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Circa 1930-70s Ladies Costume, comprising a black crepe dressing robe in black and paisley stripes, collar, button fastening, long sleeves, patch pockets and belt,a paisley and floral silk chiffon short sleeve top with round neck and button fastening,a silk floral brocade full length dressing robe with collar, long sleeves and belt,a striped silk sleeveless waistcoat with round neck and button fastening,a black velvet cocktail dress, sleeveless with black ribbon trim under the bust and pleated skirt,Le Petit Salon Hartnell black chiffon mounted dress with tie to the neck, long flared sleeves,two similar 1970s full length evening dresses in plum and green with high necks and three quarter length sleeves,blue, black and white silk batik style printed long sleeve open jacket, long flared sleeves with tie to the neck,(9)

Edwardian Promenade Dress in a fine purple and white striped cotton, comprising a round neck, long sleeves, button fastening to the waist, two patch pockets to the bust, a gathered skirt with patch pocket and tiered hem to the skirt, with a handwritten name tape 'Barbara Aspinall',pair of Harvestor cream wool long johns, gents long sleeve white shirt, pair of cream silk stockings, White Cotton Undergarments comprising a combination, nightdress, two white bonnets, bloomers, apron, blue floral plastic pinny,coloured print titled 'On The Sands' from Mr Chumley's Holidays by R Caldecott, framed, 61cm by 27cm,(one box)

Late 19th Century Fine Black Wool Long Jacket, with flared three quarter length sleeves, front opening, hem and cuffs trimmed with hand embroidered trims and fringing, red silk lining with patch pocket to the insideThe Late Robert Bogdan, Barra Castle, AberdeenThere are several small holes overall to the black wool, to the front panels and reverse. The embroidered trims are rubbed and worn, some loose threads. There could be possible alterations to the back of the shoulders as seams different lengths, also to the sleeve armhole? Two small insertions near to the side seams by the hem. Damage to the top of the inverted pleat to the reverse. Some staining/fading to the silk lining and two holes.

Late 19th Century/ Early 20th Century Silk and White Cotton Underskirts comprising a cream silk skirt with gathered trim to the hem, a white cotton underskirt with multi-pleated and tiered hem including lace insertion and train to the reverse, another with a lace trimmed hem, an a-line skirt with stripes of embroidered flower heads and lace insertions with a lace edged hem and slight train, and a white cotton underskirt with broderie anglaise cut work details to the hem, a three tier embroidered underskirt embroidered overall with floral motifs, Other Costume includes a white cotton dressing robe with two tier collar, long sleeves and cotton tie to the neck, an Edwardian shirt with long sleeves and lace insertions,Late 19th Century Grey Printed Cotton Dress possibly maternity, comprising button fastening to the front, long sleeves, a short stand up collar. with grey printed appliqué mounts to the front, hem and cuffs, trimmed with crochet lace, inverted pleats to the reverse and patch pocketstwo Red Cross Nurses Aprons and head scarves, and a White Cotton Coat with buttons to the front labelled 'Hercules',(on rail)Property of the Late Robert Bogdan, Aberdeenshire

Late 19th Century Bathing Costumes comprising a three piece suit of a fitted long sleeve bodice in indigo blue cotton with a central modestyl panel of navy and white wide stripes flanked by buttons, pleated detail to the shaped hem at the back, a matching skirt with single pocket, gathered waist with fixed waist band and a matching pannier style top skirt with four draped and gathered panels,another similar in navy and pale blue striped cotton comprising a fitted long sleeve bodice with button fastening to the front, lace trimmed cuffs, stand up collar to the round neck and long skirt with three tier pleated hem, gathered and draped pannier style mount top skirt,(2)Dark blue/pale blue two piece - jacket is generally lightly discoloured overall.  Small patch under one arm.  There is a seam partly open to the back and a couple of splits to the inverted pleat on the reverse.  Some brown spotting next to the buttons.  The skirt has some staining to the front panel, lace trim has split and worn, alterations to the seams, fading to both pieces.Blue and white striped three piece - Jacket has mixed buttons, striped modesty panel to the front could be a later addition.  Stitched repairs to the bodice and additional stitches to the sleeves, fading and wear overall.    Detachable peplum has later smocking and gathering, some markes and wear overall.  The skirt is discoloured and shows some staining and wear.

Modern Ladies Wool and Tweed Suits and Separates, comprising a Tony Armstrong green and red wool checked tunic style top with faux double breasted button front, collar, long sleeves and matching straight leg trousers, J Jacques Chelsea brown wool skirt suit, with stylish pockets, dark brown velvet trimmed cuffs and collar, matching a-line skirt,a brown wool waistcoat with button fastening, Liz Elgee Sherborne green wool checked skirt suit with round neck and long sleeve jacket, Magee of Ireland checked wool hacking jacket with brown suede elbow pads (size 10), Campbells of Beauly herringbone and checked wool pleated skirt,Daks Simpson of Piccadilly green wool checked pleated skirt (size 10),Avoca blue and fawn large checked wool jacket, with collar, button fastening and patch pockets (size 14),Artigiano wool mix tweed skirt suit (size 14),Paul Costelloe Collection brown herringbone tailored jacket with cut away front (size 14),Hucke Mode Collection midnight navy velvet double breasted jacket (size 12),(11)

A Circa 1930s Black Chiffon Evening Dress with a green printed chiffon mount to the neckline and a bead floral appliqué,together with a 1930s Black Wool Jacket with astracan appliqués in the style of military frogging, long sleeves, black silk lining,(2)Patch under one arm, some slight rubbing/ wear and possibly had chiffon sleeves that matched the mount to the bodice

Modern Ladies Wool and Tweed Suits and Separates, comprising Mulberry black wool self-striped long line jacket, single breasted with collar and long sleeves (size 12), a navy wool mix waistcoat (size 12), a black and grey linen striped jacket with collar, large patch pockets and loose fitting (size 10), and two similar Mulberry wool herringbone and checked wool jackets (both size 10),Glenalmond Tweed Company Harris Tweed green checked trousers and another pair in blue herringbone (both size 10), Avoca Collection green wool large checked jacket with collar, button fastening and patch pockets (size 18), brown wool checked jacket,Carlisle trouser suit in pewter and purple large checked wool, comprising a long sleeve jacket with stand up collar, zip up fastening and zipped pockets, matching trousers (size 10), Cyrillus light brown wool mix three piece comprising a jacket with brown velvet mounted collar, pockets and button fastening, an a-line wool skirt with inverted pleat to the front, and matching trousers (all size 14),(11)

A late 19th / early 20th century tapestry depicting a winged griffin slaying a snake. With bead detail to the eyes. Hand sewn in shades of gold, sage green, rose and yellow, with a small patch unfinished to the face of the griffin. Framed and glazed with silk verso.Measuring approx. 53cm x 50cm.

A Leitz Elmarit-M f/2.8 28mm Lens, black, serial no. 3743131, body, E, elements, VG, some light internal haze and one tiny fungal patch to perimeter of middle group, complete with lens hood, caps, warranty card, soft pouch and maker's box

A Leica Standard 'New York' Camera Outfit, 1947/48, chrome, serial no. 355482, with Wollensak Velostigmat f/3.5 50mm lens, chrome, serial no. 486445, body, G-VG, shutter working, lens, G-VG, some cleaning marks, complete with Wollensak Velostigmat series II f/4.5 90mm lens, black, serial no. 453867, body, G-VG, elements, VG, one small internal fungal patch, and Wollensak Velostigmat Series II f/4.5 127mm lens, black, serial no. 487186, body, G-VG, elements, VG-E, also including a selection of extension tubes, and flash system, FLQOO lens hood, universal viewfinder VIOOH & TUVOO 28mm adapter and flash synchronization base, everything marked 'E. Leitz N.Y.', complete with some boxes

A Leica M4 Rangefinder Camera Body, 1969, chrome, serial no. 1227767, body, VG, shutter working, RF patch appears accurate, fully serviced by CameraWorks UK in April 2024, with body cap,

Attributed to Julia Bracewell Folkard, portrait of an Italian woman, 19th century oil on canvas, signed top right, 60cm x 50cm, framed 1 small patch repair not visible from the front, generally good condition, modern frame also good, signature visible at top right under cleaned varnish.

Frank Hider (1861 - 1933), sunset landscape, oil on canvas, 1892, 51cm x 76cm, original frame . Condition Report: 3 small patch repairs not visible from the front, area of paint flaking in top left-hand corner and on the right-hand edge of the image, and possibly small area of overpainting in top right-hand corner, original frame with some areas of damage or repair

The Adventures of Robin Hood - British Television Series. A bound set of seven original sets of scripts from the TV production 1956 - 1957, by Sapphire Films LTD, staring Richard Greene. A total of 39 episodes. Producer Sid Cole's scripts (1908 1998), with some annotations / corrections, credits and re-writes. To include: 1. 'A Village Wooing', 'The Scientist', 'Blackmail', 'The Goldmaker', 'A Year And A Day', 'The Imposters'. 2. 'Ransom', 'The Haunted Mill', 'The Hero', 'Isabella', The Knight Of The Black Patch', The Ambush', 3. 'The Bandit Of Brittany', 'The Goldmaker's Return', 'Flight From France', 'Fair Play', 'The Shell Game', 'Highland Fling'. 4. 'The Trap', 'Hubert', 'Outlaw Money', 'The Dream', 'The Friar's Pilgrimage', 'The Blackbird'.5. 'The Final Tax', 'The Secret Pond', 'The Dowry', 'The York Treasure', 'The Borrowed Baby', 'The Black Five'. 6. 'Food For Thought', 'Too Many Earls', The Mystery of Ireland's Eye', 'Robin And The Little People', 'The Infidel', 'The Frightened Tailor'. 7. 'The Path Of True Love', 'The Road In The Air', 'Carlotta'. (7 bound sets of scripts). Provenance: From a private UK collection

Americas.- Canada.- G[rey] (W[illiam]) Sketches of Newfoundland and Labrador, list of plates, lithographed title and 24 plates, foxing, repairs to inner margin of preface,  pencil note to lower margin of 1 plate "Room & Vessels belonging to Messrs. Slade of Poole", one plate with small patch of discolouration, modern dark brown half calf, original wrappers bound in, [Sabin 26276] oblong folio, Ipswich, S.H. Cowell, Anastatic Press, [1858]*** Scarce and beautiful illustrations of Newfoundland and Labrador before they were well-known. William Grey came to Newfoundland as a missionary, however, during his summer visitation in 1857, he drew these sketches, believing that Newfoundland and Labrador deserved better representation. Grey's intention was to capture the character of the scenery. 

Chandler (Raymond) The Lady in the Lake, first English edition, original cloth, a few light scattered spots, small patch of fading to spine head, dust-jacket priced at 8/6, 2" tear down lower spine joint and across spine, neatly repaired, other few short nicks to edges, light surface marks to lower panel, Hamish Hamilton, 1944.

Middle East.- Sharh risala al-Wazir Ahmed ibn ‘Abdallah ibn Zaydun al-Makhzumi… Salah al-Din Khalil ibn Aybek. [Commentary on a treatise from a vizier to his sultan], Arabic manuscript, c.200pp., some damp-staining, with occasional smudging to text, worming with some slight loss to text, repairs to a few leaves with slight loss of text, a few annotations in margins, minor ink stains to bottom edge, blind-stamped morocco, worming to covers, patch of ink staining, a little rubbed, later endpapers, 4to, [probably Egypt], 1277 AH, [1861 CE].

RUDOLPH IHLEE (BRITISH, 1883-1968)Portrait of a gentleman wearing a suit and striped tie signed with initials and dated 'R. I '21' (lower left) oil on board 45 x 37cm ARR Provenance Sale, Bonhams, London, 5th April 1989, lot 27 (as 'A bust portrait of Lytton Strachey'); Private collection, UKCondition ReportThe board is sound.  Minor abrasion to the paint surface off the upper, central border, otherwise paint surface is sound.  Ultraviolet reveals one small patch of retouching to the sleeve, lower left. 

JULIAN TREVELYAN (BRITISH, 1910-1988)Nimes signed, inscribed and titled in pencil 'Julian Trevelyan Artist Proof' (in lower margin) etching with aquatint 35 x 48cm (unframed) ARR Provenance Private collection, UKCondition reportSmall patch of staining to right hand border; crease to upper left border, otherwise sound overall.

STANHOPE ALEXANDER FORBES (BRITISH, 1857-1947)The Steel Works indistinctly signed 'Stanhope a. Forbes' (lower right) oil on canvas 61 x 51cmCondition reportCanvas has been relined.  The paint surface appears to be in good, clean condition.  Ultraviolet light reveals suggestions of retouching to frame abrasions along the upper border and a small patch to the central girder below the clock.  Held in an ornate plaster gilt frame in fair condition.

CONROY MADDOX (BRITISH, 1912-2005)Still Life With Figure signed and dated 'CONROY MADDOX 59' (lower right), signed, titled and dated '1959' (verso) oil on canvas 51 x 76cm ARR Provenance Private collection, UK Literature Silvano Levy, Conroy Maddox, Surreal Enigmas, Keele University Press, 1995, illus. p. 119Condition reportPatch of fine craquelure centre right, on man's waistcoat, probably caused by water damage.A drip/water mark running  from this patch of craquelure horizontally left across centre to just left of central object.Several other small drip/splash/water marks, mostly on central object.Inspection under uv light reveals fluorescing on patch of fine craquelure and the drip mark that runs from it.

STUART MCALPINE MILLER (BRITISH, B. 1964)Man and Chessboard signed 'Stuart Miller' (lower right) oil on canvas 100 x 120cm ARR Provenance Private collection, UKCondition reportSmall tear lower right and craquelure around it.Old repair visible lower right (to left of tear mentioned above). Also patch on back of canvas relating to this repair.Some surface abrasions.Small areas of craquelure.Small abrasion and circular mark to centre, on sleeve.Surface dirt and various small marks.UV light reveals fleck of retouching, including around old repair, and two small patches far right centre.

STUART MCALPINE MILLER (BRITISH, B. 1964)Sea of Tranquillity signed and dated 'Stuart McAlpine Miller 93' (lower right) oil on canvas 101.5 x 121.5cm ARR Provenance Private collection, UKCondition reportVarious patches of craquelure, including a fairly large/pronounced patch to the centre .Several wavy vertical lines of slightly raised paint visible in sky, as well as a few in other places.Pale diagonal line visible in central sky and a few other small pale lines/marks but these may be original to work.Surface dirt.No signs of retouching under uv light.

JULIAN TREVELYAN (BRITISH, 1910-1988)Camel Corps (1972) signed, numbered and titled in pencil 'Julian Trevelyan 129/250' (in lower margin), printed by Studio Prints, London, published by Christie's Contemporary Art, London, with their blind stamp etching with aquatint 35.5 x 48cm (unframed) ARR Provenance Private collection, UKCondition reportLight crease to upper left border; patch of light staining, lower right border, a few few very minor scattered spots elsewhere to border, generally sound.

λ† LUCY MCKENZIE & BECA LISPCOMBE (ATELIER E.B) 'CIPOLINO-HYRO' SCREEN, 2013 Double-sided folded screen in six panels; one side with mirror panel and silkscreen on velvet mounted on wood, oil on canvas mounted on wood, steel frame 184cm x 390 cm(72½in x 153½in)'Textile designer Beca Lipscombe and the visual artist Lucy McKenzie run their independent fashion label, Atelier E.B, whose initials stand for their respective locales: Edinburgh and Brussels. The pair created their first paravent - they favour the French term for a folding screen, with its seaside insinuation of protection from bluster - in 2011 for their debut collection, which they called 'The Inventors of Tradition'. It was a sumptuous mix of intarsia knit jumpers, artists' work coats, lavishly ribbed cashmere skirts and Aran sweaters, all made to order in mills in the Scottish Borders and rust belt.' "Paravent I" which had Lucy's brushwork of the Clydebank skyline with the Singer sewing machine factory on one side; and Beca's prints of a tiled Glasgow close on the other, was sold through Lucy's London gallery 'Cabinet' for £25,000. Ten paravents have since been created. ~ The Gentlewoman, No. 25, Spring/Summer 2022 "Our paravents-all of which have one side screen-printed by Beca and the other painted by me-are art-design hybrids and an expression of the individualism we maintain in our partnership. There is space within the collaboration for a certain naiveté about the other's field of expertise, with which we can give one another fresh perspectives. The paravents symbolise that we are a unit, standing back to back, looking in different directions. The notion of the screen mirrors the collaboration, as a space within which we can be both together and autonomous"' ~ Lucy McKenzie with Beca Lipscombe, "Atelier E.B - Back-to-back," in Atelier E.B Passer-by. London: Koenig Books, 2020. Atelier E.B have permanent works held in the collections of the V&A Museum, London, and V&A Dundee. Atelier E.B's 'Faux Sports Shop' is currently on show as part of Lucy McKenzie's 'Super Palace' exhibition at the House of Contemporary Art, Design and Architecture in Hasselt, Belgium. We would like to thank Beca Lipscombe for her assistance in cataloguing this lot. Condition Report: In good (as new) condition. With a small patch of paper label residue to the top left panel (on the canvas side).Condition Report Disclaimer

Y MERROW ASSOCIATES (BRITISH) SIDEBOARD; CIRCA 1970 Rosewood and chromed steel; two sliding doors. 75.5cm high, 183.5cm wide, 45.5cm deep Article 10 certificate has been obtained for this lot (ref. 24GBA10940FHG). Condition Report: Various signs of wear - marks, scuffs, scratches and dints in line with use and age. The chrome is in overall good condition, with some speckling to the back of the legs. The top has one small dark stain, a small lightened patch, a larger splotchy lightened area (hard to spot), some longer scratches against the grain direction and a knock/bruise to the edge in at least two places. The doors are in very good condition, with just a few small scuffs and scratches at random. Inside with a few more scratches/marks. Have captured as much as possible in the additional images. Overall good condition, as nothing major, and presents really well.Condition Report Disclaimer

ARNE HOVMAND-OLSEN (DANISH, 1919-1989) PAIR OF LOUNGE CHAIRS; CIRCA 1960 Teak, black leather, brass Stamped 'MADE IN DENMARK/DESIGN HOVMAND-OLSEN' 76cm high x 72cm wide x 72cm deep (approximately) Provenance: Purchased by two prominent local Newbury businessmen directly from the Milan Trade Only Furniture Exhibition around 1960.  Condition Report: Various indicators of wear - with minor nicks, dints, marks and scratches to the surface, in line with age and use. There is a larger scratch to the leather back of one back rest. There is a blob of paint to the upper edge of the back rest on both, where they have leant against (wet paint perhaps?), it could certainly be professionally cleaned off. One of the armrest with some white scratches too. The wood with some discolouration (lightening) to the back legs of both chairs in a small patch. A very minor loss around one of the fixings. Overall the chairs present very well, in original condition, but with obviously careful previous owners. Condition Report Disclaimer

PHILIPPE STARCK (FRENCH, B. 1949) EIGHT 'HUDSON' CHAIRS; DESIGNED IN 2000; PRODUCED BY EMECO; EARLY 21ST CENTURY Aluminium; four with brushed finish and four with polished finish. Stamped to reverse 'EMECO BY STARCK' 84cm high, 40cm wide, 48.5cm deepProvenance: Purchased from the Conran Shop directly. From a private collection in Wiltshire. Condition Report: Various signs of wear across the chairs - minor nicks, dints, marks, scratches to the surface in line with use. There is some foxing to one chair seat. There is a patch of water damage to another chair seat. Some dints along the edges of the back rests in places. The chairs are solid and with a clean the look could be improved, with a professional buff/polish, even more so. Please see additional images.Condition Report Disclaimer

A Georgian Bilston enamel patch box, cobalt blue, pink and green decoration, mirror on inside of lid, 5.5cm wide; together with two further Georgian enamel snuff boxes depicting landscape scenes, the larger 5.7cm wide, the smaller (af) 5cm wide (3)

A FIRST WORLD WAR TRIO TO THE AUSTRALIAN INFANTRY. A Great War Trio comprising 1914-15 Star named to 1444 Pte M.K. Williamson 10/BN A.I.F. War Medal and Victory Medal similarly named. With accompanying miniatures, a miniature Elizabeth II Territorial award with Territorial bar, and a box for a Distinguished Flying Cross with a note awarding the absent medal to Squadron Leader Peter G.K. Williamson. And a small collection of badges and an RAF patch. *CR Generally good condition.

A SECOND WORLD WAR CATERPILLAR CLUB BADGE AND MEDALS TO FLT/L JONES. A Caterpillar club brooch named to F/Lt J.H. Jones, in case of issue with fabric patch and marked 'Royal Air Force', the box marked for Sophos. With a group of four Second World War Medals comprising 1939/45 and France and Germany Stars, Defence and War medals, mounted as worn with two sets of miniatures, unnamed as issued, possibly the medals of the recipient of the Caterpillar Club award. *CR Good condition.

TWO FIRST AND SECOND WORLD WAR PAIRS TO A FATHER AND DAUGHTER. A Great War pair comprising War Medal and Victory Medal named to Pte G.S Gettings HAC INF and Second World War Defence and War Medal, unnamed as issued, attributed to his daughter 452462 Leading Aircraftswoman Margaret Helen Patricia Gettings WAAF who joined the WAAF in Gloucester after June 1941. Mounted for display with RAF cap badge, patches and dog tags. George Gettings also served as G/37351 with the Royal Sussex Regiment. With a collection of photographs including images of both recipients in uniform and in groups, ephemera, further buttons and other items. With copied research. *CR Badge and patch showing signs of having been worn. Generally good condition.

A brown leather trench coat. Collarless with an all-over punchhole design, two patch pockets and side slits, 112cm long.Good used condition,  all intact, no visible wear to the leather, no belt.

CHANEL, pré-collection Prêt à Porter Automne/Hiver 2017. Veste longue en tweed écru gansé d'une natte à croisillons en métal doré.Directeur artistique: Karl Lagerfeld. Collection Métiers d'Art 'Paris Ritz'.Fermant par des crochets, deux poches plaquées, manches longues doublées de soie blanche à boutons de manchette.Condition d'état: A.Taille/Size: 36.Footnotes:Ready to Wear Pre Fall/Winter 2017 collection by Karl Lagerfeld. 'Paris Ritz' Métiers d'Art collection. Long jacket in ecru tweed trimmed with a gold metal lattice braid. Closing with hooks, two patch pockets, long sleeves lined with white silk with cuff buttons.Condition grade: A.For further information on this lot please visit Bonhams.com

CHANEL, collection Prêt à Porter Pre-Fall 2014. Veste longue en laine bouillie noire.Directeur artistique : Karl Lagerfeld. Collection Métiers d'Art 'Paris-Dallas'.Petit col, simple boutonnage, quatre poches plaquées. Manque griffe, doublure et boutons siglés.Condition d'état: A.Taille/Size: 40.Footnotes:Pre-Fall 2014 Ready to Wear 'Paris-Dallas' Métiers d'Art collection by Karl Lagerfeld. Long black boiled wool jacket. Small collar, single-breasted, four patch pockets. Missing label, lining and branded buttons.Condition grade: A.For further information on this lot please visit Bonhams.com

CHANEL, collection Prêt à Porter Printemps/Eté 2022. Mini Jupe en lainage bouclette noir à motifs multicolores.Directeur artistique: Virginie Viard.Deux poches plaquées.Condition d'état: A.taille/Size: 34.Footnotes:Ready to Wear Spring/Summer 2022 collection by Virginie Viard. Mini skirt in black French terry wool with multi-colored patterns. Two patch pockets.Condition grade: A.For further information on this lot please visit Bonhams.com

Christian Dior, collection Prêt à Porter Automne/Hiver 2007. Veste en laine lie-de-vin et fourrure de Renard lustré à la couleur.Directeur artistique : John Galliano.Important col châle et deux poches plaquées agrémentées de fourrure, boutonnage pression croisé, taille marquée par une ceinture en cuir noir.Condition d'état: A. Taille/Size FR: 38.Footnotes:Fall/Winter 2007 Ready to Wear collection by John Galliano. Jacket in wine-colored wool and lustrous fox fur. Important shawl collar and two patch pockets decorated with fur, crossed snap button fastening, waist marked by a black leather belt.Condition grade: A.For further information on this lot please visit Bonhams.com

CHANEL, collection Prêt à Porter. Veste courte en laine bouclette noire.Début des années 2000.Encolure en V sur simple boutonnage, quatre poches plaquées. (manque griffe)Condition d'état: A.Footnotes:Early 2000s. Ready to Wear collection. Short black wool terry jacket. Single-breasted V-neck, four patch pockets. (missing claw)Condition grade: A.For further information on this lot please visit Bonhams.com

CHANEL. Veste longue en lin noir et galons de laine noire, blanche.Début des années 1990.Encolure ronde, simple boutonnage, quatre poches plaquées. Condition d'état: B +.Footnotes:Early 1990s. Long jacket in black linen and black and white wool braid. Round neckline, single-breasted, four patch pockets.Condition grade: B +.For further information on this lot please visit Bonhams.com

HERMES Paris. Sac pochette Onimetou en cuir noir, intérieur daimCirca 2007.Poche plaquée, lanière longue 58 cm.Condition d'état: B+.16 x 20 cmFootnotes:HERMES Paris, Onimetou clutch bag in black leather, black suede interior. Circa 2007.Patch pocket, strap length. 58 cm.Condition: B+16 x 20 cmFor further information on this lot please visit Bonhams.com

A collection of jackets comprising: an Escada Sport honey suede jacket with Peter Pan collar, zip fastening, zip cuffs, slip pockets, quilted lining, medium size; a dark brown leather jacket by Centigrade, small size, fully lined, deep V neckline, stud fastening; also a Betty Barclay pale biscuit-coloured leather jacket, small size, button through, with two patch  pockets. (3)

A collection of 32 Lilliput Lane models of various sizes and styles , all gift boxed to include Blue Bell Line, Blue Bell Farm, Hampton, Sweet Honeysuckle, collectors club An apple a day, collectors club Parsley Cottage, Penrith Town Clock, collectors club Out at Sea, collectors club The Pigsty, The Windmill, Ceasars Town & The Barbican, Penrith Toffee shop & Croftsmore Gingerbread shop, The Honesty Box, It's for you, The Mill & The Engine House, Hazy Rose Cottage, The Bottle Oven, collectors club Cabbage Patch Corner, The Shelton Tollhouse, Blue Boar, Moathouse Keswick, Blades Village pump, Gods Providence House, Little lost Dog, collectors club Nutkin Cottage, St.Bartholomews Pets Practise, Cowslip Cottage, Honeysuckle Cootage trinket box, Millenium Gate, Country Living.

A collection of six belts and an Escada Sport white cable knit cardigan with green, white, red and black striped edging, patch pockets, Escada brass buttons. The belts include: Escada red leather decorated with studs and horseshoes; Escada brown leather with brass motifs; red and black Harrods suede belts; black Escada belt with brass motifs; black Escada patterned leather belt. (7)

NICHOLAOS GYSIS (1842-1901)Fuite après le massacre de Psara signé des initiales 'N.G.' en bas au centre et inscrit au revershuile sur toile37,5 x 30,5 cm. (14 9/16 x 11 13/16in.)signed with the initials 'N.G.' lower centre and inscribed on the reverseoil on canvasFootnotes:ProvenanceChristie's London Greek Sale of 16 December 1997, lot 33.Acquired from the above sale by the present owner.ExpositionsAthens, Etaireia Filotechnon, Exhibition of Works by Nikolaos Gysis, March 15 - May 15, 1928, no. 100 (listed in the exhibition catalogue, p.12). Athens, Nikolaos Gysis 1842-1901, The Great Master, National Gallery - Alexandros Soutzos Museum, October 8 - December 10 2001, no. 26 (illustrated in the exhibition catalogue, fig. 57, p. 89).LittératureM. Kalligas, Nicholas Gysis, the Unknown 1842-1901, National Bank of Greece Cultural Foundation edition, Athens 1980 (discussed and illustrated, fig. 25).M. Kalligas, Nicholas Gysis, the Unknown, 1981 Wall Calendar, National Bank of Greece edition, Athens 1980 (illustrated).M. Kalligas, Nicholas Gysis, National Bank of Greece Cultural Foundation edition, Athens 1981, pp. 85, 113 (mentioned), p. 83 (discussed).N. Misirli, Gyzis, Adam editions, Athens 1995, pp. 102, 104 (discussed), p. 371, no. 53 (catalogued), p. 105, fig. 53 (illustrated).Featured with a full page spread in Dr. Nelli Misirli's seminal monograph on Gysis—a clear indication of the merit the author attached to it—this precious gem shows both Gysis's amazing skill in the freer handling of form and his deep reverence for homeland and motherhood. The picture is akin to the artist's famous Tama (Offering), a masterwork of 19th century Greek genre sold by Bonhams Greek Sale on November 24, 2021. With this Gysis milestone, Fuite après le désastre shares the same compositional scheme, expressive power, and romantic disposition. Alluring and psychologically acute, it shows no signs of idealisation, its beauty emanating from within, depending on honesty of representation and genuineness of character. Warm, earthy colours and lively brushwork build up a vibrant and moving composition of solemn grandeur, while the generalised rendering and economy of detail point to the artist's concern with purely pictorial issues. The tall and slender figure of the young Greek mother stems from Byzantine 'Mother and Child' representations, while her sculpture-like immobility recalls the timeless, idealised beauty of ancient Greek statues. Both her and her lapped infant, which in contrast to its mother's dark shape is transformed into a luminous patch of brilliant white, surrender their individual specificity to take on a symbolic quality, enhancing the drama and poetry of the scene. Fuite après le massacre de Psara also relates to Gysis's masterpiece After the Destruction of Psara (1896, National Gallery - Alexandros Soutzos Museum, Athens), both being inspired by the devastation of the small island of Psara by Ottoman forces in 1824. The painterliness and expressive quality of both works elevate them from simple descriptions of a historical event of the Greek War of Independence to dramatic and poetic representations of the lofty ideals of homeland, nationhood, and freedom.For further information on this lot please visit Bonhams.com

A 19TH CENTURY AMETHYST RIVIERE CIRCA 1870 Composed of a graduated line of large circular cut amethysts in gold beadwork mounts, unmarked Size/dimensions: 45.0cm long Gross weight: 164.0 grams Condition Report: The necklace has some general wear commensurate with age and use. There is some scratching around the clasp where it has been closed over the years. The trio of beads to the outer borders there are a number of small squashed beads to the triangle tips, and three of the beads totally missing, only really noticeable under close inspection. The clasp is in good working order, one of the links has a pull and is quite open and so it would benefit from the link being closed. The amethysts are bright, some have some small nibbles, some typical inclusions and colour zoning, one of the amethysts table has a small abraded patch and some small scratches. The smallest amethysts measures 1.8cm diameter, the largest amethyst measures 2.2cm. Condition Report Disclaimer

A GEORGIAN AMETHYST RIVIERE NECKLACE AND PENDANT/BROOCH CIRCA 1820 Composed of a graduated row of oval cut amethysts in closed foil backed gold settings with bead detail, suspending a detachable similarly set oval and circular cut amethyst pendant, with three pear shaped amethyst drops, unmarked Size/dimensions: necklace 40.0cm, pendant 5.2cm long Gross weight: 93.0 grams Condition Report: The setting has general wear commensurate with age and use. There is a lead solder repair and patch to the end of one link, there are a few smaller repairs between the links, very subtle. The foilings behind the stones remain bright, some small dents to the backs of the closed settings. The clasp in good working order, secure, slightly fiddly to open. Largest amethyst approximately 2.1cm x 1.5cm, smallest approximately 1.3 x 1.2cm (clasp) Condition Report Disclaimer

2x George III, 'Cartwheel' Twopences (both S.3376) one fine with slight verdigris patch to bust, marked W.POND on rim; the other good very fine, marked G.POND on rim

A good large Steiff light brown mohair Teddy bear, German circa 1909, the straw filled bear with black boot button eyes, pointed clipped muzzle with black stitched nose, mouth and claws, swivel head and jointed at shoulders and hips with elongated arms, large feet and tan felt paw pads, pronounced hump to back and growler, (inoperative), 24” (61cm) tall, (condition: mohair good, velvet patch to split to left ankle, right paw pad quite worn, the others with some smaller holes).

A pair of Derby patch mark figures, of a boy and girl, both seated, wearing floral chaplets, holding flower posies, decorated in polychrome, shaped oval scroll bases, 11.5cm high, c.1760

A 19th century sardonyx and tortoiseshell oval patch or snuff box the cover with a well carved Greco Roman classical panel with an almost naked male warrior raising his shield to seated Goddess, a horse bowing behind, rose metal mount, 7.7cm x 6.5cm x 2.6cm

A Victorian burr walnut centre/loo table, the quarter veneered oval top inlaid with roundels and stringing, upon four ring turned pillars extending to carved scroll acanthus cabriole supports and castors, 74cm H x 126cm W x 94cm D (at fault)Condition reportFull width joint split to the table top with a small patch of 'blistering', please see additional images.Patina appears dull particularly around the top frieze, otherwise the table is structurally sound with no obvious faults or damage.

A mid 18th century Shropshire oak dresser, the moulded plank top over three lip moulded, pine and elm lined drawers, above the shaped wavy apron, all upon front cabriole legs and pad feet, plain rear legs of square section, 80cm H x 189cm W x 50cm D (at fault)Condition reportGeneral light marks and stains to the dresser top with a small patch of historic woodworm to the rear of the top, which extends to the back board, please see additional images.Further evidence of historic woodworm in the drawers, two drawers with replaced boards.Pegged repair over the front right hand leg.Dresser appears to be structurally sound with little or no play in the joints.

Six pin cushions and cards, comprising a minutely stitched patch work ball, 3.5cms, a patch work geometric example with part pin stuck borders, 5cms, a diamond form painted silk example in pin stuck gilt brass frame, 7.5cms, a worn jockey cap example, and two bellow form pin cards.     (6)

WW2 Canadian Battledress Jacket Dated 1944 And Trousers khaki green, woollen, single breasted, closed collar short jacket.  Lower extended belt.  Pleated chest pockets with hidden button flaps.  Collar with brass Canada maple leaf badges.  Internal issue label dated 1944 ... Khaki green, woollen battledress trousers.  Right hip with first aid pocket.  Left front leg with large patch pocket.  Top flap with hidden button fastening.

Pair Of WW2 Lease Lend American Produced Battledress Trousers khaki, fine woollen, wide leg trousers.  Side slash pocket.  Leg pockets both removed.  Internal maker's label worn.  Together with a pair of Commonwealth produced, battledress trousers. Right hip with first aid pocket. Front patch pocket with hidden button secured flap two left leg.  Ankles with tightening straps.  2 items.

WW2 1940 Pattern Battledress Jacket And Trousers Dated 1945 khaki, woollen, single breasted, closed collar, short jacket.  Lower extended belt.  Patch chest pockets with exposed buttoned flaps.  Internal maker's label dated 1945 ... Khaki woollen battledress trousers.  Front of left leg with large patch pocket.  Top flap with exposed button.  Internal issue year "2" for 1945.  Minor moth nips.

WW2 Dated Utility Pattern Service Dress Jacket Dated 1943 And Trousers khaki, woollen, single breasted, closed turn over collar tunic.   Patch chest pockets with buttoned flaps.  Lower hidden pockets with plain flaps.  Single pleat under the collar.  Plastic, KC General List buttons.  Internal issue label dated 1943 ... Khaki woollen, service dress trousers.  Side slash pockets.  Rear, hidden seat pocket with buttoned flap.  Internal issue year "O" for 1942.  Clean condition.  2 items.

1959 Pattern Denison Airborne Smock Dated 1963 brown, tan and green camouflaged jacket.  Full front zip.  Patch chest and lower pockets, all secured by plated press studs.  Rear, fold down crotch strap.  Both arms with RA Drop Zone flashes.  The right arm with parachute qualification wings.  Internal issue label dated 1963.  Together with a green, scrim net ... 1937 pattern webbing belt.