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AN EARLY 19TH CENTURY ENAMEL OVAL PATCH BOX, the cover printed with a view of 'Bridgwater', 2" wide, and another, the cover inscribed 'Esteem the Giver' (2)

Edward VII Very Fine Silver & Enamel Oval Shaped Hinged Patch Box, Hallmark Chester 1909. 1.75'' in diameter. Mint Condition.

A Newcastle United signed Beresford shirt (Brown Ale) with 19 signatures, a West Indies signed cricket shirt, with 11 signatures, and an England football shirt signed by Sir Trevor Brooking; and a signed Ray Wilkins No 4 Football jacket, with Taking the Pitch patch. (2)

Special Constabulary Long Service medal EIIR (D) with Long Service, 1969 clasp named to John R. Baker, Thornham Norfolk with The Defence medal and award certificate signed by S. Vamneck Captain and the Constable of Norwich stamped 28 MAR 1946, with four years service chevron patch. Scarce.

A collection of snuff and patch boxes to include horn and ivory example, etc.

STAR WARS CAST / CREW PATCH; An ORIGINAL (not later issue) Star Wars cast and crew ' Empire Strikes Back ' Vader In Flames arm patch. Complete with certificate of authenticity from Prop Masters. Not to be confused with later fan club releases, this is an original patch worn on the set of the Star Wars film.

STAR WARS CAST / CREW PATCH; An ORIGINAL (not reproduction) Star Wars cast and crew ' Revenge Of The Jedi ' arm patch. Complete with certificate of authenticity from Prop Masters. ' Revenge ' was rumoured to be the original working title for 'Return Of The Jedi' and these patches were made too late to adopt the change. Not to be confused with later fan club releases.

A large 1930s Charlotte Rhead for Crown Ducal 'Patch' pattern tankard vase decorated with green banding and yellow and green squares with blue dot borders, printed mark, height 18.5cm

A Victorian mahogany linen press, 19th century, with shaped panelled cupboard doors, on two short and two long drawers, on turned feet, 209cm high x 125cm wide x 55cm deep. CONDITION REPORT: all drawers are lined with loose paper losses of veneers to doors, patch to right door bottom corner some loss to cockbeading to lower drawers, scores to side panels subject to normal wear and tear, one moulding to upper tier needs re-gluing shelves to inside cabinet

A rosewood and brass inlaid wall clock, 19th century, of circular form, the white dial with Roman numeral chapter ring, with fusee movement, pendulum and key, 34cm diameter, together with an aneroid barometer(2) CONDITION REPORT: brass work all present, patch repair to door near hinge, dial has been refreshed, some minor flaking, stamp to back for a restorer Clock wise in fleet

English school, 19th century, a farm stable with a cow, pigs, piglets and ducks, oil on canvas, 42 x 50.5 cm See illustration Condition report Report by RB No history or provenance with the picture. Patch repair (top left hand section), cleaned, some crazing, frame damaged

A Staffordshire pottery figure, Alas poor Yorick!, 27.5 cm high, other figures, groups and pastille burners, a majolica centrepiece, and other items (2 boxes) Condition report Report by NG Yorick figure: right hand broken and missing. Crack in figures right ankle, couple of cracks around figures right ankle. Firing fault to left hand so missing patch of colour. A lot of paint rubbing and loss. Chip to cloak on left sleeve. Title of figure rubbed. Couple of small firing cracks and pox marks from production.

A mahogany cheval dressing mirror, 50 cm wide Condition report Report by NG Frame wobbly and mirror not quite hanging straight because of this. Beading complete. Silver backing to mirror plate discolouring (large patch to top left of plate). Otherwise general knocks and bumps.

An 18th Century oak and mahogany crossbanded dresser The rectangular plank top with a broad mahogany border above a plain frieze and an arrangement of six graduated inlaid cockbeaded drawers each with shape brass plates and swan neck handles, embraced by fluted quarter columns, panelled sides raised upon a moulded plinth and five ogee bracket feet. 87x136x54cms. (illustrated) CONDITION REPORT: The rectangular crossbanded top has a roundel aperture on the left hand, mahogany crossbanded board and the right hand crossbanded border, diameter approx. 1cms and it is approx. 15cms from the back, and the two plank top with some space between the boards, shrinkage, some shrinkage on the front board approx. 33cms and shrinkage on the right hand side near the front approx. 25cms and a circular small hole, crossbanded veneer old possibly some strips may have been replaced, side panels good condition, one shrinkage crack to the top panel approx 14cms, left hand side 2 panels good condition, shrinkage crack to bottom panel full length, back panels good condition, left hand drawer, crossbanding in good condition and cockbeading, handles possibly replaced, top drawer left hand side lock in place, 2nd drawer down lock missing and infilled with timber, patch bottom left hand side bottom drawer measures approx. 9x4cms, right hand top drawer lock plate missing, drawer runners space in between left and right boards been infilled with a new piece of timber, possibly replacement piece of timber on the right hand side measuring approx. 5cms x the full length, 2nd drawer right hand side lock plate missing and infilled. Bottom drawer infilled a piece of timber measuring approx. on the inside 4x5cms and on the exterior infilled triangular shape measures approx. 3x3cms, scratching to reeded fluted quarter columns, ogee bracket feet appear to be original.

A 19th Century inlaid mahogany bowfront side table With a frieze drawer, brass ring handles raised upon tapering legs inlaid with chequering and lyne inlays, 76x82x51cms. CONDITION REPORT: Condition Report Lot 2223 Bow front top ring marks and dark staining patches some scratching and dinting wear to a circular patch near the back approximately 13cm diameter, some fading to the left. Brass handles old with old nut and bolt fixing but possibly replaced traces of roundel marks behind the outer brass handle, good figuring to the frieze drawer, each side good condition, surface scratching to the lower part of the legs, feet scuffing minor, some old worm holes on the back pine board.

Roger Geary (Contemporary) Sporting Life signed, dated 79, oil on canvas, 75cm x 60cm Condition Report: Generally ok, patch to back repairing a hole, so some re-touching to pheasants head

A pair of turquoise opaline glass patch or ring stands, gilded rim lining to bases, 10cm diameter (2)

A circular patch box the hinged cover decorated with a gallant and his companion in landscape, he playing a flute, the body fluted with flower heads and leafage, 4 cm diameter (extensive faults); a French enamel heart shaped box the hinged lid with travellers, one on a horse, the body with flower heads and leafage within pink line and foliate borders, the base with painted mark Lille 1767, 8 cm wide max., 19th Century (2)

A late Victorian hallmarked silver and enamel ladies snuff box Of circular form of patch box of circular form depicting a exotic bird perching, produced by Sampson & Mordan London 1883, diameter 3cm. CONDITION REPORT: Some scratching to silver, some scratching to enamel, otherwise in good condition, see images.

A Chinese bronze censer, Xuande character mark (1425-1435), 19th Century Of typical bombe form, raised from a splayed base and terminating at an everted upper rim, either side of the body flanked by twin cast dragon handles, the scrolling tails applied to the sides of the body, with allover good polished patination, cast character mark to base, 12.5cm high, 15.5cm diam. CONDITION REPORT: Extensive patination wear and darkening to the interior. Small chip/loss to the footrim, approx 0.5cm in size. Extensive scratching/patination to the exterior. Large repair to the side, approx 4cm x 3cm in size, this area now as a patched area, small secondary patch, approx 1cm x 1cm in size.

Four Royal Doulton porcelain Disney 101 Dalmation models, Pongo DN6, Perdita DN7, Lucky DM8, Patch in Basket DN9

A Third Reich Tank Destroyer badge in blackened brass or bronze, on black edged silver patch. GC

A German Waffen SS “Sahariana” style summer tunic, of sand coloured heavy cotton fabric, with grey cotton SS runes collar patch and black rank patch with single pip, sand coloured braid around collar, sand coloured SS pattern arm eagle on left arm and special Waffen SS pattern edelweis badge on right arm, slip on black shoulder straps with pale blue edging and sand coloured braid. VGC

A German Waffen SS M1943 Artillery man’s tunic, made from captured Italian material, with grey cotton SS runes collar patch and plain black rank patch, red piped black shoulder straps and SS pattern arm eagle, the rayon lining with BW-SS maker’s stamp and size stamp. GC (old repair to lining)

A Chinese tea bowl and saucer, a patch box and an enamel pill box

Circle of Nicholas Johannes Roosenboom (1805-1880) Dutch Frozen river landscape with figures unloading a boat before a windmill Indistinctly signed, oil on canvas, 51.5cm by 83cm In fully restored condition. Re-lined, cleaned and re-varnished. Relatively isolated delicate re-touching to cracquelure which is more contained to the upper right hand corner. Diagonal patch of overpainting in upper left hand corner. Small re-touch to roof of windmill and right hand side edge. Medium to large spaced cracquelure across the surface which is essentially stable.

Mixed lot to include; small silver dish, silver plated berry spoon, patch box and cufflinks etc

A large collection of assorted Mattel Cabbage Patch Kids dolls

DU MAURIER DAPHNE: (1907-1989) British Author. T.L.S., Daphne, four pages, 8vo, Menabilly, 27th March 1961, to 'My dear' (Foy Quiller-Couch). Du Maurier announces 'I am so happy..To have you approve was the whole object of the exercise. We must now wait for Mr. Bozman's report. I expect he will write to both of us' and continues to state 'Yes, that Assize versus Quarter Sessions was a terrible headache. I had it all written out Assizes to start with, and then something Michael Graham said over the telephone made me think I had got it wrong, and I put it to Quarter Sessions, which anyway fitted in well with the high September tide. I put the hyperthetical (sic) question to Michael Graham on the telephone, and he said the man would have a preliminary hearing before a magistrate, and if the magistrate was not very satisfied he would send him to Quarter Sessions. Then, if the Quarter Sessions magistrates found him guilty of Manslaughter he would be sent to the Assizes. It need not take much altering, but it is vital to get the thing right. I don't know who to ask. Do you? I don't know why I have to make things so complicated for myself! If it wasn't tricky enough having Amyot French anyway, let alone getting him involved with The Law. It would be more dramatic to have him at Assizes - it sounds worse - but then it would have to be October (not that that would matter)….' Du Maurier further writes 'I am glad the book is to be dedicated to the Santos. I hope they won't be offended at what I have done with them and the children, or there will be some fearful “goings below“ on my part. What a good thing I did not make any of them do anything frightful! I do so hope you laughed at “On no account hash ham“ It just had to be put in! No, I don't suppose it would be peach-fed. But it was Spanish, wasn't it? Wasn't that the reason the meat looked like venison? I can't think now how it was your Father got it in the first place. Was it from Fortnum's?' She also refers to a proposed visit by the literary agent Spencer Curtis Brown, 'You will find him unprepossessing to look at, and rather nervous. Keeps puffing at cigarettes and laughs unnecessarily, and is often very tactless, I find, but I feel rather sorry for him, and on the whole I think he knows his business. But he's not a patch on the old man, and probably knows it, and I have heard that the firm is nothing like so good as it was once. However, I don't know another agent personally, and they have never, to my knowledge, done anything really against one's interests - all these firms are commercial before anything else. I suppose they have to be'. Du Maurier concludes her letter by referring to her husband, Frederick Browning, and their son, Kits, who had wished to invite four 'very honky friends' but is now only bringing one, a former Etonian, remarking 'I was going red in the face at the thought of the T.V. friends round the dining-room table. They call everyone “dear“ and “love“ and I had visions of the Guardsman's face staring steadily at his plate…..G'sman is at times like Papa Bronte. Doctor Luther told him he should take more exercise, go in the woods and hack at undergrowth. My dear..G'sman very offended. And I have noticed ever since he walks as though he had heart trouble, and coming up from Prid stops every few yards and gasps. He has always hated hacking at undergrowth, so I suspect that this is his form of protest, that he is not fit!' A letter of good content, not least for its discussion of her novel Castle Dor. A couple of small sellotape stains to the head of the pages, only very slightly affecting two words of text and not the signature. Otherwise VG Foy Quiller-Couch - daughter of British writer Arthur Quiller-Couch (1863-1944), and a life-long friend of Du Maurier. Indeed, Du Maurier was accompanied by Foy Quiller-Couch when she became inspired with the storyline for her novel Jamaica Inn. In 1930, apparently around the time of the present letter, the two ladies were staying at Jamaica Inn and went riding on Bodmin Moor. They became lost in bad weather conditions and apparently sheltered for some time in a derelict cottage on the moor but were eventually led back to Jamaica Inn by their horses. Castle Dor is a historical novel by Daphne Du Maurier, published in 1961. The story is based around the legend of Tristan and Iseult, but set in 19th century Cornwall. The main characters are a Breton onion seller, Amyot Trestane, and the newly wed Linnet Lewarne.

ALDRIN BUZZ: (1930- ) American Astronaut, Lunar Module Pilot of Apollo XI (1969). The second man to walk on the moon. Blue ink signature ('Buzz Aldrin') on an oblong 12mo slip of paper, with the printed caption 'Buzz Aldrin Walked on the Moom July 20, 1969' at the head, double matted in black and white alongside a souvenir Apollo XI mission patch and medallion and a colour 15.5 x 11.5 photograph of Aldrin standing on the moon in his white spacesuit. Framed and glazed in a silver coloured frame to an overall size of 27 x 17. VG

APOLLO XVII: Signed and inscribed colour 10 x 8 photograph by the three crew members of Apollo XVII individually, comprising Gene Cernan (1934- , Commander, the eleventh man to walk on the moon), Ron Evans (1933-1990, Command Module Pilot) and Harrison Schmitt (1935- , Lunar Module Pilot, the twelfth person to walk on the moon), the original NASA image depicting the three crew members wearing their spacesuits and standing and seated in full length poses alongside a lunar roving vehicle and with a rocket prepared for launch in the background. With an inset image of the Apollo XVII patch. Signed by each of the astronauts in black inks, largely to clear areas of the image, and inscribed ‘To Ruth Shaw, with our sincere best wishes, the Apollo XVII crew’ and dated 24th January 1973, in Cernan’s hand. Some surface creasing and a neat cut to the left edge of the image, not affecting the signatures. FR

Patton's personal gift of a Third Army patch to his last correspondent [PATTON GEORGE S.]: (1885-1945) American General of World War II. A folio hardbound scrapbook compiled by Mary Jane Krieger of Pennsylvania and dedicated to her hero, General George S. Patton, with whom she regularly corresponded during World War II, the first page featuring an original circular blue red and white embroidered patch of the United States Third Army, evidently personally sent by Patton to Krieger, the scrapbook further containing numerous newspaper clippings, images and articles (largely dated 1945-46) relating to Patton and his service during World War II, with headlines including Patton Demands Spit and Polish, 750,000 Cheer Patton in Boston etc., also covering his car crash and subsequent short time in hospital before his death on 22nd December 1945, also including a number of original 8 x 10 press photographs of Patton, some showing him with other military leaders including Dwight Eisenhower, Omar Bradley and B. L. Montgomery, and further including two T.Ls.S. by Lt. Sue Lynch, Patton's secretary, the first one page, 4to, Headquarters Fifteenth US Army, 10th January 1946, to Mary Jane Krieger, stating, in full, 'Mrs. Patton has asked me to thank you for your cable and many letters addressed to the General during his illness and to tell you that she deeply appreciates your thoughtfulness. I should like to tell you that the General always enjoyed your letters immensely and was particularly pleased with the book of poems you sent him at Christmas' and in a holograph postscript, signed with her initials SL, remarking 'I hope you will like the enclosed poem which has just been sent me from a Californian paper', the poem still present, entitled Farewell to General Patton by Joseph Auslander; and the second, one page, 4to, Munich, 19th June 1946, to Mary Jane Krieger, on the printed stationery of Headquarters II Constabulary Brigade, thanking her for an Easter card and commenting on having visited Oberammergau, remarking that it was 'pleasant to leave this badly bombed city for a few hours in such a pastoral atmosphere'. Both letters are loosely inserted into the scrapbook and are accompanied by the original envelopes. Most of the news clippings and photographs are attached to the pages by selloptape at the corners and many pages bear dates and brief ink annotations in Krieger's hand. Some overall age wear and the edges of most pages with small areas of paper loss. Generally G Mary Jane Krieger (d.1982) American Telephone Operator who corresponded with Patton during World War II. Indeed, Martin Blumenson states in The Patton Papers 1940-1945 that Krieger was one of the last four people to whom Patton wrote a letter, on 8th December 1945, before his untimely death.

A continental Silver Patch Pot with porcelain lid, hand painted with floral bouquet.

GEORGE ARMFIELD (1810-1893) "Spaniels putting up Mallard from rivers edge", oil on canvas, 46 cm x 61 cm (Provenance : Christie's Lot No. 159, Sale No. 427) CONDITION REPORTS Under ultra-violet light appears very cloudy throughout suggesting re-varnishing, also appears to have had some touch-up paint and restoration including a repair/patch to the left of the sky and also to the left margin in the sky, various other areas of touch-up paint to the sky and to the left of the centre tree and to the dog and grass areas, some craqueleur, appears to have been re-lined. Frame with various splits and chips, and some areas of loss, and appears to have been re-painted.

Huxley (Aldous) - Brave New World, patch of browning to foot, shelf-lean, spine lightly faded, spine end and corners a little bumped, 1932 § Fleming (Ian) On Her Majesty's Secret Service, ink ownership inscription, dust-jacket, spine browned, some chipping and creasing to head and foot, 1963, first editions, original cloth or boards ; and 4 others, modern first editions, 8vo (6)

19/20th Century Oil on Canvas after Raphael’s Madonna della Sedia (1513-14). Carved and Gilt Wood Frame. Unsigned. Old Repair (patch with In-painting) Otherwise Good Condition. Measures 16 Inches by 16 Inches, Frame Measures 24 Inches by 24 Inches. Shipping $225.00

Great Britain - Telegraphs : (SG T18) 1876 £5 orange, DH, slight fading patch at upper right, LIVERPOOL/EXCHANGE cds's and heavy boxed TMB/GPO cancel, g.u. Scarce. Cat £2800 (image available)

A George III tortoiseshell patch or pill box, c.1800

Khotan carpet, east Turkestan, 19th century, 10ft. 3in. x 5ft. 8in. 3.12m. x 1.73m. Overall wear, heavy in places; overall fading as is typical of these weavings; small crude patch verso; losses to ends. Note the multi-colour Yun Tsai T'ou inner border. For a similar inner border see Rippon Boswell, Antique Chinese Carpets, Masterpieces from the Te-Chun Wang Collection, pp. 80-81; pl. 36.

Khamseh 'morghi' rug, Fars, south west Persia, early 20th century, 6ft. 7in. x 5ft. 2in. 2.01m. x 1.58m. Some wear in places; repair/reweave to area in top borders and hessian patch glued verso top left side; losses to ends.

Good Afshar rug, Kerman area, south west Persia, late 19th century, 8ft. 11in. x 4ft. 11in. 2.72m. x 1.50m. Overall even wear. Note the narrow-stripe kelim ends. An attractive rug of good colour.  NOTE: There is an inserted flatweave patch in top part, on the right side, of the lower half of the dark blue field.

Afshar long rug, Kerman area, south west Persia, circa 1920s, 9ft. 2in. x 4ft. 10in. 2.80m. x 1.47m. Long repaired crease mark to lower end; 'bite' to lower right corner; losses to lower end, stabilizing patch glued centre verso.

Qum silk rug, south central Persia, mid-20th century, 4ft. 2in. x 2ft. 7in. 1.27m. x 0.79m. Small damage to centre with patch verso; small nick to left selvedge and slight loss to ends.

Group of four Chinese porcelain items to include three vases and one jug all depicting figures in landscapes together with a French enamelled patch or trinket box painted with courting couple and floral sprays, the base painted Liloe 1767. (5) CONDITION REPORT: Baluster jug - loss to gilding, small repair to lip Both cylinder vases - chips to both lips Baluster vase - appears ok, but some fritting/chips to base Cylinder vase - 7.5” Other Cylinder vase - 8” Baluster vase - 8” Baluster jug - 4.5”

A Mixed Lot including a Continental white metal oval Patch Box with mirrored interior, gilt cartouche to lid, 40mm x 30mm, stamped ",900", together with an Old English pattern Silver Salt Spoon, Sheffield 1896 and a mother-of-pearl cased Folding Fruit Knife with silver blade, Sheffield 1904 (3) 40-50

A George III silver patch box, by Samuel Pemberton, Birmingham 1810, circular form, engraved foliate decoration, diameter 2.2cm, approx. weight 0.1oz.

Nazi WW2 War Merit Cross 2nd class (without swords), Reichsadler Badge, WW2 Triple Chevron badge, Nazi black & red should patch and armband, Deutiche Wehrmacht Armband & whistle, basic utility belt, helmet crest and whip

A C19th gilt framed oil on canvas still life tazza of fruit. Condition Report. To be used as a guide only. Y shaped tear to the top with a patch verso. Craqualure. Wear and chipping to the frame.

A collection of Cindy dolls, Patch and other clothes and accessories, to include an MG sports car; grey pony, guitar in box, etc (qty)

Token, 18thC: Norwich Barracks Halfpenny 1793, D&H Norfolk 46, toned EF, a small darker patch obv. Comes with an old ticket.

RAF Escape 'AM' marked whistle and an RAF air sea rescue patch.

A 19th century Bilston enamel patch box, the lid inscribed 'Have communion with few, be familiar with one, deal justly with all, speak evil of none' to a turquoise base, with mirror to interior, af, diameter 1.75ins

Halcyon Days, various patch boxes etc.

A Chanel grey checked boucle jacket. with lime and white checked pattern, with white, grey and lime raised flower trim, three silver shop facade buttons, two buttons to cuff, two sealed flap pockets, size European 40Dimensions: Condition reportIn very good overall condition. Together with a patch of spare material and two spare buttons. With Chanel hanger

Pedigree unboxed Paul Sindys Boyfriend, Sindys sister Patch,Ideal Tammy doll, dolls are fair to good condition, Sindy Catalogue, plus a quantity of clothes including Pauls, from seaside outfit, red demin slashed neck jacket, sandals, red beach towel and camera, from London Look, black suit jacket and trousers, blue linen shirt, Chelsea boots and socks, casual jacket and other items, all in good condition

Commemorative penknife and patch for World Trade Center 9/11.

A Victorian patch box, as an owl head, with glass eyes

Late 18th Century Bilston enamel patch box, with the text 'Should I inconstant ever prove, despise me more that I now Love' with pale blue ribbed base, mirror to the interior lid, 45mm diameter, 25mm high

AN 18TH CENTURY DERBY LORD ADMIRAL RODNEY MASK JUG, baluster shaped with scroll handle, painted with birds and fruit and foliage, patch marks.

A late George III silver three piece teaset, London 1809 by Thomas Wallis & Jonathan Hayne, comprising of teapot, sugar bowl and cream jug, each with gadrooned rim, bellied trunk, ball feet and vine leaf decoration with monogram, 32toz (3) CONDITION REPORT: Lot 182 - Teapot: Minor dents, patch to inside. Cream Jug: bottom of handle has been re-soldered. Sugar: Signs of repair to bowl by right handle. All three have wear to decoration from polishing.