrany', 'oppression', 'treachery', 'bigotry' and 'ignorance'. However along its back is the notice 'Russian hide, wants more tanning'. Onwhyn clearly thinks little of the treaty as he shows Britannia's sword bound with 'red tape' and her lion with an eye-patch. Other European countries fare little better. Italy is depicted as a mad dog in convulsions, being strangled by a collar labelled 'popery'. Poland is depicted as a gravestone with 'Defunct nationality' engraved upon it and Austria is a double headed ass. Prussia is an obeisant cur wearing the collar of the Czar with the 'Very Petty German states' tied to its tail.The map appears to be a follow on from Onwhyn's 1854 map 'Comic Map of the Seat of the War' which was copied and also published in Belgium by Louis Mols-Marchal. Rod Barron in his blog of June 9th 2015 ;Clipping the Russian Bear's claws...,' describes the 1854 map and describes how, as the war progressed and casualties mounted that sentiment turned against treating the war as a subject for mirth and satire. It is perhaps surprising that Rock Brothers and Payne thought it appropriate to issue another map after what must have been considerable public opprobium. This may also explain why we have been unable to find a copy of this map appearing in auction or being held by an insitution. (1)
An early 1970s Gordon Russell rosewood Prestige large desk raised on chrome supports, designed by Ray Leigh and Trevor Chinn. Main desk 213cm x 90.75cm, extension 107cm x 50cm. Condition Report. To be used as a guide only. Good condition. Dark patch in the centre of the main desk showing fading around a blotter. Locks working.
A George III mahogany card table, with blind fret carved decoration, 80 cm wide See illustration Condition report Report by GHLarge veneer chip to the rear right of the top. The blind fret carving on the front right leg has several losses and a half broken off piece. Other blind fret carved areas seem to have fared better with no major areas of damage. Open and close mechanism to table works well. Evidence of old worm at the back of the table. Some small old repairs to veneer around the edge of the green baize section. No obvious damage to the rear legs. The back of the piece is not fret carved or decorated. Patination colour generally reasonably good with a little light patch towards the front of the top, but has not suffered badly from sun-fading.
A Meissen style porcelain patch box, 19th century, rectangular form, domed hinged lid with Watteau-esque scene to centre within raised scroll work gilt frame, waisted form lower section with topographical scenes to all four sides, brass scroll thumb piece to centre, initials A. and C. above and below blue crossed sword mark to base, 2¼w x 1½d x 1¼h in. (5.7 x 3.8 x 3.2cm.).
A diamond wishbone ring, with four columns of round brilliant cut diamonds in yellow channel settings, to fluted shoulders on a plain polished shank, total estimated diamond weight 0.60 carat approximately, finger size O1/2The ring is in good condition. It is stamped '14k' and in our opinion would test as gold. There is a patch of red paint to the inside of the shank. The approximate qualities of the diamonds are; colour H/I/J, clarity SI1/SI2/I1. Gross weight 4.8 grams. CR made 17th August 2016.
Border Fine Arts Terrier Models Comprising: 'Two's Company' (Three Terriers), model No. L56 by Ray Ayres, limited edition 418/850, on wood base, 'Border Terrier (With Hedgehog), model No. 066 by David Geenty, on wood base and 'Lakeland Fell Terrier', Seated, model No. DM5 by Ray Ayres, on wood base; together with 'Patch', 'Jack Russell Terrier', Standing, Style One, 'Fox Cub and Hedgehog' and 'Frog and Duckling' (7) (a.f)Lakeland Fell - spade broken at base and re-glued. Two's Company - tip of one tail broken off and two others with minor nibbles to paint. Fox - one ear chipped off. Patch - minor paint chip to one ear. Other models ok. No boxes, no certificates. Only three models with wood bases.
A 19th century Flight Barr & Barr Worcester two handled vase, painted with a portrait of Mirza Abul Hassan, to a multi coloured jewelled border, with deep blue ground, gilt decoration, inscribed to base, af, height 3.5ins Condition report: Cracked through the body in two places and cracked through rim all the way round, sign of material patch to inside
*A modern Italian 10 bore black powder percussion musket, in the American Civil War style, 49” overall, barrel 33”, by Antonio Zoli & Co, number 22737, with pale beech wood three quarter stock, brass mounts including patch box, sling swivels, and iron ramrod. GWO & VGC (slight surface rust to ramrod)

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24353 item(s)/page