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Lot 11
GLASS DECANTER WITH SILVER COLLAR,with stopper, 32cm high, along with a glass tazza with silver foot, 27.5cm diameter, two continental soup ladels and a spoon marked for 'Pratawolff 90', two cigarette cases, a Burmese sugar and cream, hip flask, comport, napkin ring, pair of condiments casters and a sugar sifter
Lot 123
A 19th century antique elephant gun or long musket of South Asian origin. Large wooden stock with steel furniture and percussion action. In original wooden case with cleaning rods powder flask and bullet mould stamped GH Daw's 'improved mould G24 3040'. 104cm . Case 85cm x 25cm x 8.5cm.To include a letter of provenance stating the gun was recovered from the wreck of HMS Troopship 'Despatch' wrecked near Lowland Point Cornwall 1809.
Lot 105
A George V silver manicure stand by Sanders & Mackenzie Birmingham 1927 holding four manicure tools and a nail polisher (1926) (lacking scissors) the base with a rouge pot, together with two silver-mounted cut glass pots, a silver flask cup base (2.3oz) and a silver-plated table cigar lighterCondition report: The manicure stand is in good but used condition
Lot 406
Gold Leaf Team Lotus chrome plated hospitality tray, formula sponsor item (the first commercial Formula I Motor Racing Professional Sponsor in 1968), the money backing from the parent company Imperial Tobacco Ltd. This lot includes a Brabham Racing Team pewter drinks flask, circa 1960's, approx 31 x 41 cms. --
Lot 339
Three trays of assorted 19th and 20th Century china including a four-legged, lidded Limoges trinket box, small Swansea pottery mug with W. Crapper dealers stamp entitled Welsh costumes, decorated with equestrian scene and group of Welsh women, collection of cabinet cups and saucers including triangular German cup and saucer, Copland cornflower garland cup and saucer, Continental miniature coffee pot with matching cup and saucer, three Wedgwood cups, Wedgwood two-handled jar, Royal Doulton condiments dish, pair of Royal Doulton Burslem 19th century chrysanthemum plates, new Chelsea lidded flask decorated with stockman and animals, miniature cup and saucer hand decorated with thistles, Welsh pottery jug, Rockingham Works Brameld vase hand painted with garden flowers, etc. (B.P. 21 + VAT)Rockingham vase - crazing, chip to underside.Triangular cup and saucer - chip with hairline crack to cut.Hexagonal saucer and cup - each has a hairline crack.Miniature coffee pot with the, appearing Meissen mark, - chip to inside of rim, small chip to securing knob on inside of lid, very small chip to spout (see pics)W. Crapper mug - 2 hairline cracks to baseRed cup and saucer - small chip to rim of cup and possible small restoration to saucer.Llanwrtyd Wells jug - wear to gilding and hairline crack to base.Bird cup - Blemishes to glaze on base.Gold and cream Wedgwood cup + saucer, crack and possible restoration to one handle. Tobacco Jar - 2 large chips + repair to lid. some wear to body. Royal Doulton dish - crazing to glaze, crack to handle. Doulton chrysanth - crazed glazing, discolouration, one hairline crack. 3 Wedgwood cups - one is cracked, repaired and blemished.
Lot 31
EMILE GALLE (1846-1904) Flask with dragonfly underside signed ‘E. Gallé Nancy déposé’ glass with enamel decoration height: 15.5 cm Executed circa 1900 Although Gallé knew the technique of glass paste, most of his production was blown, not in glass but in crystal, that is to say with the addition of lead salts. To the initial gob of crystal, Gallé added new colored layers of metallic oxides, inclusions, before blowing the piece of crystal, to rework it with new inclusions, appliques, gold or silver leaves. From the crystal hall, the pieces were then reworked by engraving, with the wheel for the most precious, with hydrofluoric acid for the most common. A cameo decoration, most often floral, was thus created, a fortunate combination of the chance of blowing and the know-how of the engraver-decorators. Emile Gallé is also the inventor of several techniques, including that of glass marquetry (patented in 1898): fragments of crystal of different colors in one or more layers, previously shaped, are incorporated with a pair of tongs in the goblet still in fusion. Gallé was one of the only artists to master this technique, which is extremely difficult to do. Rare are the pieces using this process, which will not be practiced after 1904. Émile Gallé was born in Nancy on May 4, 1846. He was a French industrialist, glassmaker, cabinetmaker and ceramist. He was was one of the most important figures in the applied arts of his time and one of the pioneers of Art Nouveau, one the founder (with Victor Prouvé, Louis Majorelle, Antonin Daum et Eugène Vallin) in 1901 and first president of the Ecole de Nancy. After his studies and various apprenticeships abroad, he returned to Nancy where, having new ways of exploring the technique of glass, he set about imitating nature with striations, knots, splinters, reflections, shadows and marbling. After his participation in the Universal Exhibition of 1878, his fame spread throughout the world and he became one of the most famous glass artists in the world.
Lot 11
Victorian silver bladed mother-of-pearl handled fruit knife, Birmingham 1855, maker Foxall & Co, the handle with vacant rectangular cartouche, 12cm long unfolded, Victorian silver fruit knife, Sheffield 1844, maker John Nowill, the handle engraved "J.P. Caddy", 13cm long unfolded, combination silver plated cigar holder/ flask, 17cm long (3)
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48831 item(s)/page