We found 24353 price guide item(s) matching your search

A Prattware cow creamer and cover, standing four square, sponged in ochre, tan patch markings, yellow horns and tail, with suckling calf, shaped rectangular base, 12cm high, c.1800

A George III South Staffordshire enamel patch box, decorated with a border of 'pearls' on a navy blue ground, 4.25cm in diameter, c. 1780; a silvered circular medallion, Ludovicus Magnus Rex, by F Molart Versaliae 1687 to verso, 7.25cm in diameter; a 19th century bead work neck pendant, c.1870; an Egyptian turquoise amulet beaded necklace; a 19th century lady's paste hat pin; etc Provenance: From the Estate of Lady Elizabeth Georgiana Alice Cavendish CVO (24 April 1926 -15 September 2018), daughter of Edward Cavendish, 10th Duke of Devonshire, Chatsworth House, Derbyshire

Two early Derby Patch Mark 'spectacle' baskets, painted in polychrome with ripe fruits, butterflies, caterpillars and insects, twin ropetwist handles painted green and applied with irises or country flowers, the pierced exterior with further flowerheads, iron red rims, 20.5cm wide, c.1758-1760For a similar single basket see: Rice, Derby Porcelain, The Golden Years 1750-1770, 1983, fig. 113b. Provenance: the Wilders Collection, labelled. Condition Report: Each restored and with some manufacturing blemishes.

A pair of early Derby Patch Mark figures, the Ranelagh Dancers, the gallant attired in a tricorn hat, doublet, hose and cloak, he holds a love letter while standing by a Rococo pedestal, his doublet painted in the style of the Cotton-stem Painter, his lady holding a nosegay wears a gown and cloak, with flowers and plumes in her hair, a ribbon-tied medallion suspended from her shoulder, each modelled with colourful bocage on a scrolling circular base and picked out in pastel tones of polychrome enamels throughout, 24cm high, c. 1765For a similar pair see: Bradshaw, Derby Porcelain Figures 1750-1848, 1990, E17, page 98 and illustrated as fig. 75 on page 97. Provenance: the Wilders Collection, labelled. Condition Report: She with chipped plumage, well-restored right hand at wrist and crazed. He with restored tricorn edge thus with lost feathers, his left hand similarly well-restored at the rest as the latter, slight nibbled chip to cloak edge. Each with expected nibbles to bocage, stable firing cracks but lost in the overall display, some light surface wear. The figures possibly matched but work well together.

A large Derby Patch Mark basket, painted in green monochrome with roses and leafy foliage, green twin-ropetwist handles with pink flowers, the pierced exterior with flowerhead bosses at angles, gilt line rim, 27.5cm wide, c.1760-1765Provenance: The Wilders Collection, labelled. Condition Report: Good condition with some light surface wear and light manufacturing blemishes.

An early pair of Derby Patch Mark cartouche-shaped vases, painted after the Cotton-stem Painter in polychrome enamels with sprigs of country flowers, each reservoir moulded in relief with feathered scrolls, picked out in tones of pastel turquoise and gilt, iron red shaped rims, circular feet, 11cm high, c. 1765 Provenance: the Wilders Collection, labelled. Condition Report: One vase with a repaired crack affecting centre, shoulder, neck and rim - but stable. The other okay but askew. Each possibly with refreshed gilding, expecting light wear and some pitting.

A Derby Patch Mark figure, Shakespeare, he stands leaning upon three books with text from the Tempest, on plinth, scroll base coloured in gilt and turquoise, 28.5cm high, c.1770

A 19th century Staffordshire cow creamer, standing four square, tan patch markings, oval base, 12cm high, c.1880

A Derby Patch Mark figure, of a Shepherdess, she stands, with flowers in her apron, wearing a broad brimmed hat, holding a basket of eggs, scrolls base, 26cm high, c.1770

A large Derby Patch Mark figure, Britannia, she stands in sandals, wearing a feathered helmet, turquoise and pink drape over a tunic and floral dress, before a masked shield, books and owl, the base pierced with scrolls and picked out in turquoise and gilt, 36.5cm high, c.1770

A George III South Staffordshire enamel oval patch box, hinged cover inscribed A Trifle from Isle of Wight, on a pink reserve within a shaped border, blue ground and base, mirror to interior, 4cm wide, c.1800

Taxidermy: Bengal Tiger (Panthera tigris tigris), circa 1920-1930, by Van Ingen & Van Ingen, Mysore, India, shoulder mount with head turning slightly to the left, mouth agape in roaring aggressive pose, mounted upon an early Edward Gerrard shield, 51cm from the wall, previously a mounted skin rug, due to deterioration of the skin now mounted as a head mount, guidance has been given by Taxidermy Law UK regarding re-working With German Article 10 CITES licence no.1325/2019 commercial activities licence poor overall condition, left ear broken at the base, replacement antique patch to underside of the neck area, visible stitching to underside of the neck area, upper right fang tip restored, all other teeth remain, guidance has been given regarding the re-working issue by Taxidermy Law UK - we are confident that the restoration has been carried out with antique replacement patch to neck underside, historical maintenance and restoration, 01/07/19

Two pipe smokers penknives and a multi blade Swiss style knife and a leather tobacco patch

A group of German badges including an iron cross, SS flower patch and SS swastika medals.

A tray of small collectables, a silver-plated engine turned hip flask, 10cm, a circular silver patch box cover engraved 1922, hallmarked Birmingham 1921,enamel pill box with gentleman in period costume to cover with green base, brass vesta case with exotic bird to cover, a lorgnette, small monocular telescopic opera glass, two "Rolex Bucherer" tea spoons, four silver coffee spoons, chrome-plated container.

A WWII British army officers named forage cap, with LT Thomas penned inside with unit name scratched out. SAS (special air service) cloth patch to front of hat and Moss Bros maker's label in crown of head, under leather sweat band, paper size label is still present 7

An original M43 1944 dated German Luftwaffe service cap, with Eagle and Swastika patch and clear visible makers stamp inside padded liner

A North Korean military Joseon Dynasty embroidered silk Mandarin Square or Rank Patch having a recumbent leopard / temple lion with cloud decoration along with a Korean wooden carved and polychrome decorated dragon seal ( head missing ). Both items believed to be the effects of a single man.  Measures;  25cm x 23cm.

A silver and guilloche enamel patch box, London import mark for 1923, 56g, 5.5cm, (enamel chipped on the side)

A collection of 19th and 20th Century porcelain and enamel patch boxes, to include two Capodimonte examples, each painted with putti with arcadian landscapes, together with a French porcelain example of shaped arched form painted with floral sprays, and a further 18th Century Bilston enamel patch box with inscription 'We live in hope', damages (4)

A Ercol extending dining table and eight chairs, table approximately 72 cm x 91 cm x 152 cm (extending to 224).Condition: some minor scratches to the surface of the table, arms and legs of the chairs, some water marks to the surface of the table - a patch with a diameter over 20 cm approximately, otherwise condition appears good with no further visible damage.

BILLY'S ORIGINAL JACKET WORN FOR 1ST DEATH CULT PHOTO SHOOT. Also worn during his time with Theatre of Hate. Referencing the photos in which he is wearing the jacket “These were taken on that first Death Cult photo shoot with just me and Ian. The full length shot really shows me taking on the military chic popular in Post ‘Apocalypse Now’ Britain especially in London and for fans of Theatre of Hate. The grey jacket is a British 1960’s helicopter pilot flight jacket which was the same as the one worn by Kirk Brandon (from TOH) though his had a non-authentic but cool British ‘Airborne’ insignia patch”.

A mixed lot including a tortoiseshell purse with yellow and white metal inlay decoration, silver patch pot with blue enamel decoration, miniature leather bound notepad with silver corners etc

Antique guilloche enamel silver patch box, decorated with an heraldic swan and wreath design (small chip to enamel), marked as '900', 'G & S' circa Napoleonic Period

A 19th century Neo Classical tortoiseshell double snuff/patch box, the hinged cover inlaid with an oval patera within a rope twist border, enclosing a mirror with two hinged compartments and a tray, gold marks, approx 6cm long 

A 19th century black enamel mourning patch box, the hinged cover set with a plait of hair within a seed pearl surround, opening to reveal velvet lining and mirror, approx 6cm long

An 18th century navette shaped gold framed mourning pendant, the classical female stands holding a spindle before a monument inscribed 'VIRTUE', the reverse set with hair and gold initials, bright-cut engraved gold frame, approx 3cm x 5cm over loop, unmarked yellow metal tests as approx 15ct goldCondition: good overall, no obvious signs of damage or repair, minor nibble to edge of glass, on the reverse the glass is etched with initials (the image shows a large patch on the reverse, this is just remnants of an old sticker)

Brian Jarvi (American b. 1956). 'Cabbage Patch', oil on board, signed and dated 2005, 26cm x 61cm. PROVENANCE: Purchased from Halcyon Gallery in 2005..

Patrick Collins HRHA (1911-1994)Pony Running Wild on ErrisbegOil on board, 60 x 75cm (23¾ x 29¾)SignedExhibited: Tom Caldwell Gallery, Dublin, solo exhibition; Arts Council of Ireland, 'The Delighted Eye', Catalogue No.13; Sligo Art Gallery, 'Patrick Collins Retrospective', 1985; David Hendriks Gallery, Dublin June 1970, Catalogue No. 1; Cork Arts Society, March 1973, Catalogue No. 28; Belltable Gallery, Limerick, April 1981, Catalogue No. 36.Literature: 'Contemporary Irish Art' by Roderic Knowles, 1982, colour plate p.107; Frances Ruane, 'The Delighted Eye', Arts Councils of Ireland, 1980, illustrated; Frances Ruane, 'Patrick Collins', Arts Councils of Ireland, 1982, pp. 55, 57 (illus), 59, 110.Like most of his works, Ponies Running Wild on Errisbeg was painted from the artist’s memory because he wanted the physical appearance of the subject to give way to his poetic interpretation, distilled over time. The initial subject is the starting point for a semi-abstract composition that is an independent entity with an internal logic and meaning all its own. Ponies, buildings, boundary walls and mountaintop are fragments of the environment that float on the surface. They are nearly abstract, crusty, staccato surface notations set against an unbounded space. Collins is drawn to subdued colours, with edges softened by the diffused light of an overcast Irish day. The dominant earth tones of this painting are electrified by shafts of pink and yellow-green and by a large patch of watery blue that reflects the sky. In true Collins style, light emanates from somewhere deep under the translucent surface. While some shapes are aligned with the perimeter, others seem to be pulled towards an imaginary central magnetic point. This opposition between edge and centre gives the composition a dynamic rotating movement. Collins is a rare artist who has combined a desire to paint something truly indigenous, romantic subjects at the very heart of rural Ireland, with a sophisticated international approach to abstract picture making. Unlike most Irish landscape painters, Collins consciously avoided depicting the picturesque. Rather than ‘landscape’, works like this one are more about ‘the land’, with implicit references to use and ownership. Here we can see in the defined edges of the painting, the familiar boundary walls that define a rural ‘holding’. This ‘frame within a frame’ also serves to separate the scene from the observed world, reminding us that Collins has brought it into the timeless realm of poetic imagination. He takes all the intimate furniture of the landscape, all those walls and sheds, and obscures them with mist and light. They become nearly forgotten images from his memory, lost through time in a lonely and desolate landscape.Dr Frances Ruane HRHA, July 2019

Omega gold plated gentleman's wristwatch, ref. 2271-2, circa 1944, serial no. 10587393, circular silvered dial with Arabic numerals, dot markers, outer minute dot markers and subsidiary seconds, cal. 30T2 15 jewel movement, modern brown leather strap, 35mm (case back at fault) - ** Service receipt and original crown and glass - Condition Report: - Serviced 2013 including new crown and glass. Movement - currently functioning. Dial - marks, some small scratch marks, some discolouration. Glass - replacement glass, light surface marks (original glass part of lot). Hands - light marks and some tarnishing. Case - surface marks, some tarnishing and a worn patch to the case back near the crown. Crown - replacement, adjusting correctly (original crown part of lot) Strap - modern, good. - Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained

WILLIAM MOORCROFT (1872-1945) FOR JAMES MACINTYRE & CO. ‘EIGHTEENTH CENTURY’ TWIN-HANDLED FOOTED painted signature W. MOORCROFT, printed maker’s marks MACINTYRE/ BURSLEM/ ENGLAND, painted mark M2591, 22cm across; and a ‘POPPIES’ TWIN-HANDLED FOOTED BOWL, CIRCA 1908, painted signature W. MOORCROFT, printed maker’s marks MACINTYRE/ BURSLEM/ ENGLAND, 24.5cm across (Qty: (2))Condition report: One with some light rubbing to gilt on rim, the other with large professionally restored patch to one side and to the interior.

WILLIAM MOORCROFT (1872-1945) FOR MOORCROFT POTTERY ‘FISH’ JUG, CIRCA 1930 painted initials W. M. (Dimensions: 20cm high)(20cm high)Condition report: One small professionally restored patch under spout

DOULTON & CO., LAMBETH STONEWARE JARDINIÈRE, DATED 1877 of square form, carved in high relief with stylised foliate roundels, with moulded leaves and berries, covered in blue and green glazes, impressed factory marks, indistinct artist initials (Dimensions: 19cm wide, 17cm high)(19cm wide, 17cm high)Condition report: Small patch of restoration to berries on base of one corner; another group with a few touch ups

WILLIAM MOORCROFT (1872-1945) FOR JAMES MACINTYRE & CO. TALL ‘PANSY’ BALUSTER VASE, CIRCA 1918 painted signature W. MOORCROFT, printed maker’s marks MACINTYRE/ BURSLEM/ ENGLAND, painted mark M2571 (Dimensions: 29.5cm high)(29.5cm high)Condition report: Two professionally restored patches to the rim and one patch to the foot rim

WILLIAM MOORCROFT (1872-1945) FOR LIBERTY & CO., LONDON ‘LATE FLORIAN’ PEWTER MOUNTED TAZZA, CIRCA stamped maker’s marks H/ MADE IN ENGLAND/ TUDRIC/ PEWTER/ 01313, 22cm diameter; and a ‘POPPY’ DURA WARE VESTA, CIRCA 1910, printed maker’s marks MACINTYRE/ BURSLEM/ ENGLAND, 7.5cm high (2) (Qty: (2))Condition report: Small professionally restored patch to the rim of the vesta

FRENCH SCHOOL ART DECO MAHOGANY DINING ROOM SUITE, CIRCA 1930 comprising a SET OF SIX CHAIRS, each with horizontally fluted backs above drop-in seats and square tapered legs, 45cm wide, 86cm high, 43cm deep; a DINING TABLE, with rectangular section supports, 164cm long, 76cm high, 106cm deep; a SIDEBOARD, with rectangular marble top above four central drawers flanked by cupboards on a plinth, 196cm wide,101cm high, 50cm deep; a SMALL SIDE TABLE, with single drawer, 51cm wide, 81cm high, 34cm deep; and a DISPLAY CABINET, with marble top over a single door enclosing shelves with a mirrored back, above two drawers on a platform base, 93cm wide, 136cm high, 48cm deep (Qty: (10))Condition report: Suite in original condition Sideboard - marble intact with no cracks, some chippings around the top edge here and there Two middle drawer handles have chips around the edges Base plinth has some missing veneer to the plinth edge on the LH side Otherwise fine with minor nicks marks and surface scratches here and there commensurate with its age and use Assistant cupboard - good overall condition, some scoring and marks to the base Table - Good overall condition - some nicks marks and surface scratches here and there commensurate with its age and use Chairs - generally OK although one chair has some scoring to the top of one of the uprights on the back. Another has a few sharp dents in the same place and another has a repair, also in the same place.All seats recovered in leather and in good order. Nicks, marks and surface scratches here and there commensurate with the age and use of these chairs, one or two slightly loose in their joints Display case - good overall condition with minor nicks marks and surface scratches here and there commensurate with its age and use. Patch of heavy scoring to the plinth at the front.

A tray of Royal Winton chintz teapot, Caughley mask head jug by Coalport, Crown Devon Yorkshireman's Advice tankard, Imari style pot etc CONDITION REPORT: Teapot with minor surface wear to gilding. Small patch on spout where design has not transferred properly. See images.

Antique continental porcelain patchbox, bombe shaped and the hinged cover painted with pair of 18th century figures, the body with puce hatching, blue cross lines mark to base, 5cm wide, antique enamel patch box, oval "A Present from Southampton" (damaged), miniature enamel patch box, circular, blue ground and a brass and enamel circular patch box (4) Condition ReportThe Southampton patch box is very cracked and chipped. The hinge is very loose on the circular one patch box. The hinge comes of the other patch box. See attached images. In regards to the shipping costs, you would need to contact either mjmpost458@gmail.com or info@mbecheltenham.co.uk for a quote.

A varied selection of unboxed dolls, bears and other soft toys including a vintage straw filled bear with hump back, two plastic 'Roddy' dolls, a Golly, a Cabbage Patch doll and a Steiff Teddy Bear.  A small group of vintage toys, some boxed, is also included as part of this lot including a Selcol 'Melody Maker Basket', 'Butch the Dog' with wired mechanical remote controlled features and a Pelham 'Clown' Puppet together with a tinplate Spinning Top and a Merrythought Parrot, both unboxed. (12)

* Olsson (Julius, R.A., 1864-1942). Early Morning, St Ives Harbour, Cornwall, oil on canvas, showing boats at anchor, unsigned, repair patch to verso, 36 x 46cm (14 x 18ins), framed (Qty: 1)NOTESProvenance: Christie's, London, 20th Century British Art, 30 September 1999 (Lot 76)

Six silver small pieces; ring box, prayer book, gondola, boat, match striker and patch box, and hymn book (7).

17th C circa English Civil War period heavy steel armour breast plate, with traces of engraved detail with central panel and further floral scrollwork panels to the side and rope twist edge detail with traces of an original patch repair

An oil on canvas, Horse and rider at speed, signed R Leaglan, 1859 - in a gilt frame, 55x74cm - two patch repairs, otherwise reasonably good

18th Century enamel patch box, of oval form, the lid with depiction of a seated lady with her dog

18th Century enamel patch box, of oval form, the lid with depiction of a lady in a chair surrounded by phrase "Thy Eyes have pow'r to kill or cure"

18th Century Bilston enamel patch box, the lid with a sailor saying goodbye to his loved one near a ship the text with the surrounding text Remember me When this you see, with a flower decorated body, 50mm diameter

An Unteroffizier Kurt Sporl Grenadier Regiment wound badge with eagle to breast patch, a reproduction Iron Cross with box and a penknife

An original vintage Corgi Toys diecast model No. 261 ' James Bond 007 Aston Martin DB5 .' In gold, with silver spoked wheels. Within its original outer box, with original display stand, ejector seat figure (plus spare), cloth patch and secret instructions present. Model appears largely near mint. Stand very good with some crushing and minor tears. Outer box fair with end flap missing. Generally a good example of this classic Corgi Toy.

A Ross Xpres f/1.9 3" Lens, black, serial no. 193912, body, G-VG, elements, VG, some very light cleaning marks and one light patch of ‘haze’ to perimeter of middle group.

A Kinoptik Foyer Apochromat f/2 75mm Lens, black, serial no. 5241, body, G, elements, F-G, small patch of seperation to middle group, some coating marks to front element.

A Rollei Rolleiflex 2.8F TLR Camera, 1966, black, serial no. 2448352, with Carl Zeiss Planar f/2.8 80mm lens, serial no. 4191208, body, VG, shutter working, lens, VG, some small patch of internal fungus, complete with maker's lens hood, filters and Rolleinar 2 B-III, in leather case.

An Exceptionally Fine Powell & Lealand "No. 1" Compound Monocular/Binocular Microscope Outfit, English, dated 1871, signed in script to the top of the bar-limb ‘POWELL & LEALAND, 170 Euston Road, London’, of standard No.1 construction standing on a massive lacquered tripod base with rectangular feet each with cork pads, trunnions to the top supporting the body, with large plano-concave mirror to the base as typically supported on one side at the end of an articulated arm sliding on a collar, above which is the fully mechanical stage with X & Y control via screw and rotation controlled through a crown and gear, with focusing via rack and pinion to the rear, with full circuit stage, silver circular scale and vernier, rotation controlled via a crown and gear mechanism that can be disengaged for quick movement, with large Turrel-type mechanical stage with X-Y control, main course focus to rear of body, bar-limb incorporating fine focus lever mechanism, nose piece with prism blanking plate, limb with threaded boss to accept binocular or monocular tubes, the microscope comes with the following accessories:Accessory box 1Constructed of French polished mahogany with brass hooks to the front this set contains:A 4in objective & can, objective engraved ‘POWELL & LEALAND’. A 1 1/2in objective & can, objective unsigned.A 1/2in Apo A.A. 0.64 objective and can engraved ‘POWELL & LEALAND’.A 2/3in objective & Can, objective and can engraved ‘POWELL & LEALAND’.A 1/10in objective & Can, objective and can engraved ‘POWELL & LEALAND’.A 1/4in Dry N.A 0.94 objective & Can, objective and can engraved ‘POWELL & LEALAND’.A 1/4in Water Imm N.A 1.26 objective & Can, objective and can engraved ‘POWELL & LEALAND’.A 1/6in Oil Imm N.A 1.5 No.3 objective & Can, objective and can engraved ‘POWELL & LEALAND’.A 1/8in Apo N.A 0.98 No.26 objective & Can, objective and can engraved ‘POWELL & LEALAND’.A 1/12in Apo Oil Imm N.A 1.4 No.158 objective & Can, objective and can engraved ‘POWELL & LEALAND’.A 1/16in Oil Imm N.A 1.43 No.17 objective & Can, objective and can engraved ‘POWELL & LEALAND’.A 1/16in Imm objective & Can, objective engraved ‘POWELL & LEALAND’with 1/16 dry Lens in a separate can.A 1/20in Oil Imm N.A 1.26 No.36 objective & Can, objective and can engraved ‘POWELL & LEALAND’.A 1/25in Oil Imm N.A 1.38 No.18 objective & Can, objective and can engraved ‘POWELL & LEALAND’.A substage objective holder.A substage ‘chromatic oil condenser’ engraved ‘POWELL & LEALAND’.Pair of medium power binocular eyepieces.High power eyepiece.High power eyepiece.High power eyepiece.High power eyepiece marked E 0.44”.High power eyepiece marked F 0.25”.Micrometer eyepiece.A vertical illuminator in a can engraved ‘Smith, Beck & Beck, London’ and engraved ‘99’.A vertical illuminator engraved ‘Powell & Lealand, Patent 21’.A sub-stage polariser.A Tourmaline Objective analyser.A set of substage selenites in rotating holders.A Nicol prism analyser.A Tourmaline eyepiece cap.A large polished section of quartz crystal.A set of stage forceps.Accessory box 2Constructed of French polished mahogany with brass hooks to the front this set contains:A substage apochromatic condenser engraved ‘POWELL & LEALAND N.A.1.4’.A set of patch stops in a can for the aforementioned condenser.A substage spot condenser.A substage Wenham-type parabolic condenser.A Substage hemispherical-type illuminator.A Substage mirror.An erector lens.An aluminium ‘bent’ objective changer.An eyepiece Lucida.A cased binocular prism engraved ‘For Low Powers & Opaque Objects’.A cased binocular prism engraved ‘Powell & Lealand No.57 Patent’.A large Ramsden-type eyepiece micrometer engraved ‘ROSS LONDON’.A side reflector.A live box.A fish plate.A Beck-type compressor.An adjustable compressor.Main CabinetConstructed of French polished mahogany with large brass handle, hooks, lock and key, as well as the microscope and two boxes of accessories the cabinet contains;A cased Apertometer Nach ABBE, in a red Moroccan leather covered case signed to the edge ‘c.Zeiss Jena’, with an objective and objective mount, apertometer constructed of glass with paper scale to edge.A cased Beck-type opaque disk rotator outfit, with lift out brass frame containing interchangeable pegs, rotator in the base of the case with fusee chain mechanism, with set of peg forceps in original French polished case.A Sorby-type microspectroscope signed ‘ROSS LONDON’ with rack and pinion focusing, mirror on adjustable arm to side.A large brass condenser base to accept; a large prism for monochromatic light; a large bullseye condenser, a tube support.A monocular body tube.Two eyepiece extension collars.A steel bar for adjusting the microscope.Dimensions: main case height 55cm.Notes:The opaque disk rotator has a coat of arms for ‘Edwin Clark’ with the moto TESTUS IGNE, possibly the engineer Edwin Clarke FRAS (1814-1894) who built the Anderton Boat Lift.The microscope comes with a clipping from the Antiques Trade Gazette from 1976, which claims that this microscope was bought for a then, record sum, of £1500.00 from a sale at T. R. G. Lawrence and son, Crewkerne.

A Leitz Vario-Elmar-R f/3.5 35-70mm Lens, 1985, 3-cam, black, serial no. 3346278, body, VG, element, VG, one tiny fungal patch, with maker's caps.

A Zeiss Ikon Contax IIIa Rangefinder Outfit, 1950-61, chrome, serial no. D90659, with Carl Zeiss Sonnar f/1.5 50mm lens, chrome, serial no. 1442945, body, VG-E, shutter working, lens, G, some internal haze and marks, with Carl Zeiss Planar f/3.5 35mm lens, chrome, serial no. 158303, body, G, elements, G, some light fungus, Zeiss-Opton T Sonnar f/2 85mm lens, chrome, serial no. 658531, body, G-VG, elements, G, some internal issues, and Carl Zeiss Sonnar f/4 135mm lens, chrome, serial no. 1898291, body, VG, elements, VG, single patch of fungus, complete with various accessories and cases (a lot)

A Leica IIIg Rangefinder Camera, 1957, chrome, serial no. 906612, with Leitz Summarit f/1.5 50mm lens, 1953, chrome, serial no. 1098100, body, VG-E, shutter working, slow speeds inaccurate, small patch of vulcanite missing from rear, lens, G, coating marks to front element.

Third Reich RLB / Luftschutz Uniform Insignia, consisting of single collar patch with silver braid to lower section and single black piped shoulder board. Ex Brian L Davis collection. (2 items)

8x WW2 Indian Formation Signs, including cloth and bullion embroidered C.B.I patch, felt 72nd Indian Infantry Brigade, printed 34th Indian corps, woven 33rd Indian division, plus others. Various conditions. (8 items)

Third Reich NSFK Sturmmann Uniform Insignia, being a single collar patch with yellow piped blue grey collar patch with single bullion wire bar. Accompanied by a yellow piped blue grey thin pattern shoulder board. Ex Brian L Davis collection. (2 items)

1945 Dated British Airborne Forces / Paratrooper Beret, maroon cloth beret with tan lining. Beret has leather trim and stitched leather patch covering the side grommets. Interior having remains of the War Department stamp with date letter L (1945). Marks where a cap badge has once been present, possibly Royal Artillery. Overall a very good worn example.

A Dunlop tyre repair outfit no. 3 car size tin, a Dunlop Major patch strip outfit cylindrical tin, in very good condition and two others including Romac.