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Modern Gents Costume including corduroy suits, jackets labelled Ralph Lauren, Armani, Gas, Gieves and Hawkes, Austin Reed, and a Zara overcoat,eight pairs of corduroy trousers in orange, pink, red and brown labelled Polo, Ralph Lauren, Charles Tyrwhitt, John Brocklehurst, Mabitex Sport and Barbour,and four Thomas Pink shirts,(18)Americana Dreams: The Peter Leathers CollectionBeige cord blazer, patch pocket on breast - 44" chest.Armani dark brown cord blazer - 44" chest.Gas cream cord blazer - 44" chest.Gieves and Hawkes blazer - 44" chest.Pale brown cord blazer with paisley lining, chest 44" and 36" waist.Long cord coat - 42" chest.Orange cords - 36" waist.Blue/black Maine trousers - 32" waist.Charles Tyrwitt red trousers - 32" waist.Orange Polo trousers - 35" waist.Barbour brown cords - 34" waist.Yellow/orange cord trousers - 33" waist.Polo grey/brown trousers - 32" waist.Beige polo cord trousers - 34" waist.

Circa 1950s and Later Evening Wear, comprising a Frank Usher full length blue and black floral brocade evening dress with full skirt, detail to the hips, v-neckline (labelled size 34), Romney Model gold and peach striped full length evening dress with spaghetti straps, waist ties to the reverse, a pink chiffon type mounted evening dress decorated with tiny gold stars, sweet heart neckline and shawl style shoulder straps, a pale pink halter neck dress with ruched panel to the front and wriggle work embroidery overall,Christian Dior Paris black grosgrain long sleeved evening coat, with collar, button fastening and large patch pockets, (5)Frank Usher dress - shoulder straps have been repaired, couple of marks towards the hem slight wear, 30" bust and 24" waist.Romney Model dress - some slight rubbing and wear overall, 34" bust, 34" waist.Pink chiffon dress - 30" bust, 24" waist, slight wear.Pink halter neck dress - 28" bust, 24" waist, some discolouration and slight wear.Christian Dior coat - slight fading around the collar, 42" bust, some general rubbing and wear.

Circa 1950-60s and Later Evening Clothing comprising a Harrods black satin evening coat with collar and elbow length sleeves,a Frank Usher full length black tassel trim mounted evening dress (size 14),a Doree Model full length long sleeved dress, with black v-neck bodice, velvet waistband, orange silk type panel skirt with oversized black sequin patch pockets, another in pale blue Grecian style, sleeveless with decorative bead and sequin embelished waistband, matching swing style jacket with embellished collar and cuffs (size 16),a cream lace sleeveless dress embroidered with flower heads overall, elasticated waist, matching belt and associated under dress, Cresta Couture full length sleeveless evening dress decorated overall with gold and green sequins in vertical zig zags, together with a green chiffon full length long sleeved evening coat with bow fastening to the neck,Alexandrine Model House, Nottingham lace mounted wedding dress with scalloped neckline, long sleeves, full skirt with train behind and cream silk waistband with bow to the reverse, together with underskirt,(7)Property of a lady working within the fashion industry for over 40 years, from the 1960s.Doree Model dress with sequin pockets - small hole just below the waistband to the front, and slight wear.Cream lace dress - some thread pulls and rubbing to the embroidery.

Assorted Circa 1930s and Later Lingerie and Nightwear, comprising a peach satin full length day robe with long sleeves, patch pockets and zip fastening,a Princess Paramount pale pink bed jacket with lace insertions, another in yellow foral sprigged design, a cream silk sleeveless waistcoat, three chemises, Celanese, Kayser, and six other pairs of french knickers in silk and satin,three silk slips in blue and yellow, black jersey long underdress, Elizabeth Hoyles, Celanese and three other silk teddies, pair of cream silk lounge trousers,and a two piece lounge set comprising a sleeveless black jersey top and matching trousers with printed trims,(one box)Satin robe - 44" bust, some fading to the collar, shoulders and hem areas.Princess Paramount bed jacket - 36" bust, couple of small holes to the back.Yellow floral bed jacket - 36" bust, colour run slightly around the front.Cream silk waistcoat - 36" bust, slight wearChemises and french knickers - slight wear to most.Slips and underdress - some staining wear to all.Teddies - slight wear.Lounge set - some staining and holes overall.

Circa 1950s and Later Gents American Casual Clothing comprising Riviera of California pale pink and blue checked jacket with attached waist band, long sleeves and patch pockets,an Air Man brown long sleeved blouson jacket with zip fastening and collar,a Stewart-Davis Murray's red and black checked single breasted jacket,another in brown labelled Micheals Sturn Norquist and Reilly, another in blue,a Spring Field Clothes by Gigilotti's orange faux velvet jacket,a pair of Stacy Adams cream wool slacks,seven long and short sleeved casual shirts including the labels Successor, Woolynella, Lansky, Golden Brent California, (14)Americana Dreams: The Peter Leathers Collection

Circa 1930s Dresses, comprising a long floral printed short sleeeved taffeta dress with sweetheart neckline,chevron striped halter neck evening dress with covered buttons to the bodice, a line skirt, a pink grosgrain sleeveless dress with v-neck line, attached diamante brooch and a panelled skirt with piped details, a peach sleeveless dress with gathered trim to the v-neck, a full length skirt comprising multi gathered ruffles on a net base, a sheer navy blue short sleeved dress with peter pan style white cotton mounted collar, ric rac trims, white mounted velvet buttons, patch pocket,a similar style day dress in blue and white checks, elbow length sleeves, attached under dress, machine lace collar and striped trims to the front of the dress, (6)Floral taffeta dress - belt missing, slight wear, 34" bust, 28" waist.Chevron striped dress - small tear to the back and discolouration in a couple of places and the halter neck, some wear, covered buttons are discoloured, 34" bust, 30" waist.Pink grosgrain dress - 36" bust, 24" waist, belt missing, some discolouration around top of bodice, and capped sleeves, a tear to the top of the zip area.Peach sleeveless dress - 31" bust, 27" waist, some discolouration and wear.Sheer navy dress - 36" bust, 28" waist, slight fading to the shoulders and discolouration to the butttons slight wear overall.Navy checked dress - 32" bust, 26" waist, belt missing, light wear.

A Quantity of Costume Jewellery, comprising of five Lea Stein brooches, two depicting cats, one depicting a car, and two depicting a female figure, in varying colourways, two Pavone brooches, depicting cats, in varying colourways, a brooch and matching earrings, by Weiss, and a spray brooch, by GrosseThe pieces are in good overall condition with a glue patch to the bottom half of the back of the green Pavone cat example. Gross weight 132.4 grams.

1940s Ladies Utility Clothing, comprising a floral printed silk taffeta evening dress with pleated shoulder straps, covered buttons to the reverse, a navy crepe long sleeved day dress with a floral collar and insert to the centre of the dress, and mounts to the cuffs, Jaymac pink and black floral printed linen short sleeve wrap dress with collar, a Maxline Maternity Model by Grafton long sleeved shirt with collar, patch pockets, button fastening and fabric tie to the neck,a Ritaville navy wool long sleeve jacket with stylised pleated collar, single button fastening and faux pockets to the front, Other Items Without the CC41 Label including a cream satin type long sleeved shirt and another in pink both with peter pan collars,a navy wool long sleeve jacket with pockets to the front, a Jackson the Tailor green wool jacket with button fastening, (9)Floral taffeta dress - 34" bust, 29" waist, a couple small areas of discolouration under the arms and overall. Small area of wear to the bust area, sleeve seam on the left needs restitiching and one of the covered buttons is split.Navy crepe day dress - 36" bust, 32" waist, belt missing, slight rubbing and wear.Linen dress - 38" bust, 34" waist, belt missing, slight wear.Maternity top - some wear overall buttons missing.Ritaville jacket - 36" bust, staining and wear to the lining with stiched repairs to the sleeve holes, pads from the underarms have slipped to the bottom of the sleeves inside the lining.Shirts - both 36" bust and slight wear.Navy wool jacket - 40" bust, fading, stitch repairs and small holes to the lining, buttons loose, slight wear.Jackson the Tailor jacket - 42" bust, fading and stitched repairs to the lining, and slight wear overall.

Circa 1920s and Later Ladies Costume, comprising a Glenn Moore Sports Model blue cotton shirt with elbow length sleeves and multi button fastening,four cotton and silk shirts, in striped and plain design, some with neck ties,a pink and red patterened tunic style short sleeved top with scooped neckline,a pink, white and grey multi-striped jacket with patch pockets, a similar in green stripes,a green silk striped sleeveless dress with matching jacket,a Tower Top Brand blue and white striped short sleeved day dress with inverted pleat to the front,a County Sports of London yellow flocked long sleeve jacket with bow detail and matching cuffs, another in green floral linen,navy and white spotted crepe top with button fastening,(13)

Gents American Circa 1950s and Later Clothing, comprising a pair of Sunset Styled by Loeb black textured trousers with turn ups,blue and grey checked trousers with zip fastenings to the pockets, brown flecked trousers, two pairs of trousers in pale blue and black,a Midwick Sportswear California brown and blue flecked wool jacket, and Nor-Craft for Imber's grey and pink flecked wool jacket,a Limeys cashmere green and red checked jacket,pink linen loose fitting jacket with patch pockets,a Hart Schaffner and Marx blue two piece suit,a Morrie Bodinetz two piece suit in light brown,a pair of grey trousers with pleats and turn ups,Jayson pink cotton shirt and a white and yellow over-stitched shirt labelled Popcorn (15)Americana Dreams: The Peter Leathers Collection

Armani Collezioni Clothing, comprising a cream wool jacket with long sleeves, double breasted buttons, wide collar and gathered hem, patch pockets (size 48), a cream and blue striped silk jacket with collar, three button fastening and peplum hem (size 48), a grey wool mix textured long sleeve jacket with faux buckle and bow fastening (size 46),a cream wool trouser suit comprising a fitted jacket with stylish cut away front, three button fastening (size 44), and a pair of full length trousers (size 48),a cream silk-mix straight skirt (size 48),a cream silk short sleeved top with scooped neckline (size 46),a pair of cream full length trousers (size 46), (7)Property of a lady working within the fashion industry for over 40 years, from the 1960s.Sizes are those printed/woven on the labels, for UK equivalents please check the individual makers size charts.Cream wool jacket - good condition.Cream and blue striped jacket - slight yellowing to the lining and slight wear.Grey jacket - slight wear.Cream trouser suit - - both good condition.Cream skirt - slight wear.Cream short sleeved top - - unworn.Cream trousers - very slight wear.

Assorted 20th Century Undergarments, Nightwear and Costume comprising cotton and silk lingerie, silk chemises,pale pink lace sleevless top, cream silk shirt, decorative modern girdle,two Japanese printed silk kimonos and jacket,rose printed tunic with long sleeves, patch pockets and zip fastening etc (16)

Circa 1950s and Later Cotton Printed Day Dresses, comprising a Peggy Page sleeveless dress printed with classical architecture and purple/pink flowers, Dalewear blue floral sleeveless dress with deep shawl collar and bow detail, pleated skirt,Blanes orange and green geometric patterned short sleeve dress, with collar and buttons to the bust, pleated detail to the back, Kenrose Ireland yellow striped and floral short sleeve dress, collar, buttons to the bodice and pleated skirt, Victor Josselyn grey, blue and yellow floral sleeveless dress,three sleeveless cotton dresses in floral and geometric designs, four short sleeved dresses in floral cottons, (12)Peggy Page dress - stitched repairs under both arms and a patch, belt missing, 36" bust, 28" waist, slight fading and wear.Dalewear dress - missing belt, slight wear, 36" bust, 30" waist.Blanes dress - belt missing, small part open seam under one arm, and slight wear.Kenrose Ireland dress - belt missing, slight wear, 36" bust, 30" waist.Victor Josselyn dress - 36"b, 26"w, slight wear.Three sleeveless dresses - one with belt missing, slight wear to all, sizes approx 36" bust by 30" waist.Four short sleeved dresses - three with belts missing, two with patch pockets, sizes approx 36" bust, 30" waist, slight wear.

Circa 1960s Mary Quant's Ginger Group Red Wool Dress with buttons to the front, long sleeves, round neck with multi coloured 'speckled' patch pockets, inserts to the shoulder seams and fabric tie to the back (size 14)

20th Century Denim Clothing comprising a pair of Lee jeans (W32 L32) and a pair in dark wash,a Levis cream, red and black checked long sleeve shirt (size L), long sleeved denim jacket (size S), pair of plum corduroy trousers (W34 L34), blue jeans including Levis 550 jeans (W32 L33), carpenter loose straight fit jeans (W30 L30), 501 jeans with patch details (W32 L32), cream 501 jeans (W32 L32), and a brown and black leather belt with a square branded buckle,a Hercules denim long sleeved jacket with double pockets to the front,a pair of cream Thomas Burberry jeans (size 32 R),a pair of carpenter styled jeans with white outerstitching (W46),(13)Americana Dreams: The Peter Leathers Collection

Four 19th century black lacquered papier mache snuff boxes, and various porcelain patch boxes, to include 19th century Samson example (a/f)

A 19th century Samson porcelain armorial porcelian patch box, in the form of a heart

A collection of patch boxes, to include examples by Crummles and Royal Copenhagen, together with painted pottery egg, and crested china

An early patch pot, a Bakelite tape measure, trinket pots, etc.

STELLA SHAWZIN (SOUTH AFRICAN 1920-2020)OX DROVERSOil on canvas laid to board Signed (lower right)49 x 91cm (19¼ x 35¾ in.)UnframedStella Shawzin was an internationally renowned South African sculptor and painter. Born in the Transvaal, South Africa in 1920. Shawzin trained originally as an actor,singer and dancer and continued to partake in plays and films whilst residing in England during 1940s. It was during this time that Shawzin began having lessons with eminent German colourist Martin Bloch, an artist living in exile in England due to persecution he experienced at the hands of the Nazis. Bloch encouraged her to work as an artist instead of a performer.In the 1950s Shawzin moved to New York, to study at the New York Art Students League, where she was taught by Geroge Bridgman, Frank DuMond, and Yasuo Kuniyoshi. After her time at the Art Students League, she enrolled at the Pratt Institute Workshop for Artists, where Shawzin improved her knowledge of graphic techniques.Despite her wide ranging training in many media, Shawzin decided to work almost exclusively as a sculptor. She established her own foundry in Constantia, Cape Town to cast her bronzes. All her marble sculpures were carved in the studio of Carlo Nicoli in Carrara, Italy. Carrara marble is renowned for its durability and puritymaking it ideal for sculpture and building. Shawzin was a successful and widely recognised figure in her own life time, and was widely exhibited across the globe,with shows in London, Patris, New York, Bologna as well as shows closer to home in Johannesburg and Cape Town. These early works show her early experimentation with media. Condition Report: Unframed. Rubbing to the extreme edges. A patch of possible glue residue with tissue attached to the surface in the lower right quadrant. Condition Report Disclaimer

Box - Margaret & Mary Baker, 16 titles including THE DOG, THE BROWNIE AND THE BRAMBLE-PATCH, New York, Duffield, 1924, signed by author and artist, TROTTERS, Oxford, Basil Blackwell, 1946 first edition, signed by author and artist, THE BLACK CATS AND THE TINKER'S WIFE, London,Grant Richards, 1923 first edition, signed, THE ROAMING DOLL, Oxford, Basil Blackwell, ND, signed by author and artist, JUBY, London, Hutchinson, 1970 first edition, signed, THE WISHING WELL, London, University of London Press, 1955, first edition, signed, with d/w etc

* BET LOW RSW ARSA RGI DLitt (SCOTTISH 1924 - 2007), PANSY PATCH - NIGHT pencil on paper, signed, titled label versomounted, framed and under glassimage size 13cm x 30cm, overall size 34cm x 49cm Exhibition label verso:May 1983, Compass Gallery, Glasgow

A late 19th Century Bilston enamel patch box with figural detail to top, damage present, 2.2cm x 4cm diameter

Three 19th century saltglazed flagons. One impressed H. Lock Wyndham Hotel Williton, height 39cm, the others impressed for H. West Taunton, and J. Brutton (3).H. Lock- there is a little glaze loss near the rim, also remnants of an old label, which will probably rub off.H. West- Firing flaws, and a patch of glaze loss on the handle, height 43cm.J. Brutton- A small chip on the rim, glaze faults, height 43cm.

Vinyl - 6 The Black Crowes LPs 12" singles to include Remedy (ltd edition tin DEFA 1612), Seeing Things (gatefold 866059-1), Hard To Handle (878133-1), Jealous Again (ltd edition with jacket patch 8685051), Jealous Again (875349-1), and Twice As Hard (pic disc 868479-1). Vg+ overall

A George III silver gilt vinaigrette, mark of Nathaniel Mills, Birmingham 1828, of rectangular form, engine turned engraved decoration and reeded sides, part marked piano hinged cover similarly decorated around a central vacant rectangular shaped cartouche and cast foliate border, gilded interior with decoratively pierced and hinged grille, 3.5 x 2.5cm, 0.8oztOverall in good condition with no obvious signs of repair. Some surface scratches and minor dents and nicks as to be expected and commensurate with age and use. Hallmarks a little worn but still readable. Hinges in good order and both covers open and close well. A little patch of wear to the engine turning on the cover (possibly as the result of over enthusiastic striking of the maker's mark to the other side with subsequent setting back!)

CYRUS EDWIN DALLIN (AMERICAN 1861-1944), A PATINATED BRONZE EQUESTRIAN FIGURE, APPEAL TO THE GREAT SPIRIT BEARING DATE 1913 With a Native American Indian (Sioux) chief seated on his horse wearing a feathered headdress and with outstretched arms, raised on a naturalistic rectangular base, signed and dated,C.E.Dallin 1913 and with circled 'C' copyright mark, the end of the base inscribed GORHAM CO FOUNDERS ma OXC, and one side also numbered #247, 22.5cm high Condition Report: Marks, knocks, scratches, abrasions consistent with age and useMarks and wear to the patina from age and handling, notably around left forearm and wrist, the right hand (notably index finger) appears to have had an impact and is dented to the tip The horse's rein stops at the neck, this appears to be by design and not a loss Dirt and discolouration and dust deposits to the deeper recesses, there is a patch to the back where it meets the feathered-headdress which has verdigris The underside with baize which is probably later, solid and stable overall Please see additional images for visual reference to conditionCondition Report Disclaimer

A silver shaped square patch box, decorated in relief with putto, 2.5cm wide, marked 925; other silver pill or patch boxes, each marked 925 (3)

A 19th century carved bone seal, 4.5cm; a 19th century polished carnelian wax seal, 4.5cm; a Limoges love heart shaped patch pot and cover, painted with summer flowers on an apple green ground, 5cm (3)

A Georgian carved mahogany supper table, with eight dish rings and bird cage undertier, terminating on ball and claw feet, height 70cm, diameter 84cm.Condition Report: Surface scratches and scuffs, minor loss to timber, minor staining, small patch of old worm to underside of birdcage, top slightly wobbly.

England: An England, match-worn, Marcus Rashford, short-sleeved home football shirt, worn in the game England v Belgium, UEFA Nations League Group A2, Group Stage Fixture, played on 11th October 2020, behind closed doors during the COVID lockdown restrictions. The game was played at Wembley Stadium, which England won 2-1, Rashford scoring a penalty after 39 minutes to level the score at 1-1. The shirt is a Size M, Nike Vaporknit, with match information below the Nike tick. A small '11' printed to the obverse, with 'Rashford 11' printed to the reverse. The shirt has Rashford's legacy number '1215' printed into the centre of the collar. The game was Rashford's 39th England cap, and the penalty was his 11th England goal. The shirt has a 'UEFA Respect' patch to left sleeve, and 'UEFA Nations League' patch to the right sleeve. Provenance: The shirt was passed to the vendor by a close friend of his and Marcus Rashford.

Two unisex overcoats, to include a green wool three button double breast coat with large patch pockets, labelled Mansfield by Frank Russell, together with a gentleman's blue, green and orange tweed 3 button single breast coat with side pockets, chest approx. 48", (2)

A lady's brown suede jacket with double button and patch pockets, size 16, together with a pair of Indian silk embroidered trousers and a Malaysian green cheongsam, (3)

AFTER BASILIUS BESLER (GERMAN 1561-1629) FROM HORTUS EYSTETTENSIS A group of 22 botanical prints (some with text verso), later impressions Each 49 x 41cm (22) Condition Report: All works framed under glass and unexamined out of frames. All works with varying degrees of staining, foxing and surface dirt. A number with creasing and folds to the sheets. One work with a large horizontal tear, another with a small hole, approx 1cm and a surface scratch. One work with cracked glass which will require replacing. One work with repair patch. Please refer to additional images for visual reference to condition.Condition Report Disclaimer

A Fisher of Raunds drop dial wall clock, 29cm enamel dial with Roman numeral chapter ring, twin train movement with parquetry inlay to case and glass panel over pendulum, scroll moulded ears to sides, overall 65cm.Condition report:Appears to be working order. The case has some historic repairs including patch repairs to the inlay. The frame of the dial glass has two crude repairs near the hinge and the opposing side, and the latch that keeps it closed is quite ill fitting, but still serves the purpose. The face has some paint flaking but not terribly evident when the glass is closed, other than surrounding the winding holes. The lower pendulum door is also repaired.

A Zeiss Ikon Super Ikonta Rangefinder Folding Camera, model 534/16, shutter working, meter responsive, rangefinder functions, body G-VG, some wear to name lettering on front, bellows G, with Carl Zeiss 75mm f/3.5 Tessar lens, elements F-G, fungus patch to edge of front element, in Zeiss ERC

Mixed patches and badges- Royal Artillery patch, Air Gunners patch, RAF badge, Eagle badge, Young Helpers League badge, ARP Women's Voluntary Services, Royal Army Medical Corps badge

Oxo tin with 3 dog tags L.J. Dicker, name badge, Military pin badge, cap badges, Royal Naval Submarine patch and 2 German patches

An Early 20th Century Patch Pot with Small Enamel Scenes

A silver mounted horn snuff with engraved name, dated 1747; an 18th Century enamel patch box; a silver mounted hobnail cut glass scent bottle; a Bristol blue glass table salt with silver rim; a silver seven bar toast rack by Edward Viners; a pair of sugar tongs by John Brown and other items.

Single Barrel Percussion M/L Shotgun by W.B Moor, Smooth 14bore, Twist barrel hexagonal to round at 10” from breach, complete lock with moving hammer but dose not lock in half or full cock. Small patch box to butt, Silver decoration and escutcheon. W.B. Moor may be son and successor to Thomas Moor who trained at Price St Birmingham. Antique no licence required. 

Mattel, Edycja Limitowana - 5 x Mattel Cabbage Patch dolls, and 2 x bears - Cabbage patch dolls range from 1970s/80s/90s. Largest bear is 45 cm in height. Both Bears have swing tags. Bears are named 'Edek' and 'Krysia'. Largest Cabbage Patch doll is 40 cm in height. Cabbage Patch dolls appear in fair condition but have some surface marks to their faces. (This does not constitute a guarantee)

A COLLECTION OF SPODE FLEUR DE LYS GOLD PATTERN DINNERWARE, ETC, comprising a shell shaped serving dish, an oval meat platter, length 32.5cm, four dinner plates, six dessert / starter plates, three dessert bowls, six tea cups, six saucers, six side plates, a chamber stick, a small plant pot, a deep 15.5cm bowl, an oval sugar bowl, three graduated sets of oval dishes (6 x 20cm dishes, 4 x 14.5cm and 5 x 11.5cm) and ten small dishes / coasters, diameter 10cm, together with a Spode 'Campanula' pattern oval platter, length 23.5cm (62) (Condition Report: seen medium to heavy use on plates and bowls, others pieces are light to medium use, some pieces have remnants of food and slight yellow staining, one of the starter plates has an older backstamp, a few pieces may be seconds as they have an unglazed patch, two of the larger oval dishes sound defective when tapped and one of which has a stained crack in the base)

GOLDING; WILLIAM, LORD OF THE FLIES, First Edition, published by Faber and Faber 1954, printed in Great Britain by Latimer Trend & Co, with second impression dust wrapper bearing reviews, book bears a label for WHSmith & Sons Library Bridge House, Lambeth with stamped 'SOLD' over stamp and a torn charge sticker below (Condition Report: text complete and firmly bound, the dust wrapper is torn and stained with some light water damage along the bottom back edge, there is also a dead moth behind the top back corner near the spine, the top edge of the pages have a large pink stained patch and all other edges are dirty, there is some foxing particularly to first few front and back page, other areas of water staining from red cover into end papers / inside covers)

▴ Clarisse Loxton Peacock (1926-2004)A vase of summer flowerssigned 'C Loxton Peacock' l.l., oil on canvas76 x 41cm, unframedCondition ReportLight surface dirt. There are two small patch repairs visible to the reverse. Unexamined under UV light, for a full report please contact the department.

AN ENGLISH ENAMEL PATCH BOX, LATE 18TH CENTURY circular, decorated with blue, green, purple and white marbling. 4.5cm diameterRestored but very presentable. A pretty box.

A late 19th to early 20th century Chinese hardwood occasional table: recessed top bordered by faux bamboo carving above pierced friezes carved with prunus blossom; raised on four faux bamboo uprights united by three similar stretchers (LWH 51 x 36.5 x 74 cm)* Condition: Good original surface and colour overall. The top does have a pale ring mark and a patch of lighter worn polish towards one end. This was once part of a nest of tables, so there are no corner brackets beneath the frieze to one side and no stretcher beneath. There is a little separation between the joints of the side stretchers and supports. No damage, losses or repairs to the carved frieze.

A modern cobalt-blue upholstered two-seater sofa by George Smith, Newcastle, England ( maker's label to underside), raised on turned front legs (LWH 148 x 107 x 90 cm high). (5 cm hole to upholstery lower left back) * Condition: The upholstery is very dusty and has surface dirt throughout from storage. It would probably clean up pretty well with careful use of upholstery cleaner. The structure is very sound. The small split to the upholstery to the right arm should be fairly easy to conceal with a careful stitched repair. The hole to the lower left corner of the back however (probably caused by a castor from another piece of furniture whilst in storage), is larger and not so easily stitched – it would ideally require a patch to repair. There is a small flap of material covering the zip on the seat cushion which could be cut off and used, as it is just about the right size.

A PSA 10 Turbo Patch Pokemon card

A good large Derby patch mark figure of Cupid in disguise as a moneylender22cm highgood condition no damage/restoration and only very minor losses to flowers

Royal Doulton Tableau Figure Patch Rolly Freckles DM5 with base boxed with cert

NO RESERVE Garnett (Richard) and others, editors. The International Library of Famous Literature, vol. 1-8, 13 & 14 only (of 20), plates, Ellen Terry's copy, with her Winchelsea bookplate to all but vol. 5 and ink ownership inscription to vol. 1 title, vol. 1 title with further ink inscription "Six vols." to foot in a different hand, the odd patch of light soiling, vol. 1 with small marginal loss to final two leaves, original red half morocco, spines gilt, rubbed, a few light marks, a few small chips to spine ends, [c.1900] § Thackeray (William Makepeace) The Works, 13 vol., plates, bookplate of Charles Cochran, bound in red half calf, gilt, by Hatchards, spines lightly faded, wear to corners, rubbed, t.e.g., 1898-99; and others, library sets, including an incomplete 1808 set of the Works of Dryden, v.s. (c.88)

London.- [Egan (Pierce), imitation] Real Life in London; or, The Rambles and Adventures of Bob Tallyho, Esq., 2 vol., 32 hand-coloured aquatint and etched plates, plus 3 extra plates (of which one in vol. 2 a duplicate), making 35 plates in total, including frontispieces and additional pictorial titles, tissue guards, frontispieces trimmed, just within image to vol. 1, a couple plates with tiny stab-holes to fore-margin, occasional light browning, the odd spot or patch of minor soiling, one or two subtle stains to endpapers, pastedowns with offsetting where bookplate removed, upper hinges tender, handsomely bound in polished calf by Root & Son, upper covers with central gilt motif of a dancing couple, gilt spines in compartments and with motifs including dancers and playing cards, lightly rubbed and scuffed, vol. 2 upper joint split but holding, other joints split at head and foot, [cf. Abbey, Life, 280; Tooley 198], 8vo, 1827-29.⁂ First published in parts between 1821 and 22. "The work had tremendous success, probably outrivalling in popularity its prototype, Egan's Life in London" (Abbey).

NO RESERVE [More (Cresacre)] The Life of Sir Thomas More, Kt....By his Great Grandson, Thomas More, first edition, engraved portrait by Vertue after Holbein, title in red and black, 2 advertisement leaves at end, frontispiece lightly foxed and offset, very faint water-staining to foot throughout, endpapers foxed, spine richly gilt, corners and spine ends worn, rubbed and scratched, joints starting, James Woodman & David Lyon, 1726 § James (Robert) Pharmacopoeia Universalis: or, A New Universal English Dispensatory, second edition, lacking final leaf (?blank), half-title with contemporary ink initials "TCB" to head, ink ownership inscription "Warren 1769" to front endpaper, 2S3 with tear into text, repaired and without loss, some light foxing or browning, rear hinge tender, small loss to spine ends and along lower joint, corners worn, rubbed, upper joint starting at foot, for J. Hodges, 1752, ink ownership inscription Tho. Crawley Boevey to front endpaper, with Flaxley Abbey beneath in a later hand, the odd patch of light soiling, contemporary calf; and others, antiquarian, some odd volumes or incomplete sets, v.s. (c.45)

Harper's New Monthly Magazine. Volume XVI. December, 1857, to May, 1858, illustrations, library bookplate, the odd spot or patch of light soiling, hinges cracked, contemporary half calf, spine labels lacking, remains of two old paper labels to spine, corners worn, rubbed, joints starting but holding firm, 8vo, New York, 1858.⁂ Including Clement C. Moore's "A Visit from Saint Nicholas", with illustration of Saint Nicholas and his reindeer by Thomas Nast. Other highlights include Wilkie Collins' "Marriage Tragedy" and Thackeray's "The Virginians".

NO RESERVE Coppard (A. E.) and others. Consequences: A Complete Story..., limited edition, engraved frontispiece by Ravilious, endpapers very lightly browned, original cloth, extremities lightly rubbed, dust-jacket, lightly rubbed at edges and with a few small nicks (mainly to spine head), spine and upper panel little faded, light soiling, 1932 § Blunt (Reginald) Paradise Row, or A Broken Piece of Old Chelsea, one of 110 numbered copies, portrait frontispiece and plates, bookplate of Alfred Tomlinson, some toning and faint foxing to endpapers, the odd spot or patch of light soiling elsewhere, original parchment-backed boards, extremities lightly rubbed, 1906; and others, literature, including 8 novels by Louise Jordan Miln, 8vo & 4to (12)

A Royal Worcester patch box, decorated with a peacock to a blue ground, together with a miniature Royal Worcester jug, decorated with a blue tit signed Badham 

Three boxes of sundry ornaments, to include cottages, glass paperweights, light houses, Jardinia, patch boxes etc

A SMALL COCKTAIL HOUR FOLDER CONTAINING HUMOROUS CLOTH PATCH SAMPLES

Taurus .357 long barrel revolver LICENCE REQUIRED Taurus .357 long barrel revolver, 12-inch barrel, seven shot cylinder, black rubber textured grips, serial number UK919467, Birmingham nitro proofs. UK FIREARMS LICENCE WITH .357 REVOLVER VARIATION OR RFD REQUIRED62cm long The revolver is in very good condition The bore is bright and shiny with a strong rifling pattern. There is one dark mark which looks like a scratch running along the top of one land. A cleaning patch will not remove it but careful polishing might.  The insides of the cylinders are of similar good condition to the boreThe action works correctly with good timing and lock up.The surface finish generally is excellent betraying little signs of use. There is one corrosion spot to the side of the blued front sight.