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Lot 480
GERMAN VIOLIN, bearing label for Carlo Storioni 1888, probably from Reiger and Fiorini workshop in Munich, length of back 36.5cms (14 1/2in) in figured maple, two piece back of broad curl, ebony tuning pegs, 61cms overall length, in a modern hard carry case. Provenance: private musician north Wales Condition Report: one string missing, varnish worn form edges to back, small patch of varnish loss top right table and upper right bout commensurate with playing action, generally very good playing condition
Lot 2877
Schultertasche "Galliera PM" von Louis Vuitton Schultertasche "Galliera PM" von Louis Vuitton Monogram-Canvas-Muster, helles Leder mit gelben Nähten sowie vergoldete Hardware. Flacher, gerundeter Korpus mit Magnetverschluss sowie verstellbarem Schultergurt. Großes Hauptfach mit zwei kleinen Nebenfächern. Logo-Patch vorne. Herstellerzeichen. Date-Code MI0122. Staubbeutel. Wenig getragen. Taschen-H. 30 cm. 39 cm x 11,5 cm. A vintage "Galleria PM" bag by Louis Vuitton. Dust bag. Manufacturer's mark.
Lot 1377
Royalty interest: A rare and fine horn patch or snuff box, c. 1812, pressed with profile portraits of George III and Queen Charlotte, the crown above, with white metal rims and the interior of the lid polished as a mirror. The box is undated but most likely derives from 1812 the year of the King's jubilee, 4 3/8'' long x 2 5'8'' wide
Lot 158
NO RESERVE Carey (Peter) My Life as a Fake, first edition, signed presentation inscription from the author to Tariq Ali, jacket upper panel with short tear to head and some patch of foxing to foot, light discolouration to spine, Sydney, 2003; True History of the Kelly Gang, first English edition, signed by the author, "Ned Kelly's Australia" map loosely inserted, jacket with light sunning to spine, 2001; Jack Maggs, first English edition, signed presentation inscription from the author, jacket with light creasing to spine ends, 1997, original boards, dust-jackets, excellent or near-fine; and 6 others by the same, 8vo (9)
Lot 339
A Fine And Unusual Austrian .577 (25-Bore) Percussion Ormolu-Mounted Sporting Rifle In Mid-18th Century Fashion From The Armoury Of The Archduke Franz Of AustriaUnsigned, Circa 1840With browned slightly swamped octagonal sighted barrel inlaid with two gold lines at the muzzle and with gold scrollwork around the white-metal fore-sight, the upper flats at the breech en suite, and rifled with seven spiral grooves, blued adjustable back-sight, case-hardened breech chiselled with foliate scrolls and rocailles, tang and flat detented lock decorated en suite, the latter including a hind in a landscape on the tail, dolphin hammer and safety-lever both chiselled with foliage, the latter acting against a roller, highly figured full stock carved in relief with scrolling foliage and rocailles along the fore-stock and chequered grip, the latter framing an eagle on a fallen hind in a mountainous landscape on one side, and with three stags in a wooden landscape behind the cheek-piece, mounts cast and chased in low relief with rocailles and scrollwork framing landscape scenes inhabited by male figures in 18th century costume, all against a finely punched ground and comprising shaped side-plate, butt-plate engraved with foliage, spur trigger-guard, and crowned escutcheon engraved with owner's coat-of-arms between cherub supporters, sliding patch-box cover with a boar hunting scene, fore-end cap, plain gilt ramrod-pipes, adjustable set trigger, sling mounts, original ramrod with gilt tip, and in fine condition throughout retaining virtually all its original gilding 56.2 cm. barrel Footnotes:ProvenanceSotheby's London, Modern Sporting Guns and Firearms; Arms, Armour and Militaria, 8 December 1988, lot 261Archduke Franz of Austria, Knight of the Order of the Golden Fleece and Lieutenant Field Marshal of the Austrian Army was born in Vienna on 7 December 1802. In 1824 he married Princess Sophie of Bavaria, and renounced his rights in 1848 in favour of his son Franz Joseph I. He died in 1878For further information on this lot please visit Bonhams.com
Lot 341
A Fine Viennese .550 (28-Bore) Flintlock Ormolu-Mounted Sporting RifleBy Felix Meier In Wienn, Circa 1720-30With swamped twist octagonal barrel cut with seven grooves, the breech signed in gold capital letters along the top flat and with gold-encrusted symmetrical scrollwork framing a gold figure of a huntress with two hounds below, gilt-brass folding leaf back-sight with pierced and chiselled foliate tang, gilt-brass fore-sight set within gold-encrusted scrollwork, removeable touch-hole, engraved and gilt tang numbered '1', signed flat deeply bevelled lock of shaped outline finely engraved with figures beneath the pan and on the tail, bevelled cock with scrollwork inhabited by a dog and a bird, steel chiselled with foliage, finely figured full stock carved with foliated strapwork in low relief, full mounts cast and chased with symmetrical foliage and strapwork in relief against finely punched grounds (some old wear to gilding), and comprising pierced side-plate (an old replacement) butt-plate with two engraved standing Classical figures, probably Minerva, and with separate pierced finial, spur trigger-guard with a central female portrait bust on the bow and a dog's mask on the finial, pierced and chased apron around the barrel tang involving a beast's head, pierced and chased foliate escutcheon with central female portrait bust and two embracing putti above, sliding patch-box cover with gilt-brass mounts and central prancing horse amid pierced foliage, applied cast and chased gilt-brass caryatid on the toe of the butt, cast and chased fore-end cap and panel along the bottom of the cheek-piece, engraved and gilt faceted ramrod-pipes, adjustable set trigger, original ramrod (incomplete) with later tip, most of the external screws inlaid with gold, and retaining nearly all its original fire-gilt finish 75.6 cm. barrelFootnotes:ProvenanceChristie's London, Important Firearms Arms & Armour, 13 December 1966, lot 224 Arthur Norris Kennard, B.A., F.S.A. (1911-1995), Assistant Master of the Royal Armouries, H.M. Tower of LondonChristie's London, Fine Antique Arms and Armour including the A.N. Kennard Collection, 27 March 1996, lot 121For further information on Meier see Hans Schedelmann, Die Wiener Büchsenmacher und Büchsenschäfter, 1944, pp. 14, 16, pls. 20, 73-76, and Die Großen Büchsenmacher, 1972, pp.203-5 Felix Meier (circa 1672-1739) was in his day the best Viennese court gunmaker. He became a master gunmaker on 30 January 1702, and is well represented in the European public collections. He specialised in barrels of etched damascus twist in the Turkish mannerFor further information on this lot please visit Bonhams.com
Lot 352
An Extremely Rare And Fine 88-Bore Percussion Hand-Rotated Double-Hammer Six-Shot RevolverBy James Purdey, London, 314½ Oxford Street, London, No. 21, Circa 1835With case-hardened barrel cluster bored from the solid, the barrels divided by recessed ribs, three of them engraved with foliage, signed 'Purdey.London' and fitted with silver bead fore-sight, at the centre of the barrels a threaded ramrod with knurled finial, border engraved case-hardened box-lock action and hammers finely decorated with foliate scrollwork, the former with case-hardened flash-shield at the front, the latter each with engraved safety-catch, the lower tang engraved with the number '21', finely chequered figured rounded butt stamped with the number '18', blued border engraved trigger-guard and ovoidal butt-cap each decorated with foliate scrollwork, the latter with hinged circular butt-trap cover stamped 'WT' on the inside, vacant silver escutcheon, and retaining nearly all its original finish: in original lined and fitted mahogany case (keyhole escutcheon missing) with accessories including Sykes brass-mounted powder-flask, case-hardened bullet mould numbered '26', turnscrew and bone patch box of circular section, the interior of the lid with 'visiting card' trade label, the exterior with circular vacant brass escutcheon, London proof marks 8.5 cm. barrels Footnotes:ProvenanceAmbler Collection, Clapham, North YorkshireW. Keith Neal Collection, C125Christie's London, Fine Antique Firearms from the W. Keith Neal Collection, 25 October 2001, lot 160LiteratureW. Keith Neal and D.H.L. Back, British Gunmakers Their Tradecards, Cases and Equipment 1760-1860, 1980, pl. 458Only two such six-shot double-hammer pistols are recorded, the other numbered '26'. The record of Purdey sales does not convey any idea of how many were built, and only one account has been identified that may refer to one of them. 'August 1834 - A 6 barrelled pistol - £12.12.0d.' - a price which affirms its superiority to a standard pepperbox revolverPistol no. 26, until recently in the collection of Edmund Greenwood, is in a relined and incorrectly repartitioned case. It is illustrated in Unsworth, op. cit, pl. 41, and was sold by Wallis & Wallis, Lewes, Sussex, 13 February 2001, lot 122For further information on this lot please visit Bonhams.com
Lot 48
An American Over-And-Under Single-Trigger .450 Bore Percussion Rifle And 20-Bore GunBy Joseph Golcher, Mid-19th CenturyWith sighted barrels retaining some original browning, the top barrel rifled with bright six spiral grooves, case-hardened breech engraved with a foliate scroll on top, long case-hardened tang decorated en suite and with blued circular long range peep-sight folding down against a spring, border engraved case-hardened back-action locks each signed in gothic script and decorated with two pheasants in a landscape, foliate engraved hammers, figured butt with chequered grip, white-metal mounts comprising shaped white-metal patch-box with hinged circular cover, curved butt-plate, and spur trigger-guard with scrolled tang, brass-tipped side-mounted ramrods, probably original, and some original finish 74.3 cm. barrelFor further information on this lot please visit Bonhams.com
Lot 57
A Pair Of Bohemian .577 (25-Bore) Flintlock Ormolu-Mounted Sporting RiflesBy G.E. Peter Of Carlsbad, Early 18th CenturyWith octagonal barrels each rifled with seven grooves and retaining gilt lines and punched and gilt symmetrical foliate decoration at the muzzle and breech, brass fore-sights and gilt-brass folding leaf back-sights, the latter each with chased foliate finial, scroll engraved tangs numbered '1' and '2' respectively, signed flat bevelled locks each chiselled in bas-relief with a stag hunting scene in a wooded landscape involving horsemen, bevelled cocks each with a sportsman and with a sporting trophy on the top jaw, steels each with the figure of a huntress seated in a wooded landscape, moulded figured full stocks (one expertly replaced, minor bruising and old repairs) each with cheek-piece and carved overall with foliate scrolls in low relief, mounts cast and chased in relief with hunting scenes, all framed by baroque scrollwork and against finely punched grounds, comprising shaped side-plates, butt-plates engraved with a stag amid scrolls, spur trigger-guards each with a stag on the finial and a sportsman on the bow, escutcheons each with a female profile bust in an oval surmounted by Diana the Huntress, sliding patch-box-covers (one expertly replaced) each with a boar hunting scene in a landscape, engraved ramrod-pipes, adjustable set triggers, replacement sling loops, horn fore-end caps, horn-tipped ramrods, and most of their fire-gilt finish (2)72.4 cm. barrels Footnotes:ProvenanceSotheby's London, The Visser Collection of Fine, Rare and Important Arms, Part I, 3 July 1990, lot 189Georg Enst Peter is recorded in Carlsbad, Bohemia between 1690 and 1725For further information on this lot please visit Bonhams.com
Lot 66
A Fine 29-Bore (.550) Percussion D.B. Sporting Rifle By Edward Paton, 44 George Street, Perth, Maker to H.R.H. The Late Prince Consort, No. 2329, Circa 1865With re-browned damascus twist sighted barrels with bright bores each rifled for a belted ball, signed in full along the top of the breeches and with matted rib, folding leaf back-sights form '50' to '250' yards, each leaf with central platinum line, border engraved recoloured breeches each with platinum plug and decorated with foliate scrollwork between, case-hardened tang engraved with foliate scrollwork, signed border engraved case-hardened detented flat locks decorated with scrolling foliage, dolphin hammers en suite and each with blued safety-catch (one with some pitting) in front, highly figured half-stock with chequered grip and fore-end, butt (minor repair to toe) with cheek-piece, border engraved steel mounts comprising hinged circular patch-box cover decorated with a stag in a landscape, chequered butt-plate with scrolling foliage on the heel, serial numbered trigger-guard with chequered spur and decorated with a running stag in a landscape on the bow, case-hardened trigger-plate with foliate engraved pineapple-shaped finial, rear ramrod-pipe en suite, vacant silver escutcheon, sling mounts, original brass-mounted ramrod, and retaining most of its blued and case-hardened finish, London proof marks 75 cm. barrels Footnotes:Edward Paton is recorded in Perth and Dundee, Scotland between 1856 and 1885For further information on this lot please visit Bonhams.com
Lot 71
A Brass-Barrelled Flintlock BlunderbussBy Ketland & Co., London, Late 18th CenturyWith two-stage barrel turned and belled at the muzzle, octagonal breech engraved 'London' and stamped with Irish registration number 'D-C 1547' for Dublin City, border engraved tang decorated with foliage, signed border engraved rounded lock (top of cock an old replacement), figured full stock (repaired in front of the lock, patch of old bruising on one side of the butt) inlaid with silver wire scallop shell and scrollwork around the barrel tang, brass mounts comprising cast and chased trophy of arms side-plate and vacant escutcheon, border engraved butt-plate with foliage on the heel tang, trigger-guard with early form of acorn finial and engraved flower-head on the bow, turned brass ramrod-pipes, and later brass-mounted ramrod, private Birmingham proof marks and barrelsmith's mark, probably of Thomas Ketland 36.8 cm. barrelFor further information on this lot please visit Bonhams.com
Lot 91
A Fine Cased 54-Bore Percussion Webley Patent 'Solid-Frame' Double-Action Six-Shot Revolver With Interchangeable .442 Centre-Fire CylinderRetailed By Alexander Henry, Edinburgh, No. 1221, Circa 1865-70Retaining most of its blued, case-hardened and burnished finish, the breech flat on the left stamped 'Webley's Patent' and with winged 'W&S' logo on the right above the bright loading and cartridge extracting rod, and in unfired condition (cylinder with small patch of old pitting): in original oak case (lid escutcheon replaced) fitted and lined in blue baize with full accessories including blued centre-fire cylinder serial numbered '1220', Dixon & Sons powder-flask with bevelled body and in fine condition retaining most of its original finish, brass bullet mould, and turned bone box for spare nipples, London proof marks 14 cm. barrel Footnotes:LiteratureWilliam Chipchase Dowell, The Webley Story..., 1962, pp. 51-52, pl. 27 (d)For two related examples see Wolfgang Berk, William Tranter..., 2008, pp. 150 and 151 (illustrated)For further information on this lot please visit Bonhams.com
Lot 1546
DEAKIN & FRANCIS; a George V hallmarked silver vesta case of rounded rectangular form with engine turned engraved detail, Birmingham 1914, a white metal patch box with mirrored interior and a silver plated tea infuser in the from of a kettle (3).Additional InformationDents and scratches to the vesta but hallmark clear. No apparent marks on the white metal powder box, action closes well, some tarnishing. Heavy wear to the tea infuser.
Lot 706
A Derby Patch Mark figure, of a putto, decked with a chaplet and garland of colourful flowers, standing before a tree trunk, 12cm high, c. 1765, (1); another similar, holding a basket of flowers, 12cm high, c. 1769, (1); a Derby Patch Mark Dessert Gardener, she wears a linen cap, dress and apron, and holds a basket, scroll base with bocage, 12.5cm high, c. 1770, (1); a Derby Patch Mark cartouche-shaped vase, boldly modelled with comic masks, painted with winged insects, scroll base, picked out in turquoise, puce and gilt, 10.5cm high, c. 1760, (1), [4]
Lot 1165
A George III South Staffordshire enamel oval patch box, the hinged cover printed in polychrome with a sailor taking leave of his weeping sweetheart within a gilt and blue border and surrounded by a radiating gilt scale ground of raised beads, enclosing a mirror plate, royal blue base, 6.5cm wide, c. 1800
Lot 11
A light-up replica of Thomas Kane's (John Hurt) spacesuit from Ridley Scott's sci-fi horror film Alien. Kane, executive officer of the USCSS Nostromo, wore his spacesuit to explore LV-426 in response to a mysterious signal emanating from it.This high-quality replica spacesuit was designed on reference to the film-used spacesuits. It is constructed with various layers of padded orange, yellow, and pink silk, cotton, polyester, canvas, netting, and rubber tubing with dense and plated moulded rubber shoulder and neck armour, a chestpiece marked "Kane", and an oxygen tank with a detachable rubber hose and LED lights inset. Also included are a detachable matching fibreglass helmet with faux metal details and multicoloured illuminating lights; a tan cotton and leather headpiece with dense rubber earpads; a thin beige cotton headpiece labeled "R.W. Baker"; a fibreglass and canvas tool belt; fibreglass wrist devices with rubber bracelets inset with battery-powered LED lights; and grey rubber-soled space boots. The suit is marked "L" with a "Sher-Wood 5030 tradition" emblem emblazoned on the chest, features a national patch on the left leg, and comes mounted to a steel display base.This display is in good overall condition with minor tears and other signs of wear throughout, including scuffed fibreglass discoloured blue from age, and cracked rubber on the boots. Dimensions: 203.5 cm x 84 cm x 61 cm (80" x 33" x 24")Contains electronics; see electronics notice in the Buyer's GuideSpecial shipping required; see notice in the Buyer's Guide.Estimate: £4,000 - 6,000 US
Lot 127
A crew jacket from the production of Ridley Scott's sci-fi classic Blade Runner. Satin jackets like these were gifted to crew members who worked on the film.This black The Cloth Tattoo zip-up bomber jacket (size M) is made of satin polyester with a hand-embroidered silver-and-red threaded patch reading "Blade Runner" in both English block and Japanese characters. While satin jackets from this era are frequently heavily faded, this jacket retains its original jet-black colour and exhibits only minor signs of wear. It remains in excellent overall condition.Estimate: £800 - 1,200 Ω
Lot 201
Lenina Huxley's (Sandra Bullock) SAPD shirt from Marco Brambilla's sci-fi action-comedy Demolition Man. Huxley wore her shirt throughout the film while on duty. It is a navy blue button-up shirt with yellow-and-red patches at the neck and epaulette, and an SAPD patch on the breast pocket. Huxley's serial number is embroidered above the badge. An elasticated gusset is attached to the bottom of the shirt, and "Sandra B" is faintly visible handwritten inside the collar. There are some loose threads from production use and age.Estimate: £600 - 800 M
Lot 277
Don "Wardaddy" Collier's (Brad Pitt) tanker jacket from David Ayer's war drama Fury. The US Army sergeant wore his tanker jacket throughout the film as he led a Sherman tank crew on a destructive mission through Nazi Germany.The jacket is made from brown cotton with a woollen lining and knitted, ribbed collar, waistband and cuffs. Division and rank patches decorate both sleeves and a large repair patch adorns the right elbow. Marked as a size 40R, the jacket features two large pockets on the front and a zip fastening. Intentional distressing and stains have been applied all over to produce a battle-worn appearance. The lot exhibits signs of minor wear, including light plucks and a small rip on the top of the right pocket, while sections of the hand-stitching around the patches have become loose.Estimate: £2,000 - 3,000 M
Lot 352
Harrison Ford's autograph, a crew cap and a pair of screening tickets from the production and promotion of Steven Spielberg's action -adventure Raiders of the Lost Ark. The autograph was originally obtained while on location in Tunisia and features a personalised message inscribed to "James" in black ink. Manufactured by The Thinking Cap Co., the cap is made of beige cotton with mesh panels, and a Raiders of the Lost Ark embroidered patch adorns the front. The two yellow card tickets feature details for a special preview screening held at Empire, Leicester Square. Minor fold lines are present on the autograph and one of the tickets. The cap exhibits minimal wear and the lot comes with a letter of authenticity. Dimensions (autograph): 15 cm x 20.5 cm (6" x 8"); (one ticket): 9.5 cm x 17 cm (3 3/4" x 6 3/4")Estimate: £300 - 500 M
Lot 355
A crew cap autographed by Steven Spielberg, a collector's album, a call sheet and a screening ticket from the production and promotion of Steven Spielberg's action adventure Raiders of the Lost Ark. Manufactured by The Thinking Cap Co., the beige cotton cap features mesh panels and a Raiders of the Lost Ark embroidered patch. Its peak is autographed by Spielberg in blue marker. The collector's album comprises 64 pages of behind-the-scenes material; the call sheet is production-used and dated "Tuesday, 5th August, 1980", covering scenes set in the Raven bar; and the ticket is for a special preview screening, which was held at Leicester Square. There are minor signs of wear, including light creases, fold lines from storage and pin holes, on the album cover, and the autograph ink has bled slightly on the cap. Dimensions (album): 27.5 cm x 21 cm x 0.5 cm (10 3/4" x 8 1/4" x 1/4"); (call sheet): 33 cm x 20.5 cm (13" x 8"); (ticket): 9.5 cm x 17 cm (3 3/4" x 6 3/4")Estimate: £800 - 1,200 M
Lot 369
Fredrick Zoller's (Daniel Bruhl) evening Wehrmacht jacket from Quentin Tarantino's black-comedy war film Inglourious Basterds. Zoller wore his evening jacket while persuading Joseph Goebbels (Sylvester Groth) to hold the premiere of Stolz der Nation at Shosanna's (Melanie Laurent) Parisian cinema.Custom-made for the production, the field grey jacket is lined with grey synthetic fabric and features several dark green components embellished with metallic silver-embroidered stripes. The garment is decorated with a German eagle insignia, a commemorative Sniper's Badge, a round Oberschutze rank patch on the left sleeve, and a thin armband with embroidered German text on the lower right sleeve. A handwritten label on the inside of the neckline reads "Zoller, 180-100-8b" in blue ink. The jacket exhibits a light stain on the right sleeve and thread is present on the left breast where medals were previously attached.Estimate: £2,000 - 3,000 M
Lot 395
Milos Columbo's (Topol) blazer from John Glen's Bond movie For Your Eyes Only. Columbo wore his blazer aboard his boat as he and Bond (Roger Moore) met for the first time, and agreed to work together to recover the lost ATAC device. The navy woollen blazer is double breasted, with brass buttons featuring an anchor motif. It has three patch pockets and two inside pockets, one of which features a label for tailor Robbie Stanford, reading "Topol, 20-8-1980, 5922", handwritten in blue pen. The lot is accompanied by a colour still of Columbo wearing his blazer and a letter of authenticity from the film's wardrobe master Tiny Nicholls. The jacket has some very minor staining from age and production use.Estimate: £600 - 800 M
Lot 420
Jojo's (Roman Griffin Davis) screen-matched Wehrmacht jacket from Taika Waititi's wartime comedy-drama Jojo Rabbit. Jojo was given his jacket near the end of the film by Fräulein Rahm (Rebel Wilson) during the Allies' assault on the city, and it was subsequently pulled off him by Captain Klenzendorf (Sam Rockwell) to save Jojo from a firing squad. The jacket matches the one seen on screen through the dirt and markings around the collar and lapel. It features an eagle patch on the right breast and rank patches on the collar. A Hero Collection costumier's label is stitched inside the left breast. The jacket is intentionally distressed and stained with dirt, while a couple of the buttons are a little loose.Estimate: £300 - 500 †Δ
Lot 423
Fraulein Rahm's (Rebel Wilson) uniform from Taika Waititi's World War II comedy-drama Jojo Rabbit. Rahm wore her costume while instructing children at the Hitler Youth camp that Jojo (Roman Griffin Davis) attended. The costume consists of a black jacket and a black skirt. The jacket features a silver eagle on a red patch, which is sewn to the left breast above a resin 1938 Nuremberg Rally medal. A Hero Collection costumier's label is located inside the left breast. The skirt also contains a costumier's label, with an additional label marked "Frau Rahm". The costume is intentionally distressed in places, with the eagle patch dirtied and worn, and there is some loose threading.Estimate: £600 - 800 †Δ
Lot 541
A red miner spacesuit from Peter Hyams' sci-fi film Outland. Spacesuits were worn by the Con-Am 27 workers in various scenes as they mined for titanium on Jupiter's moon Io. Created by Oscar®-winning costume designer John Mollo, the intentionally distressed suit is constructed from red cotton and decorated with quilted sections, a "Burke" name patch, a Con-Am 27 patch and strips of webbing edged with blue piping. Four detailed resin components with faux-silver dressing adorn the front. Accompanying the suit is a helmet consisting of a vacuum-formed plastic shell with affixed non-functioning lights and a clear acrylic visor. The inside is lined with cushioned PVC and is labelled "No. 11". Presented on a custom-made display, the costume shows several dark stains and glue remnants on the left sleeve, while the helmet visor exhibits light scratches. Two cut wires run out of the back of the helmet and the lights on the front-right side and interior are missing. Dimensions (displayed): 38 cm x 57 cm x 202 cm (15" x 22 1/2" x 79 1/2")Contains electronics: see electronics notice in the Buyer's Guide.Special shipping required: see special shipping notice in the Buyer's Guide.Estimate: £4,000 - 6,000 †Δ
Lot 559
Johnny Utah's (Keanu Reeves) prototype FBI badge from Kathryn Bigelow's action thriller Point Break. Utah carried his badge while chasing the bank-robbing "Ex-Presidents", and threw his badge into the sea after letting Bodhi (Patrick Swayze) ride one final wave. This badge was a prototype, and different to the one ultimately seen in the final cut of the film. The metal badge sits in a leather wallet, opposite Utah's FBI ID card. The card features a picture of Utah alongside his name and rank of "Special Agent". The wallet features a small patch of black leather which covers the badge. The item has some scuffing and scratches from production use, most notably on the outside of the wallet. Dimensions (open): 19.5 cm x 9 cm x 0.5 cm (7 3/4" x 3 1/2" x 1/4")Estimate: £1,500 - 2,500 M
Lot 640
A medical Personal Access Display Device (PADD) from the sci-fi television show Star Trek: Voyager. Medical PADDs were used by the Doctor (Robert Picardo) and Kes (Jennifer Lien) while they performed their duties. The PADD is predominantly resin, with a printed display featuring two images of a human spinal column on the left and information fields on the right. The PADD also features four small green stickers and a patch of foil to simulate buttons. On the reverse, "32-2098" is printed on foil.The item has some wear from age and production use, including some scuffs and scratches to the resin. Dimensions: 15.5 cm x 20.5 cm x 1 cm (6" x 8" x 1/4")Estimate: £800 - 1,200 M
Lot 693
An intergalactic passport crew gift, a brass belt buckle, an embroidered patch and a set of stickers from the productions of various Star Wars films. The passport displays a blue fabric cover decorated with a faux-silver "Intergalactic Passport" logo on the front, and printed stamps adorn the pages within. Produced by 20th Century Fox, the solid brass belt buckle shows an X-Wing and TIE Fighter design, and remains in a sealed bag with a paper note. Completing the lot is a "Revenge of the Jedi" Yoda patch and eight "The Star Wars" stickers featuring a Ralph McQuarrie triangular design. The lot exhibits minor wear, including plucks around the patch outline and dirt marks on some stickers, and the buckle has punctured the note and bag. Dimensions (passport): 15.5 cm x 10.5 cm x 0.4 cm (6 1/4" x 4 1/4" x 1/4"); (buckle in bag): 12 cm x 7.5 cm x 1 cm (4 3/4" x 3" x 1/4"); (patch): 13.5 cm x 8 cm (5 1/4" x 3 1/4"); (one sticker): 11.5 cm x 8 cm (4 1/2" x 3 1/4")Estimate: £200 - 300 M
Lot 694
A collection of items from the production of the original Star Wars trilogy. Originally obtained from set decoration assistant Harold Fryer, this lot consists of six behind-the-scenes photographs showing miniature models and part of the Echo Base set; a still autographed by Anthony Daniels; two white Empire Strikes Back crew T-shirts (both size M); a Polaroid featuring the droid R3-A2; a thank-you letter from set decorator Michael Ford; a "Vader in Flames" embroidered crew patch; a cast-and-crew credits programme; an "Empire Day Special" newspaper article; a pair of Empire Strikes Back crew screening tickets; and a screening ticket for a special preview of Return of the Jedi. Several items display discolouration and signs of wear, including small rips on the newspaper and surface wear on the autographed photo. Dimensions (newspaper): 39.5 cm x 30 cm (15 1/2" x 11 3/4"); (programme): 28 cm x 21.5 cm (11" x 8 1/2"); (each still): 25.5 cm x 20.5 cm (10" x 8")Estimate: £300 - 500 M
Lot 696
An autographed crew photo book, two workshop stills and a crew patch from the production of George Lucas'' Star Wars: A New Hope. Gifted to cast and crew members, the book contains 25 black-and-white images, including some rarely seen photographs, and features a triangular sticker designed by Ralph McQuarrie applied to the cover. The back of the final photo page is autographed by Lucas and producer Gary Kurtz. The two behind-the-scenes stills show miniature models of the Millennium Falcon and an X-wing fighter in the ILM workshop. Accompanying the lot is an Empire Strikes Back embroidered patch showing Darth Vader's helmet surrounded by flames. The lot shows signs of age and use, including minor staining, edge wear, discolouration on the stills, and minor water damage within the photo book. Dimensions (book): 20.5 cm x 26 cm x 1 cm (8" x 10 1/4" x 1/2"); (each still): 20.5 cm x 25.5 cm (8" x 10"); (patch): 13 cm x 8.5 cm (5" x 3 1/4")Estimate: £1,500 - 2,500 M
Lot 723
A Vader in flames crew patch prototype from the production of Irvin Kershner's Star Wars: The Empire Strikes Back. While filming in Norway, crew members wore heavy coats featuring various patches.This unused prototype patch known as the "Vader in flames" features Darth Vader's helmet over a fiery bed above the film's logo. It stands out from the final patches in that it does not include the legal trademark line at the bottom and from the Star Wars Fan Club's reproductions in having a thinner white border. The patch is in excellent overall condition with minimal signs of wear. Dimensions: 12.75 cm x 8.25 cm (5" x 3 1/4")Estimate: £500 - 800 Ω
Lot 749
A Blue Harvest crew cap from Richard Marquand's Star Wars: Return of the Jedi. Blue Harvest was a working title used by the production company to divert attention from one of the most anticipated films of all time. Custom made by The Thinking Cap Co., the cap is made of grey cotton and displays an embroidered patch reading "Blue Harvest" in the stylized Star Wars font. A black plastic sizing band is located at the back, and the cap is marked as one size fits all. The lot displays light wear, minor plucks to the stitching on the peak and small patches of yellowing on the white embroidery.Estimate: £400 - 600 M
Lot 769
An art department crew parka from the production of J.J. Abrams' Star Wars: The Rise of Skywalker. The Regatta Great Outdoors parka jacket is made of black polyester, with a zip fastening down the front and a faux-fur trim on the hood. The left breast pocket is decorated with a large embroidered patch featuring an emblem of Kylo Ren's helmet with the text "Star Wars, Episode IX, Art Dept" positioned below. Two different coloured patches are sewn to the top of the sleeves, and the jacket is labelled as a size large. The parka comes with its original tag attached to the zip, and displays some minor marks on the front.Estimate: £400 - 600 †Δ
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