Possibly Ada Stone (English, 1879-1904) oil on canvas landscape painting titled "Near Hartland, North Devon", en verso. Depicts a bank along a small body of water with a figure rowing a small boat among the reeds. Shows a copse of trees in the foreground and sunlit clearing visible in the distance. Signed "A. Stone" lower right and has artist monogram to back of canvas, visible en verso. Label from W. T. Burger Co. en verso. Housed in gilt wood frame. Sight - 19 1/4" H x 15 1/4" W. Frame - 25 1/2" H x 21" W. 19th century. Provenance: Living Estate of Frances Fulton, Knoxville, TN. CONDITION: Overall good condition. Minor overall craquelure. Minor areas of inpainting in upper right quadrant in clouds, largest 2" dia. Stretcher creases to all sides. Previous patch repairs en verso, largest 2" x 2".
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An early 19th century inlaid mahogany tea caddy with two lidded tea compartments and recess for mixing bowl, on bronze lion paw feet, 32cms (12.5ins) wide.Condition Reportsmall patch repair to upper front right corner.crack to veneer front bottom right corner.three small pieces of veneer missing just above star burst on front
An early 19th century coromandel sarcophagus tea caddy, the interior with two tea boxes and recess for mixing bowl, 38cms (15ins) wide; together with a Victorian walnut domed topped two-division tea caddy, 18cms (7ins) wide (2).Condition ReportThere is a patch to the veneer to the op left side of the lid to the smaller box, and also to the top right side. A patch to the Tunbridge band to the left side of the top and a small patch at the bottom left of the front. The larger box is missing the loop handle to the left, has a very small loss of the veneer to the front bottom left corner, otherwise good condition.
A British 1796 Pattern Heavy Cavalry Officer's Undress Sword, 83cm double edge steel blade with a central narrow fuller to each side, the brass hilt with boat shape guard, double quillons, stirrup knuckle bow and silver wire bound ribbed grip, lacks scabbard, 100.5cm; a 1796 Pattern Infantry Sword, with 81cm single edge fullered steel blade, the gilt brass hilt with folding double shell guard, stirrup knuckle bow, silver wire bound grip and foliate sheathed urn pommel, lacks scabbard, 98cm (2). Cavalry sword has grey patching and greasy pitted dirt to the surface of the blade. The grip has lost a 2.5cm patch of silver wire binding to the top part. The infantry sword has grey patching and orange rust pitting to the blade, a a nick to the edge. The gilt is very worn on the hilt. The knuckle bow has come away from the pommel and there is some loss of the wire binding. Both lack scabbards.
A Pair of Second World War RAF Irvin Sheepskin Lined Flying Trousers, with leather and elasticated braces, the brass zips with Lightning pulls, with Air Ministry label numbered 539778, size 7, af; two Sheepskin Flying Jackets, one with brass zip with HKK pull, the other with a nylon zip; also, a leather flying helmet, lacking ear phones, a Harness Mk4 blue cloth flying helmet, and two leather helmets with hinged ear flaps (7). Irvin trousers with one front patch pocket missing although tab is present. Zips in working order. Numerous patched repairs. Braces have lost their elasticity. Sheepskin jackets are scuffed and worn Leather helmets with some scuffing to the surface. Blue cloth helmet with damage to the microphone cable.
J. Chalmers (British 19th century)Loch Doon Castle, a pairOil on canvas One signed and inscribed to canvas verso 31 x 41cm (12 x 16 in.)Condition Report: The canvasses have not been relined. There is a patch to the verso of both works, one corresponding to an L-shaped repaired tear visible centre right recto and the other corresponding to a small patch of repair, again visible recto. Some faint stretcher marks and faint craquelure to both works. Ultraviolet light reveals retouching to the repairs but nothing further. Condition Report Disclaimer
A Victorian Etruscan Revival gold marquise-shaped shield form brooch,with a raised oval boss to the centre, a split pearl, grain set to a blue enamel star border, with a rope border, a recessed frame to an outer border of applied twisted wire and bead decoration, all to a bloomed ground, with a glazed locket verso and concealed pendant hook, 37.31mm, 8.30g,together with a Victorian circular form memorial brooch,with a hair centre, a glazed cover with split pearl border, an outer frame with chain decoration to a black champlevé enamel ground, damaged, to a plain back. Tested as approximately 9ct gold. 39 x 39mm, 16.79g (2)Condition report: Light surface marks but the majority of the bloomed finish remains.Areas of tarnish.A small area of scratches close to the hinge has probably been acid tested in the past.The memorial brooch has substantial damage to the enamel with additional areas of loss.A patch repair to the reverse.Shallow dents and scratches.
A Georgian gold navette-shaped memorial ring, c.1787,with a gold engraved and incised urn, to a woven hair ground, with a glazed cover. A notched bezel with flat section shoulders, with engraved and incised decoration to a plain shank. A hand engraved memorial inscription to the underside of the head 'Mary Roberts ob 4 Oct 1787 AE 77'. Tested as approximately 18ct and 9ct gold. Head 30 x 18mm, 6.55g.Finger size J-K (approximately)Condition report: Scratches and wear to the glass cover.The hair to the woven and cut hair ground is messy and not in position.A tarnished patch to the top of the urn.Dents to the underside of the head.Later replacement shank tested as approximately 9ct gold with obvious sizing joins.
A 10IN. TERRESTRIAL GLOBE BY C. SMITH & SON, LONDON. CIRCA 1890 12 polychrome gores with maker's cartouche signed as per title, empires, countries and continents outlined in various colours, equations of time, ecliptic and equatorial lines and world currents, mounted on calibrated meridian support to turned wood stand to tripod base -- 17in. (43cm.) highCondition report: Old time staining commensurate with age. Old patch of plaster detached at arctic.
A BILSTONWARE PATCH BOX CELEBRATING THE PEACE OF AMIENS, CIRCA 1803 the lid with two allegories of Fame and Plenty inscribed Fame proclaiming her Hero's Peace with Plenty , her trumpet inscribed within a swag Duncan; Jervis; Abercrombie; Nelson & Howe , the lid with internal mirror hinged to blue enamel body -- 2in. (5cm.) diamCondition report: The lid with hairline crack to extreme left otherwise good conditon externally. Interior poor. Mirror tarnished, cracked
An Art Deco oak pedestal desk, circa 1930, possibly by Gane of Bristol, 78cm high, 61cm deep, 137cm wide Provenance: The estate of Christopher and Rosemary WarrenCondition Report: Marks, knocks, scratches, abrasions consistent with age and use,Some minor chips and losses to veneer, mainly to the walnut veneers plinth base, this has some staining and discolouration, The inset to the top with one patch of staining - probably from water damage, it is leather effect and not leatherwooden handles all appear original, there is one locking drawer to each side - there are no keys present, all drawers open at time of reportThe kneehole is 68cm high, 61cm widePlease refer to additional images for visual reference to condition Condition Report Disclaimer
A 10 BORE PERCUSSION CARBINE made for the East India Company, it is fitted with a 26'' smooth bore barrel at the front of which is a hinged steel ramrod, it's lock is in working order and bears the Rampant Lion mark used by the company, this is a variant of their basic type 2 Victoria carbine issued between 1843 and 1847, it has a patch box fitted in the stock and has sling swivels fitted to the lower edge of the butt and via bolt through the forend, there are some small cracks visible in the stock by the lock retaining bolt and although it has lost all it's original finish to it's metal it is in reasonable overall condition
A GROUP OF CERAMICS AND GLASSWARE, etc, including a late 18th Century oval enamel patch box, decorated with two birds to the mirrored lid, two cut glass decanters and stoppers, a Victorian Spode jug, an early 19th Century English porcelain slop bowl, a limited edition Wedgwood reproduction Frog service plate and a porcelain figure of a Bull (10)
A CHARLOTTE RHEAD FOR CROWN DUCAL VASE, blue tube lined decoration of flowers and foliage, signed to base and No154, height 14cm, together with a 'Golden Leaves' jug, green backstamp and No4921 to base, height 26cm, a footed bowl, diameter 25.5cm and a charger, diameter 32cm, both in 'Patch' pattern, No4088 (slight rubbing on charger) (4)
A late Victorian novelty silver and enamel vesta case, modelled as a domino, Thomas Johnson II, London, 1881, 47mm, gross 33.1 grams.CONDITION: Damage/loss to the enamel in 3 corners along with small hairline cracks. Small patch of abrasions to the enamel surface towards the centre. Deep scratch to the silver on one side. Other minor surface scratches to the silver in general. Hallmarks clear.
Victorian Crazy Patchwork Bed Cover, in the tumbling block pattern around a central star, incorporating mainly silks and satins, within a red border with rounded corners and a red backing cloth, 170cm square. The condition appears to be very good to the silk, and only one patch has split. The yellow silks to the centre appear slightly discoloured, some possible fading throughout. See extra images.
Assorted Circa 1940/50s Ladies Costume, comprising a brown crepe day dress with three quarter length sleeves, with a floral and bead decoration, belt and two pockets; another in purple with shawl collar and floral embroidery to the skirt, three button fastening; green crepe dress with V-neck, multi button fastening and floral embroidery; raspberry crepe dress with long sleeves, buttons to the bodice, faux pocket flaps to the front, quilted flower head decoration, labelled CC41 (size 38); cream and brown trimmed crepe dress of faux wrap style, fabric ties to the waist, labelled CC41; Gileric Worsted Wool brown dress, with elbow length sleeves, floral embroidery and belt; blue grosgrain two piece suit comprising a dress with elbow length sleeves, buttons to the bodice, pleats to the skirt and matching jacket, both with fern style embroidery; navy wool long sleeve dress with button fastenings and mauve reverse to the collar and placket; White Heath burgundy and grey trimmed long sleeved cardigan with scalloped edge, patch pockets and buttons; navy blue wool and worsted long sleeve coat with pleated details to the opening, button fastening; Caldaric navy ribbed tailored coat with button fastening; Caldaric light brown crepe coat with attached scarf; rust brown wool coat with button fastening to the side, fur mount to the collar, stylish detail to the sleeves and back; John Moss & Co French Rooms Newcastle upon Tyne navy wool tailored coat, button detail to the lapels and reverse (14). Brown crepe dress - slight staining under the arms and some threads pulls. Purple crepe dress - belt missing, some fading to the shoulders and sleeves, some loose threads and slight wear. Green dress - couple of stitched repairs, some loose threads and belt missing. CC41 raspberry dress - no belt and slight wear. CC41 cream and brown dress - slight discolouration, a couple of small areas of wear. Gileric Worsted Wool dress - some rubbing and wear. Blue grosgrain suit - some wear, some of the pleats have loose threads, slight fading. Navy wool dress - slight wear, tiny area of wear to the back of the dress. White Heath cardigan - slight wear. Navy blue coat - slight wear. Caldaric navy coat - slight wear. Caldaric light brown coat - several thread pulls, some wear and scarf repaired. Rust coat - buttons moved and fur is damaged, slight wear. John Moss navy coat - belt missing, button missing and slight wear.
Assorted Late 20th Century Ladies' Costume, including a Tricosa black long sleeved jersey dress, with fabric tie to the notch neck line and frilled trim, elasticated drop waist with pleated skirt (possibly size 12); Marcel Fenez black evening dress with sheer long sleeves, full length skirt and belt (size 14); Night by Valentino silk and cream dress with long sleeves and ruffle trim to the hem, waist and cuffs (size 10); Jean Varon black evening dress with spaghetti straps, layered handkerchief mounts to the bodice (size 12); Mimmina Italy black velvet evening jacket with satin trim; Jaeger grey wool crepe type long sleeve dress, ruffle trims to the shoulder seams, buttons to the front and pleated skirt and belt (size 10); Sonia Rykiel black self striped straight skirt (size 36); Ungaro Solo Donna silk navy blue and white spotty two piece comprising, a short sleeve tunic style top with pleats to the short sleeves, ruffle trim to the neck and patch pockets, and a straight skirt (size 40) (8). Valentino dress shows some discolouration, other items slight wear overall.
A group of English porcelain dessert and tea wares, circa 1905-1915, including a Royal Worcester plate decorated with a coastal scene within dark blue and gilt borders with flower sprays and similar borders and a Coalport 'Batwing' teacup and saucer, together with a Royal Crown Derby floral plaque and a Limoges patch box. (8)
A pair of Derby porcelain allegorical figures, circa 1770, modelled as a maiden and boy, she holding a fishing net with fish at her feet, he with flower pot and ripened fruits, set on moulded 'rocky' bases, patch marks, 24cm high. (2)Condition: losses to net and pole, losses to spade handle, losses to applied foliage.
Sterling Silver Hinged Case Petrol Lighter, Marked Sterling 950, with Vacant Cartouche and Chased Decoration to Body. 2.25 Inches - 5.65 cm High. Excellent Condition In All Aspects + A Sterling Silver Patch Box of Rectangular Form with Engine Turned Decoration to All Sides, Hinged Cover Lifts up To Reveal a Small Mirror and Compartment. Hallmark Birmingham 1923, As New Condition. Size 2 - 1.75 Inches - 5 x 4.40 cm.
A Pelham Puppet Type A horse with grey tail; an Ideal Toys Giggles doll c.1966; a Palitoy Tippy Tumbles doll with battery pack c.1968; a Palitoy Sheena doll with hairstyle book c.1970; a large Troll 32cms high marked to foot ' Dam Things Establishment 1964; another; a Cabbage Patch Kids doll c.1984; a ventriloquists doll; etc.
An early 20th century mahogany Italian side table with marquetry inlaid top depicting a country dancing scene, on square tapering legs, height 58cm. CONDITION REPORT Top scratched, slightly faded, minor losses and lacquer peel, patch repair to central dancers, patches of staining, 48 x 33cm.
A Ross of London 1909 Tel Sig mark II, leather-cased four-drawer telescope. MD mark, length when extended 82cm. CONDITION REPORT In working order, there are some indents to the exposed brass and some large dents to the leather-clad section.Outer sleeve badly dented, all draws open but are stiff. Objective lens scratched with a delamination patch at 2 points round the outside, internal dust. Clear image visible throughout telescope
Attributed to Lionel Bicknell Constable (1828-1887) pencil drawing - Cottage Among Trees, 9.3cm x 13.3cm, in glazed frame Provenance: P & D Colnaghi & Co. Ltd, where sold as a John Constable in the early 20th century. Purchased by an Ipswich family of collectors. Accompanied by a copy of a letter from Graham Reynolds dated 13th November 2008, suggesting the work to be that of John Constable from his 1811 sketchbook. The work has since been inspected by Anne Lyles in 2015 who has cast doubt on this attribution of John Constable.Condition report: The work is stuck down and in the top left corner is a patch of staining. Also a few foxing spots to the sky, otherwise good condition overall.
Railwayana - GWR Great Western Railway - Great coat / jacket / belt, the Great coat marked ' Leamington ' to label, having GWR patches to lapels/collar; the jacket having single patch to lapel/collar and brass buttons; Station Master belt with brass buckle ' STATION MASTER GWR BIRMINGHAM '. (3)
A 19th century violin, the inside of the body labelled 'Carlo Antonio Testore figlio Maggiore del fu Carlo Giuseppe in Contrada larga al segno dell'Aquila 1749', with two piece back with faint line curl, similar wood to the sides, neck and head, the table of medium width grain widening to the sides, inlaid purfling, light reddish-brown varnish, 14 1/8in. (35.9cm.), in early 20th century case with similar period bow. * Condition: Modern chin rest, stringing and bridge. Heavy worn patch to varnish beneath chin rest and heavy wear elsewhere to neck, top, centre and bottom of back and upper right of table. Some wear to edges throughout and particularly heavy wear and small, worn-smooth chips to the right hand upper edge from extensive use. Table has scattered small scratches and nicks to varnish throughout. Old, hairline crack to table at upper left from top edge to F-hole. Shorter similar crack to right hand side of fingerboard from top edge, with possible old glued repair to top edge.
A 19th century reverse painting on glass of the iron barque 'Lady Douglas', 12½ x 17½in. (31.75 x 44.5cm.), in a rosewood frame with gilt slip. * The Lady Douglas was built by Scott & Co. in Greenock, 1856. She was lost on May 6th 1889 on the Michigan Rocks off Thursday Islands, en route between Freemantle, Australia and Newcastle. The captain and crew were saved. * Condition: Not examined out of frame - frame has new backboard and tape. Some paint flaking at lower left margin in sea. There is a vertical patch of buff and white staining to the paint above the main sail - this appears to be old retouching when examined under UV. Further retouches/repainting visible to sails. A number of small stain spots to the paint across the picture.
A pair of English enamelled creamware chinoiserie vases, late 18th / early 19th century, possibly Lowestoft, of baluster form, finely painted with Long Eliza style figures in gardens, within underglaze blue reserves and diaper, Fitzhugh and lappet borders, with enamelled floral sprigs, 10½in. (26.75cm.) high, both a/f; together with an 18th/19th century Delft double gourd vase with blue and white chinoiserie decoration, 12¼in. (31cm.) high, rim a/f. (3) * For a Lowestoft porcelain vase with very similar enamelled decoration, see Bonhams Knightsbridge, 'The Liane Richards Collection', 13th April 2016, Lot 192. * Condition: - Pair vases: One has a large patch of glaze missing from the upper body and one other small glaze chip - it also has heavy glaze crazing throughout with a 1in. vertical hairline to the lower body. The other also has glaze crazing (but lighter) and also a piece missing from the rim. - Delft: Top of neck missing. Three chips to underside of foot.
An antique diamond and sapphire plaque ring, featuring an inky blue cabochon sapphire to the centre, surrounded by an oval plaque inlaid with round, brilliant cut diamonds. Ring size J.Condition report: The sapphire measures 11 x 6.5mm. approx. The top of the sapphire has some miniscule pits and tiny scratches to the surface – these are visible to the naked eye as a very slight ‘matting’ to the shine on the top of the cabochon. There is also one larger (approx. 1.5mm) old surface scratch to the sapphire just off the top to one side – it is not particularly deep and is old so the edges are worn, but it can just about be felt with a fingernail. With a light shone from underneath the stone, some clear natural dark & light contrasting striations can be seen low down on one side just above the setting, along with a patch of silvery inclusions – this patch of inclusions are also visible from underneath with a light shone through the top of the stone. When worn, these inclusions are not visible. The diamonds all appear to be original – one of the larger side ones at one end has a small chip to the girdle (which is beneath a claw and was therefore presumably caused pre-mounting). That same stone also has two small chips to the edge of the table – one is very sharp and may in fact be an inaccurate cut from during the cutting. Our approximation is that the diamonds weigh approx. 0.5ct total. The millegrain setting is in good condition, with some wear as expected at either end. On the shoulders, one of the central ‘leaf’ pieces stretching from the millegrain edge to the shoulder has been off and has been reattached with tiny spots of clear glue). It seems secure but obviously it would be preferable to have a soldered repair. The shank does not appear to have been sized. There are no hallmarks. The metal tests as platinum of an electronic tester. We believe that the ring dates from the 1930s.
A diamond solitaire ring, the round cut diamond weighing approximately 1ct and set in a 9ct yellow gold band. Ring size M.* Condition: The diamond has no chips or damage. Overall SI1, colour J-K. Very little fluorescence under UV.The stone has a small patch of cavity line inclusions near the girdle, which show on the surface and can be felt with a fingernail. There is a fine feather inclusion to the side and a small patch of mineral inclusions including tiny carbon spots in the same place. There is also a patch of cloud inclusions around one claw.
A Globe Wernicke honey oak filing cabinet bookcase, early 20th century, the glazed top with two sliding doors and four shelves, over a base with two slides over four drawers and five deep filing drawers beneath, within panelled sides, 41½ x 18in. (105.5 x 45.75cm.), 73¾in. (192.5cm.) high.* Condition: Good condition overall – the drawers and glazed sliding doors operate cleanly. The upper short drawers are missing the back stops so can be pushed too far in. There is minor woodworm to the front corners of two top drawers – this should be treated as we do not know hold old it is. The plywood back panel to the top glazed section has been replaced recently. There is some surface rust spotting to the steel strap mounts to the sides. There are a few scratches to the varnished finish and a patch of varnish damage to the centre of the base section top. The piece does not have any keys
Alfred Reginald Thomson, R.A. (British, 1894-1979), Portrait of a Russian soldier watercolour on paper with pencil grid scale and annotations to margins, signed 'A.R. Thomson' lower right, unframed 42¾ x 17½in. (108.5 x 44.5cm.) * This is an important preparatory design sketch by Thomson for his immense, large-scale portrait of a Red Army soldier, which measured 64 x 24ft. It was used as the centrepiece of the backdrop at a fundraising concert to mark the 26th anniversary of the Red Army, held at the Royal Albert Hall, London on 24th February 1944. A colour photograph taken at the event by the Ministry of Information official photographer, shows the portrait hanging behind the massed choirs and orchestra, against a red backdrop and flanked tiered Soviet and Union Jack flags. Alfred Thomson (known as 'Tommy' for his wartime paintings), was born in Bangalore, India and was deaf from birth, learning sign language at a specialist school in Margate after the family's return from India. He attended the London Art School in Kensington for a time, tutored by John Hassall, but failed to pass entry into the R.A. School and was sent to work on a farm in Kent by his father, who forbade any further involvement in art as a profession. Despite this, Thomson left the farm and found his first paid work as an artist designing posters at Vitagraph in Longacre, thereafter establishing himself as a commercial artist, figural painter and caricaturist after WW1. After a number of wartime commissions, in September 1942 he became a full-time salaried artist attached to the Air Ministry and was elected as a Royal Academician in 1945, becoming a highly respected society portraitist after the war. Well known works include portraits of the Queen and Royal Family, murals for the Queen Mary ocean liner, Duncannon Hotel in London and the Science Museum, the House of Parliament and House of Lords in session (c.1960-62) and The Beatles (1964). ** This sketch is owned by descendants of the family who ran Harkers Studio in Southwark, South London, a painting rooms for theatrical scenery founded in 1904 by the renowned theatre scene painter and backdrop designer, Joseph Harker. The huge, full size portrait of the Red Army soldier was painted at Harkers Studio, several members of the Harker family being involved in production of the piece, including the vendor's father, Colin Harker, who painted the soldier's boots. * Condition: The sheet has been rolled and stored for many years and therefore has some roll-creasing visible throughout. There are also some vertical creases visible from handling and storage, some showing as irregular white lines thrugh the paint. Small hole to top centre margin, three small tears to upper right margin and several pin holes to lower margin. Small brown spot stain to lower margin and some tiny paint flakes and rubs to paint surface, with one slightly larger flake just below signature. Small patch of white paint spots to right of figure's left shoulder. Paper is lightly toned and more heavily toned to reverse. Unframed, not mounted. Accompanied by a fibreboard sheet with hand written notes from the family regarding the history of the painting - this large sheet has been broken in two but could easily be re-joined.
Harris, Frances (British-Canadian, 1913-2017), Cold December, Paradise Flats (Summerland '78) oil on panel, signed lower left, inscribed and dated to artist's label verso 11½ x 9½in. (29.3 x 24.1cm.) * Condition: Yellowed patch to varnish upper left. Otherwise good condition. In original black painted and metal trimmed frame with linen slip.
A Chinese watercolour scroll painting, probably Qing, 19th century, on a later silk scroll, depicting scholarly retreats in a majestic mountain landscape, signed and dedicated and with two red artist's seals, 52½ x 13in. (133.3 x 33cm.). * Condition: Appears to be an older painting which has had some restoration and has been remounted onto a later silk backing in the mid-20th century. Sharp edged crease to centre right of sheet. Large 2.5 x 1in patch of restoration to paper with repair patches to margin at right of signature, two other much smaller patches below and another small patch below lower seal mark. Two small patches of restoration to centre of painting (one to a small worn hole, one to an insect mark) - two other insect marks to surface of paper to left and below these patches. Two other larger restored patches to centre in lower half of painting. A little light foxing.
A Chinese watercolour scroll painting, probably early 20th century, depicting scholars and pine trees in an extensive mountain landscape, signed, inscribed and with two red artist's seal marks, 59 x 31¾in. (150 x 80.5cm.). * Condition: Some light dirt marks to edges from handling and larger patch of dirty marks to surface of paper to left of signature & inscription. Small crease top left. Otherwise good.
A Moorcroft Tudric tazza in Eventide pattern, c.1920, tubelined and glazed, impressed 'Made in England TUDRIC MOORCROFT 01358' to planished pewter base, the dish impressed 'Moorcroft Made in England' and with painted initials, 7 3/8in. (18.7cm.) diameter, 3 5/8in. (9.2cm.) high, alterations. * Condition: Suspected alterations to pewter base, fixing to bowl definitely later - the removeable chrome domed cap is covering a plastic rawl plug fixed into the pewter base. The pewter base also appears to be glued to the dish. The dish was originally on a stand - the hole has not been later drilled and has the correct edge to the glaze around the hole. The dish has one very small glaze frit to the rim. There is a patch of corrosion to the pewter to one side of the base.
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