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Fleming (Ian) From Russia, With Love, first edition, original boards, fine and bright, dust-jacket, light browning to spine, spine ends and corners a little chipped, minor creasing to head, light patch of discolouration to foot of lower panel, rubbing to extremities, still an excellent example overall, 8vo, 1957.

Fleming (Ian) Thunderball, first edition, original boards, some light marking to fore-edge, near-fine otherwise, dust-jacket, light rubbing and minor creasing to spine ends and corners, small patch of rubbing to foot of spine, but a remarkably bright, near-fine example overall, 8vo, 1961.

Fleming (Ian) The Man with the Golden Gun, first edition, ink ownership inscription to half-title, original first state boards with golden gun on upper cover, upper cover with patch of discolouration and 2 small bumps to foot but with the gun clean and bright, dust-jacket, very light toning to spine, minor rubbing and light creasing to spine ends and corners, but a near-fine example overall, 8vo, 1965.⁂ The rare first state, discontinued by Cape due to the prohibitive cost of stamping every copy in gilt. Around 940 copies were produced with this binding with the majority sent to Commonwealth countries.

Greene (Graham) The Name of Action, first edition, light scattered spotting to fore-edge, original cloth, light rubbing to tips of spine and corners, first issue dust-jacket priced at 7/6 and with review of The Man Within to lower panel, light browning to spine, head of spine and corners a little chipped, small patch of dampstaining to head of upper panel, but an excellent example overall, 8vo, 1930.⁂ Greene would later disown The Name of Action, making any edition of it published in his lifetime scarce, especially so in the dust-jacket.

Euclid. The Elements of Geometrie, translated by Sir Henry Billingsley, preface by John Dee, first edition in English of the first complete translation, title within fine woodcut border depicting Ptolemy and Strabo, amongst others, folding letter-press table (torn and repaired, without loss), numerous woodcut diagrams including 37 diagrams on 28 pp. with one or more printed overslips, woodcut portrait of John Day above colophon, woodcut historiated or decorative initials and tail-pieces, lacking final blank, title and final 2ff. with neat restorations to blank outer corners, occasional dampstaining, mostly marginal, 2D2 with burn hole to head, 2V2&3 with small patch of soiling partially obscuring text, small rust hold to 2D1, small paper flaws to 2T2&5 with some minor loss to text, modern antique-style calf with original covers laid down, [STC 10560; cf. PMM 25], by John Daye, [1570].⁂ First edition of the first major science book in English. The clear and precise nature of the text coupled with the numerous illustrations ensured this work's continued popularity as a scientific textbook up to the present day. In addition the use of printed slips here (originally printed as six bifolia bound in at the end) mean that this work can lay claim to being the first illustrated popup work in the English language. John Dee's preface is considered by many to be his most important published work. It outlines the practical applications of Euclid's work, lays the foundations for later experimental science and hints at the use of magic and the supernatural in conjunction with the natural. In addition, Dee also contributed further theorems and annotations.

An RPC folding pocket knife along with another folding knife and military patch

PELE: (1940- ) Brazilian Footballer. A retro Brazil gold and green cotton football jersey, with embroidered CBD (Confederação Brasileira de Desportos) emblem patch to left chest and number "10" on back, prominently signed below the number in black felt tip, "Pele". Some very light age wear, about VG  £150-200   

Late 18th/early 19th century turquoise enamelled and gilt metal mounted patch box of oval form, the white ceramic lid transferred en grisaille with a female figure, pony and trap, beneath the legend "A trifle from Yarmouth", 4.5cm x 3.5cm x 2.5cm (cracks, small repair)

Early 19th century small Georgian silver patch box and lid of circular form, the lid reverse painted with a young lady harvester in landscape, maker's mark IT (only) - possibly Joseph Taylor or John Thorpp, 2.5cm diam

PRYSE & REDMAN, LONDONA .550 (BELTED BALL) PERCUSSION SINGLE-SHOT SPORTING-RIFLE, serial no. 6967,circa 1860, with heavy octagonal 30in. damascus barrel, the raised broad flat sighting rib signed 'PRYSE & REDMAN, 230 PICCADILLY, LONDON No. 6967' and engraved with a trophy scale with full width 1in. markers, ivory fore-sight (cracked), rear-sight with three platinum lined flush-folding un-notched leaves and one un-notched standing blade, scroll engraved squared patent breech, scroll engraved long top-tang, border and scroll engraved bar-action lock signed 'PRYSE & REDMAN', en-suite hammer, walnut straight-hand half-stock chequered at the wrist (cracked through and repaired), engraved iron patch-box to right hand side of butt, iron furniture (lower tang cracked through), brass mounted wood ramrod and eyelets for sling. * Please note this item is subject to 5% VAT on the hammer price.

MASSACHUSETTS ARMS CO., USAA .52 PERCUSSION BREECH-LOADING CARBINE, MODEL 'GREENE'S PATENT BRITISH ISSUE', serial no. 656,dated for 1856, with tapering round 18in. barrel, dove-tailed block and blade fore-sight, elevating ladder rear-sight, central section of outer barrel faceted for grip, plain receiver, long plain top-tang marked 'GREENE'S PATENT JUNE 27 1854', back-action lockplate fitted with 'Maynard's' tape priming system and marked 'MASS. ARMS CO. CHICOPEE FALLS USA 1856' a 'VR' crown cypher and 'MAYNARD'S PATENT SEPT 22 1845', plain hammer, walnut butt-stock with iron patch-box and semi-crescent heel-plate, saddle-ring to the trigger-guard tang, large trigger-guard bow with two triggers, the front one unlocking the barrel for loading, ordnance stamps and no provision for fore-end, much original finish remaining.

H. NOCK, LONDONA RARE .650 FLINTLOCK RIFLED VOLUNTEER CARBINE WITH ENCLOSED SCREWLESS LOCK, serial no. 11,circa 1800, with octagonal to round 26in. barrel rifled in the Baker style, applied blade fore-sight, standing notch rear-sight on shaped foot, Baker style bayonet bar at muzzle, the top of the knock-off breech signed 'H. NOCK PATENT', special enclosed screwless lock signed in script 'H. NOCK', a starburst engraved over the retaining hook on the bar, walnut full-stock with brass furniture including patch-box to right hand side of butt, the spur of heel-plate engraved 'No 11', applied leather cheek-piece, stirrup swivels and split ramrod channel with pan-head iron ramrod.

J. HAYTON, GRAHAMSTOWNA FINE 40-BORE (BELTED BALL) PERCUSSION DOUBLE-RIFLE WITH TROPHY RIB AND AUXILIARY SIGHT, serial no. 7767,circa 1860, with heavy etched browned damascus 30in. side by side barrels, the broad matted top-rib signed behind the rear-sight 'JOHN HAYTON GRAHAMS TOWN 7767' within a complex platinum wire border, the section of rib forwards of the rear-sight graduated also in platinum wire in one inch increments for measuring trophies, the sides grooved for an auxiliary ladder sight (included), dove-tailed fore-sight, blued six leaf 'African' rear-sight with platinum lines to each blade and a further standing leaf, none notched, colour-hardened breech-blocks with percussion fences, platinum plugs and full scroll engraving to the rib-end, borderline and scroll engraved colour-hardened long top-tang, border and scroll engraved bar-action colour-hardened locks signed 'J. HAYTON', scroll engraved en-suite hammers, chequered walnut half-stock with large rectangular patch-box to right hand side of butt with scroll engraved hinge and lid, the central portion of lid with a circular panel engraved with a prowling lion, the interior currently containing the auxiliary ladder rear-sight, colour-hardened smooth iron heel-plate with triple-stepped spur engraved with border and scrolls, engraved trigger-guard bow with raised chequered pistol-grip tang, plain etched damascus ramrod thimbles and replacement ramrod, the rifle retaining all its original colour-hardening, the browning darkened, the whole with the appearance of little use and storage marks only.

T. GICQUEL (BORDEAUX)A DE JUSTA-ENGRAVED .270 WIN. ROUND-BODY SINGLE-BARRELLED NON-EJECTOR SPORTING RIFLE, serial no. 12,23 5/8in. nitro monobloc barrel, ramped partially file cut rib (one patch surface pitting) with open sights, ramped bead fore-sight, the breech end mounted with a Zeiss Diavari ZM 2,5-10x48 T* telescopic sight, serial no. 748646, in quickly-detachable mounts, scroll-back round bodied action with hold-open toplever, manual safety, set triggers, double rolled-edge triggerguard, the action and furniture profusely carved in high relief with stylised art deco scrolls on a darkly matted background, intermingled with finely engraved depictions of stag and hind, boar, roe buck and doe, mouflon and ibex, the triggerplate signed 'Da Justa', bright finish, 15 3/4in. highly-figured stock with cheekpiece, engraved skeletal steel pistolgrip-cap and including 5/8in. leather covered recoil pad, the fore-end iron engraved en suite, with Deeley & Edge patent release and horn finial, weight 6lb. 13oz. (unscoped) and 8lb. 11oz. (with scope), in its black leather motor case. S1 - Sold as a Section 1 Firearm under the 1968 Firearms Act

Arthur Cooke, watercolour, Bulldog with an eye patch, signed and dated 1917, 25 x 18cm

An 18th century Bilston enamel patch box.

SWANSEA PORCELAIN PLATE decorated with a spray of colourful wild-flowers and roses to the the interior, the border decorated in gilding and with fine green foliage, 21cms diam Condition Report: no apparent problems, decoration very fresh gilt boarder, very minor wear. Very small worn glaze patch below rose stem. 

Ernest Walbourn (1872-1927) The vegetable patch Signed, oil on canvas, 90cm by 128.5cm See illustration

A George III Burr Elm Bureau, 2nd half 18th century, the fall enclosing a fitted interior of pigeon holes and removeable central drawers, the base with one sham, two short and two long drawers, on later bracket feet, 100cm by 54cm by 107cm. Small splits throughout. Two patch repairs visible to the right side of the fall escutcheon. Small old handle marks visible on all drawer fronts. Bottom two drawers with fine split to drawer fronts. Left hand panel with shrinkage split running from the base up to the middle of the fall front (see image). Opposing side reasonable. Interior in generally good condition, with old scratches above the sliding well. Bracket feet later. 040220

Joseph Paul (1804-1887) - River landscape with church and water-mill, oil on canvas (with patch repairs verso), 101 x 87cm

A SWARC 'Harp Brand' Motor Oils and Greases double sided enamel sign with a small patch of restoration to both sides, 20 x 16".

A Dunlop tyre repair outfit no. 3 car size tin, a Dunlop Major patch strip outfit cylindrical tin, in very good condition and two others including Romac.

An Art Deco figured walnut cocktail cabinet, having typical twin hinged upper compartment enclosing mirrored interior with sundry contents, over twin cupboard doors housing integral shelf over bottle holder compartment, with shaped chrome and ivorine inset handles, h.117.5cm, w.64cm, d.38cm.Approx. 3.5 x 3cm patch repair to veneer to back right corner of top surface.A large area of the front doors with central crazing and surface fading.Scuffed area of approx. 7x1cm to lower left corner near fallfront compartment.Some spots of treated woodworm close to the veneer patch repair, and to front edge of top pane.Small veneer losses to edged extremities.Some fading to surfaces and general age wear throughout.

C W MIDDLETON (BRITISH 19TH/20TH CENTURY) SIR THOMAS Oil on canvas, signed and dated 1896, 41 x 51cm (16 x 20") Inscribed with title on stretcher verso Condition Report:There is an area of retouching within the bottom left quarter section with a corresponding patch verso. Stretcher bar lines are visible on all sides and there are small areas of paint loss within an area in proximity to the top left corner area and along the edge of the canvas, bottom left. The surface appears dirty with discolouration in the varnish.,

CHARLES AUGUSTUS HENRY LUTYENS RA (BRITISH 1829-1915) CLYDESDALE HORSE PRINCE OF WALES 673 Oil on canvas, 63.5 x 76cm (25 x 30") Painted in 1874 for L. Drew Esq Condition Report: There are areas of blooming most noticeable in the left half and top right areas and fine cracking in the pigment most noticeable in the bottom left and right sections of the canvas. There are a number of small areas where retouching appears to have taken place including one where there is a corresponding patch verso located in proximity to the right edge within the top right quarter section.

WW2 British Essex Regt cap badge in plastic maker marked Stanley, ATS cap badge, North Staffs Regt cap badge, Luftwaffe collar gull,  RAF shoulder title, RAF Sweetheart, RAF Button, Hurricane badge in plastic, Rhodesian Air Training Group patch, St John Ambulance Brigade lapel badge, rayon VE Day Union Flag pennant, WW2 OR's Housewife and Washroll both serial numbered 4017059 along with button stick and private purchase steel shaving mirror in pouch, faded screen printed Union Jack, two commemorative badges and cast toy metal musket.

A white metal patch box pendant, the lid with a horse head in enamel and interior mirror

Possibly Charles II silver circular patch box and cover, embossed with a Tudor Rose within a border, maker's mark illegible, probably London, circa 1680, 2.1cm diameter,Similar to lot 952 sold by Lawrences of Crewkerne, 16th January 2018..

TWO ROYAL DOULTON DISNEY'S 101 DALMATIANS FIGURE- PONGO AND PATCH IN BASKET

TWO ENGLISH GLASS PATCH STANDS, LATE 18TH C the shallow saucer bowl engraved with band of flowers and foliage, on knopped stem, 10cm diam and c Good condition

19th century Continental oil on canvas, Continental lake scene, unsigned, 18" x 24", framedNot lined, several very small patch repairs but no sign of overpainting, frame probably original and in good condition

19th century oil on canvas, portrait of a dog, 16" x 12", framedSeveral patch repairs with minor overpainting

Auguste Apelle, oil on canvas, impressionist Continental river scene, signed, 29" x 36", unframedOne small canvas patch repair and several minor paint surface abrasions, generally good

Keller, oil on canvas, still life, signed, 29" x 23.5", unframedSeveral small patch repairs, generally good condition

Early 20th century Canadian School, pair of oils on canvas, unsigned, titled Rapids St Lawrence, 22" x 36", framedOne has a patch repair, paint all very stable, would benefit from a clean

A Royal Worcester porcelain bowl, two patch boxes, Royal Crown Derby miniature urn and pin dish. Largest diameter 22 cm.

Two Staffordshire pottery flat backs, 19th century, a spill vase modelled with a cow and horse at a well and a pair of tan patch Staffordshire spaniels, one seated upon a barrel. 21 cm and 26 cm.

Joseph Paul (1804-1887), oil on canvas of a horse. 47 cm x 59 cm, framed, signed and dated 1840. CONDITION REPORT: Unfortunately the painting does have a tear. This starts just above the horses tail and runs for +/- 2 cm vertically and 8 cm horizontally. It just touches the back of the horse but is principally in the sky. A patch would be required. There are also some minor scuffs and marks to the painting itself. These are not to the actual horse but more to the extremities where the picture has slightly moved in its frame. There are some small scratches and marks just above the frame and between the horses legs. There is minor craquelure. The gilt frame is a little tired. It has been overpainted in places and there are some losses to the gesso.

A ROYAL DUX BISQUE PORCELAIN FIGURE, early 20th century, modelled as a young lady wearing a peak cap, open shirt and trousers, her left arm raised and seated on a scroll, on a shaped base, pink patch mark, printed mark, model no.3373, 7 3/4" high (Est. plus 21% premium inc. VAT)

A ROYAL DUX BISQUE PORCELAIN FIGURE GROUP, early 20th century, modelled by Hempel with "Retour de Chasse", as a young man with a quiver of arrows and two game birds, embracing his female companion, pink patch mark, model 1525, 23" high (Est. plus 21% premium inc. VAT)

JAMES WILLIAM COLE (FL 1849-1882) PORTRAIT OF THE HACKNEY  "COUNTY MEMBER",  signed and dated 1886, oil on canvas, 44 x 59.5cm Small postage stamp size patch verso, faint impression of stretchers showing through, varnish dirty. In good quality gilt cavetto frame with inscribed title block, gilding rubbed

EDWARD HENRY DIEDRICH  NIEMANN (1842-1910) A ROCKY PATH ABOVE A WOODED RIVER VALLEY  signed (Niemann), oil on canvas, 50 x 76cm, unframed Small postage size patch repair extreme left in dark foliage, otherwise unlined; varnish dirty

Vintage dress ring set with an emerald cut pink Kunzite stone bordered by two aquamarine stones in unmarked white metal testing as 18 ct ring size Z, kunzite stone estimated at 9.25 carat . CONDITION. Good shank is slightly oval by design, tiny flake ( less than 1 mm) on facet edge of aqua and tiny patch of rubbing nearer lower claw on kunzite 18 ct gross weight 6.9 grams. Kunxite 11.4 x 10.5 x 9

A Derby fluted lozenge-shaped comport, puce marks and pattern No. 65, painted with a pink rose in the manner of William Billingsley, within salmon coloured border, 32cm wide and a Derby dish, painted roses within a gilt border/Provenance: Anthony Hoyte Collection, Neales, 1st May 2003, lot 31 CONDITION REPORT: Comport -small patch of wear to gilding at 12 oclock, small flat rim chip to underside of rim below glaze which occurred at the time of manufacturer, overall in good order. Dish - some wear and rubbing to gilt rim and gilding, minor surface scratching to glaze.

Twenty-five Sèvres plates, painted with three sprays and a sprig, within a border moulded with flower garlands at intervals, various dates 1758-80/Provenance: Ombersley Court CONDITION REPORT: One plate with a small footrim chip. One plate with two small rim chips. One plate with two small chips to underside of rim. One plate with a significant patch of sanding to the border. One plate with two tiny rim chips. One plate with a hairline crack almost all the way through. Two plates with a flat chip to the front of the rim.

Joseph Thors (Dutch 1835-1884)/Near Abingdon/signed/oil on canvas, 44.5cm x 76.35cm CONDITION REPORT: Small patch to centre right. Painting has been cleaned but not re-lined. Overall in good condition.

Two Worcester fluted circular plates, circa 1765-70, decorated with loose bouquets of flowers, 19cm diameter, together with a later Spode plate similar, circa 1820, a Worcester Blind Earl pattern white scalloped small plate with gilt dentil rim and Spode basket, pattern 2255 CONDITION REPORT: 317 - Spode plate has patch of stained crazing Otherwise generally good.

A Derby desk set, circa 1770, patch marks, painted with figures besides lakes and butterflies and insects, the inkstand surmounted with putti and a goat, comprising a pen tray and cover, an inkpot and cover, a sander and cover and a candlestick, 24cm wide (areas of restoration to the inkstand, inkpots)/see illustration

An ivory/bone child's rattle, 19th century patch pot and various other pieces of of ivory and bone

4x Cabbage patch kids, 1 with box

Motörhead Collection; Collection of 8 Motörhead Records to include Motörhead Big Beat on Pink Vinyl, Motörhead Limited edition complete with patch and Badge, White Label Motörhead Ace of Spades Dance Mix, Wurzel 'Bess', 2 Interview Discs, Motorhead 'On Parole' and Filthy Phil and Fast Eddie 'Naughty old Santas Christmas Classics

A Birmingham silver rectangular ornate patch box. Makers Thomas Hayes and dated 1898. Measures

IN THE MANNER OF ALEXANDER NASMYTHView of a loch and mountains beyondOil on canvas, 82cm x 135cm.Label verso: Doig, Wilson & Wheatley.CONDITION REPORT: The sky is crazed and cracked.  There are bitumen issues to the left side and along with bottom edge.  There is a patch of paint lacking to the right of the central trees.  Patched tot he rear.  Varnish yellowed.  Not viewed under UV.

Meissen style porcelain and gilt white metal patch box, modelled in the form of a lady's head with black masquerade and jeweled eyes, the underside with foliate engraving, bearing blue crossed sword marks to the interior, with suspension loop to top. 5cm long

A pair of Derby porcelain fox and hen candlesticks, circa 1770, each modelled with a seated fox devouring a hapless hen before a broad flowering bocage upon a rococo scroll base, patch marks, 18cm high (at fault), with a rectangular Meissen box and cover with extensive floral encrusting 13.5cm wide and a Meissen oval salt with fine polychrome enamelled birds and insects, 9cm wide (3)

Two antique Georgian enamel patch boxes one reading "My country is dear but liberty is dearer" together with two others.

Quantity of puppets and dolls, to include Cabbage Patch, Bisto Kids, monkey etc (2 boxes)

THIRD REICH GERMAN CROSS CLOTH PATCH, 7cm wide

Three late 18th century enamel patch pots, including 'Love Constitutes the Value' motto example, all a.f. (3)

Medler (Nicolaus) Facilima et exactissima ratio extrahendi radicem quadratam et cubicam... In gratiam studiosae juventutis aedita, title within elaborate woodcut border, with final blank f., the odd spot or patch of light staining, leaves neatly mounted on stubs, modern morocco-backed boards, [Smith, Rara arithmetica, pp.223; Tomash & Williams M79; VD16 M1885] small 8vo, Wittenberg, Veit Creutzer, 1550.⁂ A reprint of the last part of the second edition of Medler's Rudimenta Arithmeticae practicae, also printed in 1550.