We found 24353 price guide item(s) matching your search

Four WWII medals, a gilt-metal glass topped jewellery casket, a Georgian motto patch box, a/f, a papier mache trinket box, five thimbles including silver, two pairs of spectacles, a carved ivory box, mother of pearl pill box, mother of pearl purse, etc.

Gloria Muddle ' Mushroom Patch ' watercolour, signed lower left, 33 x 47cm approx

JOANNA CONSTANTINIDIS (1927-2000); a deep leaning lustred stoneware bowl, impressed C mark, made c.1988, diameter 24cm. (D) CONDITION REPORT: A patch of blistering to one side, otherwise appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Enamel patch box "A trifle from Plymouth" another "Friendship Divine" and two other small boxes Condition report: see terms and conditions

GOOD CHINOISERIE WARES: a Minton Fisherman root dish, 28.0cm, unmarked; a Wedgwood & Co. Elephant and Howdah small platter, 26.3cm, impressed mark; a Lady with Parasol octagonal stand, 22.9cm, unmarked; and a Job Ridgway Curling Palm six-lobed dessert dish, 24.3cm, impressed mark (4) Root dish - wear and glaze losses to edges and corners Elephant - hairline and wear to rim Lady - hairlines and retouching Palm - one small patch of glaze loss

DERBY FIGURE OF A TRAVELLER, model number No 190, the man with a barrel on his shoulder, repairs and losses, incised and patch marks, height 17cm

Great Britain - QV (surface printed) : (SG 133s) 1867-83 blued paper £5 orange, DA, well centred, ovptd. SPECIMEN, type 9, dull patch where large hinge removed, o/wise fine m.m. Cat £3500 (image available)

France : (SG 4) 1850 Ceres 15c green on bluish-green - good-looking example with even margins and much original gum - large thin patch and tiny ink spot on face o/w exceptionally fresh example of this very scarce and valuable stamp. Cat £29000 (image available) [US1]

Great Britain - KEVII : (SG 320) 1911-13 Somerset House £1 deep green, centred to NE, excellent colour, very faint yellowish patch on gum mentioned for accuracy, still fine, u.m. Cat £3000 (image available) [US1]

Great Britain - KGV : (SG 403) 1913 Waterlow £1 green, excellent colour, patch of slightly yellowed gum, u.m. RARE. Cat £4800 (image available) [US1]

A Derby Patch Mark cartouche shaped vase, painted with fanciful birds in colours, the ground in relief with leaves and scrolls, picked out in pink and green, 19cm high, c.1770

Five Border Fine Arts dog sculptures, comprising Rottweiler, German Shepherd, Patch-Brown Jack Russell, English Springer Spaniel, and Miniature Poodle, all boxed.

2 SILVER PILL OR PATCH BOXES, ONE CONTAINING POLISHED STONES FOR MOUNTING AND A SCALLOPED SILVER DISH, BROADWAY & CO. BIRMINGHAM

Mervyn Grist 20thC watercolour of a lady and gentleman in their vegetable patch with cottage beyond, signed lower right (51 x 32cm)

The "Beano" comic No 298 from November 30th, 1946 featuring Big Eggo, Jimmy and his Magic Patch, Lord Snooty etc

STUDIO OF JOSHUA REYNOLDS (1723-1792)A portrait of Captain ByronOil on canvas, 126 x 100cmJohn Byron (1723-1786) 'Foul Weather Buck' is John Byron, British vice-admiral, the second son of the 4th Lord Byron, and grandfather of the poet, was born on the 8th of November 1723. He joined the navy as a midshipman but would go on to be considered one of the finest sailors in all of England; despite his dogged bad luck for which he received the nickname of 'Foul Weather Jack’. During one of his expeditions he was wrecked on the southern coast of Chile but survived and proceeded to write up his adventures as 'The Narrative of Hon. John Byron, Containing an Account of the Great Distresses' (1768), which his grandson, George Gordon Byron, used in his satirical poem 'Don Juan' (1819-1824). Habitually in action against the French, he was chosen to command a secret British expedition in the Dolphin frigate - one of the first British ships to have a copper sheeted hull - to the Falkland Islands to break into the Spanish trade. Afterwards, he completed the circumnavigation of the globe, claiming various Pacific islands for the Crown.The provenance of the present example is with Torridon House in the Scottish Highlands, the estate, which once belonged to the Duke of Leeds and is now home to the Earl and Countess of Lovelace, is sandwiched between rugged, soaring mountains and the deep blue of a sea loch. The family auctioned the contents of the house in 2015 offering a wonderful collection of furniture, paintings and other works of art to the public. The connection with the Byron family resulted from the marriage between Lord King William who married Augusta Ada Byron, the only legitimate daughter George Gordon, 6th Baron Byron. The Lovelace title was chosen to mark the fact that Ada was, through the families of Byron, Milbanke, Noel and Lovelace, a descendant of the Barons Lovelace of Hurley. This union brought the promise, in marriage settlement, of vast estates in the Midlands and also political advantage, for Ada’s cousin was Lord Melbourne, the Whig Prime Minister.In this quarter-length portrait Byron is presented in an appropriate manner of attire wearing his captain's undress uniform and a grey wig. He is set against a dark clouded filled background, with a small patch of light blue sky out of which sails a ship from the British Fleet. Byron strikes a formidable presence in this portrait reflecting his many successive years of dedicated and hard service. The numerous long and arduous expeditions is succinctly captured in the line inscribed on the frame, from Byron’s poem, ‘Epistle to Augusta’, ‘Our grandsire’s fate of yore /He had no rest at sea.’Joshua Reynolds (1723-1792) was apprenticed in 1740 to the portrait painter Thomas Hudson, (1701-90) and after early work in his native Devon travelled to Italy in 1749. He returned in 1753 to London and rapidly began to establish himself as a portrait painter, profoundly influenced by his time in Italy. He was the most influential figure of the century in elevating British painting and portraiture which paved the way for a generation of work. Reynolds borrowed poses from the old masters, such as Lord Bryon’s strong stance with arms crossed and his left hand holding onto the sword hilt, which dignified the status of the sitter.

A Courrèges couture pink cotton coat, 1970s, Courreges Prototypes label, with two large patch pockets, chest 97cm, 38in CONDITION REPORT: good condition

An Ossie Clark for Radley black moss crepe 'Judy' dress, circa 1970, labelled, with flounced shoulders, the neckline and cuffs edged in yellow satin, bust 87cm, 34in CONDITION REPORT: Darned repairs to hem - front 1x1cm, another rear left hem 1x2cm, zig zag repair and small patch rear hem edge. Nice black crepe and fresh yellow trim.

A jaguar fur jacket, 1950s, panthera onca, labelled 'S.Jaffa Furs Ltd, Belfast & Aberdeen', with mink collar and cuffs, chest 86cm, 34in Please note there are export restrictions on this lot outside the EU. CONDITION REPORT: First impressions are good, jaguar fur has sheen and mink is supple. Jaguar has approx. 7 patch repairs, predominantly to sleeves where other fur has been used (ocelot and possibly other similar), which is not immediately obvious.

Enamel patch pot / box with the phrase 'I Will Never Change' to the lid (af)

WWII military collection of 186048 Capt. F.A.F Durance (The Lincolnshire Regiment), including medals (comprising of War Medal 1939-1945, Defence Medal, 1939-1945 Star and the Burma Star) various military uniforms (some bearing Lincolnshire Regiment patches and buttons) dress uniform jacket, WWII pith helmet with cover, caps and hats, large tin trunk and suitcase, medic's sleeve/arm brassard, Lincolnshire shoulder patch and other military patches, mosquito net, belts, small hip flask, whistle, photographs, documents, etc. Framed military photographs including '75 G.P. TPT Coy R.I.A.S.C "C" Section September 1942', '366 Indian Supply Section R.I.A.S.C May 1943', An instructors course, senior officers school, various paperwork and ephemera.

An interesting presentation Belgian made .70” Russian 2nd type M1843 carbine for rifle regiments, being a direct copy of the British Brunswick rifle and known as the “Luttich Carbine”, 46” overall, twist barrel 30” with deep 2 groove rifling, bayonet bar at muzzle and tangent rearsight, the nipple bolster stamped with number “465”, the line engraved back action lock stamped “P. J. Malherbe, Liege”, walnut stock having regulation pattern brass mounts, including oval escutcheon engraved with cypher of Nicholas I, butt plate tang engraved with the Imperial eagle and “No 465” and patch box cover engraved “Tchernaya, August 15th 1855, given by Colonel, Lord G Paget to H W Des Voeux”, with sling swivels and original steel ramrod with large brass cupped end. Good Working Order and Condition dark patina to lock and barrel (small section of fore end has old worm at the muzzle). Plate 22 Note: Colonel Lord George Augustus Frederick Paget, was the sixth son of Henry William Paget, first Marquis of Anglesey. He left England for the Crimea in June 1854 in command of the 4th Light Dragoons. He fought at Alma and Balaklava where led his regiment in the Charge. He was the next senior officer of the Light Cavalry Brigade to Lord Cardigan.

A scarce Third Reich Waffen SS shoulder strap to Liebstandarte Adolf Hitler, OR's with button; a Waffen SS metallic embroidered eagle with label on back “Joseph Niessen Wuppertal Bremen”; black medical collar patch; 3 more black shoulder straps with buttons; a Land Customs collar patch with metal cypher and 2 other items. GC (one shoulder strap damaged).

A Third Reich NSDAP Political Leaders collar patch, brown with light blue piping. A pair of army officer’s shoulder boards to the 241st Regiment; a Feldgendarmerie arm eagle; a printed Luftwaffe patch; an Officer's large cap eagle; a police arm eagle; a 19th century US army Officer's shoulder strap and 4 other items. GC (12)

7 WWI German OR's shoulder boards, 11th Regt (2), 16th Regt, 45th Regt, 54th Regt, 62nd Regt, 234th Regt. A bullion embroidered Fascist collar patch; 4 medal ribbon bars and a quantity of Eastern bloc shoulder boards, etc. GC

LAWRENCE D.H.: (1885-1930) English Author. A.L.S., D. H. Lawrence, two pages, 4to, Scandicci, Florence, 24th November 1927, to Philip Ahrer [of the Huddersfield Thespians]. Lawrence states that he should be very glad if his correspondent's thespians produce David, adding '& if they do, be sure to let me know how it goes. If I'm in England, though, I'll come & see it'. The author further explains 'My agents Curtis Brown will write & settle terms, and I hope everything will go satisfactorily'. A few small pinholes to the upper left corner and some small tears to the edges, not affecting the text or signature. Together with Elmer Rice (1892-1967) American Playwright. A.L.S., Elmer L. Rice, one page, 8vo, Paris, 26th May 1945, to Mr. Gregson. Rice states that he has just returned from London and remarks 'Yes, I shall be very glad to have you do The Adding Machine', further explaining 'The terms would be 8% of the gross receipts for each performance. As you know, this is 2% less than the usual terms in England'. With blank integral leaf. Some light overall creasing and a few small, neat tears to the edges. Also including Blanche Patch (1879-1966) Secretary to George Bernard Shaw. T.L.S., Blanche Patch, one page, 8vo, Ayot St. Lawrence, nr. Welwyn, Hertfordshire, 13th December 1944, to Mr. Booth, stating, in part, 'I understand from your letter….that you have not read the second paragraph of Mr. Shaw's licence where it states that fees may be calculated on the average takings. If your takings were under £50 at each performance then you pay Mr Shaw a 5% royalty' and further including a printed 8vo menu card for the Annual Dinner of The Huddersfield Thespians at Whiteley's Café, Huddersfield, on 1st November 1966, signed to the inside by the actor and comedian Bernard Braden. G to VG, 4

[PATTON GEORGE S.]: (1885-1945) American General of World War II. A folio hardbound scrapbook compiled by Mary Jane Krieger of Pennsylvania and dedicated to her hero, General George S. Patton, with whom she regularly corresponded during World War II, the first page featuring an original circular blue red and white embroidered patch of the United States Third Army, evidently personally sent by Patton to Krieger, the scrapbook further containing numerous newspaper clippings, images and articles (largely dated 1945-46) relating to Patton and his service during World War II, with headlines including Patton Demands Spit and Polish, 750,000 Cheer Patton in Boston etc., also covering his car crash and subsequent short time in hospital before his death on 22nd December 1945, also including a number of original 8 x 10 press photographs of Patton, some showing him with other military leaders including Dwight Eisenhower, Omar Bradley and B. L. Montgomery, and further including two T.Ls.S. by Lt. Sue Lynch, Patton's secretary, the first one page, 4to, Headquarters Fifteenth US Army, 10th January 1946, to Mary Jane Krieger, stating, in full, 'Mrs. Patton has asked me to thank you for your cable and many letters addressed to the General during his illness and to tell you that she deeply appreciates your thoughtfulness. I should like to tell you that the General always enjoyed your letters immensely and was particularly pleased with the book of poems you sent him at Christmas' and in a holograph postscript, signed with her initials SL, remarking 'I hope you will like the enclosed poem which has just been sent me from a Californian paper', the poem still present, entitled Farewell to General Patton by Joseph Auslander; and the second, one page, 4to, Munich, 19th June 1946, to Mary Jane Krieger, on the printed stationery of Headquarters II Constabulary Brigade, thanking her for an Easter card and commenting on having visited Oberammergau, remarking that it was 'pleasant to leave this badly bombed city for a few hours in such a pastoral atmosphere'. Both letters are loosely inserted into the scrapbook and are accompanied by the original envelopes. Most of the news clippings and photographs are attached to the pages by selloptape at the corners and many pages bear dates and brief ink annotations in Krieger's hand. Some overall age wear and the edges of most pages with small areas of paper loss. Generally G Mary Jane Krieger (d.1982) American Telephone Operator who corresponded with Patton during World War II. Indeed, Martin Blumenson states in The Patton Papers 1940-1945 that Krieger was one of the last four people to whom Patton wrote a letter, on 8th December 1945, before his untimely death.

An original large fishtail Parker patch - The Jam, Union Jack.

Shelley Winters signed 10x8 b/w photo. Classic 10x8 black and white portrait photo signed by Shelley Winters (1920 - 2006) who won Academy Awards for The Diary of Anne Frank and A Patch of Blue. Undedicated autograph. Good condition. All items come with a Certificate of Authenticity and can be shipped worldwide.

A Caucasian rug with central medallion on a blue ground, within a cream field and triple cream and blue banded floral decorated border, 185 cm x 156 cm CONDITION REPORTS Various signs of wear and uneven wear, a big worn patch to the centre. Fringe worn, uneven fading, whole could probably benefit from a clean. Tear to one end, general signs of wear and tear throughout.

A mixed selection of include Jews Harps, patch box, brass, clover seal, pan pipes, coin holders etc

A small pair of Derby figure, of a Gallant & Companion, circa 1775 patch marks and incised marks, height 14cm (2) Condition: Lady: Nibbles to hat rim, left arm stained chips to leaves and petals, Man: Hat rim nibbled, letter in left hand chipped, chips to leaves and petals

A Derby figure of Earth, one of the Elements, circa 1765, patch marks, height 24cm Condition: Losses to leaves, watering can

‘The Shadowless Sun’ (50 x 98cm) Paint on Fabric - by Breda Whyte 1 of 5 lots - Breda Whyte is an Irish Artist living in Wallasey. She has a degree in Fine Art and has exhibited in Blackburn House Liverpool, Williamson Art Gallery Birkenhead, Peacock Gallery Craigavon, Blue Green Gallery in Brittany, as well as Drogheda, Dublin, London, Valencia and Larnaca. Her public commissions include work for St Mary's High School, Middleton, Cork, Central American Committee Ireland, MS Society Cork, Patch, Dublin.

A hallmarked silver patch box with part enamelled crest to lid, hallmarks rubbed, a tiny Edward VII hallmarked silver heart-shaped box, Adadie & Lovekin Ltd, Birmingham 1900, a further 19th century gilt metal mounted orange hardstone snuff box and a small Continental pocket watch (4).

ELEVEN ELIZABETH II CROWN COINS, A 1986 £2 COIN AND TWO OTHER COINS; A METAL OCTAGONAL PATCH BOX AND TWO RONSON CIGARETTE LIGHTERS

A reproduction "Brown Bess" short musket with 30ins bright steel barrel, the bright steel lock stamped crown over G.R. and "Tower", with brass furniture to the hardwood stock, and with patch box, ramrod and fitted brown leather sling, 45.5ins overall

A white metal rope chain stamped 925, a small modern silver patch box having engraved decoration and a pair of gold plated stud earrings stamped 925

A collection of 1960's and later pop autographs and memorabilia, including an eye patch given to fan Jean Arthur from Johnnie Kidd together with an August 1964 news-cutting and photograph of him standing with her and a dedicated autograph signed by Johnnie Kidd and all the pirates, with further autographs and signed photographic cards including Herman and the Hermits, Screamin' Lord Such, The Mojos, The Applejacks and Lee Dorsey, together with a Washington Pottery Ltd Beatles cereal bowl.

A Victorian pine chest of two short over two long drawers Condition Report / Extra Information Splintered loss to top left hand corner of upper left hand drawer front, approx. 3x4cm. Long running horizontal split to top surface. Feet are all replacement. Patch repair to upper front edge of central drawer.

FOUR LATE 18TH/EARLY 19TH CENTURY BILSTON ENAMEL PATCH BOXESdecorated with sentimental sayings, lovebirds and couples, including 'The gift is small, but love is all', 'Now we Agree, Let's married be' and 'No toil is pain, When love's the gain', the bases various shades of pink, white and green, all with metal mounts, three with mirrored interiors, most with damages, 5cm long

LATE VICTORIAN NOVELTY EGG PATCH BOX ON CHAINmaker Lawrence Emanuel, Birmingham 1899, egg embossed with scrolling floral design, hung from two chains from a bar brooch, approximately 16g, egg 4.5cm high

Matchbox Models of Yesteryear Y-16 Spyker Veteran Automobile, with rare maroon body without gold trim and green seats. G, some paint wear, mainly small chips around edges, small patch of corrosion above back right wheel, in a G D1 type box, price in pen to front, tear from one end flap across side, some creases.

Tartan ware - card case, 3.25" x 1.75", McPherson pattern bracelet, brooch, Bezique marker, patch box and a McPherson scalloped shallow bowl (6)

Selection of WW2 German Collar Patches, consisting a pair of Luftwaffe flak, pair of German Infantry litzen, early black collar patch with three pips, plus other single collars of various branches of service. Various conditions. (12 items)

Early Imperial Russian Cartouche Pouch, large pouch of blue velvet cloth with decorative silver braid edging. Large pressed metal front piece with black painted eagles coming out from crowned monogram and a trophy of arms, anchors and large sea creatures. Interior lined in blue velvet cloth with leather flap which reveals containers for nine cartridges or shots. Blue velvet cloth back with brown leather patch. Some wear but still remains in good condition.

Selection of Canadian Cloth Insignia, consisting of various embroidered shoulder titles including Royal Canadian Artillery, RCHA, Royal Canadian Engineers, Royal Canadian Signals, Canadian Provost Corps, Royal Canadian Ordnance Corps, Canadian Postal Corps, plus others. Accompanied by various cloth formation signs including embroidered bullion wire Commonwealth Forces, embroidered Malta Garrison, Allied Force Headquarters bullion embroidered, plus others. Canadian Parachute cloth wing and embroidered 4 Leave Centre patch. Some British cloth shoulder titles and rank pips etc. Small grouping. (53 items)

*An early 20th Century Caucasian short runner, decorated with bold geometric forms (very worn, holes in the middle, patch to one side).

ALIENS (1986) - Victory by Wings' Patch A 'Victory by Wings' patch from James Cameron’s seminal sci-fi action film Aliens. The Colonial Marine dropship crew aboard the USS Sulaco – Ferro (Colette Hiller) and Spunkmeyer (Daniel Kash) – wore the ‘Wings’ patches on their flight suits and body armour. The round patch displays a screen printed eagle emblem surrounded by yellow stars and a banner reading 'Victory by Wings'. There is a strip of fabric tape on the back displaying remnants of brown leather, and the black embroidered edging is fraying slightly, however overall it remains in very good condition. Dimensions: 10 cm x 10 cm x 0.5 cm (4" x 4" x ¼") VAT Status - DAGGER

HELLBOY (2004) - Hellboy's (Ron Perlman) Costume Hellboy’s (Ron Perlman) costume from Guillermo del Toro’s sci-fi fantasy film Hellboy. Hellboy wore his trademark costume throughout the film as he battled the minions of the evil Rasputin (Karel Roden), and in the memorable fight between Hellboy and the hellhound Sammael (Brian Steele) in the New York subway. The costume is composed of a pair of custom made leather trousers (marked 'HB' on a tag near the right pocket) with a long, red foam latex tail coming from the rear, and a black T-shirt with arear neck zip and red stitching around the collar. Over the costume a full-length leather duster jacket, featuring a leather B.P.R.D. patch on the left shoulder is worn. The duster has been given additional lining and is heavily distressed, with various pieces of transparent resin made to look like shattered shards of glass inserted across the back. The shirt is also distressed, with two holes running along the left collarbone. A pair of black leather Grafters boots (marked US size 13) are included to complete the outfit. Distressed for use, and displaying some minor wear from the production, the tail has become fragile over time. The costume is accompanied by a replica Samaritan pistol, Fist of Doom, belt and holster set and is presented on a custom-made mannequin display. Dimensions (displayed): 125cm x 90 cm x 215 cm (49 ¼" x 35 ½" x 84 ¾") VAT Status - Margin

INDIANA JONES & THE RAIDERS OF THE LOST ARK (1981) - Crew Cap A production crew cap from Steven Spielberg’s action-adventure classic Raiders of the Lost Ark. These caps were given to crew members who worked on the film and can be seen in a well-known behind-the-scenes still of Spielberg as he looked over an art department set model. This incredibly rare hat was custom-made by The Thinking Cap Co and displays an embroidered “Raiders of the Lost Ark" patch using the Indiana Jones font in yellow, red and black. It is made from beige fabric and cream mesh, and includes an adjustable brown plastic sizing band. The cap shows some wear with plucked threads around the edge of the patch, and a broken end on the sizing band. VAT Status - Margin TRIANGLE

INDIANA JONES & THE LAST CRUSADE (1989) - Grail Knight (Robert Edison) Costume The Grail Knight’s (Robert Edison) costume from Steven Spielberg's adventure film Indiana Jones and the Last Crusade. The knight wore his costume at the end of the film when the final test for the Holy Grail is undertaken by Indiana Jones (Harrison Ford). The costume consists of a cream hooded cape, brown tunic, chainmail hood and matching hauberk. The cape is made from felt that has been distressed, with a large red and silver embroidered patch on the back. It secures at the chin with a plaited red and silver rope with a metal end. Made from a woven padded fabric, the tunic features a cross patch on the front matching the one on the cape and ties together at the back. It displays a Bermans and Nathans costumier label on the interior that reads 'Robert Edison 9774 Indiana Jones III'. Signs of ageare evident, including sun damage and minor plucks on the tunic, and the rope fastening is missing a metal end. VAT Status - DAGGER

PAN'S LABYRINTH (2006) - Captain Vidal's (Sergi Lopez) Costume Captain Vidal’s (Sergi Lopez) costume from Guillermo del Toro’s Academy Award®-winning fantasy Pan’s Labyrinth. Vidal wore his uniform throughout the film as he hunted the Spanish Maquis rebels who opposed the Francoist regime after the Spanish Civil War. The uniform consists of a grey military cotton jacket with matching trousers and cap. The jacket features a 'Policía Armada' patch on the right arm, metal Francoist eagle collar insignia and detailed faux-gold buttons. It has a Cornejo costumier’s label on the interior reading 'Capitan Sergi Lopez. ‘The cap has three stars on its maroon band denoting the rank of captain, with an eagle emblem at the top. A production-used belt, holster and a pair of black leather boots are included to complete the costume. The costume shows wear, including sun damage, and the jacket has glue residue on the cuffs where stars are missing. VAT Status - DAGGER

THE PRINCESS BRIDE (1987) - Royal Trumpeter Tabard A Royal Trumpeter tabard from Rob Reiner’s fantasy adventure The Princess Bride. The Royal Trumpeters wore their tabards early in the film, as Prince Humperdinck (Chris Sarandon) announced that Buttercup (Robin Wright) would be his bride. The tabard features two panels of thick blue fabric and golden felt on the front and back, with popper fastenings on the left shoulder. Fully lined with dark grey cotton material, it features a navy blue stripe and a large embroidered faux-gold griffin patch on the left breast. A Bermans and Nathans costumiers label is located in the collar, which reads '42 ch, 5 ft 9, 5051, Princess Bride'. Signs of age are evident, including sun bleaching on the collar lining. VAT Status - DAGGER

THE PRINCESS BRIDE (1987) - Royal Guard Tabard and Helmet A tabard and helmet from Rob Reiner’s fantasy adventure The Princess Bride. Royal guards wore their uniforms when stationed around Prince Humperdinck’s (Chris Sarandon) castle. Made from blue felt with a grey cotton lining, the tabard displays a black stripe and a large embroidered golden griffin patch on the chest. A Bermans and Nathans costumiers label is located in the collar which reads '4893 Princess Bride’. The helmet is made from fibreglass, painted metallic grey and features a studded cross pattern. It is lined with foam and has leather straps tied to either side. Signs of production use are evident on the tabard, including worn corner seams and minor stains. The helmet shows wear to the paint finish and slight cracks and chips. Dimensions (helmet): 34 cm x 30 cm x 18 cm (13 ¼" x 12" x 7") VAT Status - DAGGER

STAR TREK: ENTERPRISE (2001-2005) - Enterprise Officer Uniform An Enterprise Officer uniform from sci-fi television series Star Trek: Enterprise. Officers aboard theNX-01 wore blue jumpsuits with faux-gold piping along the shoulders. This jumpsuit includes numerous pockets with zipper closures, a patch over the left shoulder, and four rank pins. The undershirt includes a bespoke production wardrobe label near the collar with 'Michael McAdam’ and 'Tom Morga' written in ink. Both served as background and stunt actors, with Tom Morga holding the record for most appearances in the franchise. The uniform shows minor wear due to production use, but remains in very good condition. VAT Status - OMEGA

STAR WARS - EP VI - RETURN OF THE JEDI (1983) - Revenge' Crew T-Shirt and Cap A crew T-shirt and cap from director Richard Marquand's sci-fi sequel Star Wars: Return of the Jedi. These crew items each display the film's early title Revenge of the Jedi, which was abandoned in favour of Return of the Jedi a few weeks prior to the film's release. The shirt is light blue in colour with white lettering, and includes a manufacturer label from Hanes that lists the shirt as size large, 42-44 and made from 100% cotton. The cap is black with a red lettered patch on the crown, and includes an adjustable sizing band. Both items show minor wear due to production use and age, but remain in good, worn condition. VAT Status - OMEGA

STAR WARS - EP VI - RETURN OF THE JEDI (1983) - Various Crew Gifts Various crew gifts from Richard Marquand's sci-fi sequel Star Wars: Return of the Jedi. This lot includes a framed unpublished composite photograph uniquely created by the ILM still department, ‘Revenge of the Jedi’ Yoda patch, screening invitation, screening program, and a present tag from George and Marcia Lucas. Both the invitation and the gift tag are issued to ILM cameraman Pete Romano. The lot shows minor wear due to use and age but remain in good condition. Dimensions: 41 cm x 46cm x 3 cm (16 ¼" x 18 ¼" x 1 ¼") VAT Status - OMEGA

STAR WARS - EP VI - RETURN OF THE JEDI (1983) - Michael Lamont's Crew Pass, Crew Items and Paperwork A crew pass, crew items and assorted paperwork from director Richard Marquand's sci-fi sequel Star Wars: Return of the Jedi. The 'Revenge of the Jedi' pass, belonging to assistant art director Michael Lamont, is marked with Lamont’s name, position and pass number, and signed by Lamont at the bottom. It has a Chapter III Productions stamp on the rear. The pass is accompanied by a brass Star Wars crew belt buckle, a Return of the Jedi crew patch, a Sprocket Systems Inc. envelope from the production of Empire Strikes Backaddressed to producer Gary Kurtz, and a 'Revenge of theJedi' envelope addressed to Lamont. Three 'Revenge of the Jedi' call sheets are also included. The pass and paperwork display creases, fading and signs of natural wear, with the Lamont envelope torn and repaired with tape. Pass dimensions: 10 cm x 7 cm (4" x 2 ¾") VAT Status - Margin TRIANGLE

STARGATE SG-1 (TV 1997-2007 & Stargate: Atlantis ) - Space Patch Set A set of nine space patches worn in the TV shows Stargate SG-1 and Stargate: Atlantis. The crew of the assorted spacecraft wore the emblems of their respective ships on their uniforms throughout the series. Each badge is embroidered and backed with Velcro, and includes patches from the ships Daedalus, USS Odyssey, USS Apollo, Midway Station and F-302,with the fighter wings '1st SFW Snakeskinners' and '1st TFW Wraithwaxers'. Some have been intentionally dressed-down by production and all remain in good condition. Dimensions (largest): 13 cm x 10 cm (5" x 4") VAT Status - Margin