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A George VI silver hip flask, of rounded rectangular form, the exterior decorated with engine-turning, the hinged cover with knurled cap and bayonet fitting, A Nicholls & Son Ltd, London 1949, length 14.5cm, width 8.8cm, together with two twentieth-century plated examples, silver weight 221g/7.10ozt approx (3)
Charles & Henry Egg, Sons of Joseph Egg of London. Fine cased pair of Officer's Percussion Cap Pistols C1840.15 bore octagonal barrels with original bluing finish, belt clips and swivel ramrods. accessories include powder flask, bullet mould, oiler, treen cap box, screwdriver, cleaning rod. In fitted burr walnut case with key
Paar Cloisonné - Mond Vasen / Moon flask - LotusMinton & Co. um 1875. Porzellan, weiß, glasiert. Türkisfarbener Fond. Polychrom und Gold mit Emailfarben bemalt (in der Art einer Cloisonné). Gold bemalt. Goldrand. Bei einer Vase auf dem Standring bez.: ... 748. Ungemarkt. H. 19,5 cm, B. 14,5 cm. - Prov.: Auktion 19th and 20th century English and Continental Ceramics ... on ... 2nd March, 1972 ... by Sotheby's Belgravia, Lot. 135. Der Dekorentwurf könnte wohl von Christopher Dresser stammen.
A XIX Century Chatelaine, the shaped scroll brooch (stamped "Sterling") suspending seven chains and a vesta case, scent flask, novelty walnut with internal miniature bottle and mirror, a thimble holder, decorative pin cushion, etc; together with a pair of scissors and a Victorian leather and brass travel handkerchief case.All items on Chatelaine have silver marks, excluding walnut, pin cushion, floral brooch, some chains stamped indistinctly.
A collection of silver to include; a pair of George V hallmarked silver topped and rimmed cut glass scent bottles, hallmarked by Henry Matthews, Birmingham, 1919, of faceted bell shape, approx. 15.5cm high; a George V silver sauceboat, hallmarked by Adie Bros, Birmingham, 1921, with 'S' scroll handle, cast acanthus leaf decoration and raised on three hoof feet, approx. 16cm long, and a George V hallmarked silver candlestick, hallmarked Birmingham, 1918, makers marks worn, approx.13cm high. Along with a silver plated and leather covered hip flask, approx. 16cm long. Weighable silver: approx. 117.4 grams (3.7ozt) Further details: tarnishing, wear, few dents, scratching and signs of usage etc.
12 Teile Zwiebelmuster-Porzellan. Meissen. Verschiedene Schwertermarken, ab 1850 - 2. H. 20. Jh., 1. Wahl und 2 Schleifstriche. Unterglasurblaue Malerei, teils mit Goldstaffage. 3 verschiedene Vasen (H 14,5-25 cm), 1 Kerzenleuchter (H 16,5cm), 1 Kaffeetasse mit Untertasse, 1 Milchkännchen, 1 Flakon (H 10,5 cm), 1 Muschelschälchen (L 9,5 cm), 1 Blattschälchen (L 8,5 cm), 1 Vierpassuntertasse und 1 Vierpassschale (L 15 cm). Gold minimal berieben, Bestoßung am Tassenrand, 1 Untertassenrand und an 1 Vasenstand, 1 Fuß des Milchkännchens geklebt, Rosenknauf des Flakondeckels etwas bestoßen. Aufrufzeit 14. | Juni 2024 | voraussichtlich 13:43 Uhr (CET)12 pieces onion pattern porcelain. Meissen. Various sword marks, from 1850 - 2nd half of the 20th century, 1st choice and 2 grinding marks. Unglazed blue painting, partly with gold staffage. 3 different vases (H 14.5-25 cm), 1 candlestick (H 16.5 cm), 1 coffee cup with saucer, 1 milk jug, 1 flask (H 10.5 cm), 1 small shell bowl (L 9.5 cm), 1 small leaf bowl (L 8.5 cm), 1 quatrefoil saucer and 1 quatrefoil bowl (L 15 cm). Gold minimally rubbed, chips to the rim of the cup, 1 saucer rim and 1 vase stand, 1 foot of the milk jug glued, rose finial of the flacon lid slightly chipped. Call time 14 | June 2024 | probably 13:43 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Petroleumlampe mit Vögeln. Hugo Lonitz & Co., Neuhaldensleben. Pressmarke, vor 1885-vor 1910. Modell-Nr. 1 12 03. Majolika, farbig staffiert. H 46 cm. 2-teilig. Naturalistischer Sockel und Schaft mit 3 Vögeln und Blattwerk, Schalenbekrönung mit Eichenblattreliefs, Glastank mit Kosmos-Brenner. Ohne Glaskolben. Teils bestoßen. Provenienz : Aus Thüringer Adelsbesitz. Restitutionsgut mit Inventarnummer des Residenzschlosses Altenburg, vormals Sammlungsbestand der Familie von der Gabelentz auf Schloss Poschwitz. Aufrufzeit 13. | Juni 2024 | voraussichtlich 16:52 Uhr (CET)Petroleum lamp with birds. Hugo Lonitz & Co, Neuhaldensleben. Press mark, before 1885-before 1910. model no. 1 12 03. Majolica, painted in color. H 46 cm. 2 parts. Naturalistic base and shaft with 3 birds and foliage, bowl crown with oak leaf reliefs, glass tank with cosmos burner. Without glass flask. Parts chipped. Provenance : From Thuringian aristocratic property. Restitution property with inventory number of the Altenburg Residential Palace, formerly part of the collection of the von der Gabelentz family at Poschwitz Castle. Call time 13 June 2024 | probably 16:52 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
A small collection of Roman Artefacts, reputedly from Pompeii, consisting of a bronze Oil Lamp, A/F, bronze Key, Bronze Buckle, a glass Tear Flask and a fragment of iron bar from Herculaneum (?); along with fragments of letters written in the 1840's referring to acquisition of artefacts at that time
A miscellaneous collection of Silver Saint Christophers, a silver photo frame, a silver necklace chain, badges, a hip flask, golly figures, fob watches, lighters, etc. Notice from the the-saleroom.com: These items are listed on the basis they are illustrative of a bygone culture in which there were different social norms. We understand the potential controversy surrounding this type of item but believe that providing transparent information about historical context fosters greater understanding of our complex cultural history.
GOURDE EN TERRE CUITE ÉMAILLÉE VERTE OLIVEDynastie Liao (907-1125)AN OLIVE-GREEN GLAZED POTTERY FLASK AND COVER Liao DynastyModelled after a leather prototype, the slightly rounded U-shaped sides bounded by sharply defined seams, joined at the top by a flat vertical flange with a wide notch featuring a seated monkey, flanked on both sides by a small circular aperture and abutting on one side the short cylindrical neck with a lipped rim, with a domed cover, covered overall with a lustrous dark olive-green glaze collecting around the edges of the slightly concave base. 23cm (9in) high. (2).Footnotes:遼 綠釉皮囊壺Provenance:A European private collection來源:歐洲私人珍藏Compare with a pair of flasks covered with a brilliant green glaze, from the collection of the British Rail Pension Fund, sold Sotheby's London, 12 December 1989, lot 70, where the footnote lists several examples of such flasks whose shape was inspired by a leather model, excavated from dated Liao tombs.This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
RARE GOURDE DE PÈLERIN EN GRÈS À GLAÇURE CÉLADONDynastie des Jin de l'Est (317-420)A RARE LARGE CELADON-GLAZED PILGRIM FLASKEastern Jin DynastyOf flattened oval section raised on four rectangular feet and surmounted by a cylindrical neck, applied to the shoulders with a pair of lug handles, covered overall with a pale olive-green, slightly crackled glaze pooling around the neck and feet to a darker tone. 24cm (9 1/2in) highFootnotes:東晉 青釉雙繫扁壺Provenance:Sotheby's New York, 23 and 24 March 1998, lot 535 A distinguished European private collection來源:紐約蘇富比,1998年3月23至24日,編號535歐洲顯赫私人珍藏Compare with a similar flask excavated from a tomb of the Eastern Jin dynasty in Nanjing, illustrated in Zhongguo wenhua jinghua daquan. Taoci juan, Taipei, 1993, no.98.This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
GOURDE EN GRÈS À GLAÇURE BLANCHEFin de la Dynastie Tang (618-906)/Période des Cinq Dynasties (907-960)A WHITE-GLAZED BAG-SHAPED FLASKLate Tang Dynasty/Five Dynasties periodWith generously rounded sides tapering to a recessed base, gathered to a broad ridge at the top beneath an arc-shaped handle rising from the back of the flask to the short upright cylindrical spout with lipped rim, decorated with three raised filets running low across the wide sides and front, and gathered below the spout, each bordered by impressed rings imitating rivets, covered with an unctuous white glaze pooling to a greenish tone in the recesses and terminating in an uneven line around the unglazed foot, the glazed base incised with the character guan. 20.3cm (8in) high.Footnotes:唐晚期/五代 白釉皮囊壺Provenance:Acquired from Priestley & Ferraro, London, 20 March 2009A distinguished German private collection來源:於2009年3月20日得自倫敦古董商覺是軒(Priestley & Ferraro)德國顯赫私人珍藏For further information on this lot please visit Bonhams.com
MAGNIFIQUE ET TRÈS RARE GOURDE EN PORCELAINE ÉMAILLÉE REHAUSSÉE D'OR IMITANT LE BRONZEMarque et époque Qianlong (1736-1795)A MAGNIFICENT AND EXCEPTIONALLY RARE FAUX-BRONZE MOONFLASKQianlong seal mark and of the periodExpertly modelled of compressed globular form supported on a spreading foot and surmounted by a cylindrical neck with a galleried rim, the shoulders applied with a pair of lion-head handles issuing rings from their jaws, either side of the vase with a large medallion moulded in low-relief with two confronting chilong flanking a central stylised shou roundel, all against a dense leiwen ground, the foot and neck with a band of leaves, covered overall in a lustrous tea-dust glaze, with scattered turquoise splashes imitating bronze encrustation, with some areas picked out in gilt, wood stand 43cm (17in) high.Footnotes:清乾隆 仿古銅釉描金夔龍壽字紋雙獸耳抱月瓶 「大清乾隆年製」款Provenance:Collection of Octave du Sartel (1823-1894), prior to 1881 Sale of the collection of Octave du Sartel, Hôtel Drouot, Paris, 3 to 5 April 1882, lot 130A French private collectionCornette de Saint Cyr, Paris, 26 May 2018, lot 35Published and Illustrated: O. du Sartel, La Porcelaine Chinoise, 1881, pl.XXXII, no.157來源:Octave du Sartel珍藏, 1881年前購入「O. du Sartel珍藏」拍賣,德魯奧拍賣行,巴黎,1882年4月3至5日,編號130法國私人珍藏Cornette de Saint Cyr拍賣行, 巴黎,2018年5月26日,編號35出版及著錄:O. du Sartel著,《La Porcelaine Chinoise》,1881年,圖版XXXII,編號157This magnificent large vase is decorated with archaistic motifs and covered with a dusty dark teadust glaze enhanced with splashes of bright blue enamels and gold detailing simulating the aged patina of ancient bronze vessels. It embodies the spirit of the Qianlong era when archaic bronze vessels were collected and their shapes and designs copied and adapted in a variety of materials including porcelain. Much like his predecessors, the Qianlong Emperor held a profound appreciation for antiquities, surpassing them by personally adding to the Imperial collections an unprecedented number of artefacts. Emulating the legacy of Emperor Huizong of the Northern Song dynasty, Qianlong commissioned illustrated catalogues listing, reproducing and describing various segments of his vast collection. Yet, his interest in antiquities transcended mere acquisitions. He actively encouraged and commissioned contemporary artworks made in the style of ancient masterpieces. In the instance of this particular vase, the emperor's antiquarian pursuits intersect with a prevalent fascination of the time: the emulation of one material through another in trompe l'oeil ('trick of the eye'). Porcelain became a canvas for replicating the allure of lacquer, stone, wood, and bronze, seamlessly blending antiquarian interest with the artistic freedom.The Qianlong Emperor's fascination for works in the trompe l'oeil technique has been argued to reflect the Manchu Court's own numerous personas when ruling its multi-ethnic Qing empire, see John Hay, Sensuous Surfaces: The Decorative Object in Early Modern China, London, 2010, pp.232-235. The Qing emperors were Manchus from the North-east of present day China, however they presented themselves as universal rulers capable of being legitimate guardians of Han Chinese culture, Mongolian culture and Tibetan culture, cloaking themselves in various garbs to suit their political goals. This can be most clearly seen in a painted album of the Yongzheng Emperor dressed in various roles, including a European, a Tibetan lama, a Mongolian archer and Daoist priest, etc; see J.Rawson et al, China: The Three Emperors 1662-1795, London, 2006, no.167. The trompe l'oeil effect of simulating archaic bronze vessels moreover reflects the Qing Court's fascination with ancient China's history and the resulting trend of archaism. The Qianlong Emperor was keen to establish himself as an antiquarian to legitimise his role not only as the ruler of China, but as the chief examiner of the Imperial civil service examination system which recruited thousands of literati scholars, well versed in the Confucian classics and history. The moonflask shape originates from flasks carried by traders and herdsmen from Central Asia and the middle east. Flattened bronze vases, bianhu, appeared as early as the Warring States period (475-221 BC); see for example, a bronze bianhu illustrated by Marie-Thérèse Bobot, Chine connue et inconnue: Dix Années d'Acquisition au Musée Cernuschi, 1982-1992, Paris, 1992, pp.56-57, no.25. Such archaic bronzes were collected by the Song emperor Huizong and are recorded in the Xuanhe bogu tu and reproduced in the Qianlong era, also a line drawing of bronze bianhu vessel, see Chongxiu Xuanhe bogu tu, juan 13, no.12. The current moon flask thus mirrors the Qianlong Emperor's artistic tastes, blending China's past, Western trompe l'oeil techniques, and innovation into its design, reflecting the artistic landscape of its time.See an archaistic simulated bronze vase with an incised Qianlong seal mark, illustrated by Regina Krahl, Chinese Ceramics from the Meiyintang Collection, London, 1994-2010, vol.2, no.953, which was later sold in Sotheby's Hong Kong, 4 October 2011, lot 19. Other examples of Qianlong period porcelains decorated in imitation of archaic bronzes from the collection of the Palace Museum, Beijing, are illustrated in Kangxi, Yongzheng, Qianlong. Qing Porcelain from the Palace Museum Collection, Hong Kong, 1989, pp.411-15, pls.92-96. Another Qianlong-marked faux bronze vase, in the collection of the Palace Museum, Taipei, is illustrated in Emperor Ch'ien-lungs Grand Cultural Enterprise, Taipei, 2002, p.173. See also a rare gilt-decorated teadust-glazed imitation bronze beaker vase, Qianlong mark and the period, which was sold in Christie's New York, 15 September 2011, lot 1602. A large Hu-shaped bronze-imitation vase was sold in Sotheby's Paris, 15 December 2011, lot 50.This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
A Georgian style silver wine coaster, engraved decoration, turned centre, hallmarked Birmingham, 1989 together with an Edwardian silver mounted facet cut glass hip flask, with silver detachable cup hallmarked London, 1900, the collar and cover silver plate stamped by James Dixon & Sons, the cup weighs approx 1.32ozt (410 grams) (2)
A SILVER HIP FLASK, probably by Deakin & Francis, Birmingham 1917, of concave oblong form with pull-off lower section and patent action screw cover with cork interior, 3 1/2" wide, 5ozs 12dwts gross (Est. plus 24% premium inc. VAT)Condition Report: Generally good, no engraving, marks a little rubbed.
A Victorian silver hunting horn vinaigrette/perfume flask, by Sampson Mordan & Co., the horn with hinged cover opening to reveal a pierced silver gilt grille, the inside bearing lozenge Registry mark (Registered Class 1, 21 December 1870, parcel no. 10), maker’s mark, signed ‘S Mordan & Co London’, the opposing end with twist off cap and chain, hallmarked for London, 1873, on chain suspension with ring bolt clasp, length 7.7cm. £200-£300 --- Condition Report In good condition, general light surface wear. Suspension chain with ropetwist fetter links possibly later, ring bolt clasp later added. Gross weight 31.4gm.
WW2 British Tank Crew Hood for the "Pixie Suit" winter overall. Correct wartime pattern brass press studs by Newey. Marked to exterior "12 BRS": US M1943 Field Jacket Hood : Pair of US 1938 Pattern Leggings in Shade 7 Olive Drab webbing dated 1943 size 1R: Pair of British 1944 pattern Housewife Sewings kits complete with Contents: British 1944 dated Thermos Container Flask. (6)
Wooden Gun Case for a Blackpowder Percussion Cap Pistol complete with Powder Flask (no makers marks), Ebony handled Screwdriver and Nipple Wrench tool, Ramrod, plus some cast lead bullets and a tin of Percussion caps. Case is complete with working lock and key. Overall size 41cm x 20.5cm x 6.5cm.

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