We found 48836 price guide item(s) matching your search

GOLDSMITHS & SILVERSMITHS COMPANY LTD; a George V hallmarked silver hip flask of slightly curved form with screw action cover, engraved 'John April 7th '35', London 1912, height 12.5cm, approx. 3.9ozt/122g. Condition Report: Free from any dents. Surface tarnishing and toning, the hinged screw action and cork stopper are working well, of good gauge, no give at all in the body.

THREE BOXED HALCYON DAYS PORCELAIN BIRDS AND ANIMAL, comprising a seated Cheetah scent flask with 9ct gold collar and stopper, height 7cm and two seals in the form of a Kingfisher and Grouse with silver gilt mounts and hardstone matrix, height approx. 4.4cm and smaller (3 + 3 boxes) (Condition Report: all items are in good condition, the stopper is loose in the neck of the flask)

Ingersoul Midget, Travel Ben, Kienzle, Other - A mixed lot to include clocks, display case (45 1/2 cm (l) x 35 1/2 cm (h) x 5 cm (w), music box, metal whiskey flask, and similar - Lot also includes post cards - Items appear in good condition. (This does not constitute a guarantee)

WW2 British Army Thermos Flask. Makers mark and dated 1943 to the base with broad arrow, approximately 25 cm (h). [SW]

A Chinese export moon flask enamel decorated with birds and flowers within a further famille rose border, height 36cmIn good condition and appears free from cracks, chips or restoration.

Three boxes of mixed effects to include majolica style jardiniere, stoneware powder flask (a/f), sundry glassware, stoneware bottles, terracotta items etc

French WWI deactivated 37mm model 1885 shell, manufactured by Poudreries de Paris in January 1917, marked to the base "PDPs 314.1.17 / 37-85" and with a flaming bomb symbol, H.16.7cm overall; brass 20mm shell case marked "K.1941 20mm", H.10.8cm, (dent at opening); copper powder flask with embossed shell decoration, marked "Sykes", L.12cm; copper cylindrical vase? engraved with floral decoration and "Bethune July 14th 1918", H.28cm; quantity of cigarette cards, pair of brass candlesticks, H.22cm; inkwell, Dia.17.5cm, and 5 other items. (a lot)

Brass mounted copper powder flask with embossed decoration, by J W Hawksley, L.20.5cm; leather powder flask, by Bartram and Co., L.23cm overall; brass mounted horn powder flask, L.16cm approx.; hunting horn, and 2 cartridge reloaders. (6)

A Chinese blue and white moon flask.

A Chinese moon flask decorated with a dragon.

A copper champagne ice-bucket, two leather cased three-flask spirit sets, cast iron 'cockerel' doorstop, two ornate brass table easels, spurs, terracotta pig, 78rpm gramophone records, etc (box)

A small quantity of militaria including framed painted silhouette on glass of Wellington, military 1944 MkII T.G Co Ltd, London compass in a brown leather case marked M.Harvey & Co. Ltd, Walsall 1936, mini brass flask, badges, etc.

A quantity of oriental china including ginger jar decorated with warriors (four character mark to the base), a hexagonal flask with prunus decoration, Imari tea caddy (missing Lids) etc, most items with some damage and wear.

Various English Indian and Continental silver, including novelty pencil, scent flask, trinket boxes etcLot sold as seen unless specific item(s) requested

Antique Chinese brass flask decorated with dragons, engraved and pierced tray, soapstone carvings, etc.

A Chinese white metal powder flask, Hung Chong & Co mark to base, 10cms tall

A studio pottery vase with mottled blue ground, 29cms tall together with another similar moon flask vase and a terracotta vase

A Ulysse Blois Faience bowl of shaped form together with a Faience moon flask and a similar jug vase

Brougham Reform Cordial stoneware flask, modelled as Lord Brougham holding a scroll, approximately 18 cm (h).

An early 20th century leather clad, chrome plated Thermos flask, No 4421 contained in leather case initialled M.A. [W]

A mixed lot of collectables to include pocket watch, cigarette lighter, hip flask, cufflinks, decanter label and other. [W]

A Victorian leather-covered and pewter-mounted glass hip flask and beaker, 13.5 cm, together with a rattan-bound pocket flask with spring-stopper

A Victorian white metal mounted horn saddle flask,

A 1950s electroplate hip flask, bearing engine turned decoration, 11.5 cm

An early 20th Century glass and hide spirit flask, having a slip-fit silver plated cup, together with a set of three toddies, (a/f), flask 15.5 cm tall

Two pewter hip flasks relating to golf together with another similar flask

A 19th century pepper box six shot percussion revolver with rotating barrel, engraved side plates and hammer, two piece grip in a mahogany box with powder flask and other tools - overall length of revolver 20cm

Two Terracotta pot wine-coolers and a large 'Robert Frederick' hip flask.

A child's playpen, skate board, basket, old thermos flask, cushion covers, etc.

Plated hip flask, boxed, pair of crown Derby Imari saucers, Danby Mint Border Terrier and other items

Property from the Marie-Louise von Motesiczky Charitable Trust, LondonMARIE-LOUISE VON MOTESICZKY (1906-1996)Still-life, pink roses and brushesoil and charcoal on canvas, unframed 50.7 x 76.1 cmPainted c. 1948LITERATURE: I. Schlenker, Marie-Louise von Motesiczky 1906-1996, A Catalogue Raisonné of the Paintings, New York, 2009, p. 190 no. 84.In this relatively large-scale still life, according to Schlenker painted around 1948, Motesiczky presents the objects very close to the picture plane, lending them an almost monumental quality. In the centre of the composition are two large oval objects: a plate holding a delicate pink rose and a flask decorated with an orange bird. This central arrangement is framed by two groups of tall brushes in glass containers, the left one so close to the viewer that only the tops are visible. Lush pink roses are scattered around the composition, with two more blue flowers providing a colourful highlight on the left-hand side. Selected Works from the Marie-Louise von Motesiczky Charitable Trust Motesiczky’s expressive and very painterly style had been formed before the Second World War, in large part influenced and encouraged by Max Beckmann. On first being introduced to Beckmann in 1920 she recalled: ‘A winged creature from Mars could not have made a greater impact on me’. Once in Britain it was Oskar Kokoschka, a family friend from Vienna now similarly exiled, who helped champion her work. Thereafter, and very much on a personal level, it was the writer Elias Canetti (1905-1994) a fellow émigré who exercised a major influence over her artistic output. Marie-Louise von Motesiczky grew up with her parents and her brother Karl in central Vienna. Her mother Henriette came from an illustrious Viennese Jewish banking dynasty. Her maternal grandfather, Leopold von Lieben, was President of the Stock Exchange; her grandmother, Anna, one of Freud’s early patients. She counted the Todescos, and Ephrussis among her family circle, and she, her mother and her brother Karl spent their summers at Villa Todesco in Hinterbrühl, south west of the capital. But over time family tragedy, financial difficulties and the rise of Nazi Germany took their toll. Marie-Louise’s father died at the end of 1909 and after the First World War her mother’s considerable inheritance gradually diminished through high taxation, poor investments, and the financial crash of 1929. Then, with the rise of the Third Reich and the Anschluss in March 1938, when Austria was annexed by Germany, she and her mother fled Vienna for the Netherlands before emigrating to England in 1939. Further distress followed when her brother Karl, who had remained in Austria, was arrested and deported to Auschwitz, dying of typhus there on 25 June 1943. On Motesiczky’s arrival in London Kokoschka ensured her inclusion in a series of group exhibitions, and assisted her in the staging of a solo exhibition at the Czechoslovak Institute in the autumn of 1944. Further group shows followed, and in 1960 she had a second solo exhibition at the influential Beaux Arts Gallery off Bond Street. On the Continent she received acclaim for her work in exhibitions in Amsterdam and The Hague in 1952, one of her canvases being purchased by the Stedelijk Museum. The same decade she exhibited in Munich and Düsseldorf, and in the 1960s was the subject of shows in Germany and Austria, including a one-person exhibition at the Wiener Secession in 1966. In 1985, a full twenty-five years after her work had been shown at the Beaux Arts Gallery, she was the subject of another solo exhibition in London, at the Goethe-Institut, which was widely acclaimed in the press. In 1994 a major retrospective of her work was held in Vienna at the Österreichische Galerie, Oberes Belvedere and in Manchester at the City Art Gallery. In 2006-07 her work was celebrated in a centenary exhibition at Tate Liverpool, travelling to Frankfurt, Vienna, Passau and Southampton City Art Gallery. Also in 2007 Jill Lloyd’s biography of Marie-Louise appeared: The Undiscovered Expressionist. A Life of Marie-Louise von Motesiczky, followed in 2009 by the catalogue raisonné of her paintings by Ines Schlenker itemising over 350 works. Most recently in 2019-20, Tate Britain held an exhibition devoted to her to inaugurate the gallery named in perpetuity as the ‘Marie-Louise von Motesiczky Archive Gallery’ for all future displays of Tate’s archive holdings in general. The work of Marie-Louise von Motesiczky held in public collections Institutions in the UK holding works by the artist include: the Ben Uri Gallery and Museum, the British Museum, Burgh House, Hampstead, Freud Museum, Garden Museum, National Portrait Gallery and Tate in London (which also holds her archive); the Amersham Museum, Fitzwilliam Museum, Cambridge, New Walk Museum and Art Gallery, Leicester, Manchester Art Gallery, National Galleries of Scotland, Edinburgh and the Hunterian Art Gallery, Glasgow. Elsewhere her work is in the National Gallery of Ireland, Dublin; the Stedelijk, Amsterdam; the Boijmans van Beuningen Museum, Rotterdam; the Städel Museum, Frankfurt; the German Literary Archive in Marbach; the Albertina, Österreichische Galerie Belvedere, the Leopold Museum and the Museum Wien in Vienna; the Lentos Kunstmuseum, Linz and the Stanley Museum, University of Iowa, USA. Please find a link to the Catalogue Raisonné for Marie-Louise von Motesiczky: https://www.motesiczky.org/publications/ Marie-Louise von Motesiczky 1906-1996. A Catalogue Raisonné of the Paintings by Ines Schlenker, Hudson Hills Press, New York, 2009. The Marie-Louise von Motesiczky Charitable Trust The Marie-Louise von Motesiczky Charitable Trust, is a company limited by guarantee registered in England and Wales (no. 7572024) and a registered charity (no. 1140890): www.motesiczky.org. The copyright for Marie-Louise von Motesiczky’s paintings, drawings and correspondence or other written work originating from her, her mother Henriette and brother Karl, lies with the Marie-Louise von Motesiczky Charitable Trust.

Whitefriars smoky brown knobbly vase designed by Wilson and Dyer H25cm, pair of Walther & Sohne 'Greta' pattern clear vases, pair of Walther & Sohne 'Mary' blue candlesticks H18cm, Art Deco design glass scent flask with silver collar Birmingham 1934, Baccarat heart shape box and cover and other glass (12)

Vintage mid century carved wooden thermos flask in the manner of Aldo Tura, of waisted sectional form with plated mounts, unmarked, H31cm

Pair of silver cylindrical condiments Sheffield1933, silver vesta case, corkscrew with Danish silver handle, serviette ring, small trumpet shape vase, teaspoon and glass scent flask with silver collar (8)Condition Report:Approximate total silver weight 4.7 ozt

Retro jug flask and vintage coffee perculator.

Vintage brass powder flask and a cartridge powder measure, Cheroot etc.

An oval Victorian hip flask with bayonet cover, 4.5" high, Sheffield 1896 by JD & S, 90g

A small hip flask, plain with hinged bayonet cover, Birmingham 1902, 3” high

A Royal Doulton pottery character flask in the form of an elderly male with detachable stopper head, 10½" high and Doulton Lambeth stoneware pottery harvest jug with raised decoration (2)

925 marked silver flask with green enamel decoration 11cm high x 6cm- 1 small dent to the body otherwise in good used condition

James Dixon novelty book 4 oz hip flask with title 'a pleasant surprise' from the property of the late composer Herman Finck (1872-1939) - 11cm x 7.5cm

1923 silver hip flask with gilded cup by James Dixon & Sons Ltd - 13.5cm x 10cm & 231g ~ slight dents to top & has monogram

A pair of 19th century percussion pistols by Brown & Rodda, London, 6 inch octagonal barrels signed to top, dolphin shaped hammers above foliate and signed scroll panels, engraved steel trigger guards and the grips inlaid with silver scrolls and flowers, walnut full stocks with chequered butts and captive ramrods, 30cm long, in mahogany case, green baize lined interior fitted with flask, cleaning rod, bullet moulds etc

A Victorian silver mounted cut glask flask, Charles Dumenil, London 1898, the pebble form body probably by Stevens and Williams, intaglio cut and engraved with foliate cartouches and fronds, bayonet lid, 15cm high

A pair of 19th century percussion pocket pistols by J. Beattie, London, screw off octagonal barrels signed to top, dolphin shaped hammers above foliate scroll panels, folding triggers, the grips inlaid with silver scrolls and flowers, 12cm long, in mahogany case, blue baize lined interior fitted with flask, bullet moulds etc

An Irish glass scent flask, circa 1800, flattened lozenge form, half mitre cut decoration with stopper and embossed white metal screw cap, 14.5cm long

An Irish cut glass scent bottle, circa 1790, navette flask form, facet cut hobnail central band with white metal screw cap, 13cm long

An Irish cut glass scent bottle, circa 1790, fluted navette flask form with faceted edges, white metal screw cap, 13cm long

SILVER PLATE AND LEATHER MOUNTED HIP FLASK AND FURTHER ITEMS including two meerschaum carvings, a Japanese pot, two matchbox covers and an Art Nouveau metal vase

SILVER PLATED HIP FLASK AND OTHER ITEMS along with a Tengra figure, wooden box and other items

A Roman glass oil flask with a pair of applied ribbon form handles and everted rim over an inverted baluster body, signs of oxidation and soil encrusted surface.Containing an old handwritten collection note, 14 cm overall height.Our client's Grandfather started the collection: Joseph Duncan Steel born in Southampton in 1910, he was a son of a White Star Line Captain. Engineer by trade hence his love of things well made but poet and historian by nature with an endless curiosity, all qualities which led to his passion for collecting in the 1950/60s, including the family car - a 1936 Rolls Royce! Father: Roberto Gnisci, born in Rome in 1942, was an engineer by profession, but purchased his first Roman coin at the age of 8 and continued to pursue his passion for collecting antiquities throughout his life, especially between 1970s to late 1990s.

A Roman glass bulbous flask with everted rim, signs of oxidation and encrusted soil to the iridescent surface, bearing an old handwritten collection label, 20 cm overall height.Our client's Grandfather started the collection: Joseph Duncan Steel born in Southampton in 1910, he was a son of a White Star Line Captain. Engineer by trade hence his love of things well made but poet and historian by nature with an endless curiosity, all qualities which led to his passion for collecting in the 1950/60s, including the family car - a 1936 Rolls Royce! Father: Roberto Gnisci, born in Rome in 1942, was an engineer by profession, but purchased his first Roman coin at the age of 8 and continued to pursue his passion for collecting antiquities throughout his life, especially between 1970s to late 1990s.

A Roman glass inverted baluster form flask with trail decorated neck, bearing an old handwritten collection label. 21 cm overall height.An old and established private collection

A large Roman glass conical flask of spreading circular form with irregular everted rim, signs of oxidation and soil encrustation, bearing an old handwritten collection label 14.5 cm diameter x 10 cm overall heightOur client's Grandfather started the collection: Joseph Duncan Steel born in Southampton in 1910, he was a son of a White Star Line Captain. Engineer by trade hence his love of things well made but poet and historian by nature with an endless curiosity, all qualities which led to his passion for collecting in the 1950/60s, including the family car - a 1936 Rolls Royce! Father: Roberto Gnisci, born in Rome in 1942, was an engineer by profession, but purchased his first Roman coin at the age of 8 and continued to pursue his passion for collecting antiquities throughout his life, especially between 1970s to late 1990s.Some cracking to the edges due to oxidation

A Roman glass inverted baluster flask with a slightly flared mouth with a band of trailed decoration to the neck, bearing an old handwritten collection label, 19 cm high.

A silver plated hip flask, slip cup base, three pairs of spectacles; sterling silver pocket lighter (5)

Boxes and Objects - Enamel flour bin and dishes, tins, Gordon gin bottles, 1960's hair dryer, Thermos flask; etc (2 boxes)

A 20th century Japanese Crane vase/Moon flask, cast in relief, unmarked, 37cm high.

A George V silver hip flask, A&J Zimmerman, Birmingham 1931, wt. 7ozt, length 15cm.Condition:- General wear through age and use, few dents as per extra pictures, bayonet cap & hinge in good working order, lid closes ok, cork ok, no personalised engraving, not tested for leaks, no sign of any major damage or repair.

CARTON WITH HIP FLASK WITH WHITE METAL FITTINGS, SILVER VESTA, WHITE METAL SNUFF BOX, SMALL TROWEL & A GOLD COLOURED POWDER COMPACT