We found 24353 price guide item(s) matching your search

Job lot ceramics incl. patch boxes: desk tidy, razor etc - A tray lot.

Follower of Alfred de Breanski (1852-1928) - The old mill at Brora Sutherland, oil on canvas, 49 x 78.5cm. Inscribed to stretcher. Eight small patch repairs verso, with small areas of overpaint to obverse. Paint good and stable, no crazing or breaking out. Would benefit from a light clean. Frame with minor losses to extremities.

A silver patch box, a small silver frame, a pair of duck form salt and peppers and a small white metal bird, etc.

A George III Bilston enamel patch box, the cover with sentimental quote 'May charms like thine, be still my lot, and love like mine be ne'er forgot', above a pink base and mirrored interior, 4cm wide (at fault) CONDITION REPORT: The top with many cracks throughout, with some chips and grazes, largest chip to the top left corner. The base with cracks inside and out, four chips of varying size - one of which is a slight dent which has pushed inwards just under the metal rim and caused a chip on the inside. The mirror to the inside with age wear tarnishing.

A collection of three patch boxes, to include an enamelled example, the cover depicting a lone boy beside a river, 6cm wide, a further enamelled example depicting a Chinoiserie scene (restored) 5.2cm wide and a circular porcelain example depicting a Victorian couple (3)

Antonio Zoli & Co 8 bore percussion muzzle loading black powder shotgun, 33" barrel, lock engraved with an eagle and with brass trigger guard, patch box and butt plate, 13 3/4" stock. Serial No. 22739. SHOTGUN CERTIFICATE REQUIRED

BC Wood American percussion rifle, 30" hexagonal barrel with 6 groove rifling, top of barrel marked "B.C. Wood P. Post N.Y.", the plain lock also marked "B.C. Wood. P. Post. N.Y." (painted post New York), with ornate brass trigger guard, the stock with inset patch box and brass butt plate. Overall length 46 1/2". NO LICENCE REQUIRED

Pedersoli reproduction black powder flintlock musket, calibre .45, with 35" hexagonal barrel, 13 1/2" stock with brass butt plate and patch box. Serial No. 021044. SHOTGUN LICENCE REQUIRED

Pedersoli reproduction black powder flintlock musket, calibre .45, with 35" hexagonal barrel, 13 1/2" stock with brass butt plate and patch box. Serial No. 021044. SHOTGUN LICENCE REQUIRED

A mixed lot of works of art, to include a carved sandalwood letter knife; an Ottoman papier mache scribe's box; a Georgian enamel patch box; two pocket compasses etc.

A wooden solitaire board with 32 glass red/white patch type marbles 16 mm, board 19.5 mm.

A 9ct gold charm bracelet with quirky and mainly hallmarked charms, the rose gold curb link bracelet, London hallmarks for 9ct gold,1926, and every link stamped '9 .375', to a padlock catch stamped '9ct', and suspending four enamelled charms - an articulated pirate with patch, peg leg, pistol and parrot, an articulated matador and bull, a mounted St George fighting the dragon, and a poodle's head with lever to make its tongue stick out and eyes roll - and two folded bank notes (10/- and £1) in glazed boxes marked 'In emergency, break glass'; hallmarks all London, 9ct gold, variously 1956, 1958 and 1963; length of bracelet approximately 18cm, gross weight 57g

Royal Winton Grimwades Hasel chintz pattern breakfast set on standCONDITION REPORT:Base of the jug is very rough.Toast rack is crazed and a small chip to the jug. There is also a rough patch to the teapot interior besides that generally appears in fair condition. 

DERBY PATCH MARK CANDLESTICK, late 18th century, modelled as two cherubs by a tree, two baskets on the ground, incised N 8, height 20cm; together with a Derby musician playing bagpipes, height 18cm; a lady gardener standing with a watering can by a spring, incised and painted marks, height 14cm; and a Derby Musician, with gilt decoration, playing a recorder and tambourine, iron red painted mark, height 20cm (4)

DERBY PATCH MARK FIGURE OF JOHN WILKES, late 18th cetury, standing next to a column inscribed Jn. Wilkes, Esq, with scrolls inscribed Bill of Rights and Magna Carta, on a scrolling base, height 32cm

DERBY PATCH MARK FIGURE OF A GARDENER, late 18th century, before bocage and with a watering can on the ground, height 22.5cm; together with a similar figure of a lady holding a pilgrims flask, height 26cm (2)

A 20th century patch work bed throw, being brown in colour, fabric border, having contrasting patches of different patten, on a woven fabric base floral patterning. Measures: 172cm high x 140cm wide.

Great Britain - QV (surface printed) : (SG 137) 1867-83 £5 orange, BI, centred to bottom, small faint tone patch at bottom, heavy vertical gum crease, l.m.m. Attractive. Cat £14500 (image available)

Postcards, Military, WW2, a selection of 12 cards inc. Allies, Portuguese British Embassy Propaganda card, Churchill (3), Allied Generals Cartoon Caricatures 1944-45 (8) inc. Montgomery, Eisenhower, Patch, Hodges etc (gd/vg)

An 18th century Bilston enamel patch box "Fair maid approve this pledge of love", 1 1/2" dia (mirror no silvering and wear) and a similar box "This love alone for love I ask", 1 3/4" wide (cracks and wear)

19th century papier mache snuff box of circular cushion form, the top with coloured engraved figural scene, 9cm diameter, together with Georgian ivory patch box, ivory ointment box, ivory note book, silvered figure of a hound

Six pieces of Royal Worcester bone china, comprising - small vase painted with pheasants by James Stinton, 1920, 3.25ins high, small plate painted with pheasants by James Stinton, with royal blue gilt rim, 1928, 6ins diameter, small shouldered vase painted with fruit by A. Schuck, 1939, 4ins high, a small vase painted by George Cole with still lifes of fruit and flowers on a green ground, 1908, 2.75ins high, a vase and cover painted with garden flowers, circa 1908, 4.75ins high, and a modern limited edition patch box painted by D. Fuller with fruit

A GEORGE III CIRCULAR PATCH BOX with pricked borders and a portrait on the cover (behind glass), maker's mark only, by Joseph Taylor of Birmingham, c.1795 and an antique hair pin with chain; the box 1" (2.5 cms) diameter; 0.7 oz (2)

8 BAD TASTE BEARS BARRY, RINGTON TUG, MEL, PRESTON, PATCH, JASON AND KIRK ALL BOXED AND APPEAR VGC FROM A PRIVATE COLLECTION

A Guns N Roses 'Chinese Democracy' CD box set complete with two T Shirts, belt buckle, sew on patch and other inserts.

A Chinese silk patch and a Persian painted silk panel Condition Report: Available upon request

Pair of early 20th century hand painted Royal Worcester patch pots, each depicting a bird together with another, similar (3)

Miscellaneous items including cased geometry set; cased Meerschaum pipe; bull cigar cutter; telescope; enamel patch pot (a.f.); two carved cheroot holders; four miniature brass candlesticks and other items (26)

A tray of mixed small collectables including soapstone, reproduction patch-boxes, Nao clown, lizard claw brooch ETC Condition reports provided on request by email for this auction otherwise items purchased `as seen`

Box of assorted collectables to include Tissot, Seiko and other gents wristwatches together with Bilston and Battersea enamel patch boxes, cased hat pin, cuff links and horse design bar brooch Condition reports provided on request by email for this auction otherwise items purchased `as seen`

A silver gilt pill/patch pot with yellow and blue enamel decoration to lid

A 19th Century Derby dish together with other items of ceramics and glassware to include patch boxes

A quantity of continental porcelain to include patch boxes, a pin tray and a Dresden plate (4)

An 18thC Derby porcelain rococo vase, decorated with two rural landscapes, with patch mark, c1765, 12.5cm H.

***Section 2 Shotgun licence required*** AYA; a No.3 12 bore side by side boxlock double trigger non ejector shotgun, 26" barrels chambered for 2 3/4" cartridge, fitted with smooth concave rib. Cased hardened action mounted on chequered walnut stock, in home made fitted breakdown case. SN: 528059Additional InformationOverall very good condition, minor patch repairs to barrel finish and minor marks to woodwork commensurate with age. Length of pull: 15" (inc. recoil pad), choked @ 1/4 &1/4.

A Japanese earthenware Satsuma bun form pot and cover, early 20th century, painted with maple boughs in iron red, green and ochre, enriched with gilt, 3 5/8in. (9.2cm.) diameter., *Condition: Small patch of browned discolouration to earthenware body to inside of cover rim and minor browning to a patch of glaze to centre of underside of the cover. There is an iron red signature rectangle to the base but no signature. No other faults.

English School (first half 19th century), Portrait of a young girl, full length, with her dog, oil on canvas, laid onto board, 34 x 26in. (86.5 x 66cm.), *Condition: Canvas has been laid down onto hardboard. Multiple areas of retouching and repainting visible under UV, mst notably to skirt and bodice of dress, neck, above left shoulder and a large patch above dog. Other smaller retouches and strengthening elsewhere. Some is obvious to the naked eye. Extensive craquelure visible to surface around upper right and right margin.

17th / 18th century English School, Portrait of Christ in profile, inscribed with verse beneath, 'When by Christes pictuer thou at any tyme dost passe. the pictuer worshipe not but him for whom it pictured was. nor god nor man this image is: which thou dost present see. yt whom this blessed image showes. both god and man as he. for god is that which image showes. for yt my god it is. he hold this ferme but worship that, thy mind beholde me this', oil on oak panel, in modern burr wood frame with gilt slip, 12¼ x 9 1/8in. (31 x 23.2cm.), * This depiction of Christ in profile is taken from an image engraved on the Emerald Vernicle, once part of in the Vatican collection. The emerald, which no longer exists (it is believed to have disappeared with the sacking of Rome in 1527), appears in recorded history when Sultan Bajazid II gave it to Pope Innocent VIII in the 15th century., *Examined under UV. Extensive spotted retouching visible throughout. Minor strenghtening visible to front edge of hair, eye and beard. Small patch of dulled varnish centre lower margin. Has clearly been cleaned, restored and revarnished. Paint appears quite thin in places. Monogram painted verso.

Sydney Harpley, R.A. (British, 1927-1992), Standing female nude, ink and wash on card, signed 'Harpley' lower left, 21¾ x 13¾in. (55.25 x 35cm.), * Provenance: With Studio Eighteen, Jersey, *Condition: Several red-brown spot marks to surface of card to right hand upper and lower corners and two others to upper part of figure. Small patch of light toning to paper to upper left corner, light mount burn to upper right and card lightly time stained overall. Damp damage to mount at lower right. Signature appears slightly faded.

English School (mid-19th century), Lake landscape with fishermen on a boat and country house distant, oil on canvas, in period gilt and composition frame, 15¼ x 20¼in. (38.75 x 51.5cm.), *Condition: Poor overall and requires cleaning and restoration. Large canvas patch verso repairing a large L shaped tear to centre sky. Another smaller canvas patched repair to a hole to the right of this tear. Other retouching visible in places under UV. Extensive craquelure. Some moderate bitmenisation to dark paint at lower right. Losses and overpainting to frame.

Anthony Levett-Prinsep (British, 1908-1983), Harbour scene at night, gouache and pencil on board, signed 'Prinsep' lower right, original gilt and painted frame, 16 x 20¼in. (40.5 x 51.5cm.), *Condition: Not examined out of frame. Significant craquelure and flaking to paint to grey/white reflections of buildings to centre of panel, blues to top right corner, a patch above the blue roofs at top centre and to centre left margin. Some craquelure also visible to yellow and light blue buildings towards upper right.

A Victorian silver punch bowl, Goldsmiths & Silversmiths Co., London 1892, of bun urn form, with slightly flared upstanding rim and rope twist and foliate collars, the spreading pedestal foot with flowerhead border, 9½in. (24.2cm.) diameter, 7¼in. (18.5cm.) high, weight 36.8 tr.oz.; together with a modern silver punch ladle, S. J. Rose & Son, Birmingham 1975. (2), *Condition: Bowl - marks very slightly rubbed through polishing but remain clearly legible. A few small dings and one patch of tiny dings (which is probably a dent which was hammered out). The ladle is in good condition, but lacks the silver terminal to handle.

An antique Chinese silver and enamel circular patch box and cover, probably 19th century, worked in polychrome enamels and raised silver wires, the cover with two Buddhistic lions chasing a flaming pearl, the enamel is lapis blue, turquoise, dark red and yellow on an ivory ground, the sides of the full depth cover with dark green and midnight blue diaper work, the base with two character mark, 2in. (5.1cm.) diameter., *Condition: Crazing and small losses from edges to ivory ground on cover and the edge of the ivory ground is discoloured to amber/brown. A few small dents to edge of cover and seam to side of lid is split. Some losses from green 'leaves' on sides of cover, mainly to upper and lower edges. Mark to base clear.

A good 19th century French ormolu, porcelain and white marble drum clock, the white 5in. dial with black Roman numerals, fronting an eight day twin train movement, no. 22339, striking the hours/half hours on a bell, in a fluted drum case with foliate and floral swagged plinth with central Sevres style plaque with floral bouquet, the moulded serpentine white marble base with gadrooned toupie feet, 11 1/8in. (28.25cm.) high, on a serpentine giltwood and red velvet stand and later ebonised base with glass dome., *Condition:In fine, restored condition. Winds and runs, strikes correctly. Dial excellent. A few tiny nicks to lower edge of marble. Small patch of verdigris tarnish to centre bottom of back panel on clock. A few rubs to edges of giltwood stand. Velvet faded and has some wear. With later key.

A good set of four French portrait miniatures of Napoleon Bonaparte's Generals, 19th century, oval, finely painted in watercolour on ivory, the generals resplendent in full ceremonial uniform, each signed with the initials 'G.S.', 5.8 x 4.7cm., within white metal frames with foliate engraving and laurel wreath surmounts, the backs with inscribed moulded vulcanite plaques naming the general, 'General Mouton', 'General Solignac', 'General Rapp' and 'General Songis'. (4), *Condition:Colours strong and appear to be in very original condition. Each of the miniatures has some very fine pale spotting to the surface when viewed through a 10x lens - it is not visible when viewed by eye. We are not sure if this is on the surface of the miniature or on the underside of the glass - the miniatures have not been removed from the frames so we cannot confirm. General Solignac has a faint, small patch to the paint to the top centre above the hair which is possibly a contact mark with the paint or varnish when originally painted and still wet - it is barely visible except under close examination. One of the vulcanite backs has shrunk a little and there are some glue spots around the edge suggesting it has been secured with glue at some time. Frames very good - they have not been cleaned or polished.

A 19th century Calvert style ivory chess set, red stained and natural, well turned, the king 10.3cm. high, the pawns 4.3cm. high. (complete); together with a 19th century mahogany cased travelling chess set with red stained and natural ivory pieces, the board 9¼in. (23.5cm.) square; and a 19th century Chinese export chinoiserie lacquered folding chess / backgammon board. (3), *Condition:- Chess set: One white bishop with small chip to mitre. Old glue to threaded joint below one white knight's head. Red queen - worn patch to red stain to ball to top. Two chips to turning on red king. A few tiny frits to collars on pawns. Red pieces have a few rubs and tiny scratches to stained colour. One red knight has heavier wear to detail on head., - Travelling chess set: Very good. Complete. Some rubbing to polish around holes on board squares from placing of pieces during play. Dark spirit stain to wood to border of board in one corner. Exterior has some light scratches and scuffs to surface., - Chinese board: Fair condition - heavy wear to lacquer to exterior and chips/flakes to edges. Interior has some gilt wear and large crack across lacquer to one side. Lacks catch to keep closed.

Napoleon interest - a Chinese Canton carved ivory patch box, the domed cover depicting and inscribed 'Napoleon's Tomb', the sides carved with houses in a wooded landscape, the base with a flower, 1 3/8in. (3.5cm.) diameter.* Condition: Small crack to edge of cover and two small chips to top edge of carved section of cover. Small crack to edge of base.

******* A George III LADLE (without handle)  NOT PAPBOAT as stated in the  catalogue ******with lobed sides and scalloped rim, hallmarks struck to the underside of lip, London 1775, length 8.5 cm, weight 22 g / 0.73 ozt approx. together with two George III silver patch boxes, one round plain engraved with initials, Samuel Pemberton, Birmingham 1796, diameter 3 cm, the other of lozenge form with bright cut Greek Key style decoration, Joseph Taylor, Birmingham 1805, length 3.5 cm, combined weight 19 g / 0.61 ozt approx (3)CONDITION:marks good, general condition good, 1805 patchbox with hinge slightly loose 

A pair of Derby patch mark figural candlesticks, circa 1760-65, modelled as shepherd and shepherdess musicians before boccage, incised numbers, Number 2 size, 22 cms high [2]

A Derby porcelain candelabrum, circa 1760-65, modelled as a shepherdess with lute and lamb, on Rococo scroll base, twin branch, twin branch, highlighted in turquoise, patch marks. 

A Derby porcelain figural candleabrum, circa 1760-65 modelled as a man reclining on a balustrade, with dog and boccage, patch marks, 25cms high. 

An 18th Century Bilston type enamel oval patch box, circa 1780, the cover with an overpainted transfer of figures in a classical landscape, width 7cm, a smaller enamel patch box with a comical image of a couple with a dog and another enamel patch box decorated with a cherub within a jewelled border (s.d/restorations) (3)

An 18th Century Bilston enamel oval patch box, circa 1780, the cover with motto 'A Trifle from Weymouth', mirrored inner cover, width 4cm (s.d)

A Bilston enamel 18th Century patch box with black and white swagged urn to top and polychrome floral sprigs to sides, mirrored inside top.

Military interest - WW2 Medals including ribbon bars, patch and miniature medal.

A George V silver patch box, of circular form with removable mirrored lid and vacant cartouche, London 1921, 4.5cm Dia., 1oz.

An Elizabeth II Silver Jubilee dish, by the Cooper brothers, designed by Peter Lamby, of circular form, with central engraved section, Birmingham 1977, 9cm Dia., and various other silver, Jubilee patch box, a campana shaped vase, silver topped jar, 6½oz all in. (a quantity)

Three glass water jugs, a glass vase, a quantity of patch pots, a mug and a Lladro putti 

A set of three needlework samplers, comprising 'English Flower Garden', 'English Herb Garden', and 'The Vegetable Patch', each 31.5 cm x 25.5 cm, framed and glazed (3)

Bilston enamel patch box 'A Trifle From Salisbury', octagonal glass stand with white metal overlay, pair silver sugar tongs, flatware and miscellanea in one box Condition Report Click here for further images, condition, auction times & delivery costs