We found 24353 price guide item(s) matching your search
There are 24353 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
24353 item(s)/page
Lot 263A
A Georgian style fruitwood tea caddy,early 20th century, in the form of an apple, with patinated brass escutcheons, internally foil-lined, 13cm highWith knocks, scratches and marks throughout. To the left of the lock with a patch of rubbings and more pronounced scratches. Scuffing to the base.
Lot 305
A carved oak stool,the concave seat with stylised foliate decoration, on four turned legs, the underside of the seat inscribed 'Oak used by the Saxons in Winchester. A.D. 600, stool A.D. 1888',29cm wide23cm deep33cm hightogether with a carved oak corbel with reformed Gothic decoration, and an 18th century and later table, with a carved edge to the top and carved frieze48cm wide 31cm deep60cm high (3)Stool - surface scratches, knocks, cracks, glue patch repairs to legs and metal bracing to undresideCorbel - surface scratches and knocks and glue repair to one screw holeTable - signs of old repairs and old dormant wood worm (and treatment)
Lot 378
An oak dresser base,18th century, with three drawers, a shaped apron and a pot board,175.5cm wide40.5cm deep79cm highIt does not come with a key.The top has bowed down the middle. When the tape measure is laid flat, the gap is approximately 1cm deep. There is some splitting as a result. The whole is sturdy and does not have any give. The replacement section to the top right-hand corner does not flex.Some of the feet have been replaced or shorted. They are on slight risers. The darker patch is a historic chip and is approximately 2cm wide - please see additional images.No signs of woodworm.
Lot 509
ATTRIBUTED TO JOHN GREENHILL (1649-1676) "Gentleman in white lace stock and yellow jacket" a portrait study, head and shoulders, oil on canvas, unsigned (provenance: Julian Simon Fine Art London 1990) 76 cm x 62.5 cm CONDITION REPORTS Has been re-lined and re-varnished. Has signs of crazing and craquelure throughout. There appears to be a patch to the right hand corner above his head although nothing visible under UV so clearly has had some restoration work as well. Areas of paint show signs of flaking but has been varnished over the top of. Something similar is apparent along his left shoulder line along with the base of the hair and to some areas of his clothing. Frame has some minor losses to the gesso / decoration throughout as well as cracking and wear to the gilding. General wear and tear conducive with age and use. See images for further detail.
Lot 41
A FIRST PERIOD WORCESTER PORCELAIN MANSFIELD PATTERN SPARROW BEAK JUG, c.1765, open crescent mark, 4" high, together with a similar Fence pattern saucer, hatched crescent mark and a Three Flowers pattern tea bowl, hatched crescent mark, and two Derby porcelain figures of a Piping Shepherd, incised No.301, 5 1/2" high, and Shepherdess, patch marks, 6" high (3) (Est. plus 21% premium inc. VAT)Very small slightly discoloured bruise to rim of jug, spout and handle good. Saucer and bowl good. Both figures have losses, repairs/restoration
Lot 72
AN ART NOUVEAU ROYAL DUX BISQUE PORCELAIN FIGURAL VASE, early 20th century, modelled as a scantily draped female standing beside a sinuous baluster vase moulded with a pink lily, pink patch, model number 652, 17 1/2" high (Est. plus 21% premium inc. VAT)Excellent bar minor chipping to head-dress
Lot 55
A George III mahogany line inlaid and crossbanded bureau, the fall front enclosing a fitted interior of pigeonholes, drawers and centred with a small panelled door, above a base of two short and three long drawers, to bracket feet, 110 x 122 x 53cm. CONDITION REPORT Overall solid but used condition, with signs of use throughout, including fading, staining, scuffs, scrapes, splits, patch repairs, etc.
Lot 251
TWO ENAMEL PATCH BOXES, SOUTH STAFFORDSHIRE, EARLY 19TH CENTURY both oval and with pink bases, one painted to the lid with a young lady in a landscape garden setting, perished silvering to interior glass, the other decorated with a memorial scene of lady and a dog beside a pedestal, mirrored interior, 4.7cm long; together with a Chinese enamel pill box and cover, Canton, 19th century, circular, painted with figures in a variety of settings, 3.5cm diameter (3)
Lot 1446
A small group of Royal Worcester miniatures, including a blush ivory mug, loving cup and tyg, each decorated with flowers, a thimble painted by Wilson, signed, with a bird, three baskets and three patch boxes and covers, together with two Worcester bird models (minor restoration and faults).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 167
Edward Armfield (1817-1896)Terriers in a landscapesigned 'E Armfield' l.r., oil on canvas38.5 x 50.5cmoverall: 51 x 64cmStretcher marks, there is craquelure throughout which is starting to lift and would benefit from stabilising. There is a small patch verso corresponding to a small repaired tear to the nearer dog's fur. A further patch to the edge. Not examined under UV light, for a full report please cntact the department.
Lot 231
*Andrew Beer (1862-1954)'Charles', portrait of a racing pigeonsigned 'Andrew Beer' l.r., inscribed with title and further inscribed 'Cheq Badge Cock. NU24. B.P.C. 277. Winner of 1st Ashchurch & 1st Tamworth. 1926. Also 1st Tamworth and this Oil Painting given by Andrew Beer. 5th Rippon & 4th Berwick. also Best Combined Average. 1927. Bristol Premier F.C. Owners. Messrs Dando & Cox.', oil on canvas30.5 x 40.5cm*Artist's Resale Right may apply to this lot.Framed size: 40 x 50cm. Stretcher bars visible along left edge, a patch of retouching upper left edge, a couple of other small areas of retouching, please refer to images.
Lot 28A
English School, 19th centuryPony, cat and terrier in a stablesigned with a monogram l.l., oil on canvas41 x 49cmoverall: 58 x 66cmSurface dirt and craquelure throughout, slight stretcher marks are apparent. There is a patch to the canvas verso corresponding to the horse's flank. No obvious retouching or damage to the recto. Some cockling. Under UV light, there is a small amount of retouching to the straw beneath the dog's front feet.
Lot 30
Thomas Ivester-Lloyd (1873-1942)Heavy horses out to grasssigned 'T. Ivester/Lloyd' l.r., watercolour heightened with white31.5 x 48.5cmFramed size: 54 x 70.5cm. Unexamined out of glazed frame, a little patch of thin paint in sky area, but generally appears to be in good condition and is well-presented.
Lot 34
English School, 19th centuryMounted sportsmen with guns over pointers, a country house beyondoil on canvas46 x 61cmFramed size: 53 x 67.5cm.Some surface dirt to sky area, would benefit from a light clean, a few specks of white paint? to sky and to arm of furthest figure to the left, two specks of paint loss lower centre, canvas a little loose and is coming away from nails at the back, under uv light small patch of retouching to sky, and there is some fluorescing to horses's legs/chest where possibly a bit of retouching but this is not overly clear - please see images. Small losses to frame at corners. This is based on close observation under raking light, and when stood back looking at the work on a wall, in our opinion, these do not overly distract and it remains a pleasing image. Please refer to images for detail.
Lot 46
George Wright (1860-1942)'Gone to Earth'signed 'G. Wright' l.r., oil on canvas56 x 92cmFramed size: 69 x 104cm. The canvas has been lined. There is a just visible fine craquelure in parts and faint stretcher mark to the right edge. There are several tiny abrasions with corresponding paint loss, one to the centre and a tiny one to the lower right, see illustration. The surface is covered with a thick layer of varnish which obscures much of the surface, however, occasional minor restorations are apparent in places, including a spot to the side of the right hand dog, and some strengthening to the edge of the standing rider's coat. With the naked eye in raking light, there are some small areas in places where the varnish looks a little patch, however, there are no significant signs of repaired damages and the paint is not thin. Generally, the work is presented ready to hang in a stable and clean condition, nicely framed in a suitable gilt composition frame.
Lot 134
A 19th century French porcelain patch box with hinged cover, decorated with a courting couple within a landscape, with floral spray decoration to sides, puce mark to base "Lille 1767", 6cm wide, 3.5cm high, another similar heart-shaped box, (restored), three Bilston-type patch boxes, (all damaged), together with a set of miniature brass dominoes in box, each domino 23 x 10mm, (6).
Lot 32
A fine guilloche enamel Victorian serpent bangle, in a fitted case from TR Sachs, Practical Jeweller to the Queen & Royal Family, 22 Hyde Park Place. The guilloche enamel is formed to replicate the effect of scaled skin, over a gold bangle to the underbelly of the snake, which has been tested and is assessed as 18 ct gold. The snake's head features 16 diamonds - 14 rose cut diamonds - and two old mine cut diamonds. The largest of these two is approx 6mm x 5mm, the second is 3.5mm x 4mm approx. The other 14 diamonds range in size from 1mm to 3 mm. The diamonds are set into platinum mounts into the snake's head. There is a panel on one side supporting diamonds and an approx 1.5mm ruby in platinum to represent the eye of the serpent. The bracelet is articulated at five points to allow the snake to be coiled around the wearers wrist.This bracelet is as found. It is in need of some repair. It is missing one diamond, believed to be about 2mm round, and the second platinum eye panel which would have had a futher ruby and three melee diamonds is also missing. One of the points of articluation has a raised pin, which is somewhat prominent. The enamel is in very good condition with the exception of a worn patch close to the rear of the main head panel, which measures about 5mmx 1.5mm.Gross weight 32 grams approx.
Lot 488
four antique babies' items to include a late 19th or early 20th century christening cape in a fine cream wool cloth with soutache and a hand knotted silk floss fringe, along with a late regency or early Victorian dress in cotton with a block print leaf design in purple. This is hand stitched, and finished with inserts of cutwork edged with buttonhole stitch and padded satin stitch, an early 20th century Carrickmacross needle run lace lace bonnet and a late 10s or early 1920s tabard, made from pieces of fine net, whitework embroidery, a needle run lace and a valenciennes style lace stitched together. the cape has some minor moth damage and a raw edge to the larger of the double collar.the dress has a couple of tears and a patch beneath a small hole.
Lot 491
1930s and later clothing to include a CC41 swing jacket in a brown and cream houndstooth, a 1940s novelty print dress in rayon, a 1950s striped dress, a 1940s style linen skirt, a 50s/60s black wool skirt, a 50s/60s white slub skirt, a 40s/50s brown wool cardigan, a 30s/40s panne velvet jacket, a 30s jacket with large lapels in a figured rayon acetate with diamond design, a 1930s art deco clutch in red, a 1940s brown woven scrap bag, a blue cotton 1940s blouse with sunburst darts around the neck, a 50s white nylon blouse, and another with sleeve points and satin trim, plus a mink stole. (qty)brown and white dress has fade and tear at bottom buttonblouses are in good condition, blue looks unworn but is missing a button.wool skirt and cardigan are 'hairy' (looks like the owner had pets, so need a good lint roll)linen skirt is goodvelvet jacket has an open seam under the arm,mink is in good conditionCC41 jacket has patches to the lining and further patches are required. There is a self fabric patch on one arm, and a couple of nibbles.novelty print dress has a well done patch under one arm, and a tiny fray hole at the other
Lot 4
A pair of Chinese Fahua moon vases, Yongle archaic script marks but probably laterOf circular shape with garlic head rims and twin loop handles, decorated with five-clawed dragons amid clouds, picked out in turquoise against a near black ground, 27cm high. (2)There are a few minor firing faults including a firing fracture and dent to the foot rim of one, a small patch of glaze loss to one flower, fine faint crazing overall.
Lot 155
19TH CENTURY ENGLISH SCHOOLSTUDY OF A GREYHOUND 'SLAUGHTER' Oil on canvasUnsigned but titled to collar38 x 48cmThe ebonised and gilt frame 54 x 64cm overallTOGETHER WITHG AN OIL STUDY OF A SPANIEL, 20TH CENTURYOil on canvas39 x 49cmThe ripple moulded ebonised frame 56 x 66cm overallCondition Report: The first with visible patch repair to reverse- some surface cleaning but remaining varnish and surface dirt. In transit, left hand margin with some rubbing to surface.The second relined and possibly restored - looks to be 20th century. Again with some cleaning to surface but with remaining varnish and surface dirt. Both with craquelure and some paint losses to margins.Condition Report Disclaimer
Lot 231
A GEORGE III MAHOGANY TRAYIN THE MANNER OF THOMAS CHIPPENDALE, LATE 18TH CENTURY73cm long, 49cm wideCondition Report: Overall there are knocks, scuffs and abrasions consistent with age and use. The rectangular central panel has bowed so that it does not sit flat. There is a small rectangular patch to this panel and some areas of filler.The border has some chips including to three shaped scroll carved corners; the border with a small pale patch of timber; the mitred joints with some cracks. The reverse with visible fixings, some with later red filler.Please see the additional images for a visual reference of condition.Condition Report Disclaimer
Lot 316
A GEORGE IV GILTWOOD OVERMANTLE WALL MIRROR CIRCA 1825 With verre eglomise panel96.5cm high, 78cm wideTOGETHER WITH A SMALLER GEORGE IV GILTWOOD OVERMANTLE WALL MIRROR CIRCA 1825With verre eglomise panel69cm high, 39cm wide (2) Provenance: Property from the estate of the late Joe Constantine. Condition Report: Larger overmantelThere are some marks, scratches, knocks, chips, splits and abrasions consistent with age and use.There are losses and restorations including a missing sphere to the cornice; the gilding is subdued with a bronze gilt hue; a later wash; the blocks to the base possibly later.The mirror plate is a replacement.Please refer to the additional photographs as a visual reference of condition.Smaller overmantel There are some marks, scratches, knocks, chips, splits and abrasions consistent with age and use.There are substantial losses and restorations including cracks to the verre eglomise panel; the two lower blocks to the base detached with evidence of worm to this area and elsewhere; a patch to the right side; later gilding.Please refer to the additional photographs as a visual reference of condition. Condition Report Disclaimer
Lot 362
A PAIR OF PAINTED LIBRARY OR BED STEPSONE EARLY 19TH CENTURY, THE OTHER 20TH CENTURYThe 19th century steps with a hinged top and sliding commode fittings, the 20th century steps with two hinged side doors to the top sectioneach 72cm high, 43cm wide, 67cm deepProvenance:From the London property of a former Australian Prime MinisterCondition Report: There are some marks, scratches, knocks, chips, splits and abrasions consistent with age and use. Despite the differing dates this is only apparent on close inspection, the paintwork of the same date.The treads inset with leather with painted line borders, the cream/yellow paint with a tinted wash to 'age' the appearance. There are losses and restorations including a patch to the hinged area of the lid; the pull out commode section with evidence of worm; a repaired crack to one tread; split to the commode seat; a taped broken small section to one of the hinged side doors; some brass cappings to the feet with some movement.There is evidence of worm.Please refer to the additional photographs as a visual reference of condition. Condition Report Disclaimer
Lot 454
A ZIEGLER RUGapproximately 212 x 126cmCondition Report: Wear overall consistent with age and use - see images for extent. Old patch repair made to central field. Longest edges have been re-bound at some point but are untidy. they have wear, losses and loose strands. Some fraying and losses to corners. Fringing is short at both ends and has the expected wear, losses and fraying - see images for extent. Surface dirt could benefit from cleaning. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 62
AN ITALIAN CARVED WALNUT STUDIOLO OR WRITING CABINET 16TH CENTURY The fall front opening to an arrangement of small drawers surrounding a central cupboard door opening to three further drawers183cm high, 95cm wide, 50cm deepProvenance: Private Collection, Oxfordshire. A studiolo was particular to Renaissance Italy in the 16th century. It was used in a room known as the 'Studiolo' the intellectual cubby-hole of the house, where the Conoisseur would show and refer to the prizes of his collection. Condition Report: There are some marks, scratches, knocks, chips, splits and abrasions consistent with age and use.There are losses and restorations including a missing tip to the metal coronet escutcheon, with a patch behind; there is no key and the lock is open; the upper interior backboards with a dark wash, the lower interior backboards cream painted; repairs to one foot; later mouldings to the cornice; the fall front cracked and repaired; vacant holes to the hinge area suggesting that there was previous metalwork; later interior blocks and staining; later sections of timber to the interior.There is evidence of worm.Please refer to the additional photographs as a visual reference of condition. Condition Report Disclaimer
Lot 87
A SPANISH WALNUT WRITING OR CENTRE TABLELATE 17TH/EARLY 18TH CENTURY77cm high, 133.5cm wide, 78cm deepCondition Report: There are some marks, scratches, knocks, chips, splits and abrasions consistent with age and use.There are losses and restorations including later staining/some cleaning - the top is generally darker than the base; some marks, stains, filler, patch, splits to the top and elsewhere; later metal fixing to one end of the metal stretcher.The patch to the top is with an inset replacement piece of timber, it is rectangular and 3.5 x 2cm, it is roughly central to an area of cracking This patch has age. The appearance of it could be improved by careful waxing/ colouring by an experierenced restorer but will always be detectable/ visible. The photograph of the patch is amongst the first 5 additional images and is measure above. The filler is to other old areas of loss and damage including cracks and splits, the largest split appears to be circa 28cm long overall There is evidence of worm.Please refer to the additional photographs as a visual reference of condition. Condition Report Disclaimer
Lot 123
gHOSTbOY (British) Sell everything Screen print in colours on hand made paper Signed, titled and numbered 30/200 in pencil with blindstamp 57 x 38 cm (22 x 15 in) Ghostboy is a Bristol based artist. Over the years he has exhibited throughout Bristol including Centrespace in November 2006 with Motorboy and the Tobacco factory with Tapper Patch, Rob Manners, Ben Risk and Tony Romanoff. Many of his works can also be found throughout the streets of Bristol. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 124
gHOSTbOY (British) Cheep Shit Print Screen print in colours on hand made paper Signed, titled and numbered 30/200 in pencil with blindstamp 57 x 38 cm (22 x 15 in) Ghostboy is a Bristol based artist. Over the years he has exhibited throughout Bristol including Centrespace in November 2006 with Motorboy and the Tobacco factory with Tapper Patch, Rob Manners, Ben Risk and Tony Romanoff. Many of his works can also be found throughout the streets of Bristol. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 89
Jan Langley (British, b. 1959)Spheres, 2017Oil on canvas UnsignedFrame122 x 92 cm (48 x 36 in)Jane Langley is a painter, teacher and environmentalist born in 1959. She is the CEO and Founder of the social enterprise company Blue Patch. Blue Patch launched in Herne Hill, London on September 28, 2014. Langley studied at The Royal College of Art, Camberwell, and Chelsea School of Art. She was awarded the Sotheby's Fellowship for Painting in 1991 and was made an Abbey Scholar at the British School of Rome in 1993. In 2008 she was Visiting Fellow, at Goldsmiths, University of London, attached to the Constance Howard Resource and Research Centre in Textiles.This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 2019
NB - Cream Suit is a modern copy.Cream Silk Suit, comprising a long sleeve jacket with patch pockets, collar and button fastening, and long skirt with pleats; similar Cream Silk Jacket with collar and patch pockets; Brown Floral Printed Cotton Dress with net and lace lower sleeves and collar, pleated and tiered skirt (3)Cream silk jacket - rubbing/slubs to the top of the left sleeve, some rubbing and wear overall.Brown printed dress - repair and patch to the back of the neck. Discolouration and wear to the lace and modesty panel.Cream silk suit - a modern copy - condition good.
Lot 2022
Circa 1920-30s Costume, comprising a black satin dress with deep v to the front, applique silk rosette and long sleeves; similar black and white printed cotton dress with net modesty panel; black lace and chiffon sleeveless long bias cut dress and matching jacket; black silk opera coat with cream silk lining and large button fastening with floral silk rosette; black long sleeved lace dress; cream machine lace jacket with scalloped hem and open front; black silk velvet evening jacket with gathered collar and paste set buckle; brown velvet jacket with three buttons near the hem, patch pockets (8)Brown velvet jacket - two stitched repairs to either side of the right hand pocket, holes to the back of the neck on the lining and also to the sleeve holes. Fading and wear to the velvet.Black velvet jacket - the white lining has staining to the armholes and around the back of the neck, slight wear to the velvet.Crochet jacket - a couple of small holes and stitched repairs.Black lace dress - small stitched repair to the front and slight wear.Black dress - later crochet collar to the neck, a thread pull to the front, waist seam open in a couple of areas, wear. Black lace dress and bolero - Bolero has lots of large holes and wear. Smaller holes, fading and wear. Black and white cotton dress - later modesty panel, discolouration to the cotton underneath the silk collar (poss later).Black silk evening coat - silk lining is ripped and slight wear/rubbing to the black silk.
Lot 2047
Assorted 19th Century and Later Costume and Undergarments, comprising a J Scott Kemp Edinburgh black wool jacket with capelet to the shoulders and patch pockets; green checked wool long coat with long sleeves, collar, yellow cotton lining; white linen pinafore with long sleeves and tie to the reverse; white cotton short sleeve dress with hand stitched buttons; five cotton, silk and wool underskirts in blue, black, white and pink, and another skirt with white trims; a blue cotton 1920s under dress (11)
Lot 2052
Early 20th Century Costume, comprising John Wight & Co Edinburgh cream silk jacket with silk faux waistcoat and collar; cream linen full length day robe with short sleeves and printed with flowers; white cotton full length dress with short sleeves, high collar and embroidered with flower heads; white cotton muslin short sleeve drop waist dress with drawn thread work; white cotton pinafore with broderie anglais inserts, collar and short sleeves; three white cotton blouses with embroidered and lace trims; a later pink and white striped wrap day dress with wide collar; peach sleeveless dress with green patch pockets and collar (10)Pink striped dress - some wear and slight discolouration.Peach linen dress - numerous areas of discolouration, some rusting marks to the front and back,Full length short sleeved robe - hole under one arm, couple of buttons missing, fabric waist ties re-stitched.Cream silk jacket - couple of holes to the top of one sleeve, slight wear, coloured silk insertion possibly later?White cotton three quarter sleeve top - rust mark to the cuff and the back of the neck.White cotton long sleeved shirt - slight wear.1920s white drop waist dress - slight wear and v slight discolouration.White cotton full length short sleeve dress - slight wear and several loose threads.White short sleeved pinafore - slight wear.
Lot 2054
Circa 1920s Chinese Silk Pyjama Set, comprising a camisole top with spaghetti straps, patch pockets and love heart appliques, pair of loose fitting trousers with cream silk embroidered insertions to the lower leg and a matching jacket with Nehru collar, all pieces embroidered overallJacket has some loose threads to the shoulder and rub marks on one sleeve. Camisole is missing belt, mark to the bust and slight rubbing. Trousers slight wear and a couple of light brown stains to the cream silk inserts and some loose threads.Camisole approximately 36" bust.
Lot 2055
Circa 1920s Costume, comprising a black silk moire long sleeved jacket, with V-neckline and small collar, pleated waistband/belt, two large frogging fastenings at the centre front of the garment; a silk style black long sleeved dress, piped detailing around the waistband with a large decorative fabric flower; black lace long sleeved longline lace dress with V-neckline; black longline jacket in a woven crepe, with long flared sleeves, patch pockets and an oversized draped collar; black long sleeved Garland Dress in silk type fabric with peplum waist; and a black chiffon dress with light brown lace modesty panel and attached bolero jacket (6) Black short long sleeved dress - Slight signs of overall wear. Behind the armholes at the back of the dress there has been some restitching. No obvious tears/snags. Button fastenings work fine and no label.Black long sleeved silk dress - Slight signs of overall wear. The piping attached to the waistband is loose and hanging in some areas. Small hole in one arm hole but no obvious holes/tears. No fastening and no label.Black long sleeve lace dress - slight overall wear. No obvious damage/holes. No fastenings or labels.Black longline jacket/dress - Slight overall wear. No obvious damage/holes. No fastenings or label.
Lot 2062
Assorted Circa 1930-50s Ladies Day Dresses, Jackets and Coats, comprising a Vicky Johnson woven pink shirt dress with collar and pockets; blue chiffon dress with white flocked leaf design decoration; Morvic Model green floral dress with V-shaped bodice and modesty panel, three quarter length sleeves; navy cotton dress with a red and white striped contrast collar; Philip Kunick pink silk jacket with circular print, padded 'wrigglework' applique to the collar, attached belt; pink and black Chinese style jacket; pink silk fitted jacket with long sleeves, collar and faux pearl buttons to the front; a turquoise taffeta style short sleeve top with collar and button fastening, shaped front and bow detail to the reverse; another in plum colour with short sleeves and green enamel buttons; black silk taffeta jacket with long sleeves, attached belt and bow detailing; black crepe jacket with long sleeves, scalloped edge collar and silk lining; black wool coat with stylised deco triangular pockets, double button fastening to the collar and waist, long sleeves; similar style coat in blue wool with floral appliques to the bust area and fabric tie at the waist,; blue cotton duster coat with wide collar, side pockets and button fastening; Chloe retailed by Elizabeth Arden New York eau de Nil coat with button detailing, collar, patch pockets (15)V Johnson dress - 40" bust, belt missing and slight wear, some discolouration to the shoulders.Blue flocked dress - 42" bust, belt missing, rubbing to the flocking and some wear.Morvic dress - 42" bust, alterations to the fastenings on modesty panel, belt missing, some wear.Blue dress - 40" bust, loose threads and wear to some of the seams and sleeve holes.P Kunick jacket - 40" bust - discolouration to the shoulders and top of sleeves, slight wear overall.Pink silk jacket with faux pearl buttons - 36" bust - discolouration to the shoulders and top of sleeves, small hole to the sleeve, slight wear overall.Pink textured jacket - 40" bust, some colour staining from the toggles and slight wear.Turquoise top - 35" bust, discolouration to the shoulders.Plum top - 38" bust, slight wear.Black silk jacket - 38" bust, slight wear and couple of small marks.Black crepe jacket - 38" bust - slight wear and fading to the shoulders.Black wool coat - 38" bust, slight wear overall.Blue wool coat - 34" bust, fading to the shoulders, very tiny hole to the reverse and some wear.Blue cotton duster coat - 40" bust and slight wear overall.Chloe coat - 38" bust, some areas of brown staining and spotting overall, wear and some holes to the lining.
Lot 2064
Circa 1930-40s Costume, comprising a Hudson's Bay Company navy blue crepe short dress with long sleeves, bow tie neck feature with a pleated skirt, printed overall in a geometric orange and red print; crepe dress with short flounced sleeves, in a baby blue, yellow and green floral print; brown short sleeved long dress with centre front zip fastening, hand painted floral print in red, bronze, scalloped detail to the sleeves; grey knitted jersey long sleeve A-line dress with a white geometric print all over and black bead embellishment in geometric shapes; purple crepe/chiffon fabric dress with V-neckline and long sleeves, bead applique to the arms and centre front of the dress; R&H Grossmark London lilac crepe 3/4 length sleeve dress with pencil style skirt and rounded neckline, beading to the neckline (size 38); emerald green V-neck skater dress with floral beading in green and blue, pleated panels down the front of the dress; floral/paisley printed silk type blouse with five gold central button fastenings with three quarter length sleeves; black midi skirt with floral stitching all over; black crepe midi skirt with swirled stitching detail; black grosgrain type skirt with darts to the front; black long jacket with 3/4 length sleeves, single button detail concealing a press stud fastening, two large patch pockets (12) Navy blue dress - Slight wear overall, some slight snagging of thread in places but overall good condition. Zip works fine.Beige/nude short sleeves dress - Slight wear overall but good condition and zip works fine.Brown hand painted long dress - Slight wear overall but good condition no obvious damage. Some of the paint has slight worn off but overall good condition. Zip works fine.Grey knitted jersey long dress - Slight wear overall but good condition no obvious damage. Zip is fine. Some loose hanging attached thread at waistband where some beads have possibly been attached.Purple crepe/chiffon dress - Slight wear overall. Belt fastening and press studs have some signs of wear and some loose threads. Overall god condition and no stains/holes.Lilac crepe dress - Slight wear overall. Very slight staining under the arm hole. Zip works fine. Overall good condition and no obvious damage.Emerald green crepe dress with embelishment - Slight wear overall. Beading still all in tact and no obvious holes/tears. Concealed zip is stuck and would need replacing.Floral silk type blouse - slight wear overall. No obvious damage and in good condition. No label.Black midi skirt with floral stitching - good condition, slight wear overall but no obvious damage.Black crepe material midi skirt - Slight wear overall. Signs of wear on the waistband as some fabric is loose. No obvious rips or tears and zip is working.Black skirt with darts - SLight wear overall. No obvious damage/tears and fastenings work ok.Black long jacket - slight wear overall. No obvious damage/tears and fastenings work fine.
Lot 2066
Assorted Gentlemen's Utility Clothing, comprising a Scotts navy pinstripe single breasted jacket, a Burtons navy blue single breasted jacket, tweed jacket; Austin Reed white cotton gentleman's shirt, a brown striped flannel shirt printed 'FAULAT, Belfast, GR V1 (crown)' and the initials 'SM'; Pyramid, Britannia and other various cream wool undergarments, two pairs of gentlemen's under shorts bearing the military mark; silk dressing robe; Lancastrian navy blue wool boy's double-breasted jacket with three patch pockets (size 26); two similar black lace up ankle boots one bearing CC41 mark (one box and rail) Gents jackets - wear to all of them, small holes to the back of the collar on the pinstripe. Flannel shirt - some wear, white shirt - hole to the back and very worn.
Loading...-
24353 item(s)/page